6975-28 Stawell State School SS 502 Grade 4A 1968 Teacher Mr Judd Top Row. Mr Judd, Graham Deans, Richard Davies, Allen Marshall, Micheal Glisson, Ian Longmore, John Scott James Delley. Gavin Wright, Raymond Scott Second Row, David Allam, Russell Jennings, Andrew Allam. Alison Taylor, Amandas Spiby, Kaylene Clarke, Helen McMahon, Judith Jeffery, Lynne Bonney, Ronald Fry, Rodney Young, Clinton Cathro. Third Row, Wendy Mason, Robyn Whelan, Susan Prior, Jenny O'Neill, Kristene Slorach, Gayle Redford, Pamela Guy, Lyn Watson, Suzanne Overall, Jilleen Jenkins, Karen Vendy. Fourth Row, Peter Delley, Michael Pyke, Adrian Hodgkin, Stephen Quarrell, Reg Bach, Greg Yanner. Students and Teacherin front of SchoolBuildingSStawell State School ss 502 Grade 4A 1968education

Photos of abseiling down the Gas and Fuel building that were on the corner of Flinders St and Swanston St. It was an event for Legacy Week 1989. See also the training that occurred prior to the event - photos 00486 and 01409. Ron Barassi abseils for Legacy joined by staff member Carol Shaw and Legatee Peter Heeney. A label states it "was a Legacy versus Radio personalities abseiling challenge". Media team was Fox's Wally (Paul) Weissel and Ken Cavanagh and Triple M's Andy McClean. Aided by Williamstown Commando Company with training at Nidrie Quarry. Ron Barassi participated in many events for Legacy over the years, he had been a young Legatee after his father was killed in action at Tobruk in World War II, aged 27. Two photos also featured in the President's Highlights Report in 1989.A record of some important personalities giving their time to promote Legacy in 1989.Colour photo x 13 of a junior legatee and Ron Barassi abseiling.legacy promotion, ron barassi, legacy week

From the beginning of World War 1 in August, 1914, until it ended in November, 1918, teachers from across Victoria enlisted for the Australian Imperial Force and embarked for overseas. Anzac, the Sinai Desert, the vast fields of France, and in Palestine the Education Department soldier-teachers toiled manfully thoughout. Of the 752 enlistments 724 were teachers, two were School Medical Officers, one was a School Nurse, one an Inspector of Schools, while the remaining 24 belonged to the clerical division employed by the Education Department. 146 died. But it was not only teachers who contributed to the war effort. Children and parents gave 400,000 articles of comfort sent abroad, contributed as a rough estimate 460 tons of supplies to hospitals at home, made contributions of £50,000 to The Young Workers' Patriotic Guild, and £217,419 for the war savings effort in the schools, and £422, 470 in general school subscriptions.Hardcover book, bound with brown cloth cover and gold embossed title containing 306 pages, black and white photographs and illustrations and text. This book, published to keep before teachers and children expamples of service and sacrifice in a great cause, is presented to the Hordern Vale School. It should be kept in an honoured place as a souirce of guidance and inspiration for successive generations.great war, wwi, victoria, education department victoria, teachers, enlistments, honors, decorations, war service records, first world war, world war one

Modern Wonder was a largely factual magazine aimed at boys and young men. It had many articles and pictures on science, engineering and warfare etc. In some of the magazines, the Flash Gordon comic strip is printed in colour on the back cover. Issues were usually around 20 pages in length, with the covers and inside two pages printed in colour. The magazine was printed in Great Britain by Oldhams (Watford) Limited, St. Albans Rd., Watford. The magazine was in "tabloid" format, approximate dimensions 36 cm x 27 cm. The magazine (cost two pence, every Wednesday) began publication in May 1937 under the title Modern Wonder, and went through a few name changes, becoming Modern Wonders in December 1939 and Modern World from March 1940 until the magazine stopped in March 1941, possibly due to wartime paper shortages in England. (Source: Wikipedia)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A magazine in tabloid format published in June 1940. The magazine includes a number of articles about the Second World War.modern world, second world war 1939-1945

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. This blouse is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pale aqua coloured long sleeved silk blouse with an attached scarf of the same fabric and colour at the neckLabel: TULLO (removed)norma tullo, women's clothing, australian fashion - 1960s, blouses

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes.The dress was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved black cotton dress the fabric of which includes a pattern of small beige and cream polka dots. The ends of the sleeves and the base of the dress include ruffled trims of the same fabric. Label: TULLOnorma tullo, australian fashion - 1960s, women's clothing, day wear, mcintyre collection

The letters J.W. E. refer to the artist - John Wolfgang Elischer (1891-1966). He was an Austrian sculptor and medallist. He trained at the Academy of Vienna from 1908 to 1911; won the Prix de Rome in 1909; and c1910-11, practised under Rodin in Paris. He arrived in Australia in 1935. During his first year he was an industrial designer for pottery. Later works include the King George V Memorial in Bendigo (1938), a bronze fountain for Sir Russell Grimwade in Toorak and a bust of Archbishop Mannix for Newman College, University of Melbourne. The medal was awarded to the school children in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. This is part of a large donation of material relating to the Deakin, Mair and Young families, all with connections to the SUrrey Hills and Mont Albert area.This is one example of the work of Amor Mint. In 1874 Willliam Joseph Amor was apprenticed to English medallists J.S. and A.B. Wyon. Nine years later he went to Paris, where he remained until 1887. Intending to go to America and work his way home to England, he visited Sydney en route and was persuaded by Robert Hunt, Deputy-Master of the Sydney Mint, to stay and start his own business. Amor established the business in 1888 and married the daughter of the Chief Engineer of the Sydney Mint. In 1917 Amor became a limited company, in which principal employees were given an interest. In 1935 Amor sold his share to A.H. Byatt, retaining a position as Advisory Director of the business. Amor’s company became Sydney’s major medallist and die-sinker for over a century thanks to its ability to meet demand for locally produced, high-quality commemoratives.A round medallion with a loop hole at the top. Front: A man advancing to the right sowing seeds by hand; at left 1901, at right 1951 in tiny letters near ground right the artist's initials, J.W.E. Back: At top a star; below which are the words, FIFTY YEARS / COMMONWEALTH / OF AUSTRALIA. Below this are seven ears of wheat representing the States and Northern Territory of Australia."1901", "1951", "J.W.E.", "FIFTY YEARS / COMMONWEALTH / OF AUSTRALIA" mont albert central school, laurie young, laurie newton, education, commemorative medals, federation, 1951

Miranda was a very popular journalist of this era, whose homely style appealed to many readers, especially women, her main audience in her writing. Here she talks about renting a new demonstration holiday home (probably a Coldon Home), which, although small, had a 'dream kitchen'. She describes the birds and walk through the wattle to the beach, but also the many blocks for sale and wonders what the island will be like in 10 years time from their visit. Her son drove them to Pyramid Rock where they almost got bogged on the road. They visit the usual spots, which she describes with a combination of curiosity and enjoyment. She also mentions another block fenced off on the main road which was a gift from the ratepayers of Phillip Island, and which the Young Farmers were to plant out for koala trees.This article is significant because thousands of Weekly Times newspaper readers read Miranda’s letter article without fail each edition. She describes renting a house for a holiday, which indicates the move away from family holidays in guest houses. She also describes some of the rough roads in parts of the island at the time. She concentrates on the island’s natural attractions rather than man- made tourist attractions, which is also significant in letting us see why people would visit Phillip Island in that era. Miranda also predicts the explosion of the holiday home owner market which took place soon after, and continues today though in a more controlled way.Photocopy of newspaper article cut out from full page. Cutting has three columns of text, no images. Black text on white paper. Dark areas due to poor photocopyingWEEKLY TIMES / 2/9/65phillip island, miranda, weekly times newspaper, holiday home, phillip island flora and fauna, pyramid rock, phillip island pengiun parade, young farmers, phillip island beaches, cuddly koala bears, phillip island housing estate land sales

In 1991 a relay of school children ran to the Shrine to coincide with the annual pilgrimage in 1991. A photo shows President John Sullivan holding the Legacy Torch with a group of children in yellow Legacy T shirts at the Eternal Flame at the Shrine of Remembrance on 1 September 1991. Also photos of the widows processing into the Shrine, some with wreaths to lay. From an article in Melbourne Legacy Widows' Newsletter in September 1991 it is a photo of a special torch relay. To coincide with the Annual Pilgrimage to the Shrine of Remembrance over 50 runners covered a 25 kilometre distance from War Grave Memorial in Springvale to the Shrine. President John Sullivan accepted the Legacy torch from the young runners before leading the Legacy family into the Shrine. (From the same roll of film as the event in City Square (00491) and a Legacy dinner with President Sullivan at the head table (00492). A record of children participating in a torch relay during Legacy week ending at the Eternal Flame.Colour photo x 8 of a pilgrimage to the Shrine and a torch relay in 1991. pilgrimage, wreath laying ceremony

A black and white photo of six young people on a beach. The labels identify Frank Holliday, E. Smith, Ned Meade, Gwen Smith, Roy Gilbert, Bill Corrie. Likely to be a very early camp for junior legatees at Somers. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. This photo was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934).Legatee Savige's property at Balnarring became very important for Legacy providing outings and camps for junior legatees.Black and white photo of six youths on a beach.Handwritten 'L R. F. Holliday, E. Smith, E. Meade, G. Smith, Roy Gilbert, Bill Corrie' in blue pen. Stamped 'Printed by Harringtons' in purple ink.beach, junior legatee outing, legacy somers camp, savige property

A group of photos of young people at a building believed to be at Somers Camp. The labels identify Frank Holliday, Gwen Smith, Lil Edmonds, Ned Meade, Roy Gilbert and Bill Corrie. Likely to be a very early camp or outing for junior legatees at Somers. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. This photo was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934).Legatee Savige's property at Balnarring became very important for Legacy providing outings and camps for junior legatees.Black and white photo of six youths on a beach.Handwritten 'L R. F. Holliday, E. Smith, E. Meade, G. Smith, Roy Gilbert, Bill Corrie' in blue pen. Stamped 'Printed by Harringtons' in purple ink.junior legatee outing, legacy somers camp, savige property

This photograph is of a rectangular white damask tablecloth, which was owned by Mrs Murrell (Lily Murrell, née Young, wife of William Murrell). The Murrell family ran the Linton newsagency during the 1930s and 1940s. Mrs Murrell asked people who came into the newsagency to sign and date the cloth, and later she embroidered the names and dates in various coloured thread. Traditionally such ‘signature cloths’ were used as a fundraiser for charity purposes and date back to the 1890s at least. They were at their height of popularity during World War I and the inter-war period, often embroidered in red or blue. The Linton tablecloth has a number of signatures and dates, some not embroidered, the dates ranging from 1931 to 1945. It is a delightful example of the genre and a wonderful visual record of people who lived in or visited Linton over a period of 15 years.Colour photograph of a cream cotton tablecloth that has signatures embroidered on it.

The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. On August 22, 2007 Feelix staff organised an activity to supplement the book "We're going on a bear hunt" by Michael Rosen. First the book was read, then the young children (and their parents) replicated the actions of the book's characters in their search for a Bear who followed them home for morning tea. Later that day, Burwood School children also joined in on their own Bear Hunt.70 digital images of staff and children during the Bear Huntroyal victorian institute for the blind, feelix, rvib burwood school, louise curtin, ed gamble

Richard Hartley Smith Abbott, company director, was born, probably in Bendigo, Victoria, around 1859, the son of Richard Hartley Abbott, also a company director, and Ann, née Smith. The young Richard was educated at Bendigo High School and then at St Andrews, Scotland. Returning to Australia, he became proprietor of the Abbott Supply Company, a director of the Sandhurst Building Society, the Bendigo Gas Company, and several local mining enterprises. He owned farms at Lyell, Mandurang and Eppalock, and was a pioneer of lucerne cultivation and tanning. In 1887, Abbott became a councillor for Strathfieldsaye Shire, a position he held for fifteen years. He was shire president (1901–02) and a Bendigo City councillor (1904–09; 1913–19), serving as Mayor of Bendigo between 1917 and 1918. Richard died in 1940. https://biography.senate.gov.au/richard-hartley-smith-abbott/ 'Preston Vale' was a property in Sedgewick. A sepia photo taken at Preston Vale of the Abbott family in 1895 including Richard Hartley Smith Abbott (Snr.) Mary Hannah (Gibbs) Abbott and their five oldest children, Richard Hartley Abbott born 1885, Inez Marie Abbott born 1886, William Norman Abbott born 1888, Harold Athelstone Abbott born 1889, and Kenneth Cyril Abbott born 1890. Two of the boys are wearing long sleeved striped collared shirts, one a scouting style coat and the youngest a collared shirt and all boys are in short pants with socks or stockings. Inez, is in a long sleeved dress with white smock with white bonnet. She is wearing boots. All others are wearing hats, Mrs Abbott's hat has a scrunched/folded ribbon on the brim. She is wearing a long sleeved light coloured blouse fastened at the neck The group is seated on an outcrop of granite rocks with parts of a buggy and horse tackle showing behind them. A lidded billy and scattered cups are on the ground in front. Mr Abbott, in shirt and long pants, is carrying a shot gun as is one of the boys. Both photos have 'Preston Vale Dec 26/95' written in ink on the reverse.abbott family, preston vale

Photograph of seven male staff and three female staff standing with heads bowed with the likelihood of further men and women out of shot. The senior male at left is Tramways Board Chairman, Retired Major General Robert Risson (knighted in 1970). The location is likely a locker room in the M&MTB Head Office, Little Collins Street where Honour Rolls of staff who had died during war were fixed to walls above the lockers. A clock shows 11am, presumably on 11 November sometime in the 1960s, recalling the cesation of World War One. At this exact time each year across the tram network all tramcars were halted in the streets by order of the Board as a mark of respect. The young age of the uniformed female staff compared with the male staff reflected the still current practice that once a woman married she ceased employment.Yields information about administration of Melbourne and Metropolitan Tramways Board. Black and white photograph with no noterisson, remembrance day, 11 november, head office, honour roll, trams halted, single female employees

John Richard "Jack" Stevenson was born in Bendigo in 1886 and moved to Albury as a child. He later moved to Wodonga where he established a carrier’s business in the 1920s. As a young man he was involved in bands in Albury and Wodonga. He was also a member of the Masonic Lodge in Wodonga for over 40 years. John was also made a life member of the Royal Victorian Institute for the Blind. In his later years, John’s main interest was lawn bowls. He was a foundation member of the Wodonga Bowling Club. In 1956 John was recognised as the Club’s first Life Member. He was for some time the greenkeeper and a trustee of the club but retired from that position in 1956. As a member of the Club, John served as secretary for 11 consecutive years from 1937 to 1948 and was club champion for 4 years in 1939, 1940, 1941 and 1943. John passed away in Wodonga on 24th September 1964.This Badge was presented to a member of the Wodonga community who was a businessman and active member of several organisations.A badge issued to their first life member by the Wodonga Bowling Club. The badge is coated in enamel in white, blue and gold. It is attached by a short chain to a bar and pin to allow it to be attached to a lapel.On front: PRESENTED TO/ 1955/ LIFE MEMBER." Around the lower edge: "WODONGA BOWLING CLUB" On reverse " JACK STEPHENSON/FIRST/LIFE MEMBER"wodonga bowling club, john richard stevenson, sport and recreation wodonga

The Athletics Club under the guidance of a committee of workers, which included Mr Stan Hemmings and Mr Alex McCullough, sponsored a Junior Athletics Club which became the Gra-Y Club for young boys and HY-Y for older lads. Mr A E Clark (YMCA) had the idea of adopting the American Gra-Y System which was to instil in the boys good principles and values similar to those of the service clubs i.e. YMCA, the Masons and Buffalo Lodge. Story has it that the town was virtually crime free for many years. The Athletics Club became a very powerful force in Mount Beauty and assisted other fledgling groups to get started. The committee had the bright idea that they could raise money and entertain the men who lived in the outlying camps by running sporting exhibitions by their members and the Gra-Y boys for entertainment.It is a connection to the early history of Mount Beauty regarding the start of an athletics club and the activities of the town.Wooden shield with metal 'ribbon' shaped engraved heading below which are 25 small (of varying sizes) metal shields each engraved with the winner's name, group and date. The dates range from 1952 to 1965. On the back, top middle, is a metal piece surrounding a hollow to enable the shield to be hung up on a flat surface.Heading: "Mt Beauty Junior Gra-y". Example of a small shield "Won by / Group 7 / R.Scott (Ldr) / 4th Quarter / 1953" mt beauty. gra-y club. juniors.

The Athletics Club under the guidance of a committee of workers, which included Mr Stan Hemmings and Mr Alec McCullough, sponsored a Junior Athletics Club which became the Gray-Y Club for young boys and HY-Y for older lads. Mr A E Clark (YMCA) had the idea of adopting the American Gray-Y System which was to instill in the boys good principles and values similar to those of the service clubs i.e. YMCA, the Masons and Buffalo Lodge. Story has it that the town was virtually crime free for many years. The Athletics Club became a very powerful force in Mount Beauty and assisted other fledgling groups to get started. The committee had the bright idea that they could raise money and entertain the men who lived in the outlying camps by running sporting exhibitions by their members and the Gray-Y boys for entertainment.It is a connection to the early history of Mount Beauty regarding the start of an athletics club.Blue material banner with gold fringe and inscription in middle.Red material triangle inserted within banner and red material H and I (overlapping) sewed into the middle of the triangletextile, youth club, mt beauty, athletics club, gray-y club, kiewa hydro electric scheme

This Flying Angel lamp bracket was recovered from the wreck site of the steam sailing ship, "Loch Ard", which sank near Port Campbell, Victoria in 1878. It formed part of the ship's cargo. The 'flying angel' lamp was, for a time, displayed in the St Nicholas Seamen's Church at Flagstaff Hill. The design was very appropriate to the Missions to Seamen, being associated with the emblem of the 'flying angel' on the Missions' to Seamen's flag. Brief history of the Loch Ard: The vessel Loch Ard was constructed on the Clyde River in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The lamp bracket is significant for its connection with the wreck of the sailing ship, Loch Ard, in 1878. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Gas lamp, brass, single burner, wall-mounting bracket, delicately crafted. Ornate decoration features bust of an angel with up-swept wings, or 'flying angel'. Recovered from the wreck of the Loch Ard.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lamp fitting, shipwreck artifact, 1878, shipwreck cargo, household effects, 19th century lighting, angel lamp, loch ard lamp, angelic lamp, lighting at sea, marine technology, ship's lighting, flying angel, gas lamp, maritime archaeology, port campbell

The artefact is a brass cow bell recovered from the 1878 shipwreck of the LOCH ARD near Port Campbell. It was raised by Flagstaff Hill divers in 1973 and is in storage at the Maritime Village. A cow bell is a bell worn around the neck of free-roaming livestock so herders can keep track of an animal via the sound of the bell when the animal is grazing out of view in hilly landscapes. Although they are typically referred to as "cow bells" due to their extensive use with cattle, the bells are used on a wide variety of animals. The earliest examples of truly recognizable cow bells date back to the Iron Age. The use of iron bells in sub-Saharan African music and the Niger–Congo area is linked to the early iron-making technology spread during the Bantu migrations. The earliest archaeological evidence of bells dates back to more than 5000 years ago, from the 3rd millennium BC in Neolithic China. During this era, there is evidence of early forms of pottery cow bells, which were likely used to keep track of goats, sheep, and cattle. These pottery bells were later replaced by metal bells using brass and other materials. The LOCH ARD was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. (See References or Notes below for further details.)The cow bell is believed to be part of the cargo of the Loch Ard and this shipwreck of the Loch Ard is of historical significance for Victoria. Registered on the Victorian Heritage Register ( S 417), with Flagstaff Hill having a varied collection of artefacts from the Loch Ard. Its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Brass cow bell, covered in encrustations. flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, shipwreck artefact, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, flagstaff hill divers, cow bell, horse bell, bell smith, vintage bell, farmer, shepherd, drover, stock bell, brass bell

This bottle is part of the John Chance Collection of shipwreck artefacts. The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody.  Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery.  Miller’s son, James W., became a partner in Milton pottery in 1905.  James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. A significant item of salt-glazed ceramic stoneware made by the Dundas potteries in Scotland who were renowned for making quality ironstone pottery. The bottle that was in common use throughout the British colonies and America for the containment of ale The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime museum collection by his family Illustrating the level of historical value the subject item has.Beige salt glazed stoneware, bottle with discolorations above base. Manufacturer's oval Inscription lozenge stamped near base. Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, stoneware bottle, pottery, port dundas pottery, william johnstone, bottles, shipwreck artefact, stoneware, ironstone, bottle, glasgow, antique bottle

This book tells of the mounting sea power of the Allies told by men of the RAN who with their ships have added the weight of their blows to the common effort. It tells stories of which the Royal Australian Navy may be proud.This volume is a further unfolding of the story of WWII which because of its nature as a world wide conflict, is so largely the story of sea power and its influence on the final outcome HMAS MK III - The RAN's Third Book. Green hardcover with black text and Navy insignia on front cover, text on spine. Inside front and back cover green sepia drawing of a fleet of Navy ships. Graphs, drawings, photographs, maps, poems.Tribute - Grey she is and stately Young alive and shapely Lissome, yes, and graceful, With perfect lines of elegance and dignity Her noble, lovely head She nods and shakes, With confidence to face Whatever may come. She nurses me And nourishes; Shields me, gives me courage. Alone I have been with her, when afraid. And in a crowd of friends, both hers and mine. Through conflict tense, with element or foe; through danger from above and from below. Through anguish keen Of loss, of death, of pain. Through gaiety, through joy victorious and safe She is my life, my only love, My ship.wwii, royal australian navy, sea power, germans, europe, japanese, communications, rear admiral v.a.c. crutchley, v.c., d.s.c, destroyers, corvettes, frigates, escort duties, motor launches, aircraft carriers, battleships, battle cruisers, cruises, armed merchant cruisers, sloops, submarine sweepers, mediterranean, warspite, valiant, pacific, american forces, dneiper bend, solomon islands, makin, tarawa, h.m.a australia, h.m.a shropshire, h.m.a arunta, h.m.a warramunga, h.m.a.s westralia, arctic, h.m. jamaica, h.m.saumarez, u.s. marines, h.m.a.s benalla, h.m.a.s shepparton, royal australian navy reserves

Hardcover w/Dust JacketBlue ballpoint handwritten inscription, first page: 'Patricia and John, / To keep home in your minds - / Much love, / Mary / September 1989' Printed cardboard flyer c. DL size with full colour print on one side and black and white printed text on the back. Flyer for Sotheby's 'Fine Australian Paintings' viewing held in Melbourne 26th November 1990. Printed adhesive mailing label affixed addressed to 'Mr John Davies / 290 Walsh Street / SOUTH YARRA / VIC / 3141'. Full colour image of painting on front: William Blamire Young, "The Prima Donna Awaits Her Cue", 81.5 x 41cm, Estimate $36,000|40,000australian biography, australian women, jill conway, smith college, australian history, walsh st library

Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerCrowds mass on Queens Way in Hong Kong as an estimated 2 million people march in protest at the government's refusal to withdraw a controverisal law allowing people to be extradited to mainland China. Chants demanded the chief executive apologise and the legislation be withdrawn, while many held signs protesting police violence. Nearly 2 million protesters flooded the streets of Hong Kong on Sunday, organisers claimed, delivering a stunning repudiation of Chief Executive Carrie Lam Cheng Yuet-ngor’s governance and forcing a public apology out of the city’s leader over her campaign to bulldoze a controversial extradition bill through the legislature. A day after Lam suspended her push for the bill, expecting it to defuse a crisis that has seen violent clashes between mostly young protesters and police, the centre of Hong Kong was brought to a complete standstill as the masses marched to chastise her for refusing to withdraw the bill or apologise when first asked to, and declaring that nothing short of her resignation would satisfy them now. (https://www.scmp.com/news/hong-kong/politics/article/3014737/nearly-2-million-people-take-streets-forcing-public-apology ) carrie lam, hong kong protests, extraditions, protest, protestors, admiralty

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

Adams jnr wrote many elementary scientific works, as well as on the use of mathematical instruments. He often combined in his written works with religious themes and scientific content, often against the prevailing thoughts of the time. According to one popular magazine of the time (Gentleman's Magazine), his works were often accused of "growing errors of materialism, infidelity, and anarchy". He started writing at a young age and developed a love for it, his main interests included math and science, these subjects he often expressed in his written essay's. Notable works from Adams are. An Essay on Electricity, and Magnetism (1784). Essays on the Microscope (1787). An Essay on Vision, briefly explaining the fabric of the eye (1789). Astronomical and Geographical Essays (1790). A Short Dissertation on the Barometer (1790). Geometrical and Graphical Essays, containing a description of the mathematical instruments used in geometry, civil and military surveying, leveling and perspective (1790). Lectures on Natural and Experimental Philosophy, in five volumes (1794).George Adams Sr and Jnr were both notable opticians and scientific instrument makers of the 18th century. Their contribution to scientific innovation and optical development cannot be underestimated. Having one of their early drainage levels in the collection and in extremely good condition is an asset to the Flagstaff collection.Drainage level or optical level. A brass surveying instrument with Achromatic telescope, bubble level and dial fitted to the Tribrach or footplate that has leveling screws. Tripod is wood and brass with adjustable and unscrewable legs (for ease of transportation). Made by "G. Adams Fleet St, London". Used in surveying and building to transfer, measure and/or set horizontal levels."G. Adams - London".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, george adams fleet street london, optical instrument, scientific instrument, technical instrument, surveyors level, george adams snr, projection microscope

All the men in the photo were Great War soldiers. On the day of the presentation in 1972 the men were accompanied by their wives or relatives and treated to afternoon tea by the RSL Ladies Auxiliary and entertained by two RSL members George Elliot and George English. Top. Norman McLaren Young Regt No 7595, 13th & 14th Bn's. Thomas Richardson Liddle Regt No 1963, 21st Bn. Centre. Wm Earl Waters Regt No 718, 22nd Bn & 4th Fld Engineers. Robert Harrowfield Regt No 4954, 8th Bn. Jabez Hopkins Merryman Regt No 1981, 11th Bn & 1st M.G Bn. Bot. William Flett Regt No1767, 22nd & 24th Bn's. George Keir Regt No 1374, 13th LH Regt. David Jones Regt No 2670, 57th Bn. Norman Charles Boyle Regt No 1803, 38th Bn. Roy McEwan Johnson Regt No 2671, 57th Bn.Photograph B & W showing a group of 10 men who recieved their 50 year membership Certificates as members of the Bendigo RSL Sub Branch. Photograph was taken on the stairs to the stage in the Main Hall of the Soldiers Memorial Institute Bendigobrsl, smirsl, 50 years, membership, wabrsl

This book is an autobiography of George Meudell (1860-1936). He spent about six years in Warrnambool as a young boy when his father came to Warrnambool as the Manager of the Bank of Victoria. Meudell went to the Warrnambool Common School 646. He later became well-known in Melbourne in social, economic and political affairs. He was a company promoter, stockbroker and writer and an acquaintance of most of the influential and wealthy people of the time. In 1928 Meudell wrote an article for the Royal Historical Society of Victoria Journal detailing his memories of Warrnambool and this article is now a very important piece of local social history. He was enthusiastic about the benefits of living in Warrnambool in the 1860s and 70s. Meudell’s book, ‘The Pleasant Career of a Spendthrift, was an important publication as it gave a complete account of the commercial morality of the power brokers in the financial world - those concerned with the land boom and the banks’ crash of 1886-1893. The book was so inflammatory that it was initially withdrawn from sale. This book is of considerable interest as it was written by George Meudell who lived in Warrnambool in the 1860s and 70s and played a part in Warrnambool’s history by writing about these years. The book is also of wider interest as it has some information on people connected with Warrnambool’s history, including John Archibald and Thomas Bent. The signature in the front of the book is of no known relevance to Warrnambool.This is a hard cover book of 282 pages. The cover is red with black printing and the spine is very faded. The book has a foreword and twelve chapters of text. The first page contains a signature and notes written in pencil.‘Gordon Leitch Christmas 1942’ george meudell, victoria’s land boom (19th century), history of warrnambool

This is a marble stopper bottle that came from the Warrnambool aerated waters factory of John Fletcher. This bottle was filled upside down so that as soon as the filling stopped the marble was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it has fallen into the neck chamber below. The marble stayed inside the bottle when it was tilted for drinking. John Fletcher worked as a young boy at Rowley’s cordial factory in Banyan Street Warrnambool. He then worked for John Davis who had established the Union Cordial Factory in Koroit Street in the 1860s. In 1885 Fletcher bought John Davis’ business and operated it until 1930. It was then bought by Ralph Reeves. John Fletcher manufactured soda water, tonic waters, lemonade, ginger ale, sarsaparilla, cordials, hop beer and hop bitters. This bottle is of some significance as an example of a marble stopper bottle and as a memento of the Warrnambool soft drinks business of John Fletcher. He was a prominent businessman in This is a mauve-coloured glass bottle known as a marble stopper bottle. The base and body are round with the top part of the body heavily indented to form a narrow opening leading to the neck. The neck is rounded and slightly tapering to the moulded round top. A green glass marble is loose in the neck section. The rubber ring at the top of the opening is missing. The details of the soda water manufacturer are embedded into the glass on the sides. ‘John Fletcher Trade Mark (crown symbol) Warrnambool’ ‘Soda Water’ ‘M’ john fletcher, warrnambool, cordial manufacturers in warrnambool, history of warrnambool