This is a newspaper article about the Knight family. It was written by Ida Stanton for the Stawell Times-News "Halls Gap Extra" and was published on Friday, 29 December 2000, p.16. The photos included in the article are C 1881. For more information see "Victoria's Wonderland", "Water between the hills".A newspaper article headed "The Incredible Knight story", containing two photos. The photos are of a couple (Gus and Ellen Knight) in a Stanley Steamer car; and two boys (Bert and Ken Knight) sitting on a pile of boxes with a small dog in the foreground. They are wearing shoes made from rubber tubes.people, knight

The photo shows the site and remains of John Child's Glenbower Mill (which operated in the mid-1800's).The photo shows a clearing with the remains of an old building and steam engine on the front left. A small hut can be seen at the back of the clearing, to the right of centretimber industries, logging, sawmilling

This is the pondage below Wartook Lake embankment. The photo is from the Weekly Times. Oddly, the inscription on the bottom of the photo does not appear to relate to the images.Photo shows a river with four people standing on a sandy bank. Four other people can be seen in the forgrouns standing on the near bank. A smaller inset at the top left corner seems to show a tee reflected in water.scenery, mackenzie river

This is a photo of the Comfort Station in the reserve in central Halls Gap. The reserve was used by campers and picnickers.The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows. There is a large tree in front of the building and bush behind it. To the right are a some swings and in the right foreground there is a wooden seat and a hanging sign mounted on a stone base. There are two posts in the centre foreground.natural history, flora

This is a photo of the Comfort Station at the Halls Gap Camping Reserve. The Camp Kitchen (see record 375) can be seen in the right, rear of the photo .The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows alond the front. There is bush in the background and a smaller stone building can be seen at the right rear. "...or Series No. 8. Comfort Station, Camping Reserve, Hall's Gap, Grampians, Vic." on bottom of postcard.buildings, comfort stations

This is a photo of participants in the "Queen Competition", which was held in the Halls Gap Hall. The Queen of Grampians House was Amy Johnson. See Record 4 for information about the Queen Competition.The photo shows a young girl dressed in a long white dress, with a large train, sitting on a throne. The has a small crown. On her left and right stand two young girls, also wearing long white dresses and head bands. To the far left is a young boy dressed as a page, holding a shield which reads :"Queen of Grampians House".recreation

This photo is of the original Halls Gap Public Hall. For a history of the hall see record 389.The photo shows a large weatherboard building. The right hand side has a pitched roof and a small entrance area, also with a pitched roof. The left hand side is square and has a flat roof. There is a sign on the left hand side which reads "Halls Gap Public Hall". There are two cars parked near the hall and the framework of another structure, and a gum tree, can be seen to the far left. There is a range visible in the background, and a muddy road/track in the foreground.buildings, halls

This is a photo of the Halls Gap Recreation area. The building is possibly the change shed for the swimming pool.The photo is a distance shot of a tall narrow building with a pitched roof and small windows high up along the side. There is a metal set of swings/ladder and a lower set of metal equipment near the building. It stands in a cleared area surrounded by bush. recreation, sport

Photo shows two adults with four children among frens. One group appear on higher ground near the top of the photo, while another group of a woman, a small child and a todller are pictured among the ferns lower down."Among the Ferns. Grampians." inscribed in lower, left of photo.recreation, bush-walking

In 1987 the Halls Gap Flower Show ran a procession for the opening.The photo shows a woman holding a small terrier in her arms. She has a sprig of flowers in her hand and is wearing a hat and sun-glasses."1987 (1) H.G.F.S." written in ink on back.events, wildflower show

Thomson's Cafe in Halls Gap. This building is now (2010) part of Mangle's Shop.The photo is a close up of a shop with a large sign on the roof reading "Thomson's Sore and cafe, Home Made Cakes". There are two small trees in front of the shop and a bicycle parked on the right hand side of the store veranda, under a "Peters" sign."Printed by K C Shuttleworth" stamped on back in purple ink.buildings, shops

Cottage once stood in the Mafeking area and was owned in the 1920s/1930s by a prospector and timber worker, name unknown.Wooden slab cottage with corrugated iron roof in apparent good condition. Small front yard enclosed in picket fence, bracken in forefront and eocalypt trees at rear.buildings, houses

A photo of a holiday home called "Bell-Avon".The photo shows a simple house with a low pitched corrugated iron roof and a small porch over the door, set among large trees. There is a "chicken wire" fence and gate in the foreground. beside the gate is a post with the no. "7" on it and a sign hanging from the post has a landscape picture with "Bell-Avon" written below.buildings, houses

A photo of Fredrick Paasch sitting in front of his cottage. A transparency exists in Slide Box (4).The photo shows a man seated on a folding chair reading a paper. There is a small dog in the foreground to the right of the man and an axe leans on a post to his left . Behind the man is a small cottage with branches leaning against the wall in the veranda. The left side of the cottage is covered in a large, climbing rose bush in full flower. Bush can be seen behind the cottage.buildings, houses, people, paasch

Relph Peak, named after A.U. Relph of the Government Tourist Department. See P67 of Bridging the Gap, by Ida Stanton. Steep rocky escarpment, valley down below, smaller range opposite, mountain rising higher in background.scenery, wonderland range

Photo shows rocky outcrops and scrub. A small leafless tree can be seen in centre of photo. Other stumpy trees and grasses also appear in photo.General scrubflora

This is a Rose's Australia stereocard of Morningside. Built c1875, Morningside was the residence of John and Catherine D'Alton, it was located on site of present (2010) Colonial Motor Inn. c1900 it was owned by Langley family and was taking in paying guests. In 1909 it was leased by James and Grace D'Alton who continued to run a small guest house. In the late 1920's a small building was erected to serve as PO and telephone exchange. C1980 the guest house closed. In 1982 Morningside was demolished.A computer print of a State Library of Victoria Catalogue entry for a stereograph card. The card shows a building, surrounded by trees, standing in large grounds. There is a picket fence with a gate in the foreground and two people leaning on either side of the gate facing each other (as though in conversation). Hills are seen in the background.guesthouses, morningside

RERVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. How is it significant? The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G) - Victorian Heritage Register. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image"Methodist Church"sepp, shire of eltham pioneers photograph collection, eltham, methodist church

This raker/jointer/guage set is a sharpening tool for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular saw sharpening method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys during this period and in the dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back" This raker/jointer saw sharpener was made in the USA (DISSTON) from cast and flat iron. The main body has been painted in orange. It has three adjustment screws on the top horizontal bar and one bolt on(adjusting) leveling platform on the bottom. The small size and weight of this saw sharpener was ideal for the travelling/mobile logger or surveyor(as in this case). The main frame resembles two towers connected by two horizontal bars and the top of the towers has a horizontal bar with adjustment screws. See KVHS 0090 (B) for setting stake wedge adjusting the rake and cutting angle and KVHS 0090 (C) for a small spanner (for adjustments).On one inner supports is stamped "DISSTON" and on the other "U.S.A."hand tool, saw, sharpening method, tree felling.

This spanner, part of a raker/jointer/guage set which is a sharpening tool for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular spanner was part of a crosscut saw sharpening tool and method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys during this period and in the dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back"This small spanner is part of the Raker/Jointer Gauge saw set and is made from forged steel. The nut grip is of the two tightening nuts on the main construction frame. See KVHS 0090 (A &B) for the other items making up the sharpening tools.hand tool, saw, sharpening method, tree felling.

N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it." "The Tilling Group was established in November 1963 and began as a small factory in Eltham Victoria. The company now has large, modern offices and warehouses in most major cities across Australia" - http://www.tilling.com.au/about-us1 black and white photograph printed with white borderInscribed on back: "N.J. Tillings 3rd and recently installed extractor fan at rear of premises. Eltham Council Officers continue to state that such installations require no permit even though the installation involves a change in the nature of the firm's operations. Residents believe that this firm (and others) are no longer classifiable as 'light industrial.' Do residents have to act as watch-dogs to see that regulations are observed or will council officers in future carry out their obligations to do so." industrial estate, brougham street, eltham, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham, milling, fan

Situated at 810 Main Road on the corner of John Street. The Church was surrounded by a picket fence and tall pine trees. The Church was built by George Stebbings in the 1850s and is an example of fine craftmanship. Formerly Wesleyan, Methodist then Uniting church; the foundations of the church building were constructed with stone from the walls of the first Eltham State Primary School (No. 209) building which collapsed in 1874 and were purchased by Robert David Taylor. The Reynolds/Prior Photograph Collection, Presented to the Eltham District Historical Society, 14 June 2006 by Ross McDonald. A second copy was also presented to the Andrew Ross Museum, Kangaroo Ground The Reynolds family were early settlers in Research. Reynolds Road is named after this family. RERVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G). - Victorian Heritage Database The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham."Methodist Church" reynolds prior collection, eltham, methodist church

2 black and white small photos titled - A. 'Bogong Village, Kiewa Hydro Electric Project' and B. 'Junction Dam & Spillway, Lake Guy, Bogong, Kiewa Hydro Electric Project'

The King family lived in Tawonga South where my older brother and sister went to school. We lived over the road from Wally Madison's farm. Later when a house became available, we moved into Valley Avenue, Mt Beauty. This is when I turned 5 and started my schooling. It was a long walk for a 5 year old as I remember. Then later we moved to 50 Lakeside Ave. I remember we loved living there as it was close to the school, footy ground and kindergarten. My father, Ted King, wad a carpenter and was involved in the building of many houses in Mt Beauty which was the home for the workers on the Kiewa Electric Scheme. So as they are part of the history of Mt Beauty I thought they may be useful to you as part of the history. The tennis photos, I vaguely remember Lou Hoad and Ken Rosewell giving exhibition matches in Mt Beauty. I may stand corrected on this, but I do remember my parents who were keen tennis players themselves were most excited at seeing these famous tennis players. As I was only 9 when we left Mt Beauty to live in Dimboola I still remember the shock of leaving a beautiful mountainous county side and arriving in a flat farming land next to a desert and seeing windmills One thing I do remember from school is, once a week (or fortnight) the teacher used to come around with a jar of little white pills, of which we were all to take. I really don't know what they were?? or for?? I also remember being taught to swim in the freezing cold river by a Mrs Smith who wore black bathers and wore her hair in a bun...... ...I am now in my 70s My father used to also carve intricate trays and jewellery boxes in his spare time. I think they were used for tennis trophies. by Diane Werner.x33 photos of small black and white photos of the Tawonga, Tawonga South and Mt Beauty - Photos not labelled but described as follows. See each photo for a possible label. A. Tawonga? B. Mt Beauty taken on the road to Bogong ? C. SEC Works D. Industrial buildings with mountains in the background E. Building site with wooden frame and 3 men F. Buildings with power poles G. Building site with lots of huts H. Buildings under construction I. Group of houses in the distance J. Group of houses in the distance K. Group of people in front of a building L. Group of 8 men sitting on timber planks, corrugated iron at back. M.& N. Building site with floor and upright timbers O. Mountain view with camp site in foreground P.& Q. Buiding site, several houses R.5 men at a building site S. portable building on trailer T & U. Mountain view V. Building site W. Group of men, car and mountains in background X. Cows Y. Pigs Z. 2 men standing next to cars. AA. Football players BB. Man painting a corrugated iron building CC. Football DD. Men in front of a building EE Buildings with mountains in background FF & GG Tennis payersHH & II. Electricity infrastructure

The Victorian Education Department published and printed this reader in 1937. The infant grades learnt to read using phonics which included word groups eg. 'ee' words, 'ai' words etc.This book was used in all Victorian schools to assist children to read.Small tattered book with soft cover held by cloth on card. The 102 pages are held by two staples. It consists of stories, poetry with B & W pictures some of which have been coloured in with pencil. At the back is a 'Language List' which consists of 'word groups' eg. 'ee' words and on the last page 'Additional words'. Made by the Victorian Education Department in 1937.Some pictures have been coloured in. On cover, top right hand corner: "Yvonne Simmonds / Red Bluff"victorian reader, education, infant reader

This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets.

This product was introduced in an era where the "silky smooth" look was in vogue. From the 1920s on, American and British film stars set the tone of how clean cut (hero type) masculine look attracts the opposite sex faster and in greater quantities than the "unkempt" or natural maintained look. This look was bold and "polished" and had the intended projection that the hair matched the character of "I look after myself and have a high opinion of physical appearances". As fashion goes this slick and well maintained look has circled many times, in and out of history and in Australia in the 1950s this was a prime example. The liberation of the stereo type of both sexes occurred in the 1960s when the freedom loving "hippie culture" had a marked affect upon the city inhabitants but not so strong among rural males. Sexism was still rife in that time frame.This jar of Brylcreem was a part of the (masculine) rural scene for a longer period than that found in the larger towns and cities. The long held "men are men" and "women are women" distinction between the sexes lingered on more in rural areas because of the perceived physical differences, mainly "strength" and perceived tasks such as "men only" activities (heavy farm/mining/construction). The jar of Brylcreem maintained the respectable male look for those special occasions when males "dressed" up and looked clean physically and well behaved (to show respect to the women folk)This glass jar with a glued on,red background, label detailing the product Brylcreem (a men's) hairdressing ointment is empty of its original product. It has been contoured on each side to allow for a man's fingers to comfortably and firmly grip the jar. This form would allow even "greased up" hands to maintain control. The glass thickness is far greater than needed and also added the extra stability to the standing jar. The shape of the jar is a latent attempt to emulate the physique of a fit young man (small waist, expanded and muscled mid rift and large shoulders). The jar does not distract from viewing its contents (clear glass). It has a black gloss screw (on/off) lid made from mild grade steel. The jar holds approximately 200 grams of a thick molasses textured product. On the front red Label; in large white letters "BRYLCREEM" underneath this is in smaller silver print "THE PERFECT HAIRDRESSING" underneath this is a banner type motif with a crown at the top and a black letter "B"in the centre. Below this and in much smaller print are printed in black script "BEECHAM (AUSTRALIA) PTY. LTD. MELBOURNE VICTORIA M A Imen's deportment, toiletries, men's hair styles, physical appearances