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Melbourne Water
Handkerchief, Maroondah Dam, Healesville Souvenir, 1970s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Pink handkerchief with lace trim. The handkerchief features a print of the Maroondah Dam, with text “Maroondah Dam. Greetings from Healesville Vic”. melbourne metropolitan board of works, mmbw, maroondah, dam, healesville, melbourne water, scenic view, souvenir, handkerchief, pink, textile -
Melbourne Water
Souvenir Salt and Pepper Shakers, 1970s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.These souvenir salt and pepper shakers have been curated by Melbourne Water as they represent an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Additionally, the salt and pepper shakers are aesthetically pleasing as the blue glass and wooden handles demonstrate the design and style of the 1970s. These souvenir salt and pepper shakers feature glass bodies, wooden handles and plastic lids. The salt and pepper shakers are decorated with pictures of koalas, kangaroos and a map of Australia. The text “Maroondah Dam, Vic” has been inscribed on the wooden handles.melbourne metropolitan board of works, mmbw, maroondah, salt and pepper shakers, souvenir, glass, healesville -
Melbourne Water
Souvenir Tea Cup, 1920s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir tea cup has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Additionally, the tea cup is aesthetically pleasing, representative of 1920s style and design. This porcelain tea cup with gold trim features a black and white image of the embankment at Maroondah Dam, Healesville on the front.melbourne metropolitan board of works, melbourne water, mmbw, porcelain, tea cup, maroondah, healesville -
Melbourne Water
Souvenir Porcelain Milk Jug, 1910-1930
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir milk jug has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Additionally, this item is aesthetically significant as it represents the style and design of the early 1900s.This souvenir white-glazed porcelain milk jug features gold trim and an illustration of the Maroondah Outlet in the centre, with the transfer “Maroondah Dam, Healesville, Vic”. -
Melbourne Water
Souvenir Spoon
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir spoon has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally.Manufactured in Australia, this souvenir silver-plated spoon features an image of Maroondah Dam, Healesville. The spoon features a koala engraving and boomerang on the stem. Engraved on the back of the spoon is “Peninsula Plate”.mmbw, melbourne metropolitan board of works, spoon, souvenir, maroondah, healesville, melbourne water -
Melbourne Water
Photographs: The Maroondah Dam Wall Under Construction, 1921-1922
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significanceThese photographs are invaluable in providing insight into many aspects of the Maroondah Reservoir’s early development. The dam wall is a distinctive example of early engineering techniques, with its gravity arch design and concrete construction. The construction of the dam wall represents an important advancement in the technology of dam-building.These images are part of a series of eight photographs which document the construction of the Maroondah Dam in the 1920s.melbourne metropolitan board of works, mmbw, melbourne water, photograph, water, maroondah dam, construction, wall -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Cannula, Transfusion
Doctors trained in blood transfusion were essential to the development of Forward Resuscitation Teams during World War I. In 1918, Dr Alan Holmes a Court and his colleagues established a resuscitation team and, following their remarkable success at the battle of Hamel on July 4, teams were permanently established at each of the five Australian divisions. Each team consisted of one doctor trained in surgery, blood transfusion and resuscitation, another doctor trained in anaesthesia, resuscitation and blood donor classification, and four other assisting staff. This team moved out to the wounded, rather than waiting for them to be stretchered back. They provided on-the-spot, life-saving resuscitation. The wounded were then transported back to the Casualty Clearing Station or Regimental Aid Post for further treatment.A selection of metal cannula of various designs and sizes.blood, transfusion, intravenous, cannula -
Phillip Island and District Historical Society Inc.
Postcard, Beauty spots in Victoria
Tourist photographs of Phillip IslandHistoricalSmall black and white photos of scenes of Phillip Island including the jetty, beach, Nobbies and ferries. Enclosed in a beige paper envelope.Beauty spots in Victoria. 12 Real Photographs for your Snapshot Album. Produced in Australia by The Rose Stereograph Co. Price 1/6 1. The Pier, Cowes, 2. Front beach, Cowes, 3. Alvina & Genista at pier, $. Koala in tree, 5. beach near Nobbies, 6. The Nobbies, 7. The Pinnacles, 8. Looking out at Forest caves, 9. Lovers Walk - Cowes, 10. Forest Cave, 11. The road to back beach, 12. The beach & pier, Cowes.the nobbies, ferries, cowes jetty, forrest caves, phillip island, black & white postcard copy, photographs -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of Sailor’s Creek Bridge, c.1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.31 / ‘View of Sailor’s Creek Bridge’ / Albumen silver photograph mounted on boardOn Reverse" ‘Sailor’s Creek as situated in the Jim Crow Ranges, which Range forms a portion of the Great Dividing Range of Mountains in Victoria. These hills contain many romantic spots. The one which forms the subject of the present illustration is a view of the Bridge which spans the Creek. Gold has been found throughout the course of the bed of this Creek in payable quantities. The diggers, as may be seen in the photograph, have constructed sluices in the side of the embankment for the purpose of washing the fine gold contained in the wash-dirt.’nicholas caire (1837-1918), sailor's creek (vic), gold mining (vic) -
Bendigo Historical Society Inc.
Photograph - DEVONSHIRE GROUP OF MINES,1896
Black and white photograph on cream card.Foxing spots throughout. Date approx. 1896 / 1876. View across mining area showing at least 9 poppet heads, 11 chimneys and many buildings associated with the mines. C to L - flume, wood stacks, mullock heaps. Inscriptions in image: 'Duchess Tribute' on weather board building at C. 'N' at TR. Hand printed above image (on earlieir copy of this image of which this is a photograph), 'Devonshire Group on Mines / Snob's Hill and Mungo Mines in Background'. Above image: 'Duchess Tribute', 'South Devonshire', 'West United Devonshire', 'Pheonix', 'Duchess of Edinburgh', 'United Devonshire'. On the back: blue circular stamp 'Royal Historical Society of Victoria, Bendigo Branch' , 'MNG 71'.James Lerk 26/11/1999place, mining site, see also 2000.426.01, 2000.437.01, 2000.438.01, 2000.439.01, 2000.504.01, 2000.508.01, 2000.509.01 -
Clunes Museum
Clothing - DOLLS CLOTHES, 1932
.1 Hand knitted cardigan, fawn cotton, blue stripes .2 Hand sewn cream silk dress .3 Hand sewn blue spot dress .4 Hand sewn cotton dress, pattern skirt, fawn bodice, loose belt .5 Cream knitted beret .6 Turquoise knitted scarf, pink stripe and fringe .7 Hand knitted jumper, grey, royal blue stripe .8 Hand knitted singlet, cream with pink pattern .9 Hand knitted jade jumper, white trim .10 Hand knitted black jumper gold with grey stripe .11 Floral ribbon 65cm .12 Hand sewn cream dress, flared skirt with scalloped hemlinebrusaschi, dolls clothes, hand knit, hand sew, 1932 -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Peter Blackwood blocks off the TAB, 28/09/1986
The Rev. Peter D. Blackwood was ordained in 1977 and his first placement was at Burwood Heights. He has had several placements, including as Presbytery Minister and Associate General Secretary of the Synod. He is now retired. This picture was taken after a church protest in Warrnambool. "Members of the Warrnabool UC walked home from church on Sunday 28 September, in a protest against Sunday racing. The 150-strong congregation left cars parked outside the church, which coincidentally blocked all car spots outside the local TAB. The vehicles were left parked throughout the afternoon, creating an inconvenience for punters wanting to place a quick bet. UC minister, the Rev. Peter Blackwood said the congregation decided on this form of protest after the TAB had ignored objections from the UC that the TAB be open on Sundays…"B & W photograph of Peter Blackwood standing with arms folded, by the door to a TAB at Warrnambool.C&N identificationblackwood, peter d., warrnambool protest, tab on sundays -
Bendigo Historical Society Inc.
Document - DAVID BANNEAR, THE GOLDFIELDS LANDSCAPE - PROPOSED TALK, 2/11/2023
The goldfields resulted in the almost complete denuding of trees for access to the gold bearing land, for firewood and for the tanning industry. The need for wood further increased with the advent of deep quartz mining that required timbers for shoring up the shafts and tunnels. At some point in time it became necessary for timber to be carted long distances to fulfil the need. Between 1878 and 1884, the government set up 5 nurseries to try and rectify the shortage of native softwoods and encouraged the growth of State plantations and the thinning of trees to encourage growth of those remaining. 1907 - Creswick School of Forestry and Forest Management was started 1919 Establishment of the Forests Commission and the planting of many pine plantations 1924 Establishment of the first fire spotting towers Forest management tasks became a main project for "Susso" recipients during the Great Depression and again for internees during WWII.An 8 page document by David Bannear about the various industries of the Bendigo Goldfields and their effects on terraforming the local environment david bannear, central goldfields -
Phillip Island Conservation Society Inc.
Work on paper - Photocopy of newspaper cutting, Herald and Weekly times, "MIRANDA TELLS OF A HOLIDAY ON/ PHILLIP ISLAND"
Miranda was a very popular journalist of this era, whose homely style appealed to many readers, especially women, her main audience in her writing. Here she talks about renting a new demonstration holiday home (probably a Coldon Home), which, although small, had a 'dream kitchen'. She describes the birds and walk through the wattle to the beach, but also the many blocks for sale and wonders what the island will be like in 10 years time from their visit. Her son drove them to Pyramid Rock where they almost got bogged on the road. They visit the usual spots, which she describes with a combination of curiosity and enjoyment. She also mentions another block fenced off on the main road which was a gift from the ratepayers of Phillip Island, and which the Young Farmers were to plant out for koala trees.This article is significant because thousands of Weekly Times newspaper readers read Miranda’s letter article without fail each edition. She describes renting a house for a holiday, which indicates the move away from family holidays in guest houses. She also describes some of the rough roads in parts of the island at the time. She concentrates on the island’s natural attractions rather than man- made tourist attractions, which is also significant in letting us see why people would visit Phillip Island in that era. Miranda also predicts the explosion of the holiday home owner market which took place soon after, and continues today though in a more controlled way.Photocopy of newspaper article cut out from full page. Cutting has three columns of text, no images. Black text on white paper. Dark areas due to poor photocopyingWEEKLY TIMES / 2/9/65phillip island, miranda, weekly times newspaper, holiday home, phillip island flora and fauna, pyramid rock, phillip island pengiun parade, young farmers, phillip island beaches, cuddly koala bears, phillip island housing estate land sales -
Melbourne Legacy
Document - Article, Legatee E K (Karl) Robertson, President 1980
A cutting from from a Melbourne Legacy President's report showing a photo of Legatee Karl Robertson (President of Melbourne Legacy in 1980). It was collected to be a record of a photo of past presidents. Legatee Karl Robertson served in the AIF in World War 2, his original unit was 2/1 Survey Regt. RAA with which he served in the Middle East and he later served with 2/1 Flash Spotting Battery R A A and 3 P W and I Unit in Borneo. He was inducted into Melbourne Legacy in 1954 on the nomination of Legatee Ron Foskett. He stepped down between 1967 and 1972 when he was re-inducted. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Karl Robertson a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Article with a black and white photo of Legatee Karl Robertson - President 1980.past presidents, karl robertson -
Wooragee Landcare Group
Photograph, 27th February 2004
Photograph of Quoll taxidermy, part of the Quoll presentation at the Wooragee Hall on Friday, 27th February, 2004 as part of an event called Foxy Night Out. Foxy Night Out is part of a land fox control project. This workshop is conducted to help private and public community members to understand foxes and effective fox control techniques, and its impact to agriculture and other animals. Quolls are carnivorous marsupials native to Australia and New Guinea. They grow up to 125cm and weighs up to 5kg. The spotted-tail Quoll is now the largest carnivore on the mainland. Quolls have black to fawn fur, white spots, long and thin tails. Quolls can attack livestock like chickens. They are known for sharp teeth that enables them to sustain a diet that involves poultry meat. They hunt for their families. Historically, Quolls are treated as pests and were trapped or poisoned by people who are protecting their chickens.This photograph contributes to the scientific and historical records on fox control in Victoria. It reflects the effects of foxes and quolls to livelihood, thus, creates a picture of Victorian agriculture, trade, and community activities. Coloured rectangular photograph printed on matte photographic paperReverse: WAN NA / 0ANA2N0 BN2+ 2 1636 / (No. 5) 919foxes, quoll, landcare workshop, taxidermy, ecosystem, fox control project, agriculture, fox, marsupials, carnivore, pests -
The Beechworth Burke Museum
Photograph - Stereoscopic Photograph, c1900
The gardens of Ovens District Hospital were laid out and planted by R H Jenkyns in 1874. Over 200 species of trees and shrubs were planted, including several large Himalayan Cedars (Cedrus deodora), a Coast Redwood (Sequoia sempervirens), rare Scots Pine (Pinus sylvestris), Pencil Cedar (Juniperus virginiana), Bunya Bunya Pines (Araucaria bidwillii), a Purple-leaved Dutch Elm (Ulmus x hollandica 'Purpurascens'), American Ash (Fraxinus americana), Pinus radiata, and numerous Populus alba trees and suckers. The gardens were considered integral to the healing process, also including orchards and kitchen gardens. In the 1880s, tourists flocked to Beechworth as the area became recognised as a health resort and picturesque beauty spot. Although the hospital closed in 1940, and parts were subsequently demolished, the gardens remain and form part of the site's listing on the Victorian Heritage Register. This photograph is part of a collection of items held by the Burke Museum relating to Ovens District Hospital. At the time of being built, the Ovens District Hospital was the only hospital between Melbourne, Victoria, and Goulburn, New South Wales, treating patients from all of north-east Victoria, including Indigo Shire.Black and white stereoscopic photograph mounted on card.Reverse: 97-2292 / View up centre path of Hospital / A03177 / BMM3177 / Note: A03178 / View of the central path of the Ovens Hospital / (Church St) Beechworthovens hospital, hospital garden, gardens and parks, ovens district hospital -
Federation University Historical Collection
Book, E. Walter Maunder, The Journal of the British Astronomical Association, Vol VII, No. 2, 24/12/1896
Brown, paper covered printed journal of the British Astronomical Association. Contents include branch reports from Glasgow, Manchester and Sydney. Papers include Uranus (C. Roberts); Planet Uranus (Arthur Henderson); Naked-eye Pairs of Stars (F. Gale); Jupiter in November 1896, (C. Roberts); Observation of Dark Spots on the Planet Jupiter (John Tebbutt); The Great Sun0Spot Group of September 1896 (E. Walter Mainder); Solar Prominences (John S. Townsend); Observations of Leonids (Wililam Anderson); Occulation of Mecury by Venus, 17 May 1737 (A.C.D. Crommelin); Stellar Occulations by Planets (C.T. Whitmell); Canals of Mars Observed at the Moanora Observatory (Lec Brenner); Observations of Ceti (L.A. Eddie). Correspondence reported includes the Herschelian Reflector, Berlin Exhibition, aurora, Aurora Borealis, Liberiaastronomy, observatory, planets, stars, e walter maunder, shackleton, t f furber, pietro baracchi, gh knibbs, wf gale, cj merfield, john tebbutt, mary a orr, fk mcdonall, jogn s townsend -
Geoffrey Kaye Museum of Anaesthetic History
Laryngoscope, Magill, c 1900
Magill's laryngoscope with open straight blade and flat round speculum and a detachable light bulb connector, the bulb is missing. This laryngoscope is a previous version of the battery use ones conceived around 1920 therefore circa 1900. The design of the handle is similar to the Shipway laryngoscopes with a curved and pointed end and anatomical handle grip. The blade attachment place seems to be an adaptation to this kind of blade which differs from original models. The piece has several scratches and deep hit marks, as well as oxidation spots mostly around the internal canal of the blade. There is presence of resin residues on some surfaces. A visible different kind of metal was used at the blade base attachment place and for the light bulb connector. Engraved on handle its model type and in the arm of the handle a possible manufacturer name (illegible) and the place where it was made.Engraved at the handle, MAGILL'S LARYNGOSCOPE. Stamped at the arm of the handle back side, STAINLESS STEEL Stamped at the arm of the handle front side, A[not understandable text might be Allen & Hanburys Ltd.] / LONDON / JZmagill, ivan, laryngoscope, 1900, resin, shipway, light bulb, magill laryngoscope -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s - set of 4, Lilian Butler, Scenes of Sturt St, c1971
Yields information about tram operations in the city area of Ballarat.Set of 4 colour slides - Kodachrome white cardboard mounts - slide mounts dated August to September 1971. .1 - Photo of No. 37 at the intersection of Sturt and Lydiard Streets with the Town Hall in the background and the tramway shelter. Has detailed street signs - Government Tourist Bureau, Art Gallery and street name and a sign "Danger Cross Streets at Right Angles" .2 - No. 30 with the destination of City, westbound in Sturt St with the Town Hall, Fletcher Jones and Coles stores in the background. .3 - Nos. 30 and 21 parked in the City Loop. .4 - view of the south side of Sturt St just to west of Grenville St with the Family Footwear, Spot Cafe, Bill Valpied Fruit, Union Hotel and Thomas Jewellers buildings in the view. Photo from the collection of Lilian Butler. .2 and .3 have in pencil "Photo to America" written on them in pencil.ballarat, tramways, trams, sturt st, city loop, lydiard st north, city, signs, tram 30, tram 21 -
Ballarat Tramway Museum
Map, Greater Ballarat Association and George Netherway, "Map of Ballarat", c1945
Yields information about Greater Ballarat, including trams, buses, locations and streets. Has a strong association with George Netherway.Five colour map of Ballarat, showing streets, places of interest, Parks, tram routes, bus routes, railway lines, prepared by G. C. Netherway, Greater Ballarat Association, for the Victorian Government Tourist Bureau, Ballarat Branch, c1945. Shows suburbs names, location of orphanage, the lack of development north of Howitt St, in Wendouree. Map is part diagrammatic and is not entirely to scale. On rear is a road map of the Ballarat area, lists of statistics, beauty spots, look outs, art and culture, points of historical interest, industrial products and recreation. Note: Image 1, assembled from four scans, does not entirely match at edges. See Reg item 2074 for photographic image of another version map. See Reg Item 5613 for another version of this map. trams, tramways, ballarat, tram routes, bus routes, map, lists -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Ballarat's Link with Pioneering in the Australian Film Industry, 05/02/2023
Photographs relating to Ballarat's Link with Pioneering in the Australian Film Industry. Near the spot depicted, in 1891, Captain Joseph Perry of the Salvation Army operated a Prison Gate Brigade Home on a rented property on Barley Street Ballarat East (since demolished). In the house he cared for prisoners who had been released from the Ballarat Gaol.. He also set up the Social Reform Wing photographic studio, and was it's sole operator. He used his photographic skills to publicise his work and to raise money. He also produced glass lantern slides. As part of the Salvation Army's Limelight department Joseph Perry produced "Sodiers of the Cross" (1900) and for the Australian Government Fedeation films in 1901, bith considered pioneer films in Australia.salvation army, joseph perry, prison gate brigade home, social reform wing photographic studio, barkly street ballarat east, pioneer films -
Federation University Historical Collection
Magazine, J.A. Hoskin & Son, SMB Students magazine 1934, 1934
List of Full Course Students' 1934, Editorial, Obituary - Mr Sutherland's Wife and Mr W.H. Steane, Personal Column, Personal Column, The "Head" - An Appreciation, The Late Dean - W. F. Tucker, A Tribute - J. M. Bickett, An Attitude to War, Some Impressions by a New Comer to New Guinea, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior TecsYellow soft covered magazine of 70 pages, including advertisements. Artworks * Example of color printing - By students of the printing class SMB * The President - By LC * Editor - By G. Leviston * Skipper Heck - By Nornie Gude * Goldie - By Nornie Gude * Interior of Art School Main Entrance - By Lorna Bailey * V.G - By Nornie Gude * Miss K. - By Nornie Gude * Caught in a slack moment - By Evelyn Shaw * You can't kid me - By Evelyn Shaw * B.B. - By Nornie Gude * Ferret. L - By LC * "Solemn Lorna" smileth - By Evelyn Shaw * View of Junior Technical School from Grant Street - By J.Hopwood * Complete fiddle with a paint brush - By Evelyn Shaw * Mr J with his finished product - By Evelyn Shaw * Our Cartoonist - By Nornie Gude * A modern Pygmalion - By Evelyn Shaw * Del - By Reg Warnock * I think your wife dropped this - By Gilda Gude * Mrs Mac - By LC * "Eavesdropping again !" Said Adam as his wife fell out of the tree. - By Dorothy Woolcock * Harvey - By LC * Here is the spot for a village - By Colin S. Hunt * Here is the village for a spot - By Colin S. Hunt * Miss McTaggart - By Reg Warnock * Molly - By J.Hopwood * John A Very Bootiful - By J. Hopwood * Neet - By Nornie Gude * Grace - By Nornie Gude * Jean - By Lorna Bailey * Jean. G - By Lorna Bailey * Nancy Mac - By Lorna Bailey * Clara - By Jesse Skelton, Lorna Bailey and J. Hewitt * Waxy - By J. Hopwood * Nancy. D - By Nornie Gude * Edna - By Nornie Gude * Bena - By Lorna Bailey * Bowes - By J. Hopwood * Headlights - By Reg Warnock * Voge - By Reg Warnock * Mum - By J. Hopwood * The big hold-up - By J.Hopwood Signed on front by Hester Darbysmb, student's magazine, james allan, lorna bailey, e. brimacombe, betty brown, enid causon, jean coates, joan collins, g. cornish, g. crawley, ethel crossthwaite, coralie cubbin, marcellene dixon, ailsa freeman, gilda gude, nornie gude, j. hewitt, j. hopwood, joan james, n. jelbart, valma jensen, marjorie john, g. leviston, a. loughton, ruth mellor, ron morrison, g.c. netherway, allan nye, norma oxbrow, a. paganetti, george palmer, maud paterson, hazel robinson, mona rogerson, betty saunders, evelyn shaw, jessie skelton, pat salter, olive scott, g.c. whitworth, dorothy woolcock, j. wright, sylvia wyres, kath windsor, reg warnock, mr f.g. procter, dr j.r. pound -
Bendigo Military Museum
Photograph - Retouching Reproduction Material at the Army Survey Regiment, Fortuna, Bendigo, c1975
This is a set of seven photographs of technicians retouching orthophoto reproduction material at the Army Survey Regiment, Bendigo, c1975. Retouching mainly entailed the application of liquid opaque (Plumtree), commonly known as “duff” to cover blemishes such as scratches and spots on film negatives before photographic exposure. Retouching technicians also used specialised techniques such as “needling” to repair faults on the emulsion of map reproduction material. The technicians in this set of photos were probably working on the retouching and registration of orthophotomap colour film separations in preparation for publication by Print Troop. Peter Dew featuring in photos .1P to .5P was a serving member of RA Svy, who died in a tragic accident at home. He was fondly remembered as one of Lithographic Squadron’s colourful personalities. The "Super Animal of the Year" Peter Dew Memorial Award was an award presented to a member of the squadron for a crude act. To view a photo of this award, refer to item 6230 of the Victorian Collections.This is a set of seven photographs of technicians retouching and assembling orthophoto reproduction material at the Army Survey Regiment, Fortuna, Bendigo. c1975. The photographs are on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .3) - Photo, colour, c1975. Retouching reproduction material. L to R: SPR Ralph Chant, PTE Laurie Tedford, SGT Peter Dew. .4) to .5) - Photo, colour, c1975. Retouching reproduction material. SGT Peter Dew. .6) - Photo, colour, c1975. Assembly of orthophoto colour film separations. .7) - Photo, colour, c1975. Assembly of orthophoto colour film separations, CPL Garran Hill..1P to .7P - There are no annotations stored with the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Military Museum
Photograph - Retouching Reproduction Material at the Army Survey Regiment, c1960s, c1970s
The first four photographs were most likely taken in the 1960 and the fifth in the 1970s at the Army Survey Regiment, Fortuna, Bendigo. As there are no annotations with the photos, the exact dates, locations and names of personnel are unknown. SGT Bob Scaddan appears in the fifth photo taken in the 1970s Photos .1P and .2P. could have been taken in Lithographic Squadron’s retouching room and Photos .3P, .4P and .5P. were probably taken in Cartographic Squadron’s Correcting Section, located in the Attic. Retouching mainly entailed the application of liquid opaque (Plumtree), commonly known as “duff” to cover blemishes such as scratches and spots on film negatives before photographic exposure. Retouching technicians also used specialised techniques such as “needling” to repair faults on the emulsion of map reproduction material. The technician in photo .4P is needling a hydrographic feature on a drainage negative, with a zoom transfer scope projecting a scaled projected aerial photograph as a positional reference. This is a set of five photographs of technicians retouching reproduction material at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s. unidentified personnel in Lithographic Squadron. .2) - Photo, black & white, c1960s. unidentified personnel in Lithographic Squadron. .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic. .4) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic. .5) - Photo, black & white, c1970s. SGT Bob Scaddan in Cartographic Squadron..1P to .3P, .5P - annotated “Retouching”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, carto -
Churchill Island Heritage Farm
Photograph - Photograph of moonah trees
Churchill Island has a significant photograph collection dating from the nineteenth century. Moonah trees can be seen growing in various spots around Churchill Island. They are a type of Melaleuca and can live for up to 300 to 400 years. Moonah trees were of special significance to the Bunurong people, the local aboriginal tribe, who called Churchill Island Moonar'mia. The Bunurong people also have a special legend which relates to the Moonah Tree. The legend is that there was a boy and girl who had fallen in love and wished to spend each moment in each other’s embrace, this resulted in them neglecting their family duties. The lovers still continued to disappear to be alone, so the tribal elders banished them from their village. The moonah tree trunks are the reminder of the lovers in their tightly entwined embrace twisting around each other. A statue representing this legend can be seen at the entrance to the Churchill Island Visitor Centre.Black and white photograph of group of moonah trees by the shoreline.Catalogue number written in pencil on reverse. On reverse in pencil 'FROM ALBUM 10, page 59'churchill island, moonah, tree, melaleuca -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Bunjil' - Russell Petherbridge. 2012, 2012
'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture -
Wooragee Landcare Group
Photograph, 28th April 2004
This photograph was taken at Wooragee Hall on Wednesday the 28th of April 2004 as part of an event called 'Queries about Quolls'. This event was hosted by the Wooragee Landcare Group and was led by Andrew Murray, President of the South East Forest Spotted-tailed Quoll Working Group and one of Victoria's leading authorities in quolls. As the name of the event would suggest, this session provided attendees with insight and general information on quolls, including the characteristics of quolls, the habitat of quolls and the techniques that can be used when searching for quolls. This event was likely part of a wider project aimed at protecting the endangered species of the tiger quoll, also known as the spotted-tailed quoll, an animal that once inhabited Mount Pilot-Chiltern National Park. The Tiger Quoll is the largest of the quoll species. Largely resembling a cross between a possum and a cat, the quoll is distinctive due to the white spots that are often found all over its brown fur. This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate members of the public on the tiger quoll in the early 2000s in an attempt to better understand and protect the species. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders. Portrait coloured photograph printed on gloss paper.Reverse: WAN / NA / OANA2NO / NNN+ / 2 / 8743 / -
Wooragee Landcare Group
Photograph, 28th April 2004
This photograph was taken at Wooragee Hall on Wednesday the 28th of April 2004 as part of an event called 'Queries about Quolls'. This event was hosted by the Wooragee Landcare Group and was led by Andrew Murray, President of the South East Forest Spotted-tailed Quoll Working Group and one of Victoria's leading authorities in quolls. As the name of the event would suggest, this session provided attendees with insight and general information on quolls, including the characteristics of quolls, the habitat of quolls and the techniques that can be used when searching for quolls. This event was likely part of a wider project aimed at protecting the endangered species of the tiger quoll, also known as the spotted-tailed quoll, an animal that once inhabited Mount Pilot-Chiltern National Park. The Tiger Quoll is the largest of the quoll species. Largely resembling a cross between a possum and a cat, the quoll is distinctive due to the white spots that are often found all over its brown fur.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate members of the public on the tiger quoll in the early 2000s in an attempt to better understand and protect the species. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Square coloured photograph printed on gloss paper. Reverse: + 3 8748 / 265 wooragee, wooragee hall, wooragee landcare, wooragee landcare group, quoll, spotted-tailed quoll, tiger quoll, queries about quolls, south east forest spotted-tailed quoll working group, andrew murray quolls, andy murray quolls, mount pilot chiltern national park, quoll species, endangered quoll -
Wooragee Landcare Group
Photograph, c2004
This photograph was taken during one of a series of workshops that were hosted by the Wooragee Landcare Group in the year 2004. In line with the main goals and missions of the Wooragee Landcare Group, these workshops aimed to promote biodiversity and land protection in the local area. Many of these workshops focused on either the protection of the endangered tiger quoll (spotted-tailed quoll) or the handling of fox infestations. Though the specific date of this photograph is unknown, it can be confirmed that it was taken outside of Wooragee Hall. Featured in the photograph, from left to right is: an unknown person, Jerry Alexander, Tony Prowse and Mary Prowse. The presence of wildlife ecologist Jerry Alexander suggests that this workshop focused on the tiger quoll, with possible exploration of its potential habitats (suggestive due to the outdoor location). The Tiger Quoll is the largest of the quoll species. Largely resembling a cross between a possum and a cat, the quoll is distinctive due to the white spots that are often found all over its brown fur.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate members of the public on the tiger quoll in the early 2000s in an attempt to better understand and protect the species. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paper. Reverse: WAN NAO1EONAON2. NNN- 1 1981 /