WOMEN ON THE GOLDFIELDS. 34 pages with illustrations and maps. Some aspects of the lives of women on the Victorian Goldfields in the early eighteen fifties. Research paper for BA by Marie Hancock.Marie Hancockgoldfields, women on the goldfields, goldfields, women, work, health, caroline chisholm

Newspaper cutting showing photo of a group of Bendigo, Marong and Strathfieldsaye Councillors and Parliamentary Visitors at Lockwood on 7th June. Beside the photo is an ad for a dentist, Dr. H Hedley Ham. Under the ad is an article about Mr Anderson who had worked for the Advertiser. On the back are 4 photos by W. Vincent Kelly of women & girls who won the Austral Competitions.newspaper, bendigo advertiser

Book, Norma Young, A Life Of Devotion, Written by Lorraine Griffiths. It is the life story of Norma Young comprising of: Family Background, Early Days, War and Work, Guides And Guiding, The Business and Professional Women's Club, Community Involvement, The Joys of Travel, Career Woman, Family and Friends, Declining Years, Photographs & Newspaper Cuttings.Plastic spine and coverLorraine Griffithsbook, bendigo, norma dorothy young a.m.

This group used to meet after school or work for a swim at Princes PierB&W photo of men, women and two little girls, most in swimming costumes, on the beach and Princes Pier in the 1940s. Margaret Smith is the taller of the two little girls centre front.piers and wharves - princes pier, sport, swimming, margaret smith

A File relating to Anna Cohn, Sculptor from New South Wales, it contains articles she's written and articles about her work from the 1960s to 1984. It is available for loan to members of Women's Art Register and visitors to richmond Library. This file is significant in that it is one of 3000 such files that are invaluable to Art ResearchersManila Folder with three booklets containing copies of letters, newspaper articles, invitations 57 pages all toldCohn, Anna (1921- ) on folder and on each bookletsculptor, art writer, sculptors society, , anna cohn

This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd.

Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans

Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache

booknon-fictionPublished in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.portraiture, body, colour photograpy, erotica

fictionA satirical illustrated tale of artist Hephzibah Brown who is persuaded by Cedric the Imp of Perversity to follow him to the recently independent Ghana to compose a tourist book he will write and she illustrate. She follows him but changes it to a novel about two tourists, one pragmatic and one an idealistic, a woman, to examine "real life'' being a form of transience.collage, drawing, travelogue, weaving, sexuality, satire, writing

Booknon-fictionIllustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.painting, abstraction, watercolour

Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life

Booknon-fictionInterviews with 12 significant women artists, predominantly working in North America. The interviews start include a brief biography and black and white photos of each artist,and images of their work.sonia delaunay, louise nevelson, lee krasner, alice neel, grace hartigan, marisol, lila katzen, elanor antin, audrey flack, nancy grossman, barbara hepworth, eva hesse

BookA collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.public art, collective, interdisciplinary, body, racism, durational art, social practice, museology, feminism, collaboration

Booknon-fiction500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.colonial art, craft, competitions, portraiture, furniture, sculpture, indigenous art, museology

BookStudy commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.regionalism, cultural industraies, equity, professional recognition, indigenous women, multiculturalism

Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick

non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices

BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice

non-fictionAn illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls. feminist art, political art, urban art, street art, activism, posters

A4 typed sheet Memorandum to all female Registry staff. Has a list of what is "Not Suitable" and what is "Suitable" office attire.Signed by K. D. Marshall, Industrial Registrarclothes, women, australian public service

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.

From the outset the Ithacan Philanthropic held at least one family picnic a year. They either took place at a popular seaside locations or at popular picnic sites in the nearby hills around Melbourne. The first annual picnic was held in 1918. The Ithacan Greeks worked long hours in family food and restaurant businesses in Melbourne. On Sundays the shops were closed so it was seen as an opportunity to relax outdoors away from the city. The Ithacan Philanthropic Society continues this tradition holding an annual picnic in late summer.A black and white panoramic photograph of a large picnic group of men, women and children standing in an open area with trees around the perimeter. Eight children are sitting on the ground in front of the adults and a group of ladies are sitting on a bench to the left of the group. Some of the party are holding long walking sticks which must have been used when they went on a hike or walk.families, picnics, leisure time.