This piece of music is the varsoviana dance piece from the Giacomo Meyerbeer opera, ‘L’Etoile Du Nord’ arranged by Camille Michel. The varsoviana was a slow graceful dance originating in Poland in 1850 and appearing in Australia in 1856. ‘L’Etoile Du Nord’ was a comic opera in three acts composed by Giacomo Meyerbeer in 1854. Meyerbeer was the most successful stage composer of the 19th century but his works are rarely performed today. Camille Michel was an editor, composer, author and arranger working from the 1840s to the 1880s. The varsoviana music arrangement probably dates from the late 1850s or 1860s. It is not clear who ‘Minnie Henty’ was but it is most likely that she was Minnie Adair who married George Henty, the son of Stephen and Jane Henty, pioneer settlers in Western VictoriaThis sheet music is most important mainly because of the ‘Minnie Henty’ signature. The Henty family members, founders of the first permanent Victorian settlement at Portland, were influential in the history of the Warrnambool area because of their connections with surrounding properties and with coastal shipping. The music also has social significance as an example of music popular in 19th century drawing rooms.This is a two-page piece of sheet music (cover and two pages of music notation) with the material printed in black on cream paper. The back cover is blank and the front cover has the title and names of the composer and the arranger with ornate scrolls around the printing. The edges and fold of the pages are much tattered and torn in some places. There is also a Warrnambool and District Historical Society stamp on the front cover and the signature of Minnie Henty. Front Cover: ‘Minnie Henty’ ‘Varsoviana sur L’Etoile Du Nord de G. Meyerbeer pour le piano par Camille Michel, Ent.Sta.Hall., Price 1s/-, London, Cramer, Beale & Co., 201,Regent Street & 67, Conduit Street and at 167, North Street, Brighton.’ henty family, giacomo meyerbeer, camille michel

Postcard advertising the Scarlet Troubadours, a troupe of around 9 entertainers that were popular in Australia and New Zealand over a period of 5 years in the early 20th century. They performed light opera and vaudeville. Managed by Edward Branscombe, who pioneered the use of open air venues with his 1909 season at St Kilda.Unused postcard printed in colour on the front, and in blue on the back. the scarlet troubadours, edward branscombe

Three performers gave a concert of operatic and popular works at Her Majesty's theatre. Jacqueline Dark (Moran) has gone on to a successful career as a principal with Opera Australia, while Ivan Williams has worked overseas in Europe for many years. Suzanne Donald continued to sing for many years and was a most successful artist.Single sheet with image of three (male and 2 females) on front with black text on white background."Con Brio" Jacqueline Moran, Ivan Williams, and suzanne Donald in Concert SUNDAY 16th July 1995 at 2.00pm Her Majesty's Ballarat ADMISSION Adult $15.00, Concession $12.00 Group Concession Availablecon brio, jacqueline moran, ivan williams, suzanne donald, concert, 1995, her majesty's theatre

This mounted and framed photograph of a group of friends punting on the River Yarra has a number of historic and artistic associations. The photograph is primarily important as an informal photograph of the Australian baritone John Donald Mackenzie Brownlee (1900-1969), whose international career at the world's major opera houses from 1927 until his retirement in 1958 included singing at Melba's Covent Garden farewell in 1926, to recordings in the 1930s of a major series of Mozart operas in Glyndebourne Festival productions, conducted by Fritz Busch. Brownlee, born in Geelong, won the gold medal as champion vocalist at the South Street competitions in Ballarat in 1921. Moving to Paris in 1923 he began study with the French baritone, Dinh Gilly, making his operatic debut at the Trianon Lyrique in Montmartre in 1926. The most significant periods of his operatic career were with the Paris Opera from 1927 to 1936, and at the Metropolitan Opera from 1937 to 1957. After his move to Paris in 1923, he is recorded as revisiting Australia in 1928 as a member of the Melba-Williamson Company, and 24 years later in 1952. The photograph of Brownlee and the Gardners in a punt on the Yarra, while putatively dated to 1925, must be from earlier in the 1920s before his move to Paris, or later during the Melba-Williamson Company season. Before his move to Paris in 1923, Brownlee had lived in Belmont Avenue, Kew, where he must have developed a friendship with the Gardners. The photograph has additional artistic significance as it was produced at 'The Artorium', James Beament's design studio next to the Hawthorn Town Hall at 362 Burwood Road. With a home at 33 Uvadale Road (designed by Eric Nicholls, who managed the architectural practice of Walter Burley and Marion Mahony Grifffin from 1924 to 1932), Beament painted a number of significant murals for the Griffin practice, including those at the Capitol Theatre in Melbourne.A photograph of recreational activities on the River Yarra. The photograph is historically significant as a professionally produced photograph of the Australian operatic baritone John Brownlee, either before his move to Paris in 1923, or in 1928 during the Melba-Williamson Company operatic tour of Australia. The photograph has additional aesthetic significance as it was produced in James Beament's Hawthorn Studio - The Artorium - at 362 Burwood Road, next to the Hawthorn Town Hall.Framed photograph of John Duncan Brownlee, the Australian tenor, with Enid Gardner and friend in a punt on the Yarra River. Brownlee was born in Geelong but before his move to Paris in 1923, he lived for a period in Belmont Avenue, Kew. Three labels on reverse. 1. "John Duncan Brownlee, Operatic Star, originally of Geelong later resident of Kew at Belmont Av, on the pole. Also in the punt - Edith Gardner a friend. The Gardners lived on the east corner of Edgevale Rd. & Cotham. Approx. 1925." 2. "This picture is the property of Kew Historical Society 1/4/79". 3. Tel. Hawthorn 842 THE ARTORIUM ...."john brownlee (tenor), punting, recreation - yarra river (kew), james beament, the artorium -- 362 burwood road -- hawthorn (vic.)

Music boxes have been around at least since the end of the 18th century. The finest artisans in Europe created them and brought music into family homes when there were really no other types of music entertainment for homes. Music boxes performed the popular music of their day; songs from the opera, traditional songs, and hymns.The Nicole Freres were regarded as the best maker of cylinder music boxes during the mid 1800s. This is a fine example of a 19th century music box.Small wooden music box operated by winding a key which moves a studded cylinder against a comb of tuned teeth. A green paper label has been tacked to the underside of the lid. Cylinder music box, made by Nicole Freres, Geneva, Switzerland, c.1830-1840 Music box with an outside key wind . The cylinder length is 20cm and it plays 4 different airs. single comb, 112 teeth with exposed control levers. on label underneath the lid is "Music de Geneve" and the names of the tunes and the number 5929music-box musical-instrument nicole-freres

"Showboat" was based on a novel by the same name and follows the lives of the crew and performers on the "Cotton Blossom", a Mississippi River showboat from 1887-1927. The music was written by Jerome Kern and the lyrics by Oscar Hammerstein II. It was first produced by Ziegfield in 1927. It was considered the first of the new genre of Light Opera as opposed to operettas or musical comedies.Bendigo Theatre Co. Inc: Program & 2 X blue colored Tickets (seats L5 & L6 for 16/6/11988) for the production of 'Showboat' White paper program with blue ink writing on front cover. Information on front cover: J. B. Osborne Theatre, Kangaroo Flat for dates of June 9th, 10th, 11th, 16th, 17th & 18th at 8.00pm 10 double sided pages with black & white photos of cast & production team Program made of paper, folded & stapled in the middle.souvenir programme, bendigo operatic society

Carla Hreglich interned with her Italian parents and brother Giuliana in Singapore, transported to Camp 3 on the "Queen Mary" 1940. Both children released to attend Catholic schools. Carla & her friend Marissa Georgio attended Brigidine Convent in Echuca. Carla School Captain, musician, post war interpreter for Italian Opera Company.Black and white photograph of two girls with sheep dog, tree lined fence behind.Carla, Hreglich & friend Joan Hands at Moira Station, NSW. 1947italian families, singapore group, camp 3, brigidine convent echuca, carla hreglich, giuliana hreglich, marissa georgio

The two films screened were produced by the British company Gaumont-British Dominions. Frank Talbot, who leased the Athenaeum Theatre, made an agreement in 1932 with the British company to show British movies exclusively at the Athenaeum Theatre, the first agreement of this kind to be made in the world. The film "The Mikado" is presented with the D'Oyley Carte Opera Company chorus.The souvenir program has a generic cover, featuring an advertisement for "Cholerton's School of Motoring" instead of the name of the film, as found on previous programs. This may have been the result of wartime economies. The evening of entertainment, typical for the time, commenced with an overture from Cecil Parkes Strad Trio followed by Fox Movietone News and the first film, "Sword of Honour". After interval the Cecil Parkes Trio again played, a Gaumont-British newsreel was screened and then the main feature "The Mikado" was screened. In 1939, when the Athenaeum Library was open until 10 pm, Library members could change their library books during the interval, between films, Monday to Saturday.Paper program for a film screened at the Athenaeum Theatre September 1939; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, gaumont-british dominion films, cecil parkes strad trio, the mikado, sword of honour, frank talbot, d'oyley carte

Video of the 1988 Australian Wool Corporation Bicentennial Collection - Wool Fashion Show held at the Sydney Opera House. Evening hosted by Michael Parkinson and attended by Prince Charles and Princess Diana. The videotape goes for 3 hours and 40 minutes. The National Wool Museum was established in Geelong, Victoria in 1988 as part of the Australian Bicentennial Celebrations. basic VHS with black encasing around internal white tape despenser and blacktape. Has label on top which reads AUSTRALIAN WOOL CORPORATION. BICENTENNIAL COLLECTION. DURRATION: 3 HOURS 40 MINUTES. DATE: 4/1/1988. PAL VHS. and label on side which reads COPYRIGHT:. ALL RIGHTS RESERVED BY THE A.W.C.. AND UNITED TELECASTERS SYDNEY LTD..Lettering. Top: AUSTRALIAN WOOL CORPORATION BICENTENNIAL COLLECTION DURRATION: 3 HOURS 40 MINUTES DATE: 4/1/1988 PAL VHS Lettering. Side: COPYRIGHT: ALL RIGHTS RESERVED BY THE A.W.C. AND UNITED TELECASTERS SYDNEY LTD.australian bicentennial celebrations

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This first volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1951 to 1962.The Reding Universal Exercise Book, all pages filled (92 pages)Written on front cover: Mandie Eckersley, 20 Dillon St, Paddington, N.S.W. Telephone - 318339, Dec 1962, L01919. In exercise book: all handwritten notes. On back cover: list of numbers, squiggle, and dates "Dec 18 Dec. 23".sydney opera house, jorn utzon, sydney opera house project, ohm2022, ohm2022_24

Nine page loose-leaf typewritten (draft) paper re history of Theatre in Bendigo - no author given (has handwritten annotation -''Was this the talk given by Pat Lyon to RHSC - ask James Lerk ''. Pages 12 to 19 are numbered and the is an accompanying unnumbered page with annotation ''who compiled this?'' which seems to relate to theatre in Dunolly, rather than Bendigo. Detail of history of theatre in Bendigo incl ref to: Lyceum Theatre; Theatre Royal; Marsh Troupe; Lyster Opera Co.; proposal to build an Opera House; St James Hall; Royal Princess Theatre; James Cassius Williamson; itinerant lecturers; various performing companies by name (page 15); various 'smash hits of the day' (page 15); in detail - the shows in Sandhurst for the year 1894 , month by month; the Masonic Theatre; Bendigo Dramatic Society; Bendigo Glee Club; Bendigo Orchestra; Bendigo Liedertafel; Alice Crawford (Shakespearian actress); Bindley's Conservatorium of Music with list of talented artists from there; Austral Competitionsentertainment, theatre, history, royal prinecss theatre. masonic theatre. austral competitions. lyceum theatre, theatre royal, bendigo glee club. bendigo dramatic society, alice crawford. crowley. billy heffernan. st. james hall.

Margaret Bennett was a student at Ballarat Teachers' College in 1949. She attended the Ballarat School of Mines as a full-time day student for three years, gaining her Diploma of Art in 1972. She was Drum Major of the Ballarat Ladies' Pipe Band from c1954-1955. She was also the set and costume designer for Junior Light Opera Company. A handmade green blazer with a scotch thistle crest embroidered on the pocket, along with the name Ballarat Ladies' Pipe Band. Gift of Margaret Bennett, 2019Ballarat Ladies' Pipe Bandmargaret bennett, ballarat ladies' pipe band, alumni, highland pipe band, margaret reynolds, ballaray junior light opera

Margaret Bennett was a student at Ballarat Teachers' College in 1949. She attended the Ballarat School of Mines as a full-time day student for three years, gaining her Diploma of Art in 1972. She was Drum Major of the Ballarat Ladies' Pipe Band from c1954-1955. She was also the set and costume designer for Junior Light Opera Company. A City of Ballaarat Pipe Band Life Member Medal, pinned to a piece of Mackenzie Tartan with bow. City of Ballaarat Pipe Band, Life Member on the front Inscribed on the back is Drum Major Margaret Bennettmargaret bennett, ballarat ladies' pipe band, alumni, highland pipe band, margaret reynolds, ballaarat city, city of ballaarat pipe band, life member, tartan

Margaret Bennett was a student at Ballarat Teachers' College in 1949. She attended the Ballarat School of Mines as a full-time day student for three years, gaining her Diploma of Art in 1972. She was Drum Major of the Ballarat Ladies' Pipe Band from c1954-1955. She was also the set and costume designer for Junior Light Opera Company. A handmade Mackenzie Tartan Scarf, with a red, white, green and dark blue pattern and fringed endsCity of Ballaarat Pipe Band, Life Member on the front Inscribed on the back is Drum Major Margaret Bennettmargaret bennett, ballarat ladies' pipe band, alumni, highland pipe band, margaret reynolds, tartan, scarf, mackenzie tartan

Margaret Bennett was a student at Ballarat Teachers' College in 1949. She attended the Ballarat School of Mines as a full-time day student for three years, gaining her Diploma of Art in 1972. She was Drum Major of the Ballarat Ladies' Pipe Band from c1954-1955. She was also the set and costume designer for Junior Light Opera Company. A handmade tie in Mackenzie Tartan. Gift of Margaret Bennett, 2019margaret bennett, ballarat ladies' pipe band, alumni, highland pipe band, tie, mackenzie tartan, tartan, wool

Margaret Bennett was a student at Ballarat Teachers' College in 1949. She attended the Ballarat School of Mines as a full-time day student for three years, gaining her Diploma of Art in 1972. She was Drum Major of the Ballarat Ladies' Pipe Band from c1954-1955. She was also the set and costume designer for Junior Light Opera Company. An epaulette with the rank of major - four arrows in brownish gold - embroidered onto a piece of dark green material. ballarat ladies' pipe band, alumni, highland pipe band, tie, tartan, wool, epaulette

Programme for comic opera ''Iolanthe'' commencing November 24th, 1902 at the Princess Theatre. Main actors: Mr. Alex Hamilton, Mr. S. Horwood, Mr. W. Cahill, Mr. E. Allen Bindley, Mr. R. Eddy, Mr. Tom Pritchard, Miss Beatrice English, Miss Eva Crowther, Miss Rose O'Mahoney, Miss Addie Campbell, Miss Else Crowther, Miss Rose Spargo, Miss Lillian Orchard and Miss Florence Quinn.program, theatre, princess theatre bendigo

Object Melbourne and Sydney Olympic Games. Melbourne Olympic Games 1956, Olympic Torch Bearers form Bendigo to Geelong and from Melbourne to Sydney Year 2000, Olympic Games Preamble, Scotland the Brave, Sydney Opera House, Alaska/Olympic Games (Sydney) highlights, 1st. October 2000, Closing events and Closing ceremony Sydney Olympics 2000. 2nd. October 2000 Alb/Border Olympians interviewing Olympians. 5 Video Cassettes in total.audio-visual technology, audio accessories, video cassettes

Small, very rusty cigarette tin would have held 20 De Reszke virginia cigarettes. The cigarettes were named after Jean De Reszke (1850-1925), a famous Polish opera singer and were advertised as "The Aristocrat of Cigarettes". Produced by J. Millhoff (a Russian cigarette maker living in London). A special blend of tobacco - that was believed not to damage the famous singer's voice. In gratitude Millhoff was allowed to sell the brand as "De Reszke" cigarettes.Top: De Reszke / VIRGINIA / The Aristocrat of / CIGARETTES. Two coats of arms - just visible on lid. Sides: 20 De Reszke 20 / De Reszke CORK / Godfrey Phillips (Aust) Pty. Ltd., Melbourne, Australia. MILLHOFF & C0 Pty Ltd. Printed inside: "Just as good and pure a cigarette as was especially made for and always smoked by that great singer Jean De Reszske". De RESZKE Virginia Picture of gentleman above (head and shoulders). smoking, de reszke, cigarettes, geoffrey phillips (aust) pty ltd, millhoff

Red hardcover book of an Opera in three acts composed by Balfe and words by Alfred Bunn. The ornate cover has red, gold and blue print of the title - Balfe's Bohemian Girl, The Royal Edition and Publisher Boosey & Co London. The damaged spine has Bohemian Girl Balfe written in faint gold lettering. There are 226 pages of vocal score. At the back of the book are lists of other Boosey & Co's Standard Publications, Musical Cabinet and Instrumental Library.John Sebire Melbourne is written in ink in copperplate text on the title page with flourishes.music books, musical scores, opera scores

Order of presentation of honours and medals at War Memorial Opera House, San Francisco Monday May 7, 1973 at 3pm at the 1973 American Institute of Architects Convention. Patricia Boyd travelled to this conventian to accept the AIA's Architecture Critics Medal on behalf of her late husband Robin Boyd. She gave an acceptance speech at this event. The certificate accompanying the medal is item C07.Two copieswalsh st library

Booklet of 24 pages containing the score of ' Donizetti's lyric Tragedy of Lucrezia Borgia, Prima Donna -- Miss Catherine Hayes. Rendered into English by J. Wrey Mould, and now produced at the Theatre Royal, Melbourne. Musical Director and Conductor -- M. L. Lavenu. Printed and published by Wilson Mackinnon & Fairfax 'Argus' Mercantile Printing Office.entertainment, opera, donizetti, lucrezia borgia, catherine hayes, j. wrey mould, theatre royal melbourne, wilson mackinnon and fairfax, argus mercantile printing office

This is a programme of a concert called ‘The All Nations Night’ staged by the Warrnambool Orchestral Society and held in the Warrnambool Town Hall on Show Night, November 13th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and with his wife taught piano, violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Louis Bayer was the musical director at the Warrnambool Industrial and Art Exhibition, writing the Cantata for the opening ceremony and directing over 60 performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas including one called ‘Federation’. Bayer’s wife was an accompaniste at this ‘All Nations Night’ concert and his son, Otto was the horn player. The concert featured the soloists, Nellie McClelland, Lucy Meares, W.D. Thomson and D. Williams. The concert may have been sponsored by Youngers Stores. This large department store was established in 1888 and closed in the 1980s. This programme is of great significance as it featured a 1902 concert conducted by Louis Bayer, one of the most important musical identities in Warrnambool’s history. These are two sheets of green-coloured paper folded in two to make eight pages. The printed material is in black type. The pages include the concert programme, a list of members of the orchestra and several advertisements for Youngers Stores. The front page has the concert title (‘The All Nations Night’) in a text box bordered by a floral pattern. The pages are a little torn at the edges. younger & co, warrnambool, history of warrnambool, louis bayer

This is the programme of a concert staged by the Warrnambool Orchestral Society, probably in 1904, in the Warrnambool Town Hall. As well as the Warrnambool Orchestra conducted by Louis Bayer, the concert featured Watkin Mills, Eduard Parlovitz and the Western District Orchestra. Louis Bayer (1857-1907) was born in Germany and came to Warrnambool in 1891. With his wife he taught piano, violin, orchestration and singing and established the Warrnambool Orchestral Society. Bayer was the Musical Director of the 1896-7 Warrnambool Industrial and Art Exhibition, composing the Cantata for the opening ceremony and directing over 60 musical performances, including 22 operas and many concerts. Bayer was a composer and produced many operas, including one called ‘Federation’. Robert Watkin-Mills (1849-1930) was the leading English bass baritone concert performer of his time. He was successful in Britain, U.S.A. and Canada and moved to Canada in 1914. He toured Australia in 1904 and again in 1905. Eduard Parlovitz was a distinguished Polish pianist. This programme is of great significance as an example of a 1904 concert produced under the direction of Louis Bayer, one of the most important musicians in Warrnambool’s history. The concert also featured two internationally-known artists, demonstrating that in 1904 Warrnambool was a venue for the top musicians of the day. These are two sheets of paper folded to make one cover and four pages of printed material. The cover is pink with borders, some ornamental, forming the text boxes that separate the concert information from advertisements for two Warrnambool businesses. The programme details are printed on the white paper inside the cover and include two advertisements. The programme has been stapled but the metal staple has been removed. The programme is slightly torn on the cover edges. warrnambool orchestral society, louis bayer, robert watkin-mills, eduard parlovitz

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This second (and final) volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1962 to 1966 when Utzon quits. The Reding Universal Exercise Book, filled to pp 0-48 and p 92Written on front cover: "Mandie Eckersley, 19 South Street, Edgecliff. NSW." In exercise book: handwritten notes. On back cover: list of dates from 1966-1977. Inserts in page 41: Public Library of New South Wales photocopying service receipts dated 8-2-67. Public Library of New South Wales Applications slips for books from stack.sydney opera house, jorn utzon, sydney opera house project

Purchased from an opportunity shop, this dress is a stage costume bearing the label of Bonn & Mackenzie, a prominent UK costume designer from the 1950s to the 1970s. The dress appears to have been worn by June Bronhill (1929-2005), a prominent Australian opera singer and actress, whose name is handwritten on the label. Born June Mary Gough, she began using the stage name of Bronhill in 1952 in honour of her NSW home town of Broken Hill as a form of thanks to the local community who had helped raise money to send her overseas for professional training as a singer. Bronhill trained in London and gained early exposure with the English National Opera. She went on to star in many theatrical productions in Australia and the UK. She moved back to Australia permanently in 1976, and in 1980 was cast in her first television role as Mrs Crawford in the Australian version of 'Are You Being Served?'.Full-length short-sleeved dress of white cotton, lace and nylon, featuring elaborately ruffled sleeves and vertical stripes of lace on the skirt and bodice. The dress is open at the back, fastening with hooks and cotton ties to facilitate quick costume changes.Label, white cotton with red text: "BONN & MACKENZIE LTD. / TEMPLE BAR 1393". Handwritten underneath in black pen: "JUNE BRONHILL".june bronhill, bonn & mackenzie, theatre costume