These photographs are related to adult Learning in Orbost.. They are connected to the "East Gippsland Community College of T.A.F.E. Bairnsdale Campus" The Orbost Education Centre has been in operation since 1976 and is run by a team of volunteers and paid staff. Programs and activities offered respond to the needs of the local community and the centre works closely with its community partners. It is supported by funding and goodwill from the community, state government and non-government organisations. TAFE offered adult education to those new out of school and mothers coming out of motherhood as well as others. In the photographs are: Janet Hambling; Irene Rowley; Clive Jenkins; Keith Knight; Wendy Major; Wendy Blackburn; Peter Bommer; Helen Shiels, Jeff Wilson and Peter Griebenow.These photographs are associated with Adult Learning in Orbost.Seven black / white photographs related to Adult Education in Orbost. education-adult-orbost t.a.f.e.-orbost

This is a program for two plays staged by The Arcadians in 1934. This drama group was originally known as the Warrnambool High School Ex-Students’ Dramatic Society and was founded in 1925 by Colonel Langley, the Head Master of Warrnambool High School and his wife, Edmee. The Arcadians drama group was still operating in 1947 and proceeds from the productions went to the Warrnambool High School, funding many school projects including a tennis court, a Senior English prize and Watson Hall. By 1934 a special project was the funding of the ‘Langley Library’. Notable among The Arcadians performers were Colonel George Langley (in the early years of the group), Horace Jones, an English teacher at the school, Syb Carpenter, Bill Earle, Mary and Ron Mack and Nancy Humm. This programme is of particular interest as an example of the plays staged by the well-known Warrnambool drama group, The Arcadians.This is a programme made of two sheets of green paper folded in two to make eight pages. The printing is in black. The sheets were originally stapled but the metal staples have been removed. The inscription is handwritten in blue ink. ‘N. J. Absalom’ the arcadians, warrnambool high school, colonel and mrs langley

The Birkebeiner Nordic Ski Club was formed in September 1977 when a group of enthusiasts met to discuss the idea. The club, located in Mount Beauty has conducted many activities and programs for its members and other cross country skiers at the Falls Creek Ski Resort, Alpine National Park and the Bogong High Plains. Club objectives are to promote the development of cross country racing, ski touring and associated activities. To assist in searches for persons lost in bushland areas and to maintain a Search and Rescue group. It also provides its members with opportunities for skiing and social activities. The Birkebeiner Nordic Ski Club constructed a clubhouse at Falls Creek for the use of members in 1996. The club has conducted the annual Kangaroo Hoppet since 1991. Since its inception, the Birkebeiner Nordic Ski Club has been active in promoting cross country skiing including racing and touring in the Falls Creek, Alpine National Park and the Bogong High Plains areas and have actively participated in search and rescue in the alpine region. Birkebeiner members have represented Australia at five Olympic Games. A number of Kiewa Valley residents are active members or have been past members of the club over the years.Printed material from the internet with colour illustrations – History of the Birkebeiner Nordic Ski Club Inc. Sourced from http://birkebeiner.org.au/about/history/, 14/01/2016 7.45pmbirkebeiner ski club; nordic skiing; cross country skiing; falls creek; bogong high plains

These are badges or pieces of insignia that would have been worn on the collar or cap of members of the Victorian Volunteer Corps. This organization was formed in Victoria in 1867 with the object of fostering in young men leadership, discipline, loyalty and initiative through training programs and community service. The Victorian Volunteer Corps was established in Warrnambool in 1868 and units were initially based at the Warrnambool State School and the Warrnambool Grammar School. Later groups were formed in other schools and competed against each other in rifle shooting competitions, marching and parade skills etc. The Warrnambool groups were trained and assisted by members of the local adult Volunteer Corps. Today cadet groups are sponsored by the Australian Army and there is revived interest in Warrnambool in school cadet groups. These insignia items have no known local provenance but are of historical interest as mementoes of the Volunteer Cadet Corps that operated in Warrnambool from the late 1860s through to the early 20th century. .1 This is a bronze-coloured metal badge with gold lettering, a crown on top, a cross with stars in the middle section and laurel leaves around the outer edges. The two clips at the back are for attachment of the badge to a collar or cap. .2 as above except that this badge has been damaged and somewhat flattened. Volunteer Cadet Corps Victoria Pro Deo et Patria volunteer cadet corps,, history of warrnambool

He served from December 1941 to July 1942 in the Citizen Military Forces and from July 1942 to September 1944 in the Australian Imperial Forces. His reason for discharge was reserved occupation. He held the rank of corporal in 26th Motor regiment. He was born in Colac 19/11/1919 to Ernest Swan and Daisy Johnson. He died 04/08/2009 and is buried at the Warrnambool cemetery. During his life he farmed a soldiers’ settlers block in the Grasmere area, north of Warrnambool. The soldiers' settlement program was instigated after both world wars whereby land was made available to returning soldiers. Some of the land was Crown land and some was acquired. This document is an official statement of his service.This document has social significance and interest as it is representative of thousands of local men who served in World War 2. It is a link also to the Soldiers' settlement programCream paper with black text. Personal details of Ernest Henry Swan have been typed into fields. text in the centre of the reverse.Signed E H Swan. date of issue is 11/08/1976.Army number VX88010.warrnambool, e h swan, e h swan statement of service

Bentleigh Presbyterian Church Calisthenics Group was established following the popularity of physical education programs for women that began in the 19th century. Following World War 11, the population of the City of Moorabbin increased rapidly as the market gardens were divided into housing lots and sold to returned Soldiers who began to establish their families in the area. The 'Baby Boomers' were born and schools, churches, sporting clubs were overflowing with young members. Judy Clark joined this Calisthenics Group c1964 and enjoyed the exercise, companionship and presentation of displays for the local community. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this outfit for her daughter Judy.c1950 Calisthenics was a very popular activity for girls and young women and the Presbyterian Church, Bentleigh established a Group for the local residentsCalisthenics uniform made of white cotton 'sailor top' , bloomers, blue headband and blue beltphysical education, calisthenics, dressmaking, craftwork, city of moorabbin, ormond, bentleigh, moorabbin, post war settlers, world war 11 1939-40, baby boomers, presbyterian church bentleigh

Invitation to the official opening of refuse destructor units and asphalt mixing plants at Inkerman Street, St Kilda, on 18 March 1953. The destructor units replaced a garbage incinerator that had been operating at the site for thirty years and had become obsolete. They were expected to serve St. Kilda's requirements for the next 80-100 years. In 1994, as a result of the local government amalgamation process combining the former Cities of Port Melbourne, South Melbourne and St Kilda, the new City of Port Phillip owned three municipal depots. The St Kilda municipal depot site became surplus to requirements and, in 1996, the City of Port Phillip resolved to use the site for a community housing project under the City of Port Phillip Housing Program. White card printed in black, with gold jagged edges. Shows St Kilda logo.monohearth, st kilda municipal depot

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the Ballarat Legacy Family Camp, Widows' Christmas lunch, a long lost dead man's penny being reunited with Legatee Graeme Heywood. Also an article from the archive about Brian Edwards a former JL who flew a tiger moth biplane around Australian for the 70th anniversary of Legacy. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings. There were updates on the Path of the Horse and Lunge for Legacy.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from Feb/Mar 2022.activities, answer, widows

Has Tram 3509 on front cover, (which was an Art Tram for 2016 by Damiano Bertoli). Gives the Artist and tram number on the inside of the document. Has details of the program on the rear. Notes trams can be found using TramTracker. Emma Anna - Tram 3532 Matthew Clarke - Tram 2012 Bushra Hasan - tram 2007 Oliver Hutchison - Tram 5106 Justine Mcallister - Tram 273 Josh Muir - Tram 2054 Robert Owen - Tram 3008 St Albans Heights Primary School's Community Hub - Tram 5002 Has an image of Michael Leunig from Transporting Art image on rear cover. The Artist statement web page was accessed and placed into a pdf document - see image i3.Yields information about the 2017 to 2018 Art TramsTwo page DL size pamphlet, printed on light card, full colour titled "Melbourne Art Trams - Oct 2017 - Apr 2018", with subtitle "People's Choice Award". trams, tramways, transporting art, art trams, decorated trams, tram 3532, tram 2012, tram 2007, tram 5106, tram 273, tram 2054, tram 3008, tram 5002

This piece of fabric in the design of the Republic of Vietnam’s flag was cut from a roll carried by Military Assistance Command Vietnam operatives when they went around the villages, compounds and outposts. As part of the ‘Hearts and Minds’ program, they would cut off sections and hand them out to anyone who wanted a bit. Some pieces became flags, some head scarves, some were even used to wrap babies. Pieces showed up everywhere. Collected by Sub-Lieutenant A C Perry, Royal Australian Navy Helicopter Flight Vietnam (RAN HFV) 1969 -1970. RAN HFV ) served with the 135th Assault Helicopter Company of the US Army. The Americans named this combined unit the 'experimental military unit' (EMU). Framed fabric piece, yellow with three red stripes, representing the South Vietnam flag plus 3 helicopter unit patches mounted on right hand side SOUTH VIETNAM FLAG/ HELICOPTER UNIT/ SHOULDER PATCHES/ FROM VIETNAM WAR/ KINDLEY ON LOAN FROM/ ANDY PERRY (SS US)/ ROYAL AUSTRALIAN NAVYsouth vietnam flag, helicopter patches, arvn, perry, 135th, 135thahc, emu, ranhfv, navy helicopter, andy perry, hearts and minds

Thirty Six page, with glossy white cover and plain white paper inside - "The Tramway Record Vol. 54, No. 13 Sept. 1992" - with title in green ink and Australian Tramway and Motor Omnibus Employees Association logo on the front cover. Printed by the Victorian branch of the union. Features on the front cover a photo (see image) of the tramway holiday flats at Rosebud. Other items featured are "Tram Stories" written by Frank Puls (Ballarat), pages 29 - 30, about his tramway driving days in Melbourne at Preston in the late 1950's and a photo of Frank standing next to W2 543 at Thornbury on 3/1/1963. On page 32 is a one page item about the Ballarat Tramway Preservation Society, and the former SEC Tramway Employees day on 3/10/1992 when the BTPS was celebrating 21 years. Features a photo of Barry McCandlish standing by No. 14 in front of the depot. 2nd copy added ex C. Dean 20/03/06trams, tramways, unions, melbourne, thornbury, ballarat, btps, atmoea

Kylie THOMAS (14 May 1973 - ) Born Creswick, Victoria A graduate of the Bachelor of Arts (Visual Arts) (1993) and Diploma of Visual Arts (1995) from Federation University (then University of Ballarat) Kylie Thomas continued her art practice after studying under distinguished sculptors Peter Blizzard and Adrian Mauriks. This work was acquired from her graduate folio. Soon after completing her studies Kylie Thomas became an artist in residence at Ballarat Grammar School building a public sculpture for the grounds conceived by one of her selected students as part of the program. She became the youngest exhibiting applicant to be awarded the City of Port Phillip, Rupert Bunny Foundation artist in residence program. After moving to Mallacoota she was absorbed into the community as a visual artist, actor, playwright and assistant publicist. Her commissioned public artwork and sculptures as part of residences collections were all lost in the 2019 bushfires that decimated Mallacoota. Moving back to her hometown of Creswick Kylie Thomas completed a Diploma in Education qualifying as a secondary teacher, always continuing her art practice while teaching. Needing to work again, but with no desire to teach, Kylie Thomas studied Building Design and Architectural Drafting, homing in on other areas which could link back to her artistic practice. Working in this field for a short time she moved to Melbourne where she exhibited paintings and sculpture installations as part of The Melbourne Fringe Festival. She also worked in set design, and as a stage manager and theatre actor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is a spiritual totem created in the tradition of the bricoleur, dedicated to bygone cultures, lost technology and mystery referencing nature, humanity and technology. Humanity to use technology with and for nature. The materials are symbolic, the use of bone, Perspex, computer parts, found and crafted objects constructed in a resulting harmony creating a symbiotic relationship. Tapping the 4th dimension that could lift off into space and come back again, with a feeling of weightlessness, awe and suspension captured. A sculpture which stands on a white pedestal with perspex cover. 'Cultural Dedication' is the final work in a series of sculptures influenced by the ancient cultures of Egypt. art, artwork, kylie thomas, sculpture, alumni

Dr Lisa ANDERSON (1958- ) Dr Anderson’s research questions environmental issues that impact on the social structures of communities and their mapped or metaphysical borders. She develops projects around ways of understanding the effects of climate change. These include work with folklore, legends and religions that tell stories of coping with weather, forced migration of animals and people and coping with difference. She has undertaken international residency programs and exhibitions in the Arctic, Iceland, Paris, Norway, London and China, and she was the first Artist in Residence at the Australian Museum. These unique opportunities continue an extensive art practice of installation work, video, photography and sculpture. Anderson has an extensive record of exhibitions in Australia and overseas with work included in both private and corporate collections. Her exhibitions include Journeys: Due North, a large installation work that includes work created over a 10-year period of engagement in expedition and science work North of the Arctic Circle. Beneath the Beauty of Architecture, an exhibition at her London Gallery, Bicha, used images created in China, Nunuvut Territory in Canada and the Antarctic while working with the migration stories of survival. Dr Anderson has created many large scale artworks that challenge notions of occupation of the City, including Writing the City, a three-year program of installation works to shift the use of Sydney to being a city of public space in its pre-Olympic development. Singing up Stones celebrated the people who created and use the Opera House and the Quay for performance and ideas. This included the first image projection onto the Sydney Opera House, a projection onto the Sydney Harbour Bridge and a ballet of cruise liners with the sound simulcast on the local radio station. Two digital prints with acrylic on metal and bullet holes. This work is the result of research on the hidden voice of landscape undertaken by Dr Lisa Anderson while an Honorary Professor at Federation University Australia. lisa anderson, available

Desmond was born in 1931 in Beechworth but left at age 11 (in 1944) to be educated in Melbourne at Scotch College but returned to the town for holidays and when he was finished with school. Desmond is the son of Raymond Zwar who was 1 of the 3 brothers who owned the Tannery in Beechworth. He worked there when he was 19 for a year in 1950, when the first Baltic migrants came to town. In 1951, Desmond left Beechworth to work in Albury for a newspaper called the "Border Mail" before moving to Melbourne to write for the "Melbourne Herald". He was later known for becoming a writer, having produced 17 books under his name at the time of the interview. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mr Desmond Zwar's account of his life in Beechworth during the 20th century is historically and socially significant to the cultural heritage of the region. He details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and the relationships of different social groups in the town. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Desmond Zwardesmond zwar, zwar, beechworth, burke museum, raymond zwar, zwar tannery, the tannery, zwar brothers tannery, beechworth tannery, listen to what they say, jennifer williams

10NBH Carriage - Excursion Car In Active Service - Belgrave Station Yard NBH SECOND-CLASS EXCURSION CAR. The H was recognising their use for "Holiday" traffic. 15 of these cars were built in 1919 and numbered 1-15. Two more were built in 1981, and numbered 16 & 17. Two extended versions for wheelchair passengers were built in 1981 & 1983. These were numbered 51 & 52 - a separate number series due to the different type of vehicle. Six, numbered 18-23, were built in 1997-98. These had steel frames, padded seats, and a wide "window sill". At first glance they look the same as the previous NBHs. There are other minor construction differences due to the use of steel framing. 18NBH entered traffic 19/4/1997; 19NBH on 5/12/1997; 20NBH on 19/12/1997, the others added in 1998. VR Service History : *NBH 10.VA - 8/12/1919 NWS Built new - /12/1928 - Modified AC Malco BO circa 1955 - Condemned -Historic - Victorian Railways Narrow Gauge - Passenger Rolling Stock: Excursion Car Victorian Heritage Register (VHR) Number H2187 Puffing Billy Locomotives and Rolling Stock Collection10 NBH Passenger Carriage - Excursion Car made of steel and timber10NBHpuffing billy, 10nbh, nbh - excursion car, victorian railways, victorian railways narrow gauge - passenger rolling stock

5NBH - Excursion Car Replica body built by Puffing Billy Preservation Society, Emerald – 1975. Puffing Billy Service History or Notes : Oct 2009 - In for repairs and a lift. Oct 2016 - In for repairs and repaint. Nov 2016 - Repainted NBH SECOND-CLASS EXCURSION CAR. The H was recognising their use for "Holiday" traffic. 15 of these cars were built in 1919 and numbered 1-15. Two more were built in 1981, and numbered 16 & 17. Two extended versions for wheelchair passengers were built in 1981 & 1983. These were numbered 51 & 52 - a separate number series due to the different type of vehicle. Six, numbered 18-23, were built in 1997-98. These had steel frames, padded seats, and a wide "window sill". At first glance they look the same as the previous NBHs. There are other minor construction differences due to the use of steel framing. 18NBH entered traffic 19/4/1997; 19NBH on 5/12/1997; 20NBH on 19/12/1997, the others added in 1998. Historic - Puffing Billy Railways Narrow Gauge - Passenger Rolling Stock: Excursion Car 5 NBH -Passenger Carriage - Excursion Car made of wrought iron and timber5NBHpuffing billy, 5nbh, 5nbh - excursion car

Slide photograph of girls studying at desks in the Stanhope study. Other photos appear to have been taken at the same time and are marked 14, 15, 16 (see items 02520 - 02522). Black and white hardcopy photos of these slides are at 01835, saying it was 1962 and gave the girls names. The photo is captioned 'Packing for the holidays' and has the names: Lynn Hall, Jacky Mooney? and Jane Reed. Stanhope was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Stanhope generally looked after girls over 14 either studying or working. The children were cared for until they were old enough to become independent. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of life for the residents of Stanhope.Colour slide of three girls packing their bags in a bedroom in Stanhope, in a red and yellow Kodak logo mount.Imprinted 16 in top left corner.stanhope, residences, study

Includes a brief history of Montmorency Primary School up to 1970montmorency primary school, montmorency state school no. 4112

The photograph is a record of a historic conference of MTS representatives from Australia and New Zealand. , September 1-3 , 1936: Revd Wm Hoog (Brisbane) Revd W.H. Terry (Port Pirie) Revd H.C Cuthbertson (Adelaide) Revd W.R. Tyler (Melbourne) Mr J.W. Neill (Melbourne) Revd. F. J. Evans (Sydney) Revd Frank L. Oliver ( Melbourne MTS) F W Melbourne (Archbishop F W Head 1929- 1942) Mr J.C. Grahame (Hobart) Rev B.J. Williams ((Wellington NZ) Rev J.C. Clift (Fremantle) From the Argus (Melbourne, Vic. : 1848 - 1957), Saturday 5 September 1936, page 34: "For three days this week chaplains of missions to seamen in different ports of Australia and New Zealand met in conference in Melbourne. Bishop Stephen, chairman of the executive committee of the mission in Melbourne, presided over the conference, which was opened by Archbishop Head celebrating Holy Communion in the Chapel of St. Peter at the mission. Among the questions considered was the problem of foreign vessels, from which nothing is contributed toward the support of the missions. It was felt that there was great scope for work of an international character, and that every effort should be made by the chaplains to bring men from the ships of different countries together. The chaplains said that many thousands of men from foreign ships attended the mission institutes. Efforts will be made for more contact to be made with men on coastal ships, and commendation of men from one port to the next will ensure that the needs of men are cared for as well as possible. An ordained chaplain will be sent from London for a new mission at Geraldton (WA), and a new mission will also be opened at Port Kembla (N.SW.). The chaplains will endeavour to obtain police cooperation in keeping docks and wharves free from undesirable persons. It is hoped that an effort will be made to seek the co-operation of the port authorities in order to ensure the pos-sibility of ships being allowed to be alongside during week-ends and public holidays without having to face the full port charges. To avoid the heavy charges the ships now anchor in the bay during week-ends and public holidays. Melbourne was chosen as the central port for Australia for supplies for mis-sions to seamen, and it was decided that the conference should be held every three years, in Melbourne. The last was held 11 years ago." The photograph was published in the 1936 Annual ReportThis photograph is representative of the relationship between the Mission to Seafarers Victoria and the Anglican Church. Reverend Frank Oliver served as Chaplain at the Mission to Seafarers Victoria from 1930 - 1960. A gift of £20,000 for the rebuilding of the Port Melbourne institute, which was old and dilapidated, was announced at the conference. Black and white photograph mounted on cardboard with border detail on the front. The photograph is of eleven men, five standing behind six seated. Nine of the men are wearing clerical collars and two are in suit and ties. The photograph appears to have been taken in the courtyard of the Mission to Seafarers Victoria, at 717 Flinders St. Each of the people in the photograph appears to have hand inscribed their names/ signatures on the lower edge of the mountboard.Top edge of mountboard title of occasion and photo in Black ink all upper case: (see title details this record); Lwr edge first line corresponding to back row of group: 'REv Wm Hoog (Brisbane); Revd W.H. Terry (Port Pirie); Rev H.C Cuthbertson (Adelaide) ; Rev W.R. Tyler (Melbourne) ; Mr J.W. Neill (Melbourne) : / Lwr edge second line corresponding to front row seated: "Revd. F. J. Evans (Sydney) ; Revd Frank L. Oliver ( Melbourne MTS); F W Melbourne (Archbishop F W Head 1929- 1942); Mr J.C. Grahame (Hobart); Rev B.J. Williams ((wellington NZ).; Rev J.C. Clift (Fremantle); courtyard, chaplains, archbishop melbourne, mission to seafarers, flinders street, frank leslie oliver, conference, australasian chaplains, anglican church, reverends, australia, new zealand, 1936, seamen's mission, chaplains group, chaplain conferences

This is the original manuscript for the song ‘Back to Warrnambool’, composed for the ‘Back To’ celebrations in Warrnambool in 1930 and reprinted for the ‘Back To’ celebrations in 1934. The song, described as a ‘souvenir foxtrot’ was written by Reginald Stoneham, a professional musician who was engaged to write the song. Reginald Stoneham (1879-1942) was a composer who was Australia’s leading exponent of jazz and ragtime piano styles in the first decades of the 20th century. He composed many tunes for anniversaries and celebrations in country towns and cities in Victoria. The original ‘Back to Warrnambool’ music was given to Henri Worland, the Town Clerk of Warrnambool in 1930 and handed over to the Warrnambool and District Historical Society by Keith Arnel, the Town Clerk in 1973. Note that the original song was ‘Respectfully dedicated to the Pioneers of Warrnambool’. This dedication, for some reason, was not printed on the music issued in the ‘Back To’ programs of either 1930 or 1934. This is a significant item as the song ‘Back to Warrnambool’ has great historical significance as it was popular in Warrnambool in the 1930s and 40s and is still played and sung occasionally today. It is one of the two local songs about Warrnambool composed by Reginald Stoneham. The other is the Warrnambool Waltz Song. It is of interest to historians and researchers to have the original music.This is the original handwritten manuscript of the song, ‘Back to Warrnambool’. There are two pages of pre-ruled music score papers, filled in on both sides of the paper. The paper is marked ‘Boomerang Brand No2’. The musical notes and the words of the song are in black ink. The name of the song is outlined in red ink. The first page has the heading ‘Souvenir Foxtrot Song, Back to Warrnambool, Words and Music composed by Reginald Stoneham, 1930, Respectfully dedicated to the Pioneers of Warrnambool’. The last page has the signature of Reginald Stoneham. The first page has the signature of Henri Worland. warrnambool, reginald stoneham, back to warrnambool

October Meeting (Newsletter No. 242, Oct. 2018) At our Society meeting at 8.00pm on Wednesday 10th October 2018 we will explore ideas about what is considered to be the ‘Spirit of Eltham’. We will view a video produced for the Shire of Eltham in response to the 1985 Victorian Local Government Commission Report titled ‘The Restructure of Local Government in Victoria – Principles and Program’ (the Morris review). The recommendation was to amalgamate the Shires of Eltham and Diamond Valley, something that Eltham Council did not support as being appropriate for the shire or compatible with the ‘Spirit of Eltham’. We will also be fortunate to have a presentation on this theme by Lynnsay Prunotto, a local architect, who is also involved in community planning activities, as well as some insights from Hamish Knox on his experience of growing up and working for many years in the region.1:29:41 duration Digital MP3 File 32 MB audio recording, eltham district historical society, hamish knox, lynnsay prunotto, meeting, society meeting, spirit of eltham

With the visit of the American Fleet to Melbourne in early September 1908, volunteers from the the Automobile Club of Victoria took 100 officers on an excursion to the Black Spur past Yarra Glen on the 4th September 1908. (The area we know today as the Yarra Valley). The convoy travelled through Eltham, Research and Kangaroo Ground, where a group of women gathered to wave to them. This was one of the first motor vehicles to pass through Research. The visit of the American Fleet was a big deal at the time. A Program of activites was compiled. City buidlings were illuminated, a State reception was given and a concert was held. The Federal Parliament sat in Melbourne at that time. This photo was made using a home-made camera constructed by the photographer Tom Prior (brother of Mrs E.R. Reynolds). Reproduced on p86 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, research (vic.), u.s.a. fleet, automobile club of victoria, drive, excursion, visitors, welcome, usa fleet, us fleet, waving, tom prior, pioneers and painters, reynolds prior collection, u.s fleet

This IBM card format, designed in 1928, had rectangular holes, 80 columns with 12 punch locations each, one character to each column. Card size was exactly 7-3/8 inch by 3-1/4 inch (187.325 by 82.55 mm). The cards were made of smooth stock, 0.007 inch (0.178 mm) thick. There are about 143 cards to the inch. In 1964, IBM changed from square to round corners. They came typically in boxes of 2000 cards.[20] (Reference and more information at http://en.wikipedia.org/wiki/Punched_card ) Early digital computers used punched cards, often prepared using keypunch machines, as the primary medium for input of both computer programs and data. (http://en.wikipedia.org/wiki/Punched_card) Yellow card with printed numbers. Used for feeding information into a computer.computer, computer card, ibm, data, punch card, punched card, binary

The University of Ballarat inherited the Camp Street Arts Precinct. As the functions of the former public buildings were moved elsewhere, the Victorian Government of the time recognised the importance of maintaining the heritage buildings and the opportunity to create a cultural precinct extending from the Art Gallery. The 19th century architecture along Lydiard Street and the dogleg bend of Camp Street define the precinct. With substantial financial assistance from both State and Commonwealth Governments, the Art Gallery Ballarat has been extended through to include the 1884 Police Station on Camp Street. The Post Office building (1864-1887) was acquired for the University. The 1904 and 1941 Courthouses and the c1900 Public Library building were also included. Two new buildings have been constructed. These six buildings will house the University's Visual and Performing Arts Programs.3 Panorama photograph of the opening of the University of Ballarat Arts Academy, Camp Street. .2 Poster .1) L to R Kerry Cox (Vice Chancellor); Brendan Nelson (Federal Minister - Education); Chancellor David Caro; Steve Bracks, Premier of Victoria. Photographer Ian Reiduniversity of ballarat, camp street, victorian government, commonwealth government, ballarat fine art gallery, police station, courthouse, public library, post office, art gallery ballarat

This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and image inquiries Talking Shop: Ballarat in Business and City Life was an exhibition and program of events held at Ballaarat Mechanics' Institute Between January and April 2019 the BMI hosted Talking Shop: a world of Peters Icecream cones, milk bars, vintage advertising, historic photographs and ephemera, and contemporary photographs and creative responses exploring Ballarat's shops and businesses. Community events invited the community to contribute their images and memories to the BMI collection, and engage in creative activities. This exhibition was curated by Amy Tsilemanis at the BMI who worked with artists Pauline O'Shannessy-Dowling and Margie Balazic, collector John Kerr and Ballarat businesses, council, and schools to create a 'generative' exhibition where material and collaborations could grow. ballarat, ballaarat mechanics' institute, talking shop, exhibition, event, artist in residence, reading room, 2019

As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021

Hat belonged to Julie Jones née Foley, now Heritage Programs Officer, City of Whitehorse. Worn for Grade 2 (1960) and Grade 3 (1965). Julie started school at Blackburn State School for Prep and Grade 1 and was on the waiting list for St Thomas The Apostle's in Blackburn. A vacancy came up for Julie to start in Grade 2 (1964). The teacher was Ms Goody and the building was 'an outdoor building separate from the main building'. Her sister Christine was in Grade 6, and she wore the hat first. St Thomas' was co-ed for primary level (Prep- 6) and girls for form 1 - Form 4 (highest level). The hat was hand me down from Christine. Note: Blazer and tunic are in our collection (NA4565.1-2).Caramel coloured straw hat for St Thomas The Apostle's Blackburn. Edge bound in the same colour on turn up brim. The ribbon (grosgrain) around the crown is in the matching colour and has a flattened bow at the back. At the centre front of ribbon is an enamelled badge in blue, red and caramel colour with 'St Thomas The Apostle's Blackburn. Dominus neus et deus Meus'|In the centre of the badge is a pair of hands with one finger pointing to a hole in the other hand. Headband has J FOLEY written in pen and label is created by Effie Jay 20 1/2. Shower - proofed with water repellent Formula KO/3420Made of Straw Fibre. Name J FOLEYcostume, female headwear

Tower Hill is a volcanic formation believed to have erupted about 32,000 years ago. Its formation is known as a "nested maar" and it is the largest example of its type in Victoria. During formation, molten lava pushed its way up through the Earth’s crust and encountered a layer of water-bearing rock. Violent explosions followed creating a shallow crater which later filled with water to form the lake. Further eruptions occurred in the centre of this crater, creating the islands and cone shaped hills. In 1892 Tower Hill became Victoria’s first National Park. In 1961, Tower Hill became a State Game Reserve under the then Fisheries and Wildlife Department and a major re-vegetation program began. (https://www.towerhill.org.au/index.php/about-reserve/history, accessed 23 December 2019)A number of photographs taken at Tower Hill, including the lakes, volcanic ash layer, and koala.tower hill, ash layer, volcano