This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographMe, friends 1941 Kodak Printswest sydney; school; 1940's; 1941;second world war; girls; women; australia

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographV350E Smithportrait; women; 1940's; west sydney; australia; suburbia

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographTo Jim with love from your big Sister PS501-18west sydney; australia; portrait: war correspondence; second world war; women

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.photographU350B Smithwest sydney; australia; portrait; women; 1940's

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographU350B Smithportrait; west sydney; australia; women; 1940's

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.me1940s; west sydney; australia; women

Milne, Helen Eliza Ranks Held: Sister, Staff Nurse DOB: 1888 Birth Place: Carlton, Victoria, Australia DOD: 19 April 1961 Final Rank: Sister Unit: Australian Army Nursing Service Places: Carlton, Springvale First World War, 1914-18world war one, first world war, wwi, australian army nursing service, nurses, sisters, nursing, care, women, el dorado, eldorado

This badge is an example of 'sweetheart' jewellery from the Second World War. Often worn by female relatives, girlfriend or wife, the brooches were a symbol of pride, support and affection for a loved one serving in the armed forces. They could be purchased by the women themselves or given as a gift by servicemen Silver coloured metal brooch depicting soaring eagle with pin at backOn rear of tail stamped STG SIL - sterling silverbrooch, airforce, raaf, ww2

Demobilization Procedure Book issued to Private John Brian MURRAY VX142238 of Moyhu VictoriaThe Demobilization Procedure Book was developed and issued as a handbook by the Australian Military Forces to service men and women once they became available for dispersal. The handbook was used to facilitate the action necessary for demobilisation following the end of World War II in 1945. The completion of the handbook and instructions were required before a Certificate of Discharge could be issued.Brown cardboard covered book with black printNo 145950 VX 142238 Pte MURRAY John Brian - Moyhu Victoriaprivate john brian murray vx142238, demobilization procedure book, ww2

Front cover is blue top & bottom witha sepia coloured strip featuring women in uniform, also a colour photo of matron Monica McMahon wearing a white matron veil, red cape with white collar. Epaluts on her shoulders feature army badges, also her ribbons are pinned on the chest. An army badge is pinned at her throat. Underneath is a grey dress with metal buttons. Back cover is blue and brown with white writing re the subject of the book. Front cover is printed as follows : Monica's War. An Australian Army Matron in Australia, New Guinea and Japan. John P McMahonTrue story of an Army nurse who served in a hospital ship, New Guinea, Japan, Internment Camp at Tatura, and her struggles to have the AANS members to be permitted to care for soldiers suffering tropical illnesses and post traumatic stress disordersaustralian army nursing service, camp nursing staff

Bernhard Gerstle & his family (parents & siblings) were German nationals working in Tehran, Iran upon the outbreak of World War II. In 1941, after the installation of a pro-British ruler to the Persian throne, all German nationals were targeted as threats to national security. The women and children evacuated to Stuttgart, Germany via Turkey, while the men were handed over to British forces. Bernhard was taken by ship (the SS Rona) to Bombay & then to Australia (on the SS Rangitiki). He was then marched in to Loveday internment camp 10, South Australia. In January 1945 the German & Italian internees at Loveday were transferred to Tatura Camp 1. Bernhard remained there until after the war & his eventual release, on 29th August 1946. Bernhard chose & was granted permission to remain in Australia post-war, as did many civilian internees, after their examination by a Committee of Inquiry which investigated their political leanings & other criteria for their supposed suitability as Australian residents. The biography also recounts his employment post-war, marriage in 1952 & his later naturalisation as an Australian citizen. Other material includes Gerstle family history from the perspective of Bernhard's sister & family, who remained in Stuttgart; background on the Gerstle family's Russian origins; and a biography of Oskar Speck, famous kayaker, amongst other things, who was interned along with Bernhard & who became good friends with the family; a brief historical background of the Allied forces/Persia invasion; and extracts of Tatura Camp 3 internee Helga Griffin's book, "Sing Me That Lovely Song Again". Black plastic A4 display folder. CD soft case with CD. Folder contains printed biographical information regarding Bernhard Hermann Gerstle. CD contains copies of same documents and also copies of photographs of Bernhard & the Gerstle family. Folder: Bernhard Hermann Gerstle/ Gerstle Family/ Loveday and Tatura Internment Camps 1941-1946/ Sydney 1946-1978/ Compiled by Mary Henderson 2013 CD: BH Gerstle; 1941 - Interned by British/ 1941-1946 - Internee at Loveday SA, Tatura VIC/ Sydney 1946-1978. camp 1, tatura, loveday, world-war-two, internment-camps

This memorial designed by Peter Blizzard is dedicated to more than 36,000 Australian men and women were held captive as prisoners by the enemy during the Boer War, World War 1, World War 2 and the Korean War. This memorial honours and names them, the names are etched into the black granite wall adjacent to the pathway. Water springs from beneath the 'Lest We Forget' stone then flows down the wall into the narrow watercourse in front of the first group of names and into the reflective pool, then continues past the second group of names. Finally it disappears under the pathway, returning to its source under the 'Lest We Forget' stone to start the journey again. Water symbolizes the essential nature of man, sacrifice, suffering, spirituality, healing, cleansing, birth and re-birth. The memorial is created from natural materials and is designed to be in harmony with the Ballarat Botanical Gardens, and to create a sense of timeless, dignity and respect. The long pathway of the monument is designed to create a visual perspective of the large distances that Australians travelled to the various conflicts. The paving is shaped like railway sleepers in recognition of the role that railways and railway journeys were relevant to many prisoners of war. The Memorial was declared the first military memorial of national significance located outside Canberra in 2008. Dedication services are held at the memorial on the Sunday closest to 6th of February, ANZAC day and on Remembrance Day. The memorial is of historical and aesthetic importance to the people of BallaratMonument made from carved bluestone, water feature and flagsInscribed with the names of 36,000 Australian men and women were held captive as prisoners by the enemy during the Boer War, World War 1, World War 2 and the Korean War. The listing is by surname and initials and shown by war.prisoners of war, boer war, world war 1, world war 2, korean war, lest we forget, peter blizzard

A grand cement rendered masonry structure of a single central arch flanked by wide piers 20metres in width, spanning the roadway, and 18 metres high. Crowned by the 'Rising Sun' symbol of the Australian Commonwealth Military Forces beneath which the words Avenue of Honour and Victory are written prominently across the arch. Erected in 1920, the Arch marks the beginning of s 22 kilometre stretch of 3728 trees, each one a memorial to men and women in order of enlistment for World War 1. On 2 June 1920, the Prince of Wales opened the Arch and was presented with a pair of silk pyjamas embroidered with Australian emblems. Each of the 500 'Lucas Girls' had put in a stich. The Arch of Victory, located at the entrance to the Avenue of Honour Ballarat, was erected in 1920 as a memorial to the people of the Ballarat and the surrounding district who enlisted in World War I. The Avenue of Honour, with the Arch of Victory, was officially opened by the Prince of Wales on 3rd June 1920. The single central arch is flanked by wide piers 20 metres in width, spanning the roadway, and 18metres high. The monument is of historical significance to the people of BallaratCement rendered masonry arch structureCrowned by the 'Rising Sun' symbol of the Australian Commonwealth Military Forces beneath which the words Avenue of Honour and Victory are written prominently across the arch.arch of victory, avenue of honour ballarat, australian commonwealth military forces, world war i, prince of wales, lucas girls

The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war

worn by G. Impey AWM website: Australian Women’s League (AWL) ‘was a patriotic voluntary organisation committed to raising funds for the war effort and to giving practical support to military personnel within Australia.’Number "139"

Dorothy Kiely (nee James) DOB 31/1/1922 - DOD 7/9/2017 Aged 95 - late of Moyhu and Edi Upper In February 1943 joined the Australian Women's Land Army. In 1995 received the Civilian Service Medal in recognition of her contribution to her country during the war years. Black and gold coloured frame containing sepia photograph of female in uniformHandwritten on rear - Dorothy KIELY Land Army 1943-45dorothy kiely, australian women's land army

Badge received by Dorothy Kiely in 2012 on the 70th anniversary of the Australian Women's Land Army. The Australian Women’s Land Army (AWLA) was formed during the Second World War to combat rising labour shortages in the farming sector. From December 1941, when Japan entered the war, the nation’s need to build up its armed forces was placed above the needs of other industries. Agricultural labour was steadily diverted to the armed services and war industry To meet the shortfall in rural labour, State and private women’s land organisations were organised, modelled on those established in Great Britain during the First and Second World Wars. A national body was formed on 27 July 1942 under the jurisdiction of the Director General of Manpower. While policy was devised by the Commonwealth Government, the organisation of the AWLA remained State-based. An extensive recruiting campaign was undertaken for new members. Most members of the existing land armies were later incorporated into the AWLA as well. Black box containing gold star shaped badge with red crown above Australian coat of arms Badge:-Australian Women's Land Army 70th Anniversary 2012 Box:- top in gold lettering 70th Anniversary of the Australian Women's Land Armyawla, ww2, dorothy kiely

In 2005 the children of Grades 4,5 and 6 of Milawa Primary School researched and compiled personal stories, photographs and service records to honour those listed on the Milawa State School WW1 Honour Board. Inside rear cover contains a colour patch index to the following:- Andrew Robert BARRIE 3757/ Ralph Augustus CECIL 1677/ John COLEMAN 4089/ Arthur John Victor CULPH 896/ Edward Heathcote CULPH 2629(1447)/ Henry John CULPH 3108/ Thomas Wilson CULPH 34A/ Edward Frederick DOIG 3991/ Ernest Hugh DOIG 2937/ John Harold FOWLER 4488/ William Joseph FOWLER 3233/ Howard Fraser GRANT 7077/ Joseph Henry HOWELL 7247/ Frederick John HUMPHREY 2472/ Stanley Gordon HUMPHREY 3553/ Roy Curtis KENNEDY 5401/ Charles James KETTLE 29741/ Michael McGRORY 5390/ Ernest Phillip McPHEE 50339/ Stanley Charles McPHEE 3741/ Thomas MURDOCH Lieut/ William Lawrence PURDON 3223/ Ludin James ROBERTSON 980/ William Francis ROBERTSON 981/ Harold Ernest THOMAS 966/ George Ernest Vincent WOODBERRY 2173.White and red book with blue wording and photograph of school children at a cenotaphBook is dedicated to all the service men and women in the Australian Armed Forces who continually strive to protect the Australian way of life.ww1, honour board, milawa state school

This hand crafted doily, created during war time, features a side on image of a soldier handing a rifle with butt at his feet. In Victorian times, idle hands were frowned upon so women knitted and crocheted. In addition to their decorative function doilies have the practical role of protecting fine-wood furniture from the scratches caused by crockery or decorative objects, or from spilled tea when used on tea trays or with cups and saucers. Off white square doily with side on image of soldier holding rifle in the centre.Crotched - "Our Hero Were proud of him" "ANZAC 1915"doily, 1915

An excellent example of Australian First World War recruiting posters aimed at women, rather than potential soldiers. The poster suggests that in helping defeat Germany, women were really defending themselves.During the First World War, governments needed to convince their citizens to contribute to the war effort. In the absence of radio and film, the poster was the most effective method of mass communicationDepicts a woman with arms raised, her clothing torn and right breast exposed. Two children lie dead on the round at her feet, while the town behind her burns. Full poster text: 'Women of Queensland! Remember how women and children of France and Belgium were treated. Do you realise that your treatment would be worse? Send a man today to fight for you'poster, ww1, women of queensland

To the ex service men and women of Love & Pollard Pty Ltd Stores and served in WWII. Has the names of those who served and died and the dinner menu.Bone coloured card with red and blue stripes at right hand side. Australian and Union Jack flags at top with blue writing.On cover: Welcome Home Dinner to Ex-Service Men & Ex-Service Women of Love & Pollard Pty Ltd Stores. Lower Melbourne Town Hall June 19th, 1946. Inside left: Honour Roll. Inside right: Dinner Menu. On back cover: Autographs. Also with 10 signatures written in pencil.world war 2, love & pollard pty ltd stores, welcome home dinner