Soft cover book. Soft cover - cardboard, white print on front, spine and back. Background illustrated in grey monochrome front.- Walled city and fort, with image of Victoria Cross and Ribbon in colour. Back - on parade personnel with gun carriages. 311 pages, cut, plain white.books, military history, biography

This photo of the first train from Ararat to the Portland Freezing Works in 1895 is a visual record of transport and industry in the early industrialisation of the region.Black and white photograph mounted on cardboard, featuring a steam engine with nine carriages and five men. The train has stopped in a siding surrounded by forest. The photo has text written along the right side of the image and repeated across the face of the photograph. Further information is written on the rear.Front: "First Train / Portland Freezing Works / from Ararat." "FIRST / TRAIN / OF / FROZEN / MEAT / RUN BY / ARARAT / LOCO / MEN / SIDING / AT / PORTLAND / FACTORY / 1895" Rear: "1st train ["loading" is struck out] / 1st train of frozen meat / run by Ararat Loco men / Siding at Portland Factory / 1895".locomotive, train, portland, ararat, portland-freezing-works, railway-siding, 1895

Photograph of Port Melbourne, typical scene of a large port in the 19th century, loading and unloading cargo from tall ships vial cranes and a network of rails and carriages.Photograph, black and white, framed, mounted on Masonite timber, behind glass. Several tall ships docked at a pier, with rails and carriages for cargo. Buildings on pier, small boats in water. Location is Williamstown, Melbourne. Victoria. Photographer is Charles Nettleton. Inscriptions below photograph and on backing board.Under matte at base of photo: "NETTLETON PHOTO" and "(undecipherable)" Handwritten on backing board "WILLIAMSTOWN, MELB., VIC."photograph, photo, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, williamstown breakwater, breakwater, nettleton, charles nettleton, williamstown pier, 19th century williamstown

Black and white photograph. A collection, train derailment. Written on the back Sea Lake. Mileage 139, 19th June, 1961. Photo of men shovelling grain, derailed carriages, older man walking away from photo. A truck with a tank on it, partial registration being C-230.place, train, derailment, photograph, train derailment, sea lake, 19th june, 1961. mileage 139.

Bulletin. 24 page booklet Volume XXX, No. 505, dated November 1979. Issued by the Australian Railway Historical Society. Publication devoted to the story of the Newport Railway Workshops (Victorian Railways). Written by G Doenau and illustrated with B & W photos of engines, carriages and views of workshops.organisation, industry, history, australian railway historical society, newport railway workshops, g doenau, victorian railways

107 cm long fold-out brochure featuring on front page a colour image of 'The 1951 Centenary and Jubilee Train'. Inside features history of Australia's Jubilee and Centenary. Listing of 10 train carriages feature numbered 28 government bodies with description of their work. Unknown donoraustralia, history, general item of interest

Four pages of newspaper (Bendigonian) describing Messrs. Scholten & Marsh's Establishments. On front picture of exterior of showroom and of G.J. Scholten and J.J. Marsh. An article describe the beginning of the coach building enterprise. On page three an article titled "Rules for the Care of Carriages". Several photos on all pages.

Also two black and white photographs of bride unnamed and flower girl Robyn Raymond at Belvue Wedding FairBlack and white photograph of the Victorie four wheeled low horse drawn carriage collapsible hood and raised drivers seat owned by Brian Blakeman with children Rhian North and Tansey Goldsmith seated, displayed during the wedding Fair at Bellevue Convention Centre Lakes Entrance Victoriamotels, fashion, wedding

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as a 'Horse & Carriage Journey with a view of Sandrige and site of the famous Liardet Pier Hotel'. Blue card with black print. Saturday 13 November down left hand sidecelebrations - centenaries, wilbraham frederick evelyn liardet, liardet family

Note by T. H. Kneen 04 March 1992, "this view is from the east-the main entry, to the right and not visible is surmounted by the belfry." (See 91.1). "…the early pavilion was built with two large entrances to allow horse-drawn carriages to drive through." E.B. Littlejohn.2 copies of black and white photograph. Taken from across the lawn with only the roofline showing. Pre installation of the Lily Ponds so before c.1897lawn, belfry, pavilion

Cutting from a newspaper titled Bendigo - the way we were. Photo shows two horse drawn vehicles standing outside the Manchester Arms Hotel. Both are pulled by grey horses. The two horses in the front vehicle are wearing a white lacy sort of covering over their backs and rump with pompoms on the edge. The carriage has a bride and groom sitting in it. The second carriage has four horses harnessed to it. The building has M.U.I.O. Odd Fellows Hall above the veranda and also Manchester. The edge of the veranda has iron lace. Written on the back is: from before 1903 and Bible Christian Church House in the middle. Mosaic 11010.150b is a larger copy scanned at 1200dpi.bendigo, history, long gully history group, the long gully history group - the manchester arms late last century, m.u.i.o. odd fellows hall

Two black and white postcards of Birmingham. .1) Bull Ring, Birmingham featuring a church and steeple in the mid background and people waling in the streets. .2) Colmore Row, Birmingham featuring three storey buildings on either side of a road. People walk on the footpath and a horse and carriage are parked on the left.

Bendigo Advertiser ''The way we were'' from 2000. Buggy: made at Morrison and Sanneman factory, circa 1900. The carriage-building factory was bought in about 1893. It produced first-class buggies, dog and goat carts and phaetons from the very best timbers available. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph of an early painting showing View Street Sandhurst in 1859 with Survey and Post Office. Several people walking around , four horse drawn carriages, on the left Henry Jackson store and a row of houses and shops under a portico on the right two double story houses .bendigo, streetscape, view street

RAILWAYS COLLECTION -BLACK AND WHITE PHOTO OF an old Steam train (appears to be an A Class Loco) pulling passenger carriages - wording underneath Don’t miss the Making Tracks Exhibition at Dudley house, View Street Bendigo- written on the back -February 2005- a clipping taken from The Bendigo Advertiser.photograph, train

Possibly WWII heritage.3 x Pieces of wood, rectangular, pendant-like, with one hole in each piece. It is believed these signs were used on railway carriages Believe -- first sign reads 114c cargo car -- second sign reads Name Takeshi Kasahara -- third sign reads Out of Order. Japanese writing of each piece. Believe -- first sign reads 114c cargo car -- second sign reads Name Takeshi Kasahara -- third sign reads Out of Order.

Photocopy, A4 sheet of a letter from the South Australian Director Advertiser for Duncan and Fraser Carriage Builders of Franklin St Adelaide. Lists the Gold medals the company won from 1867 to 1873. Also advertisements for the Port Elliot Hotel and Plough & Harrow Hotel in Rundle St, Adelaide.trams, tramways, duncan fraser

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

8714.1 - The pencil pointer is painted black with gold writing and ornate.8714.1 - Original Machine - Pencil Pointer Jupiter - GUHL & HARBECK - HAMBURG - JUPITER - L.&C. HARDMUTH - LONDON W.C 2 -Wipe the round and flat sliding rod every week with petroleum, then rub with a dry cloth, so that the carriage slides easily.

Photograph of group outside the original Greensborough Hotel situated in Church Street Greensborough. The man in the rear right holding a child has been identified as William Rank. The Rank family came from Heidelberg and it was common practice to drive horse and carriage to Greensborough for a gathering or picnic.Sepia photograph mounted on brown board. Some damage to photo and mount.rank family, william rank

Shows one of the Baldwin built 0-4-0 saddle tank locomotives at the Sorrento beach terminus with driver and conductor wearing a light summer jacket on the locomotive. There is a Mitchells Whiskey sign on the first carriage roof. See items 4243 and 1991 for further information on the tramway.Yields information about the Sorrento steam tram.Black and white photograph printed on plain paperIn ink on rear "Loco and car at Sorrento terminus"sorrento, steam trams, baldwin

Documents. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Letter from Arnoldt D W, Wedderburn. 2 - 1886 - Letter from Cuthbert & Co, Law & General Stationers, Lithographers & Printers, 55 Chancery Lane. 3 - 1886 - Letter from Pickles Thos P, Railway Workshops, Newport. Letter has letterhead - G F Pickles & Sons, Carriage Manufacturing Company Limited. Manufacturers of Carriages, Buggies, Pleasure & Business Wagons. Importers of American and English Carriage Materials. Sandhurst. Repository & Show Rooms, Latrobe Street West, Melbourne. 4 - 1886 - Letter to Spence James, Gannawarra, Cohuna from Bennett, Attenborough, Wilks & Connelly, Solicitors, Albion Chambers, Sandhurst. Also contains returned reply from Spence James. Mentions Geugnagel Charles, Baker, Sandhurst. 5 - 1886 - Post Office Telegraph from Kilbride Peter, Rochester to Wilkinson, Albion Chambers re Brown & Ellison case. 6 - 1886 - Post Office Telegraph from Bennett & Co, Market St re Sterry & Trestrail.cottage, miners, connelly, tatchell & dunlop, arnoldt d w, cuthbert & co, pickles thos p, g f pickles & sons, spence james, bennett attenborough wilks & connelly, geugnagel charles, kilbride peter, wilkinson, brown, ellison, bennett & co, sterry, trestrail

"Marching to the Waikato 1863/ An outline of the Waikato War/ With A Nominal Roll/ of the Volunteers from Bendigo "& District" "New Zealand Wars of the 1860's".Soft cover booklet facsimile. Cover - cardboard, black print on glossy blue background. Illustrated front and back, black print. Front - Column of troops on the march. Back - troops with cannon carriage. 36 pages, paper, cut, plain, white. Illustrated in black print - photographs, posters and illustrations.books, history, new zealand wars

Black and White Photo, The 'Beehive Chambers', Signs and advertising read - 'Café + Restaurant', 'Henderson & Goodisson', 'Ezy Wakin', 'Beehive Stores', Markings on back of photo read Mining Exchange, Pall Mall, Sandhurst. Three horse carriages with driver and passenger. T. H. Henderson. J. H. Goodison.buildings, commercial, beehive building, beehive stores, beehive, beehive chambers, pall mall, mining exchange, henderson & goodisson, t.h. henderson, j.r. goodisson

An advertising Photo of Hargreaves Street Bendigo for Beehive Watch Coy. Jewellery & Watches 306 Hargreaves Street Bendigo, C.J.Kirby mgr. A postcard will find us. showing 3 horse drawn carriages a tram several people walking. Williams Shoemen shop, Cattran Golden Key Boot co.photograph, streetscape, bendigo

A Tait (Red Rattler) train bound for Princes Bridge crosses the Railway Trestle bridge. Shire of Eltham Offices and library in background (now demolished). Carriages had swinging doors and were "Hot boxes" in the summer with no air conditioning. The front of the train has a sign probably reading "Eltham".Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham shire office, eltham trestle bridge, red rattler, tait train, george coop

The St Dunstans braille writer was modelled on the German Picht model, which enabled the writer to read what was written immediately by place the embossed character upwards of the carriage. Named after the organisation, it used a different finger technique than the Stainsby-Wayne machine that was predominantly available, and was lighter to carry.Black and silver Braille typewriter, with six keys and a large key (space bar) in front. At the back of the keys is a roller arrangement (similar to a typewriter) where paper is placed.St Dunstans Mark II. Ser. No. 575braille equipment, assistive devices

http://en.wikipedia.org/wiki/Horse-drawn_vehicle http://www.coyaltix.com/lamps.htmlThe candle light needed to be protected from the wind. This removeable light or lantern has 4 sides with 2 oblong bevelled glass panals, 3rd panel is plain with a heat vent and the 4th opens to light the lamp and has a 4.5 cm round red glass which would act as a reflector. The candle holder screws out to allow for a narrow candle to be inserted. It has a black ventilated cover on top and has slide fixture to attached the lamp on to the carriage. . Powerhouse Museum Collection Thesaurus Protected lamps or lanterns, fixed or removable, used on coaches or carriages. Commonly made of brass, they often were fitted with reflectors as well as red lenses to serve as tail lights (Art and Architecture Thesaurus).red and clear glass lenses light candle reflector bevelled glass horse buggy tail light

This book was produced in a period of time when Australians, especially those in rural areas referred to Britain as "the mother" country. It was a time when the transition from a colonial dominion of Britain to the status of an individual State through the Australian Constitution was quite apparent, except for the affection and respect of the majority of the population towards "their" Queen. It was a time when the Governor General (Queen's representative) were British born and picked. Australia had grown from a colonial status to an individual state. The feeling towards the monarchy is aptly demonstrated by the words from the High Commissioner for Australia, Sir Thomas White K.B.E., proposal for Australia to adopt the royal title "Elizabeth the Second by the grace of God of the United Kingdom, Australia and her realms and territories Queen, Head of the Commonwealth, defender of the Faith" Here faith implies the christian (Church of England) religion. In rural Australia the respect and admiration for the Queen was very high and all public offices, clubs and halls displayed a well positioned, large photograph of the Queen. The respect for British royalty was quite pronounced by the royal toast, offered before "official" proceedings commenced, and in the military flying the royal "blessed" colours.This book was donated by one of the founding families residing in the Kiewa Valley and is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II. The rural slant towards any form of patriotism was along the lines of "Queen and Country", in that order. After World War II the social texture through multi-culturalism (especially in the Cities)moved away from this "motherland" bondage but it had taken a longer period to penetrate those rural sectors within the Kiewa valley and high plains areas. The great post World War II immigration of European refugees started a shift of numbers of Australian families whose parents were not born in Australia or had British family ties. The book represents a period in time where ties to Britain where a lot strong and entrenched in the social fabric of the Australian rural sector. The growing push for a republic is becoming stronger and stronger as the level of rural royalists deminishes.This item is a hard covered book of 200 pages including 8 pages in full colour and over 250 photographs covering the British royal family and in particular Queen Elizabeth II and her coronation. The external protective paper dust-jacket is in colour. Specific references to Australia appear on pages 9,36 to 41 and 97. The hard cover has a "off" white cloth textured (glued reinforced) cover over thick cardboard . The front and back pages depict the Royal investiture carriage with guards and footmen. Little cherubs are portrayed around the sheath holding the Royal Crown. Crowned lion and stallion sit at attention on either side of the carriage, with the Royal shield supporting their front legs.,The dust jacket is in full colour with the wording "The CORONATION BOOK of QUEEN ELIZABETH II" With a Pictorial Record of the Ceremony" The spin of the jacket (in gold print on a regal red background) "THE CORONATION BOOK OF QUEEN ELIZABETH II" on the bottom "ODHAMS" The cover has a pressed oval shaped double lined border enclosing a crown and the words Elizabeth R, below which is pressed 1953. The spine has the following words in gold coloured print "THE CORONATION BOOK OF QUEEN ELIZABETH II. The front, inside flap, of the dust jacket details the significance of what is contained within the book and the back inside flap has the contents and those personages who contributed. The back of the dust jacket has a brief review of three other books covering other aspects of British royalty and they are titled "THE DUKE OF EDINBURGH" ( a pictorial biography), "QUEEN MARY" (her life and times) and "ROYAL HOMES ILLUSTRATED" (with an essay on the royal palaces by A.L. Rowse.modern australian history, british royalty, queen elizabeth ii, coronation of queen elizabeth ii, australia's "mother country"