Photograph of AIF Codford Camp No. 7. R.H. Baron was stationed here in 1918 during WW1. He later transferred to Herdcott Camp. Part of the Robert H. Baron (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Black and white photograph featuring three buildings fronting a gravel road. Two signs appear in the foreground. One is labelled 'No. 7 Camp', the other taller one is labelled 'Salvation Army Rest Hut'. A tree lined hill is in the background.On back, handwritten in black ink: 'Dear Mother, this is the entrance to our camp, the 3rd hut down on the outside is our hut, Robert H. Baron.robert h. baron, cooper collection, postcard, codford aif camp

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Robert Stolz dirigert Melodien von Robert Stoltz. LP 33RPM vinyl, Catalogue Number: 111157.4511157.9, Record cover, Paper sleeve, 1 vinyl disk. No cover notes. Robert Stoltz, Die Weiner Symphoniker.lp, sound recording

Miss Gwen Roberts, daughter of John and Roberta Roberts of Sunnyside, South Sassafras (now Kallista), climbing a style on the Monbulk Track.Tourist Track To Monbulk G.G.M.gwen roberts, monbulk track

The dwelling is representative of the development of the Georgian Revival style in the 1920s and 30s and its popularity amongst the upper-middle classes as a result of the work of William Hardy Wilson and Professor Leslie Wilkinson. It is of importance as a fine and largely intact designer/builder example of the Georgian Revival style, with American Georgian Revival influences. The dwelling embodies the principal characteristics of the style. American Georgian Revival influences are noted in the deep eaves with modillions, central broken pediment, brick quoins and presentation of the central porch. The garden wall, with arched opening, in the side setback appears to be an early or original landscape feature, based on the comparable brick work detail construction with that of the house. Considering this, it is the only early landscape feature extant which assists in providing some understanding of the original landscape layout of the property. (Criteria D and E) (Boroondara Planning Scheme)Colour photographic positive of 264 Cotham Road, Kew. The residence was constructed in 1931 for the Howitt family. 264 Cotham Road, Kew (HO813) is an individually listed building of significance under Amendment C294 of the Boroondara Planning Scheme. 264 cotham road -- kew (vic.)

Letter referring to arrangements for the Camp Hill Centenary 1877 - 1977... Also asking for the loan of old photos and to compile a centenary booklet and for help for catering arrangements and other assistance. Rear D1734 - D1783 1784 1934 CENSUS orders ? , initials C.L. horizontal drawing of slender tube with round top?Robert Cook, Secretarydocument, memo, camp hill ss centenary, document, camp hill centenary 1877 - 1977, mr len dobbin, wes harry, ted thompson, margaret haswell, claudia cutting, iris benbow, lynette gregg, robert burns, margaret bearham, john charlton, robert cook

Sir Harry Lawson, Premier and Senator, 93 pages in hard cover with dustcover showing photograph of Sir Harry Lawson, printed by Brown Prior Anderson Melbourne, published by Mullaya publications with black and white photographs.Robert S Lawsonperson, individual, sir harry lawson

Correspondence re Hope (family) from R Gyles 23/5/1980. Enquiry re John and Elizabeth Hope, arrived Bendigo ca. 1852. Catherine Hope born 18/6/1858. Reply - no references to above.Robert L. Gylesperson, family, hope, back of 2nd, white hill, white hill cemetery, ravenswood

Mr Dalkin posing with one hand in his pocket. Striped vest and matching pants with 3/4 jacket, bow tie and top hat on bench.Roberts Bros Ballarat

Used by Joan Rivis, a primary school teacher, while teaching during the 1940s to the 1960s. Made for the children at the Lady Gowrie Child Care Adelaide by Kathleen Mellor.Child's learning to read book with yellow background and red fence in front. A horse eating hay on front. "Gee -Up Bonny" and with 'J. L. Rivis 2/3' hand written on top right hand corner. Back page is red with horse & dog with people & "Good bye". There is one page with a hidden flap.Wholly set up and printed in Australia by Vardon Price Limited, 95 Grate street, Adelaide for Georgian House Pty Ltd, 431 Barte St, Melbournelady gowrie child centre adelaide, children's book, kathleen mellor

“Letters to ILBA”, compiled and edited by Patricia Ibbotson/Mowat from original letters/postcards held by the family history custodian Peter Roberts Kerang.Book, spiral bound with black metal, cover clear plastic over the title page, back is black cardboard, title page is black print and illustrated in watercolour painting titled “Far away thoughts” by Harry Avery 467”, 123 pages plain white, illustrated in B & W and colour photographs and postcards.On page 3 hand written in black pen,”Donated to the Bendigo RSL Military Museum with compliments from Peter J Roberts/and Patricia Ibbotson (née Mowat) 1st Nov 2019”letters, history ww1, books

Image of Robert Molesworth in legal regalia.robert molesworth, judge, legal

Donated by Robert Gordon Lees VX93348photo/pictures, ballarat rsl, ballarat

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Extant (in 2020) rendered neo-Georgian house, built in 1990. Renovations in 2004 included alterations to the facade. The pen and ink architectural drawing on drafting film of 30 Florence Avenue, made by Margaret Picken in 1996, predates the alterations to the facade.30 FLORENCE AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 florence avenue - kew (vic).

Short paper re 'The Bendigo Engineers' by unknown author, no date. Three typed pages mentioning; Joel Horwood (ca. 1856);, brother of John William Horwood (Castlemaine); Irving, Espie, Braddish and Arundel (of Victoria Foundry, 1858 and then bought by Abraham Harkness.; A Roberts of Roberts & Sons (1861) with sons William Roberts, Abraham Roberts and Robert Roberts.; George Grip (City Foundry (1862) - managed by James Watt- owned by Watt in partnership with Joseph Watt and S Osborne (1872) - then by W Ruddock, then by Dunn and Redpath. T Horsfield (works in Long Gully).bendigo, industry, bendigo engineers, joel horwood (ca. 1856); brother of john william horwood (castlemaine); irving, espie, braddish and arundel (of victoria foundry, 1858 and then bought by abraham harkness.; a roberts of roberts & sons (1861) with sons william roberts, abraham roberts and robert roberts.; george grip (city foundry (1862) - managed by james watt- owned by watt in partnership with joseph watt and s osborne (1872) - w ruddock, dunn and redpath. t horsfield (works in long gully).

Tuckerman brothers. Rear in the photo. Left Frederick Charles No 4618 enlisted on 28.7.15 in 14th reinforcements 6th Batt AIF age 23 years. Embarked for Egypt 28.1.16, embark for France 29.3.16, transfer to 2nd Pioneer Batt 5.7.16 with rank of Sapper, WIA 5.8.16 remaining on duty, hospital 14.12.16 with trench Feet, hospital 21.6.18 with PUO then Classed Influenza, discharged from the AIF 24.8.19. Centre at rear Victor. Right Robert Samuel No 742 enlisted on 11.3.15 in C Coy 24th Batt AIF age 33 years. Embark for Egypt 8.5.15, embark for Gallipoli 30.8.15, transfer to 2nd Pioneer Batt 4.3.16 with rank of Sapper, embark for France 19.3.16, discharged from the AIF 29.6.19. Front sitting, Thomas William No 7318, 2nd Australian Tunneling Company AIF. Refer 1265.3 re his service details.Wooden framed, glass covered black and white photograph of the four Tuckerman brothers. Frederick No 4618, Victor, Robert No 742, Thomas No 7318.photography-photographs, frame accessories, military history

Duntroon House - one of Australia's magnificent country homesteads built by colonial pastoralist Robert Campbell. Set in delightful gardens, it is now the Officers Mess of the Royal Military College of Australia.The Royal Military College at Duntroon prepares cadets and other selected candidates for careers in the Army by promoting leadership and integrity, by inspiring high ideals and the pursuit of excellence, and by inculcating a sense of duty, loyalty and service to the nation.Light brown timber frame with beige coloured mount containing print of a homesteadDuntroon House - one of Australia's magnificent country homesteads was built by colonial pastoralist Robert Campbell. Set in delightful gardens, it is now the Officers Mess of the Royal Military College of Australia.duntroon, royal military college, australia

Sir Robert Gordon Menzies Australia's 12th Prime Minister, served April 1939 to 1941 and a second term from 1949 to 1966. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite and concrete plinth.Sir Robert Gordon Menzies Prime Minister 1939-41 1949-66prime minister, australian pm

Happy home photography. Belonged to the Anderson FamilyPhotograph of Beaty, daughter-law of Emma & Robert Jnr, Emma, wife of Robert Anderson jnr., Mrs Anderson Snr, (2nd wife) and Hazel Roberta, grand-daughter of Emma & Robert Jnr - all seated, view of bay behind. local history, photography, photographs, slides, film, 2nd mrs anderson, bessy robert anderson jr, wife hazel robert, black & white photograph, mrs emma anderson jacobs

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of a group of performers in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jean Hayles, Apthorpe, English, Robert Preston in my crinoline I wore for Centenary Ball. Apricot & black trim. Mum made it. Marion Smith."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

Part of series to record changes in BuninyongA B/W and a colour photo, polished granite headstone, engraved, with Triangular decorative pelmet, for Robert and Celia Scott and two of their children. in Buninyong Cemetery."Sacred to the Memory of Robert Scott, of Mount Boninyong (sic) Born 13th. May 1822, Died 5th Sept. 1896, and of his wife Sarah Cowie, Born 13th October, 1828, Died 7th. August 1899 "Blessed are the dead which die in the Lord," also of their second daughter Celia King, Born 27thJan 1859, Died 4th march 1892, and of their infant son Thomas Mitchell, born 13th march, 1862, Died 1st March 1863, "Suffer little children to come unto me.""buninyong, cemetery, headstone, scott, graves