The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

Hand written data on the safety cage. The first page is a memorandum to Mr J H Seymour from the International patent & Trade Marks Office informing Mr Seymour that the Provisional Specification of his invention has been accepted in Victoria, dated 17 Oct 1892. The second page is a copy of a card from John H Seymour, City Foundry, Wattle St. Sandhurst outlining the safety cage, the lives it has saved and orders will receive prompt attention and further information may be had from the above address. W. Holmes, Printer. The third page is to Miss Kingerlee from Allan Llewellyn with reference to the memorandum and card dated Sept 1, 1972. He says he copied the memorandum and card for her and Mr F Fitzpatrick has the originals. The fourth page is a typed copy of Claim Holders and expenses.document, gold, safety cage, memorandum - safety cage, edwd waters, j h seymour, international patent & trade marks, city foundry, w holmes, miss kingerlee, mr frank fitzpatrick, allan llewellyn, jno t caldwell, geo staley, neil walker, a n hamilton, william holland, j w weddle, jas lawes, wm hopwood, jas lawes, wm parker, r w pollard, wm nan & co, hope & co, mrs morgan, j w & g williams

Pittock coach builder's box, 15 assorted chisels located in assigned locations at the front of the box: * 12 steel chisels with wooden handles in various stages of use, and 3 cold steel cold chisels * some chisels have manufacturer's marks, indistinguishable to read two chisels have P (Pittock) incised into the wooden handle * 4 straight chisels, 245-280 mm L, 10-23 mm cutting edges * 4 curved chisels, 245-320 mm L, 10-30 mm cutting edge * 2 cold chisels, 160-195 mm L * 1 steel punch, 165 mm L * 4 narrow bevelled eased chisels, 215-280 mm L, narrow cutting edges Items stored in Pittock coach builder's box, reference 13000.1.

B&W photograph mounted onto heavy cardboard (black front, green back) of a horse tram (No. 16 - from Reg Item 2726) travelling westbound on Sturt St. on the north side, with Town Hall in background. Many horse drawn cabs are waiting along side the centre median strip on the north side, and the back of one cab on the Lydiard St. kerb. A number of women on the top deck. "Typed caption on photo" "Tram going up North Side of Sturt Street 1897, Note Cab Stand." Photo is believed to be from a copy negative of an original held in the collection of the Ballarat Historical Society. Also has drawing pit marks in corners on photograph. On rear of photo has two Velcro dots and remains on tape from brown mounting tape use. For original print of photograph, see Reg. Item 2726.trams, tramways, ballarat, ballaarat tramway company, horse trams, sturt st. , horse tram 16

Yields information about the appearance of Geelong's trams in particular ex Melbourne J class trams after receipt in Geelong. This tram later became Ballarat No. 11.Black and white print from a Geoff Grant negative of a Geelong bogie tram entering Corio Terrace from the Geelong depot on 8/1/1956, while Pengelley 19 waits in the siding. The bogie tram (37) has destination of "Special", 19 - "Chilwell". Has the Geelong SEC depot/powerhouse building in the background with part of the Blakistons' sign visible. Photo used in Trolley Wire, Feb. 1999, page 11, article on Geelong tramways. Pencil marks on the rear of the photo indicate proposed used of the photo in the article. 2472.2 - As above but with the rear of the motor vehicle edited from the photograph. Produced by William Scott for his book, 2008. Two copies. Added 21/7/2009. 2472.3 - large format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-20192472 - On rear in red ink "Geelong Depot 8-1-56" in top left hand corner and in bottom left hand corner "G.A. Grant" 2472.1 - on rear of copy 1 in ink in top left hand corner "40) Geelong 8.1.1956 / G. Grant pic / modified image (background only). Last day of Chilwell Route in 1st closures. Single truck car being changed over about mid afternoon for a bogie car to cater for increased traffic / Cars 19 and 37." copy 2 - "Geelong 8.1.1956 / G. Grant pic / cars 19 & 37." copy 3 - "Geelong tram depot / 8th Jan 1956"trams, tramways, geelong, geelong depot, corio terrace, chilwell, tram 19, tram 37

Yields information about the form used in Ballarat and Bendigo by the SEC to enabling ticket checking by Inspectors on the trams.Single sheet of paper titled "Supplementary Trip Way Bill", form No. TYE 1-580, for filling in ticket starting numbers, for tickets from 2d (City Section) through to 1/- value. Also allows for parcel tickets, tram no, trip, route, inspector and punch marks. Has line for filling in date and signature at base of ticket. Used in early 1960's. Max. fare 1/- Item was on display in cabinet of 39 until 10/2004, ex filing cabinet 1992. Two copies held. See also Reg. Item 279. See also Reg. Item 3062 for another sample - 15c max value. See Also Reg Item 4144 for a MMTB version, very similar in style, SEC probably copied it. See Also Reg item 5692 for a pack of 250 of these.trams, tramways, secv rules, by laws, tickets, fares, ballarat, bendigo

BHS CollectionBlack and white/sepia? Photograph mounted on green board. Narrow panoramic view of 'Bendigo from Camp Hill Fire Tower'. Rosalind Park in foreground., School of Mines, Town Hall, Bendigo Arcade, Banks, The Beehive, City Family Hotel, Law Courts and Post Office in foreground. Shamrock Hotel to left. Poppet legs of Royal Hustler's Mine Pall Mall. Inscriptions: 'Copyright Melb. P Scott', 'Bendigo from Camp Hill Fire Tower'. Royal Historical society of Victoria, Bendigo Branch, Circular blue stamp on back. 'MP270' TR corner. Portion of oval stamp on bottom right. Hand printed across bottom in ballpoint pen 'property of HJG Biggs, Town Hall Eaglehawk'. Portion of oval rubber stamp, purple, 'T. CA.., FOO.. Mark.. Be..' History: Previous Acc. No. MP 270.P Scottplace, landscape view, bendigo, bendigo, rosalind park, school of mines, bendigo town hall, camp hill, landscape, post office, bendigo post office, shamrock hotel, pall mall, fire tower

Set of twelve colour photographs of the derailment of Tram No. 18 on the depot fan (2 and 3 road points) on 13 March 1996. Included within the cataloguing sheet are a copy of the report to the traffic manager and the envelope from Frank Puls. Photographs by Jenny Puls, on Kodak paper. The report is a photocopy of the original held by the Traffic Manager. .1 - Frank standing by No. 18 .2 - No. 1 end showing derailed wheel .3 - From the south side .4 - Close up photo showing marks on rail from the wheel. .5 - From the north side .6 - Dave Macartney locating jacks .7 - Looking west towards the depot .8 - From the northside during rerailing .9 - Alan Snowball holding towbar with 661 in the background .10 - 18 and 661 .11 - Being coupled to No. 38 .12 - Being towed back on with Alan Snowball observing. On rear of each photo in stamped in black ink "13 March 1996"accidents, btm, derailments, depot fan, tram 18, tram 661, tram 38

Set of two ""Supplementary Running Journal", used by Conductors to enable the checking of tickets by Examiners. Was to be filled out prior to the commencement of journey and placed in the clip provided. Has space for date, punch mar, each fare time and Signature and Number. Both have punch marks .1 - Used 11-8-1935, possibly on a cable car, signed at R. Elliott, completed in pencil, car 476. Has part of a depot stamp in the bottom right hand corner. .2 - Form 3/134, Aug 66, used 8-1-69 by conductor No. 1267, ? from Malvern Depot, car 275. Completed in ink. Has the Malvern depot stamp on the rear. Re item 1 - Andrew Cox investigated this and found that W2 456 was at Coburg at the time and that though very fuzzy, could be Coburg depot stamp.trams, tramways, tickets, conductors, revenue journal, inspectors, cable trams, coburg depot

Ivan Magill (1888-1986) designer, this piece was designed in 1926 along with other anaesthetic equipment.Chrome plated straight complete Magill laryngoscope in medium size format, with attached light bulb. Cylindrical handle for battery deposit and with a wavy hand grip for easy handling. Serrated and screwed lids on top and base of the handle grip for insertion of batteries and checking of electrical contact stud. The handle also has a metallic switch without any instruction of use. The arm of the handle has a detachable screw to adjust extendable blade position and firmness. The light bulb is attached to a metallic tube connector to the handle arm which is just pressed to the contact point base. The blade has a oxidation spot under the blade. The piece in full has several scratches marks mostly founded in handle, arm and top blade areas. Two stamped inscriptions are present on the arm area, the manufacturer name and register number.Stamped on the arm of the handle lateral side, A.CHARLES KING Stamped on the arm of the handle opposite lateral side, REG. NO. 74901[9]magill, a. charles king ltd, regi. no. 749019, switch, laryngoscope

Illustrated book. Front cover has a coloured black and white photograph of Kit McNaughton in nurse's uniform seated alongside soldiers. Book title is printed in golden-brown and white ink on the front cover along with the authors name (white ink) Spine and back cover have a golden-brown background. Abbreviated title printed in white and black ink on spine, along with the authors name in white ink. Same coloured photo of Kit McNaughton is printed at top of spine. Publishers mark is printed in white ink on a black background at base of spine. The back cover has a summary of the book along with three black and white photographs: Kit McNaughton and another nurse standing behind two soldiers in hospital beds, the photograph from which the image on the front cover was taken, and a photograph of Kit McNaughton aged 16non-fictionThis book is based upon the previously unpublished diaries of army nurse Kit Mcnaughton, who embarked on the troopship Orsova in 1915, tracing her journey through the war from Egypt (where she nursed Gallipoli veterans), Lemnos Island and then to France and the Somme. Kit finished active service as Australia's first plastic surgery nurse, assisting medical pioneers in this field as they repaired the shattered faces of Australian soldiersworld war 1914-1918, nurses, nursing

BHS CollectionLetter to Mr D Egan from C Duggan for Manager - Public Relations - Australia Post, dated 23 February 1983. Letter mentions the history of the Long Gully Post Office. There are many gaps in the history. Mentioned are the number of letters, newspapers, Money Orders, telegrams, mail articles, postal notes and expenditure. Values of money orders, telegrams and postal notes are mentioned. Postmasters/mistresses were P Pentreath, A Pentreath, Amelia Daniel, Mrs S A Wilcock, Mark H Webb, William J H Read, Mrs Elsie Anderson, Sydney Gordon Dawson, John Henry Bennett, Miss Margaret Mulvey, John Henry Bennett, Henry William Purchase, Mr R F Warren, Mrs Margaret Cecily Kennedy, Edward Charles Landers, Mrs Margaret Landers, Shirley Egan, Brian Matthew Egan and Shirley and Max Volk.bendigo, history, long gully history group, the long gully history group - postal history of long gully, australia post, mr d egan, p pentreath, a pentreath, amelia daniel, mrs s a wilcock, mark h webb, william j h read, mrs elsie anderson, sydney gordon dawson, john henry bennett, miss margaret mulvey, henry william purchase, mr r f warren, mrs margaret cecily kennedy, edward charles landers, mrs margaret landers, shirley egan, brian matthew egan, shirley and max volk, c duggan

Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung

Craven "A" is a brand of cigarette that exhibits the English-style flavour of a Virginia-tobacco dominant blend, with that plant's attendant nutty sweetness. The cigarette was named after the third Earl of Craven in 1860. Craven A's were a favourite cigarette during World War II. The 'plain' version of the cigarette was unusual in that, there was at one end a cork tip in place of the paper. The Craven A brand is owned by Rothmans, Benson & Hedges Inc (RBH), which also owns or otherwise controls a wide variety of cigarette brands. It was sold by the Carreras Tobacco Company in the United Kingdom.. A tin with hinged lid for 'Craven A' CigarettesTop Lid : CORK 'cat figure' TIPPED / CRAVEN/ A / VIRGINIA / CIGARETTES / MADE IN LONDON ENGLAND/ TRADE MARK Inside lid - Made specially to prevent sore throats / CRAVEN 'A' / CORK TIPPED CIGARETTES / are made from the finest imported / matured Virginia and other choice / tobaccos guaranteed pure and / absolutely free from any adulteration / of any kind. / CARRERA'S LIMITED / (Est. 1788) / ARCADIA WORKS LONDON ENGLANDcigarettes, tobacco, morrabbin, cheltenham, bentleigh, early settlers, craven a, filter tipped cigarettes, cork tipped cigarettes, wd & h.o.wills pty. ltd., british american tobacco co.pty.ltd., craven a cigarettes, carrera’s tobacco company, rothmans pty ltd., , benson and hedges pty ltd.,

This tester was used between 1950 and 1980's. As part of the Occupation, Health and Safety requirements, equipment used to monitor the performance of electricity producing generators, regularly, hand held testers were used to check the insulation and the "earth" pin were up the the required operational levels. As the generators and their ancillary monitoring equipment was spread over a large area and cumbersome to service small hand held devices were required. These had to always be safe for the user to operate. A selected range of high quality meters were recalibrated every two years in the Meter and Calibration Laboratory at Yarraville(near Melbourne) This meter is very significant to The Kiewa Hydro Electricity Scheme because it was an integral part of maintaining the electricity producing water driven generators of the power stations. The reason why this meter was so essential is that provided the safety check on equipment used to monitor each Hydro Generator that they were complying within the grid network parameters. Grid parameters are set so that if there is an electrical fault on the system, that fault can be attended to with a very small change in the output stability of each generator. It is essential that the voltage of the network remain within the set limits. Generators are at Dartmouth, Mackay, Clover, West Kiewa, Yarrawonga, Cain Curran and three Power Stations in the Thornton area.This hand driven current generator produces 500 volts by winding the handle(on funnel curved side) to keep the voltage constant(one minute per test). The whole body is made from caste aluminium. One of the functions of this meter is to test the isolation resistance of any equipment being tested. This is to see if that equipment is safe to handle(no electrical shocks). The second function is to test the earth pin of any portable electrical equipment. The turn key on one side can direct which function is required(marked insulation or continuity). On the top side(enclosed in a glass fronted marked scale) is a continuity scale(top) and an insulation scale(bottom). This is covered , when not in use by "flip up" lid with manufacturer's details and name of the instrument. Opposite the winder are two screw tight knobs. One marked earth(left side) and one marked line(right side). On the top and next to the glass windowed scales in a post manufacture SEC Vic equipment equipment ID number. For carrying purposes there is chromed steel (fold together) handle.The bottom of the unit has two metal "feet" 150mm long by 114mm wideManufacturer's details on top side "MEG" underneath "INSULATION AND CONTINUITY TESTER" below this "constant 500 VOLT pressure" below this "REGISTERED MEG MEGGER TRADE MARK" below this "REG DESIGN NO. 690326" below this "UNITED KINGDOM PATENT Nos. 193746, 197178, 198182, 202062, 202398, 204649, 350715" below this "SUPPLIED BY THE GENERAL ELECTRIC Co. Ltd OF ENGLAND" below this "MAGNET HOUSE, KINGSWAY LONDON W.C.2" 'sec vic kiewa hydro scheme, alternate energy supplies, alpine feasibility studies temperature, rainfall

This sword was issued to Lt A Chanter of the 4th Australian Light Horse Regiment while serving at Gallipoli. He enlisted as Regimental No 59, was commissioned at Gallipoli and later rose to the rank of Captain commanding a Machine Gun section of the RegimentThe 4th Light Horse Regiment is an ancestor unit of the modern day Regiment. The 4LH served with distinction in WW1. This sword was issued to a member of the Regiment. Sword, Wilkinson, Infantry with scabbard, brown leather On guard - attached plaque : "LIEUT A L CHANTER "Lynn" ANZAC GALLIPOLI Nov 4th 1915" On blade ( R side): Star of Damascus, On scroll " BY WARRANT", UK Coat of Arms, Royal Standard, King's Crown. On blade (L Side) HENRY WILKINSON PALL MALL LONDON On scroll "BY APPOINTMENT" Badge of Prince of Wales Ornate "GVR", King's Crown On back of blade -Defence broad arrow, maker's or inspector's marks sword, wilkinson, gallipoli, 4th lioght horse, chanter

Colour photograph - Grade 3, 1978."Attached to photograph" Back Row-L to R: Simon (?), Johnny Tomada, ?, David Postlewaite, Mark Hirt, ?, Robert McDougall, Dale Franklin. 2nd Row- L to R: Craig McDonald, ?, Nichole Mathieson, Kerryn Hopgood, Rachel McEwen, ?, Lexie Jenkinson, ?. Front Row- L to R: Tania Alhaus, ?, Jenny Murray, Anthoula (?), Julie Rigg, Tania (?), ?, Tracey Williams, Ellen Hodgson. Teacher: Mr Hatfield.

Colour PhotographNAMES: FRONT ROW: David Hardidge, Glenn Smith, Matthew Osbourne, Timothy McKenzie, Paul. Burns, Paul Anderson. SECOND ROW: Craig Bannister, Jenni Hood, Fiona Kristoffersen, Fiona Bonn, Samantha Goodman, Craig Bullae. THIRD ROW: Steven Gould, Steven Michael Cotterell, Adam Holden, Mark Watson, Cameron Sheil, Paul Staniforth. Teacher: Mr. Dickman, Principal: Mr. B. Knox. rts, ringwood tech

The nested cup weights were designed to make the transport of weights, essential items in most commercial transactions, more convenient. This idea goes back to Roman times. In the nested cup form, a series of weights shaped into cups are set one into the other. Each cup fits precisely into the next, larger sized cup which each larger example weighing exactly twice that of the one previous. The Troy weight system was used for precious metals and gemstones.7 x Brass troy measures of various sizes. Fine groove lines near top edge and bottom 2 x Copper sliding weights - domed.1) 32 oz Troy around top .2) 16 oz Troy around top .3) VIII R around top. Maker's mark - lidded pot (coffee/tea?) with date 1826 .4) 8 oz around top .5) 6 oz Troy around top .6) 4 oz Troy .7) 2 oz Troy "WATERS" on top of sliders with "4" on under sidenested cups weights, troy weight, precious metals, gemstones, commercial transactions, sliding weights, domed weights

.1 Red circular tin .2 Elastoplast bandage insideLid: "S&N" Side: Elastoplast trade mark/Elastic Adhesive/Bandage/B.P.C. with porous adhesive/British Patent No. 713 838/for the medical profession/Directions for use enclosed/width 3in (7,6cm) Length unstretched 3yd (2.70m)/Length stretched 5/6yd (450/550m) Order No. 1003 Made in England by T.W. Smith & Nephew ltd., Hall & Welwyn Garden City. Keep in a cool place bandage, medical item

Photograph appears to have been taken outside Linton State School building.Black and white photograph of eight young ladies dressed in costume for a school concert, four seated, four standing behind, other people in background.On card mounting of photograph, hand written in ink: "Song / Miss Milligan's / by / Music Pupils of / Miss G. Barry / about 1912 / at Shire Hall (crossed out) State School" "Back row: C McBeath P O'Beirne M Bolte K Burke Front row: K O'Beirne L Burke G Cox J Cox Background S Mark V Cornish A Thompson C Bolte".gertrude barry, music students, musicians, c. mcbeath, p. o'beirne, m. bolte, k. burke, g. cox, j. cox, s. mark, v. cornish, a. thompson, c. bolte, milkmaids

The flour bag is an example of packaging from the grocery store, Moran & Cato's. Moran & Cato's were a large chain of grocery stores operating from the late nineteenth century to the mid twentieth century across Victoria, Tasmania and New South Wales. The address on the flour bag is for the warehouse (wholesale depot) of the business which was a significant building in Brunswick St, Fitzroy.The flour bag provides a snapshot of packaging for a well known grocery store of the early twentieth century. The advertisement on the back for 'Cleaned Fruits' is an example of advertising that highlighted important facts relevant to that time (e.g. "latest Special Machinery" and "with running water").Small calico flour bag for self-raising flour (7lb) supplied from Moran & Cato's in Brunswick Street, Fitzroy, Melbourne. The front of the bag includes not only the detail of the business but ideas for baking, images of wheat and claims as to its excellence. The back of the bag has a written advertisement for 'Cleaned Fruits' another product of the company.Front - Wheaten Flour, Moran & Cato's, Trade mark The M & C Brand Registered, 7lbs Nett, The Highest Standard of Purity and Excellence, prepared with phosphate aerator, Self-raising Flour, For making scones bread cakes puddings & pastry, Warehouse & Office- Brunswick Street, Fitzroy, Melbourne Back - Moran & Cato's, Cleaned Fruits are Perfection, (advertising text), The Same High Quality, The Same Prices at all our Branches.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, moran & cato's, flour bag, self-raising flour

Dr. S.A. Mellick was a long standing member of the Faculty of Anaesthetists, Royal Australasian College of Surgeons (FARACS) and gifted this object to the Faculty at the end of his term in 1989. Dr. Mellick was the first Australian to have become President of the International Society for Cardiovascular Surgery. The provenance and date of the salt cellar is verified by the hallmarks at the base of the dish made in 1804 during the reign of Britain's King George III.Sterling silver open cut salt cellar with blue glass bowl insert, boat shaped, featuring four ball feet, beaded borders with pierced and engraved detailing to the sides.[stand] PRESENTED BY S.A. MELLICK / FARACS / JUNE 1989 [hallmark] S E D (indicates maker as S & E Davenport), Image of Lion (indicates sterling silver), I (Indicates made in 1804) Image of kings head (indicates made in London), image of Sovereign's Head (indicates duty mark) Three cursive initials on side of dish are difficult to recognize however may possibly be identified as J E Wopen cut work, salt cellar, sterling silver, s & e davenport, dr sam mellick, faracs, salt cellar

Thirty two pages on gloss white paper plus brown covers, centre stapled, titled ""Panoramic Views , The Garden City, of Ballarat & District" in Gold printing. On rear has name of printers "Berry and Anderson Co Subtitle on page 1, "The Garden City being a series of 40 magnificent Panoramic Views of Ballarat and District, with special descriptive article, "Ballarat Revisited". On page 1, comprises a list of photos and a photo of Sturt St. looking east with an electric tram hauling a trailer. Pages 2 and 3 comprise the article. Most small photos are recycled postcard photos, dating from around the time of horse trams, through to the 1920, featuring the Arch of Victory, A number of photos of buildings such as Orphan Asylum, or Orphanage, Eureka Stockade, Lake Wendouree, Gardens, Ballarat and District Hospital, The Gardens and Reservoirs or Lakes. Many of the street scenes in Sturt St, feature tram in the City area - see the 11 image files including some close detail scans or horse trams turning from Sturt St to Lydiard St while one horse tram is coming up the hill on the same side of Sturt St. Features both electric and some horse trams. Many photos have marks or ID marks in bottom corners - "PS x Co" and "H.J.S" See email from Alan Bradley - in worksheet file re notes on photos. Purchased on eBay from Pametna McGuire of Mt Eliza on 17/1/200 for $30.55 + postage. See worksheet file for details. For image i5, see also Reg Item 5907 for a postcard view. PDF scan version added 21/5/2019 - see image btm3278i.pdf See email from Alan Bradley of 9/4/06 re notes on the photographs. trams, tramways, ballarat, horse trams, esco, sturt st

This is a set of 33 photographs of 4th Field Survey Squadron undergoing adventurous training held at unknown locations in South Australia, in 1994. It is also possible the training was in the Grampians region of Victoria. Off-road driver training and abseiling were key activities of this adventurous training as well as teamwork, leadership, and field craft. Elements from units of the Army Reserve may have participated in the training. See items 6561.31P, 6562.33P and 6564.28P for more photos taken during this training activity.This is a set of 33 photographs of 4th Field Survey Squadron personnel undergoing adventurous training held at unknown locations in South Australia in 1994. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1994. Preparation. LCPL Mitch Oake. .2) - Photo, colour, 1994. Preparation. SPR Chris Pearse. .3) & .4) - Photo, colour, 1994. Preparation. Unidentified soldier. .5) - Photo, colour, 1994. Preparation. SSGT Pat ‘Fuji’ Drover. .6) - Photo, colour, 1994. Preparation. L to R: SGT Steve McGuiness, CPL Steve Wegener, CPL Dick Crawford, CPL Peter Ball, SPR Greg Richards. .7) - Photo, colour, 1994. Preparation. L to R: CPL Peter Ball, SPR Greg Richards. .8) to .10) - Photo, colour, 1994. Preparation. SSGT Lynn Johnson. .11) - Photo, colour, 1994. Social activities. L to R: Unidentified (x8), SPR Chris Pearse, SSGT Lynn Johnson. .12) - Photo, colour, 1994. Social activities. SGT Dave Longbottom. .13) to .15) - Photo, colour, 1994. Social activities. Unidentified personnel. .16) - Photo, colour, 1994. Social activities. L to R: SGT Dave Cook, WO2 Simon ‘Andy’ Capp, CAPT Rob Gray, SPR Chris Pearse, SPR Mark McInerney. .17) to .19) - Photo, colour, 1994. Training area terrain. .20) to .23) - Photo, colour, 1994. Driver training. .24) - Photo, colour, 1994. Training area terrain. .25) - Photo, colour, 1994. Abseiling. SSGT Pat ‘Fuji’ Drover. .26) - Photo, colour, 1994. Abseiling. SGT Mark Donnelly. .27) to .33)- Photo, colour, 1994. Abseiling. Unidentified soldier. .1P to .33P – There are no personnel identified. ‘1994 ADV TRAINING’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

Margaret Woodward is a an artist and an an associate professor of design at Charles Sturt University. Artist statement: "The Sea is All Around us is a multi-layered event which creates a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event acknowledges and raises awareness of the often difficult and dangerous working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation at the Dome Gallery in the Mission to Seafarers in Melbourne’s Docklands marks the third stage of an ongoing research project which seeks to reveal the ‘social life’ of souvenirs. Beyond their representational role souvenirs also trigger intangible, affective qualities – reminders of journeys and places, new associations with tastes, sounds and people, and thereby becoming objects which focus and hold memories. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery became an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery was inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation are given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. Like messages in bottles they leave our shores, becoming ambassadors, representing the Dome Gallery at the Mission to Seafarers, the waters of Port Phillip Bay, Australia’s red soil and vegetation, and carrying memories of visiting Melbourne." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Orange enamel and teal mug created for the art installation by artist Margaret Woodward at the Mission to Seafarers. On one side it is decorated with a compass and a latitude and longitude; on the opposite side, a leaf, a QR code on the bottom takes you to the website.Written at the bottom of the mug: Please scan to map the journey of this souvenir * www.sensingtheremote.net *2015cultural events, norla dome, mso, 2015, art installation, margaret woodward

Margaret Woodward is a an artist and an an associate professor of design at Charles Sturt University. Artist statement: "The Sea is All Around us is a multi-layered event which creates a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event acknowledges and raises awareness of the often difficult and dangerous working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation at the Dome Gallery in the Mission to Seafarers in Melbourne’s Docklands marks the third stage of an ongoing research project which seeks to reveal the ‘social life’ of souvenirs. Beyond their representational role souvenirs also trigger intangible, affective qualities – reminders of journeys and places, new associations with tastes, sounds and people, and thereby becoming objects which focus and hold memories. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery became an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery was inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation are given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. Like messages in bottles they leave our shores, becoming ambassadors, representing the Dome Gallery at the Mission to Seafarers, the waters of Port Phillip Bay, Australia’s red soil and vegetation, and carrying memories of visiting Melbourne." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Small flyer in PDf for the art installation by artist Margaret Woodward at the Mission to Seafarerscultural events, norla dome, mso, 2015, art installation, margaret woodward