The inscription tells of the person, Susan Fleetwood. That Susan Fleetwood was the daughter of William Rutledge, and the wife of Thomas Falkner Fleetwood places her with two men of historical importance in Warrnambool and district.Stained glass lancet window, west wall, north nave, second light from the left in the group of five lights, Depicting the Blessed Virgin Mary facing towards the central light of the Crucifixion, the predominant colours are blues and purple/magenta. Towards the top of the design is an angel holding the Alpha symbol. At the peak of the design is a golden crown. To the Glory of God, and in loving memory of/ Susan, daughter of William and Eliza Rutledge/ of Farnham Park Dennington, and wife of/Thomas Falkner Fleetwood/ born at Port Fairy, July 9th 1848, Entered into rest April 18th 1932./ By her devoted affection to her family and friends, and/ her generous help to all who were in need and distress/ she won the love and gratitude of many./ "Then are they glad because they are at rest, and so/ He bringeth them into the haven where they would be."/ This window is erected by her Son and Daughter.rutledge, fleetwood, st mary

A window sash is a type of moveable window frame that can slide, usually vertically. Unlike a window frame built into the wall, a sash allows glass window panes to slide up and down. The sashes fit inside a track that runs along another window frame attached to the house. Lead weights traditionally counterbalanced sashes, but today they are counterbalanced by springs. The traditional sash window is double-hung; this means it has two sashes that can both slide along a vertical track. However, some sash windows have a single moveable sash, and sashes may slide horizontally. A sash usually contains panels of glass, called lights. The lights are traditionally held together by a grid of bars. The sash window was developed in 17th century England and allowed for greater airflow. The sash window has had a significant impact on western architecture, used in nearly every style of English domestic architecture since the late 17th century. The subject item is a template used by the carpenter to mark or scribe the vertical track in which to window will slide up and down.An item used when sash windows were made by hand from the 17th to the early 20th century. The template allowed the carpenter to mark accurately a channel that was then planed and the Mitre to join the bars.Wooden Ovalo sash template with two screws each side. It has slot along length and has 45 degree bevelled edge each end.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden ovalo sash template, ovalo sash template, template, sash template, sash templet, window sash, tool

Sepia photograph of the workers at the Horwood Bros foundry. Four rows of workers, some sitting some standing in front of a brick building, arched windows, main entrance centre of image. On window on RH side is the Horwood Bros name.industries, steelmaking, horwood's foundry

Window envelope with O.H.M.S. The State Rivers and Water Supply Commission printed in black across the top. Window is buff coloured with dark blue border. State Rivers and Water Supply Commission, Bendigo printed in the bottom left corner.document, w. babidge collection - s.r. & w.s.c. envelope, state rivers and water supply commission, bendigo

This is an image of the original single storey Royal Hotel building which was on the corner of Brook and Evans Streets. In the 1930s the single storey structure was demolished after a fire and replaced with a double storey Art Deco red brick building, which still stands on the same site.At one stage there were four hotels in Evans Street between Station Street and Brook Street. At some stage the Millett family owned them. The Royal and the Olive Tree (formerly the Railway) hotels remain on their original site but not in their original appearance.A black and white photograph with a cream border of a single storey hotel building with a headlight window on the RHS of the corner entry doorway, which also has lead light windows. A young tree and power pole are seen on the RHS of the image. hotels, royal hotel, s.winter, t. millett

National significance. Presented as souvenir by Commodore Mr Andrew M. Cannon AM, of the Australian Yacht Squadron. Date of presentation unknown but commemorates America's Cup victory of Australia II in 1982. Commodore Dacre Smyth, who designed and presented the Naval windows in the MTSV chapel , was also a member of the Squadron. The burgee was designed by Nigel Abbott, twice world sailing champion and graphic designer. The burgee design features the Commonwealth Star in the corner, the A for Australia and the nautical colours of Royal blue – as per the Oxford Concise Dictionary – red and white.A link and souvenir with a significant event in the life of yachtsmen and for the City of Perth and Australia in 1982. The first time in many years that the USA lost this coveted cup and contest.Mounted triangular pennant style Australian Yacht Squadron flag also known in yachting circles as a burgee. Red, white and blue colours with white star in the middle and Red 'A' on top left. Gilded wooden frame with glazing with three window label inserts. Mount includes at lower right a souvenir green rectangular piece of the Australia II Spinnaker used to win the America's Cup in 1982. Sticker on back of frame has framers details.'Commodore Andrew M. Cannon' 'From the Commodore of the Australian Yacht Squadron, Andrew Cannon, To the Mission to Seafarers' 'Piece of Australia II Spinnaker Used to win the America's Cup' australian yacht squadron, andrew m. cannon, commodore, 1982, america's cup, burgee, australia ii, commodore dacre smyth (1923-2008), pennant

Student, Pauline Crawford (nee Harries), in student uniform on the steps of Lister House, Rowan Street, Bendigo. Colour photograph Name cannot be found in student registers.Pauline Crawford (nee Harries), good pose, uniform satisfactory, toilet block (windows) obstructs view, steps for base 8594.8andsn, nursing

Black and white photo. Vincent Kelly's photographic studio in the former Colonial Bank, Pall Mall, Bendigo. Sign at top 'Vincent Kelly. Photo Shop'. The three shop windows each have sign writing on them the left and right windows read: Show Rooms, the centre window: ? Markings/Inscriptions: Front: Vincent Kelly Photo. Rear: 15 BUFS, 1204, FSPVincent Kellyorganization, business, vincent kelly, photographer, vincent kelly

Document. Greeting Cards. Creamy card with mauve sprayed around the centre window. Embossed flowers and pattern cut edges. 'Happiness' printed in gold is stuck at the bottom of the window. Insert has pale green picture which is visible through the window. Picture is purple pansies with green leaves and bluish shading behind them. Card, insert and picture held together with a pale blue ribbon.English Manufactureperson, greeting cards, malone collection, malone collection, greeting cards

Eliza Rutledge (1820-1888) was the daughter of Rupert and Jane (nee Newby) Kirk. She married William Rutledge in St James’ Church, Sydney on 18th August, 1840. She and William had five children, two sons and five daughters. Recorded accounts tell that Eliza was “beloved for her kindness and hospitality” and that she and William kept open house for all manner of social events and occasions. Eliza died at Farnham Park, Dennington, on 31st August 1888. She is buried at Tower Hill Cemetery. The marriage of Eliza to William Rutledge, a man of historical importance in the development of Port Fairy, Warrnambool and the western district of Victoria, places her as a person of importance.Their daughter Susan Fleetwood is also memorialised in a window in Christ Church, Warrnambool. Their son Thomas Forster is also memorialised with a tablet positioned near the Eliza Rutledge windows. Stained glass, lancet window, south wall, main nave. Depiction of the ascension of Christ."By Thy Glorious Ascension Good Lord Deliver Us" In Latin: +In Memoriam+ Elizae Rutledge quae pridie idus Februarias/ MDCCXX nata pridie kalendas Septembres MDCCCXXXVIII obit/ liberi amantissimi Gulielmus Rutledge et Susanna Fleetwood pietatis/ indicio hane Jenestram posuerant Beati qui sunt mundi corde.rutledge, christ church warrnambool, eliza rutledge, eliza kirk, farnham park

Woolamai House was built in approx 1869 on part of Capt Cleeland's property which covered most of the eastern end of Phillip Island. He maintained the Beacon Light on Woolamai Point close to his house. Owned and occupied by family since 1869.Coloured photograph - view of wooden outbuilding, showing two doors and two windows - chimney.local history, photographs, buildings - historical, coloured photograph, john cook, woolamai house, cleeland family history

Unknown person in a police car holding up a POLICE sign to the window, circa 1950police vehicles; transport branch; wireless patrol; motor police branch; motor traffic section

Colour slide in a mount. Cocos (Keeling) Islands, Australia (taken through plane window)Made in Australia / Cocos Islands (Handwritten)australia, slide, robin boyd

Tin Buggy Lamp with candle. Small glass window. Bracket for attachment. Liddle Family stawell

Colour Photograph showing a partially demolished mineers cottage, with the doors,windows and roof removed.

Miss Molan's (From Deep Lead) Patrick StreetColour Photograph: Weatherboard House with verandah, Iron roof. Two doors and two windowsstawell residence homes

Coloured photo of Mitcham Primary School. North windows. West entrance Tirana Avenue.mitcham primary school, no. 2904

Toy metal truck chassis with green windows and red front. Four rubber wheels.Daf. Lesney. Made in England.toys, general

Photograph of two kookaburras taken from the window of a four storey building at Mount Helen.kookaburra, bird, laughing jackass

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. The garden was created by Richard Rigby and Kevin Flintoff.View from the second storey window of Parma House, Main Road, Hepburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs

Graham STONE Graham Stone has worked with glass for over 25 years. He has taught at Monash University, then RMIT University. He was a founding member of Ausglass, Coordinator of the Cold Glass Access Workshop at the Meat Market Craft centre, and Editor of Ausglass Magazine. Four slumped glass windows in the Crofton Hatsell Room at Federation University Gippsland campus.artwork, artists, glass, stained glass, slumped glass, gippsland campus, graham stone

St Patrick's R.C.Church interior around 1920-30Black and white photograph Interior looking toward the altar and the 4 panel arched windowsRose Series P. 1138. interior of St Patricks Church Port Fairy Victoriachurch, sunday-school, building, st patrick, catholic, interior

The construction of Seaview commenced in 1860, after David Talbot, purchased the land from James Atkinson,It had been suggested that it was intended to be double storied but there is no evidence of how that would have been accomplished. Following Talbot’s insolvency, Michael O’Reilly leased the house in 1862 until 1876 when he left for Melbourne.William Powling (Solicitor) acquired the house for Eight hundred and twenty three pounds in 1890 and lived there the rest of his life. His son Ernest Powling continued living there before selling it to Matthew Cathcart in 1917.Coloured photograph of White painted stone house with bay window to right and large verandahcottage, building, home, house, seaview

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a section of a window of a white rendered brick house. The double hung window, with lead lights glass in the top pane, has a decorative bracket above it and unpainted feature variegated brown bricks below. "7' is on the edge of the frame. 7murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, sash windows, lead lights, rendered houses, brick features