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City of Moorabbin Historical Society (Operating the Box Cottage Museum)Personal Effects, tin cylinder for shaving stick 'Colgate', c1940
In 1806, William Colgate, a soap and candle maker, opened up a starch, soap and candle factory on Dutch Street in New York City under the name of "William Colgate & Company". In the 1840s, the firm began selling individual cakes of soap in uniform weights. In 1857, William Colgate died and the company was re-organized as "Colgate & Company" under the management of Samuel Colgate, his son. In 1872, Colgate introduced Cashmere Bouquet, a perfumed soap. In 1873, the firm introduced its first toothpaste, an aromatic toothpaste sold in jars. His company sold the first toothpaste in a tube, Colgate Ribbon Dental Cream (invented by the dentist Washington Sheffield), in 1896. In 1896, Colgate hired Martin Ittner and under his direction founded one of the first applied research labs.[3] By 1908 they initiated mass selling of toothpaste in tubes.In Milwaukee, Wisconsin, the B.J. Johnson Company was making a soap entirely of palm oil and olive oil, the formula of which was developed by B.J. Johnson in 1898. The soap was popular enough to rename their company after it - "Palmolive". Around the start of the 20th century Palmolive, which contained both palm and olive oils, was the world's best-selling soap. ). A Missouri-based soap manufacturer known as Peet Brothers merged with Palmolive to become Palmolive-Peet. In 1928, Palmolive-Peet bought the Colgate Company to create the Colgate-Palmolive-Peet Company. In 1953 "Peet" was dropped from the title, leaving only "Colgate-Palmolive Company", the current name.A metal cylinder with a screw top for a 'Colgate' shaving stick. Until the early 20th century, bars or sticks of hard shaving soap were used. Later, tubes containing compounds of oils and soft soap were sold. Newer creams introduced in the 1940s neither produced lather nor required brushes, often referred to as brushless creams.Soaps are used by wetting a shaving brush, which is made out of either boar hair or badger hair, and swirling the brush on the soap, then painting the face with the brush. Brushless creams do not produce a lather, thereby removing its ability to protect the skin against cuts.Cylinder : COLGATE & CO. / SHAVING / STICK / NEW YORK / USA Lid: C&Ccolgate company, colgate-palmolive pty ltd, morabin, bentleigh, cheltenham, razors, cut-throat razors, safety razors, early settlers, soap, shaving cream, toothpaste -
Bay Steamers Maritime Museummodel steam engine
This model was found in the collection of Bay Steamers Maritime Museum. It is not knowt who created it but it is supposed that it was constructed to educate the many masters of the Wattle in the operation of a steam engine - a not so common mode of power these days. A Bay Steamers Maritime Museum examined the model in March 2012 and discovered that is was in poor repair. Using his existing knowledge, and with reference to some historic texts, he made some repairs and returned the model to working order. Here is his anaylsis of the situation as an excerpt from the Bay Steamers Maritime Museum newsletter Steamlines May 2012 "I was confronted with a model of a steam engine used years ago as a training aid for hopeful steam engineers. Already having a knowledge of steam operations, I considered a museum write-up for that model a ‘piece of cake’. However, on turning the model’s crankshaft, the valve timing seemed ‘out of kilter’ with the movement of the piston. Problem was that the two eccentrics on the crankshaft were not properly secured to it. Eventually I fastened the two eccentrics to the crankshaft where I felt that they should be and then realized that one of them had a chain-driven valve-timing device attached. This would be adjusted while an engine was running to achieve best performance and fuel economy whilst in operation by accurately controlling the period of time during which steam under pressure from the boiler would be admitted to the cylinder and give greater time for the steam to expand in the cylinder, move the piston and turn the crankshaft and thus, drive the attached apparatus. When the valves were correctly set up it was then possible to get the model to function properly.The model comprises a green section, which is the actual the model mounted on a brown painted board. There are two parts of the model, painted white representing the steam passages, and black representing the cast- iron portions of the cylinder-block casting, and of the main valve sliding between the cylinder a second sliding valve. Of the black portions, one slides back and forth being connected to a rod which is connected to an eccentric clamped to the crankshaft and is the nearer to the flywheel of two eccentrics. This eccentric is attached to the crankshaft at an angle of 90 degrees to the crank-pin attached to the flywheel. To operate the model simply turn the flywheel by means of the handle attached to its crank-pin. A second eccentric is also attached to the crankshaft, further away from the first eccentric, and it is adjusted to operate 90 degrees from the first eccentric (that is, 180 degrees from the crank-pin) A piston (painted silver) is located in a plastic cylinder and has a piston rod which passes through one end of the cylinder, (in actual practice a steam-proof gland seals the cylinder against loss of steam) terminating in a cross-head slide between four rails guiding it. From this cross-head, a connecting rod joins the piston-rod to the flywheel via the crank-pin attached to the flywheel which is part of the crankshaft. (In actual practice, a flywheel may not be used, particularly in a multi-cylinder engine.) The white portions of the model painted nearest to the cylinder represent the two steam ports cast into the main cylinder block, whilst one section painted in between those two represents the exhaust outlet (which may be connected to a condenser to conserve water, or to the open air). The main slide valve has three white-painted portions painted thereon. It has two white-painted marks representing the steam passages to the steam ports into the cylinder, and a third section in between the other two, being that part of the valve through which exhaust steam passes in line with the ports in the cylinder block. By rotating the flywheel, the operations of an engine will be observed as steam is admitted to the main valve via the gap between the two jaws of two moveable portions of a second sliding valve which is operated by the second eccentric attached to the crank-shaft. This eccentric is used to finely tune the valve timing of this model to obtain best running results of an engine. There are various methods used for reversing a steam engine. model compound steam engine, steam engine, model, crankshaft, valve, flywheel, wattle, engineer, eccentrics -
Ballarat Heritage ServicesPhotograph, Former Joseph Street Paton Memorial Presbyterian Church, Canadian, 2008, 26 /04/2008
The Jubilee of this church was held in 1933. "Paton Memorial Presbyterian Church. BALLARAT, Sunday Jubilee celebrations of the Paton Memorial Presbyterian Church were well attended in the week end. A basket picnic on Saturday at Eureka Stockade reserve was followed at night by a social gathering, at which a birthday cake was cut by Mrs. Amor, a foundation member. On Sunday special services were led by Rev. J. A. Moscript, assisted by the young men of St. John's Church. The church was originally founded, by the late Mrs. J. P. Murray to mission to the needs of the busy mining community which existed in Canadian in early years." (The Age, 06 November 1933.) PATON MEMORIAL CHURCH - An interesting tree-planting ceremony was performed in the grounds of the Paton Memorial Church on Saturday lost. Trees were put in by the scholars of the Sunday school to commemorate the enlistment of all the boys who had in any way been connected with the church. Sunday school, and Young Men's Club. The Mayor (Cr Levy) spoke in terms of praise of the lads who had enlisted to fight for right against might and the tyranny of Prussian militarism. The Hon. R. McGregor MLA., and the Revs. A. H. Moore and W. Rowlands were among those present. on also Mesdames J. P. Murray and McGowan, two of the founders of the church. During the afternoon Cr Levy planted a tree in honor of Mrs Murray. Afternoon tea was served by the ladies of the congregation. (The Age, 06 November 1933.) This church was in the middle of a Chinese neighbourhood, and the 1800s the leprosarium was in the vicinity. This bhurch was demolished not long after this photo was taken. Colour photograph of a weatherboard church in Joseph Street, Canadian. In 1937 this church was under the control of St. John's Peel-street, Ballarat. Members of the congregation: * Mrs. Amor - A foundation member. * Thomas Clarke and Isabella Clarke (formerly Ross) lived next door and according to family members "had a lot to do with the church". * Mrs McGowan - a founder of the church * Mrs. J. P. Murray founded the church to mission to the needs of the busy mining community which existed in Canadian in early years. joseph street ballarat, joseph street canadian, former joseph street paton memorial presbyterian church, ballarat, church, weatherboard church, presbyterian church, paton memorial church, clayton hill, claytons hill, leprosarium, chinese -
Bendigo Historical Society Inc.Audio - The 1930s Depression Tapes - Doreen and Josephine Favaloro, 2005
In 2005 Michele Matthews interviewed current and former residents of Bendigo for her thesis on the 1930s Depression as part of her PhD Research, with the University of Melbourne Faculty of Arts, History Department. Michele interviewed fifteen members of prominent Bendigonian families. The thesis was titled: "How Depressing?: The impact of the Great Depression on Bendigo and District 1925-1935". The Michele Matthews Collection contains fourteen audio cassette tape recordings and one written transcript. The tapes are each approximately 1 hour and 45 minutes duration. The questions presented to the interviewees explore everyday experiences they would have lived through at the time of the Depression. The questions covered sixteen relevant subjects: • Introduction and housing • Social activities, swimming, cinemas, school and games played with friends • Organizations such as the RSL, Relief Committees etc. and any effect they had on family life • The life of the single woman • Unemployment and Employment • Government Assistance • Charities Aid • Self-help • People Power, e.g. boycotts or protests • Politics • Trouble or crime • Family Health, Medical and Diet • Education • General memories of, and hardships encountered, during the DepressionAudio tape interview with sisters Doreen Domenica Favalora, and Josephine Monica Faveloro; cake and food shop owners. Daughters of Salvatore and Gina Favaloro. Doreen was born in 1915, and Josephine in 1920. Both attended school at St Mary's College, Doreen, c1920-1933, and Josephine, 1925-1938. The tape has been converted to a sound file. The 120 minute interview can be listened to, and the notes viewed, at the Bendigo Historical Society. By appointment only. The sisters lived at 137 Forest Street (not the one in the photo) Generations of the Favaloro family have attended Catherine McAuley College and its predecessor colleges St Mary's and Marist Brothers'. A book has been released documenting the progressive family migration from Salina, Italy to Bendigo. The family went on to run many much-loved businesses in Bendigo including cafes, fruit shops, theatre kiosks and caterers. A book has been written called 'The Favaloro Family of Bendigo: The Early Year 1895-1942' by Robert McWilliam. The photo and article are from the Bendigo Weekly Newspaper Friday April 7th 2006history, bendigo, michele matthews collection, the 1930s depression tapes, doreen and josephine favaloro -
Flagstaff Hill Maritime Museum and VillageContainer - Medicine Glass, W T & Co. (Whitall Tatum), late 1880's
This medicine glass was previously owned by Sybilla Margaret Kucks (1904-1978), daughter of Henry and Julia Kucks, and granddaughter of William and Sibilia Kucks. Sibilla was born in Warrnambool and lived there until 1917 when she moved to Armadale, Victoria, with her family. The medicine glass was among her effects left to her nephew William when she passed away and has been looked after by his wife Eva and treasured as a memento of their Warrnambool heritage. Mrs Sibilla Kucks sold sweets and fancy cakes in her Liebig Street shop from 1873 until the 1880s. She operated one of Warrnambool’s earliest dedicated confectionery shops at a time when sweets were more commonly found in a fruiterer’s shop. Her window display would have been full of brightly coloured sweets in shiny glass jars tempting passers-by. Sibilla (née Leyendecker) married Johann Wilhelm Kucks in New York, USA in 1856. Both were originally from Prussia. They sailed to Australia on the Ocean Rover and arrived in Melbourne June 10th, 1858. Seventeen days later their second child, William Jnr., was born. Warrnambool’s population was around 2,000 in 1859 when Sibilla and Johann (known as “William”) settled here. William was employed as a tailor by Cramond & Dickson. In 1859 the couple bought George Fergusson’s bakery in Timor Street and opened it as “W. Kucks Baker”. Along with fancy breads and biscuits, he advertised baked dinners to order. William supplied bread to the Warrnambool Hospital until the 1880s. In 1873 William built a row of four shops at 140-146 Liebig Street, one of which became Sibilla’s confectionery shop, and another was the new home to W. Kucks Baker. In 1877 William constructed a building in Liebig Street for the Warrnambool Steam Packet Company, which has since been incorporated into the Warrnambool Art Gallery. Its western wall shows to older construction and design. William and Sibilla had five other children. By 1896 their sons William Jnr. and Henry operated the business as “Messrs Kucks Bros., Bakers & Confectioners”. They employed six staff and used three carts for deliveries over a thirty-mile radius. They catered for clubs and functions including the Exhibitors’ Picnic Luncheon for the Warrnambool Industrial and Arts Exhibition (1896-7). In 1907 Messrs Kucks Bros. baked a monster Pyramid Cake for a local bazaar. It contained coins of various sizes and weighed 84lbs (38kg). Everyone buying a slice hoped to be lucky enough to end up with a coin! William Kucks Jnr. also became licensee of Terang’s ”Wheatsheaf Hotel”, its name and logo connecting it to the family’s bakery in Warrnambool. William (1825-1911) and Sibilla (1833-1910) Kucks and three of their seven children are buried at the Warrnambool Cemetery in a family grave. John Sambell migrated from England and established his chemist and dentist business in Warrnambool around 1890 in his premises in Fairy Street. The business later included his son Herbert. The maker, Whitall Tatum & Co, is clearly marked on the base of the bottle. The company was a a well known maker of prescription bottles. He used the brand "W. T. & Co. from Mid-1870's until the late 1880's, moulded into his glassware. This medicine glass is significant as one of very few remaining items from the history of John Sambell, chemist and dentist, Warrnambool. It is also significant as an example of medical equipment that has a design still used today. It is also significant for its association with William and Sibilla Kucks, a colonial family in Warrnambool that was greatly involved in the community and commerce of early days in Warrnambool.Medicine glass, (measuring glass or dose cup), clear glass, round. The antique chemist measuring glass is wide at the top and tapers to a narrow base. The glass has side seams and an uneven base. The glass has imperfections ans bubbles. The base is uneven. The measuring scale lines have been scored into the glass and the measurements and other inscriptions have been moulded into the glass. Glass is from J. Sambell, chemist and dentist in Warrnambool. On the back there is a measuring scale in tablespoons and teaspoons. There is also an inscription of the maker on the base. The glass was made in the late 1880's by Whitall Tatum & Co., America.Embossed within a round border "J. SAMBELL / CHEMIST / AND / DENTIST / WARRNAMBOOL" The scale on the back has "TABLE" "1" and "2", and "TEA" "8", "4", "2" and "1" The base has "W.T. & CO." around the edge.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, medicine glass, measuring glass, dose cup, medicine dispensing, medicine measurement, sambell pharmacy warrnambool, sambell chemist and dentist, warrnambool chemist, history of warrnambool, early 20th century chemist, john sambell, medical equipment, warrnambool medical services, kucks family in warrnambool, william and sibilla kucks descendant, mrs kucks' confectionery, william kucks baker, warrnambool dentist, herbert sambell, whitall tatum & co, w. t. & co., warrnambool steam packet, warrnambool art gallery -
Bendigo Historical Society Inc.Newspaper - JENNY FOLEY COLLECTION: SNIPPETS OF BENDIGO
Bendigo Weekly from Friday, June 28, 2002 - Snippets of Bendigo history, the Pall Mall story, part two - by Edith Lunn. Close to the jeweller's shop, we came to Chancery Lane. Many early legal firms had their offices there. Among them were: Quick&Rymer, Luke Murphy&Don and Macoboy&Taylor. A branch of the Bendigo united Friendly Society's Dispensary opened on the corner. Other small business in the walk included a florist, men's hairdresser and a boot and shoes repairer. Moving on there was Betteridge's Agency for the Singer sewing machine company, Wilkinson's photographic studio, Sutton's music shop and Favaloro's cake shop and café the ''Savoy'' was opened in the 1920's. Whitelock and Carter had their men outfitters business in the building, Cocking's was a very popular drapery store. After Cocking's closed down, Stoneman's supermarket opened in the premises. Alongside there was a passageway that led upstairs to the office of Phillip Secher and Son, Accountants and the Bendigo jockey club. Mrs Allan's baby wear business and Lenten's the tobacconist came after and last but not least the Shamrock Hotel enhances Pall Mall. The clip is in a folder.newspaper, bendigo, bendigo weekly -
Stratford and District Historical SocietyIlluminated Address
Fanny Swan (formerly Wood, nee Poole) came to Gippsland in the 1840s with her first husband, William Wood, where they became proprietors of the Shakespeare Hotel at Stratford. William Wood died in 1855, and in 1856 she married Samuel Swan. Together they acquired considerable property in and around Stratford. Samuel Swan died in 1880 at Stratford, and Fanny Swan died at Stratford in 1895.This illuminated address which documents the final payment for the Wesleyan Church building in 1892 has historic significance for Stratford Historical Society as it is located in the actual building. It also has social significance for the township as Mrs Fanny Swan was one of the earliest and best known business leaders in the area running the iconic Shakespeare hotel/boarding house for many years. It has aesthetic significance as an example of a illuminated address produced on a printing press with gold ink, rather than the usual handwritten form. White wooden frame containing an illuminated address to Mrs S. Swan from the Wesleyan Church at Stratford 2 January 1892. It is press-printed in gold ink on what appears to be a blank, pre-printed poster. It reads: Stratford, 2 January 1892 Mrs S. Swan, Stratford Dear Madam, We, the Minister and Trustees of the Stratford Wesleyan Methodist Church desire to tender you our most sincere thanks for your very generous donation of Fifty Pounds handed to us to-day by Mr George Poole in aid of clearing off the debt on our church. Thanks to your kindness the Ladies of our congregation have been induced to help, and they have raised a considerable sum by means of a Cake and Apron Sale, so that after our Annual Tea meeting to be held at Easter next at our Church. Debt will then be a "Thing of the Past". We trust God will keep you in health and strength, long to live amongst us. We are Yours Very Tuly Rev. H.E. MERRIMAN, Minister Trustees S.CAVANAGH W.LITTLE S.CHINN G.LITTLE Fred J. LITTLE, Secretaryswan, women, methodist church -
Flagstaff Hill Maritime Museum and VillageContainer - Biscuit Tin, Swallow and Ariell Pty Ltd, Mid-19th to mid-20th century
This tin was made in Melbourne and contained Swallows and Ariells biscuits. The label was written in four languages. The biscuits may have been made for export or perhaps for immigrants now living in Australia. Australia's first biscuit company was founded in 1854 by Thomas Swallow. Within five years he had taken in a partner, T.H. Ariell. After Ariell died in 1875, F.T. Derham was appointed partner and managing director in 1877, a position held by several generations of his descendants. By the early 1880s the Port Melbourne factory extended to 3 acres (1.2 ha), and the company owned flourmills and sugar plantations in the Goulburn Valley and Northern Queensland. With no equal outside Great Britain, Swallow & Ariell was the fifth largest biscuit company in the world, manufacturing over 100 varieties, including the common ship biscuit (an original product) and meat biscuits (apparently taken by Burke and Wills on their ill-fated expedition). The company also boasted popular sideline products, including cakes, plum puddings, ice-cream and dried fruit. Renowned for its patriotic fundraising campaigns during both world wars, it diverted most of its biscuits and plum puddings to the Australian and US services in World War II. Company employees were filmed leaving work in 1905 in the Salvation Army film unit's first sponsored industrial documentary film. The surviving opening sequences are held by ScreenSound Australia. The company was delisted on 5 August 1964 following acquisition of more than 95% of its capital by the Australian Biscuit Co. The factory was later registered by the National Trust and converted into units. https://www.emelbourne.net.au/biogs/EM01456b.htmThis biscuit tin is representative of local Melbourne and Victorian produce. The label was in four languages, perhaps for export or for local immigrants. The firm Swallow and Ariells Pty Ltd was a very early manufacture and was in business for over 100 years.Rectangular tin container with attached lid. Label advertises Swallow and Ariells biscuits. Made in Melbourne. The label is written in four languages. The trademark, a swallow, is on the tin. The tin is very badly corroded.'Swallow and Ariells Superior Melbourne Biscuits' Trademark: image [swallow]flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, metal craft, tin ware, biscuit box, biscuit tin, food container, melbourne biscuit maker, swallow, thomas swallow, thomas ariell, ariell -
Flagstaff Hill Maritime Museum and VillageDomestic object - Doily Case, Daisy Dale, before 1922
In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” The purpose of a doily case was to hold embroidered or crocheted doilies or small mats, which were used on plates to serve cakes and similar items. This case was designed and made by Daisy Elvena Dale, born on 27 October 1899, the youngest child of Ellis and Anne (nee Lees) Dale, of Latrigg, Wangoom, Warrnambool. The doilies in the case are a mixed collection sewn by children, which my mother collected over the years. Daisy Dale made this doily case before her marriage in 1922; it was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. A skilled dressmaker, Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily Case made by Daisy Dale. Two green fabric-covered circles with white cord edge trip. The front has a motif of a tulip flower and bud embroidered on it. The circles are secured shut by a knot and loop. From the 'Chamberlain Dale Lees Collection'.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, daisy dale, wangoom, dressmaker, fashion, 1920's, doily, miss a. e. emery, glory box, embroidery, handmade, needlework, doily case -
Flagstaff Hill Maritime Museum and VillageAward - Medal, Stokes, c 1882
This medal was presented by the Shipwrecked Fishermen and Mariners' Royal Benevolent Society and was posthumously awarded to Captain John Coffey’s family for his efforts at saving life at sea, in 1882. Captain Coffey lost his life in this attempt. The shipwreck occurred between Australia and England. The included letter was written by the donor, who is the grandson of John Coffey. It is interesting that the medal and note were packaged in a small tin whose original purpose was to present a wedding cake gift to guests. The container is decorated with wedding bells pressed into the lid. Shipwrecked Fishermen and Mariners’ Royal Benevolent Society: - The Shipwrecked Mariners (Shipwrecked Fishermen and Mariners’ Royal Benevolent Society) is a national charity established in 1839. It is run by a network of volunteers in the UK and Ireland. The organisation assists former mariners, their dependants and their families. John Rye and his servant Charles-Gee Jones, of Bath, UK, encouraged its formation after a severe storm caused the loss of life from the ‘Clovelly’ fishing fleet in November 1838. The Society was incorporated by an Act of Parliament in 1850. The Society’s flag is the St George’s Cross, a red cross on a white background and a gold crown in the centre, with the letters S F M S displayed, one in each quadrant. Nominations are made by members each year of those who have performed outstanding acts of bravery in helping those in peril in the sea. The inscription on the reverse "PRESENTED FOR HEROIC EXERTIONS IN SAVING LIFE FROM DROWNING / JOB XXIX 13" refers to a verse in the Bible, which in the King James version reads "The blessing of him that was ready to perish came upon me; and I caused the widow's eart to sing for joy."This is the only medal in our collection awarded from the Shipwrecked Fishermen and Mariners' Royal Benevolent Society. Medal, silver with blue ribbon. The obverse of the medal has images of the British flag, a crown flag with "S.F.", a portrait of a man, a shipwreck, a cannon and anchor, a man with a telescope, and two people attending a body on the shore. The reverse of the medal has text. The medal clasp depicts a fleur de lies between two fish. The medal maker is Stokes. The metal was donated in a tin container and included a letter. The medal was presented posthumously to the family of Captain John Coffey for his efforts at saving life at sea, in 1882. It has an accompanying letter and container.On rim "CAPTAIN JOHN COFFEY - 1882" Obverse "SHIPWRECKED FISHERMEN AND MARINERS ROYAL BENEVOLENT SOCIETY" and "ESTAB AD 1839 INCOd BY ACT OF PARLt 1850" Reverse "PRESENTED FOR HEROIC EXERTIONS IN SAVING LIFE FROM DROWNING / JOB XXIX 13" and "ENGLAND EXPECTS EVERY MAN WILL DO HIS DUTY" The tin box has "MEDAL" handwritten in black.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, medal, captain john coffey, john coffey, numismatics, hero, saving lives, shipwrecked fishermen and mariners’ royal benevolent society, sfms, shipwrecked mariners' society -
Eltham District Historical Society IncPhotograph, Peter Pidgeon, Grave of John Arthur and Grace Mitchell, Eltham Cemetery, Victoria, 5 April 2021
Grace Mitchell, a talented artist in later life and baker, managed a pastry shop business near the corner of Mount Pleasant and Main roads, Eltham in the 1950s. Shortly after her marriage to Arthur Mitchell in 1948, Arthur incurred a head injury from an accident and was unable to work. Grace realised she needed to be home to care for her husband as well as earn an income. She managed the bureaucracy of council permits, and made modifications to her home with savings to get the business off the ground without having to borrow money. Grace and Arthur were avid gardeners and would grow, wash and mince vegetables for pasties while Grace handmade and rolled the pastry. They cooked and minced their own meat for the pies and the fruit for the sweet pies came from their orchard at the rear of the property. She also baked scones and cakes. With weekend visitors travelling to Eltham on the train for days trips, her reputation grew as the spot for afternoon tea. Grace’s daughter Jenni mentions the visit of dancer, Robert Helpmann and U.S. actress Katherine Hepburn in her Grace Mitchell: a short history [2012]. Reminiscences in We did open a school in Little Eltham: Eltham Primary School 209, 1856-2006 a history [2006] include a mention of Grace’s famous pastry shop and the Sunday afternoon visit by Helpmann and Hepburn. Grace operated her pastry shop for over 16 years. She supported the Shillinglaw Cottage Preservation Campaign to preserve the cottage through its Flavour of Eltham community cookbook published in 1964 and hosted cooking classes in the new Living and Learning Centre. Grace Mitchell passed away aged 95 years in 2011. In memory of John Arthur Mitchell 1905 – 1975 And Grace Mitchell 1916 – 2011 Loving parents of Jennifer MitchellBorn Digitaleltham cemetery, gravestones, grace mitchell, john arthur mitchell -
Melbourne LegacyFilm, "His Other Family - A Legacy"
10 minute sound and colour, which has faded to red. Begins with an unseen business man asking his secretary to ring his wife to tell her he will be late and is going to visit one of his other families. We see him driving his car, which is full of smoke from his pipe, whilst the narrator explains what Legacy does. The Legatee sheds his coat and trilby hat to play cricket with the fatherless son before having tea and cake with the widow whilst her story and that of her two children is told - details of the Legacy assistance are given. The film then moves to Legacy House where exercise classes are taking place and the smoking pipe makes a reappearance. Information about Legacy's work for the health and wellbeing of Junior Legatees is given, as well as details of the Mother's Club. The film shows the many Legacy committees at work before moving on to holidays organised for Junior Legatees at a beach side cottage - there is no indication of which city is featured at this stage but the beach could be Bondi. Widows are shown meeting at Legacy House, and then we see more elderly widows at Lady Gowrie House. Kyle Williams House for convalescent children is featured and is located near Sydney, which would indicate that the film is about Sydney Legacy. Archbold House, a hostel for girls, and Glen Mervyn House for boys are also featured, as is Cull House for boys undertaking apprenticeships. The film notes that there were 88,000 widows and children in Legacy's care, and the pipe smoking Legatee is seen driving the fatherless boy to tennis practice before the film concludes by saying that Legacy is contributing to the future of the nation. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of life in Sydney after the war and the huge number of children to have lost their father in WWII. The commitment of Legacy to giving them a better childhood and the amount of work done by Legatees is impressive.Khaki coloured film cannister with yellowing label.Handwritten 'John Gray Prods' and 'His other family - A Legacy' / '16mm Comp E/Color Print'sydney, residences, junior legatee -
Eltham District Historical Society IncPhotograph, Wedding of Sarah Ann Bird (b.1881) to Edward Ernest Pepper (b.1874) held at the Bird family home of "View Hill', Eltham, 1904, 1904
Sarah Bird 4th from left (seated) and Edward Pepper on her left (standing). George Bird, 2nd from right (seated). George Bird her great-grandfather and Sarah Bird and Edward Pepper, her grandparents. [from Evelyn Observer and Bourke East Record, morning edition, 18 November 1904, p. 3:] ORANGE BLOSSOM. The marriage of Miss Sarah A. Bird, eldest daughter of Mr George Bird, of "View Hill," Eltham, to Mr Ernest Edward Pepper, of Diamond Creek, was celebrated at the residence of the bride's parents on Wednesday, 9th November, 1904. The ceremony took place at 4 p.m. and was performed by the Rev Percey Knight, B.A., of Alphington. The bride entered the drawing room with her father who gave her away, and the Wedding March, was nicely played by Miss Wild. The bride was prettily dressed in creme voile nicely tucked and gathered, trimmed with guipure lace and silk ruching, sprays of orange blossom, wreath and veil, and she carried a shower bouquet. Her travelling dress was a very pretty blue. The brides-maids were Miss Ethel Barker dressed in pale green voile trimmed with creme guipure lace and silk ruching; and Miss Button in creme voile, guipure lace, silk ruching; both carried pretty bouquets. The groomsmen were Mr Lorimer, of Diamond Creek, and Mr George Bird, brother of the bride. Between forty and fifty relatives and friends partook of a bountifully provided and nicely laid out breakfast. The usual toasts were honored, and congratulations were freely tendered "to the happy couple". The decorations were very tastefully executed by Miss Beatrice Nelson, and Mr Sayers. The evening was very pleasantly spent in singing, recitations, games, and other suitable pastimes, while others "tipped the light fantastic toe". About 10 p.m., "while all was merry as a marriage bell", the bride and bridegroom departed secretly "to cheat surprise and prying eyes". The presents were numerous and handsome:– Parents of the bride, sewing machine; Miss A. Bird, silver breakfast cruet; Miss N. Bird, bread board and knife; Master A. Bird, pair glass dishes; Master R. Bird, pair photo frames; Mr Sayers, tea set; Miss Kidd, silver jam dish and spoon; Miss Wilkinson, carpet; Mr J. Kilpatrick, cheque; Mr W. Kilpatrick, clock; Miss Kilpatrick, silver butter knife; Mr J. H. Kilpatrick, hand painted mirror; Mrs Kerwin, pictures; Mrs Gilsenan, the handsome wedding cake; Mrs Nelson, Japanese occasional table; Misses Nelson, jugs and candlestick; Mrs Bunker, silver cruet stand; Miss Bunker, hand-painted vases; Miss E. Bunker, epergne; Mr E. Bunker, crumb tray and brush; Miss Jessie Gilsenan, cake stand; Mr Harold Gilsenan, auger basin and ornaments; Mr Lorimer, silver breakfast cruet; Mr A. Collins and Miss Jones, epergne; Miss Cassie Sweeney, jardiniere; Miss Ida and Ollie Cooper, silver butter dish; Miss Mills, large vases; Misses M. and F. Shillinglaw, handsome oak clock; Misses C. and E. Shillinglaw, pair large pictures; Mr Lucas and Miss Sutton, silver butter dish and knife, and silver jam dish and spoon; Miss M. and A. Short, teapot, cheese dish, and tumblers; Mr and Mrs J. Anderson, butter dish; Miss Williams, pen tray; Miss Griffiths, vases; Mr I. Hill, cheque; Miss Wild, biscuit barrel; Mr, Mrs and Miss Brown, trifle bowl and crystal jug; Mrs Weller, water jug and glasses; Mrs Hadfield, pair glass dishes and butter dish; Mr and Mrs Blackney, photo frames; Mr Wilson, beaded basket pin cushion; Mr Linsy, cheque; Mrs Linsy, fruit dish; Mrs Stebbing, pair candle sticks; Mrs Blanchard, pictures.Digital copy of framed sepia photographanderson, bird, blanchard, blackney, bunker, collins, cooper, edward ernest pepper, george bird, george bird jnr, gilsenan, griffiths, hadfield, hill, jones, kerwin, kidd, kilpatrick, linsy, mills, nelson, sarah ann bird, sayers, shillinglaw, short, stebbing, sutton, sweeney, view hill, wedding, weller, wild, wilkinson, williams, wilson, brown, lesley mitchell (nee pepper) collection -
Flagstaff Hill Maritime Museum and VillageInstrument - Scale, Early 20th century
The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. One of the most common types of spring scales was the kitchen scale also known as a family or dial scale. Designed for horizontal surfaces, these vintage kitchen scales used the weight of goods in a pan at the top of the scale to force the spring down rather than the balance system. Such scales were common in early 20th century households and were sold by many companies. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks were the most popular brands used. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is as scoop at one end for the material to be weighted and a flat circular disc at the other end that holds the weights. Around the cast iron base is an embossed leaf pattern. All the weights have their weight embossed within the casting.There are 5 weights, marked 2 oz, 4 oz,8 oz,1 lb,2 lb, This scale does not have any visual markings on the arms to identify a maker or true balance. It is therefore assumed that these scales were made for domestic use only.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spring scale, scale -
Ringwood and District Historical SocietyPhotograph, Ringwood Technical School - "Wake"/Reunion 5th June 2005, 2005
Group photo from RTS Wake-Reunion held on Sunday June 5 2005. Liz Seaton organised the event after seeing a post in early May 2005 by another member on a now-defunct website called Schoolfriends / Schoolfriends Reunited, which was very popular before Facebook really got rolling, saying: “Just to let you all know that our old school is being pulled down. You had better get there soon if you want to have a look around before there is nothing left.” Liz notes: A bulk Message was sent from Schoolfriends Reunited to all registered RTS members (about 250) about the Wake-Reunion. The Wake was in the days before the whole area of RTS was fenced off completely from the public. We all met at the front then walked down the driveway, past all the fenced-off vandalised buildings and on to the oval. A very emotional time for all present. After the walk, we finished the day at the Great Ryrie Primary school with afternoon tea, cake (cut by Mr Black, the cleaner) and lots of photos being taken. This is a low resolution group photo. It is hoped to obtain better photos and a video taken by Grant Bickerton on the day - watch this space! Liz Seaton is 2nd row, far left, wearing a blue and yellow top and with much longer hair than now. rts, ringwood tech -
Bendigo Historical Society Inc.Document - PETER ELLIS COLLECTION: BENDIGO CLUB FIRST ANNUAL OLD TIME BALL, 1st June, 1984
Yellow folded card. P.Ellis and 2 in circle hand written at top on front. Circular Emblem. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per head Band: Armstrongs. Star of Evening Belle of Ball Matron of evening. Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Inside reads: Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Rear reads: Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small cakes, Pavlova, Fruit Salad, Coffee. Catering by Eric Brookes Catering Service who caters for Weddings and Special Occasions Dinner A La Carte 028 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359person, individual, peter ellis oam -
Bendigo Historical Society Inc.Document - PETER ELLIS COLLECTION: BENDIGO CLUB FIRST ANNUAL OLD TIME BALL, 1st June, 1984
Yellow card Black stick figure drawing in circle. 2 in circle handwritten in top right hand corner. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per Head Band Armstrongs Star of Evening Belle of Ball Matron of Evening Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small Cakes, Pavlova, Fruit Salad, Coffee. Catering By Eric Brookes Catering Service Who Caters for Weddings and Special Occasions Dinner A La Carte 038 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359. 411510 handwritten on back.person, individual, peter ellis oam -
Kew Historical Society IncNewspaper, Kew Festival Gazette, No.1, October 5th 1895, 1895
The first known use of the term 'Kew Festival'.The Kew Festival Gazette, 5 October 1895 is a four-page mock-up newspaper, published from the Boroondara Standard office to advertise and publicise a Kew Festival. The Festival was not associated with the current Kew Festival, which was founded in 1974, but was principally a bazaar held in the Kew Recreation Hall to raise money for the Kew Catholic Church Building Fund which was associated with the Jesuit Mission. Perhaps because of the recent economic depression, the Mission was in financial difficulties and it was hoped that the bazaar would raise enough money to ease the situation. According to the Gazette, ‘All Kew has been in a gentle simmer of excitement for some time past over the coming Sacred Heart Bazaar in aid of the Jesuit Mission funds. Wherever one goes the talk is of the bazaar, and whoever one meets is either a stallholder, an assistant or an intending purchaser.’ There are a few items in the Gazette about other local events, including a cake fair and sale of works, and a history of bazaars that traces them from the Middle East via Britain to Kew. One article contains some examples of nineteenth century humour, including ‘the lady stallholders will not have to pay income tax on their takings’. The advertisements reflect the goods and services available to Kew residents in 1895 – groceries, wine & spirits, hay, corn, chaff, ironmongery, timber, drapery, millinery, gas cookers, and an undertaker and embalmer. kew festival gazette, kew catholic church, boroondara standard -
Mission to Seafarers VictoriaProgramme, Multicutural Arts Victoria, Mapping Melbourne 2018, 2018
On 6 December 2018, a recurring event was organised at the Mission. From the Multicultural website: "Meeting at the Seafarer’s bridge on the Yarra, you will be welcomed into a little-known site nearby, a sanctuary for seafarers for the last 100 years and a symbol of old-world generosity amidst the rapidly shifting landscape of the Docklands. A journey through the quirky spaces at Mission to Seafarer’s site through a compelling contemporary ritual performance. The Echoes Projects artists evoke fragments of stories embedded in this site through mesmerising live soundscapes, movement and imagery. Ria Soemardjo, Janette Hoe and Pongjit (Jon) Saphakhun collaborate to create an ongoing exploration of contemporary rituals in response to urban sites in Australia. Based in Melbourne, their contemporary performance work draws deeply from their personal connections to Thai, Chinese and Indonesian ceremonial traditions. Featuring Intricate rhythmic compositions inspired by the rich heritage of Indonesian and Middle Eastern musical traditions, performed by Ron Reeves and Matt Stonehouse – two of Australia’s foremost world music percussionists. Note: 7 PM and 8 PM sessions include delicious vegetarian Indonesian food. 9 PM session includes Indonesian and Thai cakes and sweets. You are invited to stay and eat after the performance, drinks available for purchase at the venue. Performers: Janette Hoe – dance artist Pongjit (Jon) Sekhukhune – actor Ria Soemardjo – musician Ron Reeves – musician Matt Stonehouse – musician /instrument maker Supported by the City of Melbourne Arts Grants Program Details: 6 Dec 2018 (Thursday) Sessions: 7 PM, 8 PM & 9 PM The Mission to Seafarers Audience Meeting point – next to the entrance of the Seafarer’s Bridge, Siddeley St, Docklands. Wheelchair accessible venue. Bookings essential. Tickets: $10 – $15 via Eventbrite. Ticket price is purely to pay for the food element. Companion Card ticketing available. Please contact Multicultural Arts Victoria for ticketing options. Companion ticket will allow admission only. The Seafarers Welcome is presented as part of Mapping Melbourne 2018."The Mission has always welcomed artistic events Colour programme of events with illustrationstop right corner: Multicultural Arts Victoria lower left corner: MAPPING MELBOURNE/1-15 DECEMBER 2018arts, events, multicultural arts victoria, the seafarer welcome, echoes project, 2018, cultural events, community -
Tatura Irrigation & Wartime Camps MuseumFolio, Camp 3
Material collected and donated Material relating to Camp 3 and the Internees from Palestine. Sketch map of Camp 3 Memorium to Dieter Ruff, former Head of the Temple Society. Photo of steam passenger train at Rushworth Station. Various group photos. Copy of sketch of hut by Winkler. "in the Internment Camp Tatura" by K.M. Pfander Copy of talk given to her former pupils by Gudrun Gollong, in 1978. Poem written in Camp by Annie Lorenz. Poem by unknown writer "Life's Daily Routine" Interview with Babette Kirsch. Copy of children's learning book in German. Photos of toys and craft made for Kaltenbach family. Copy of Kaltenbach barracks by Cesare Vagarini. Story of Wilhelm Kuebler. Photos of wooden boxes made for Sgt. Cubbin. Copy of letter in German confirming the death in Camp of the two Stuerzenhofecker children. Copy of records Theo Stoll. School records Waltraud Doster Copy of Marriage Certificate Vollmer/Zollinger, August 1946. Recollections of Private Ashworth, guard at Camp 3. Photo taken 2001 by John Wepner of pump which supplied water to Camps 3 & 4 from No. 9 channel. Sketch of canoe made in camp from a sheep drinking trough by the Haering family. "From the Holy Land to the Home of the Kangaroo", by Hedwig Schnerring, translated by Peter Hornung, donor- Guenther Schnerring. "The Long Arm of the Third Reich" by Christine Winter. Photocopied extract of Walter Odorich Stenner's diary account of the transportation from Haifa to Australia. Research - Tatura WW2 Internment Camp 3, Annie Leschen Copy of map showing pump sites for water for Camps 3 and 4 Copy (laser) of a painting donated by Frieder Vollmer, artist "D 1943"? Adalbert Stern, Sir Nicholas - Son of Dunera boy "Adalbert Stern Copies of photos (4) of 2 cakes of Lux soap with pictures of "Roll Call, Tatura 1941" on one side and "Lux Toilet Soap" on the other Newspaper Article from "The Age" 14/04/1999 re Vagarini Exhibition Camp 3TaturaBlack 3 ring folder with printed matter and photos in plastic sleeves.documents, reports -
Eltham District Historical Society IncPhotograph, Fay Bridge, Eltham Primary School No. 209, Dalton Street, Eltham, 12 August 2006
ELTHAM PRIMARY SCHOOL CELEBRATIONS (EDHS Newsletter No. 170 September 2006) On 12 August the school celebrated its 150th anniversary with a most successful open day. Many former students, teachers and parents attended, together with local members of parliament and councillors. A congratulatory message from Premier Steve Bracks and Education Minister Lynne Kosky was read to the large crowd assembled to listen to the various speakers. Our members Jock Read and Geof Braithwaite were there as two of the longest surviving former students. Jock joined the youngest present day student in cutting the large birthday cake. Displays included historical information on Eltham and the school arranged by our Society and photos of school groups arranged into decades. The celebrations included the launch of a book to commemorate the event and titled "We Did Open a School in Little Eltham". The title is taken from a line in a letter from first head teacher David Clark who opened his first private school in a bark hut. This excellent publication of some 262 pages far exceeds the standard of most school commemorative histories, both in content and presentation. The three joint writers are all parents of students at the school. Ian Anderson, Barry Carozzi and Tarja Fellowes have spent many months researching and writing and are congratulated on the outcome. In the book they acknowledge the contribution of our President Harry Gilham and of Peter Cuffley, great grandson of Eltham pioneer Thomas Sweeney, Many of the photographs were provided by our Society. The stone building is the earliest building remaining on site today. It was built in 1875 and was the second school building replacing the original 1856 building of stone walls with wooden shingles on the roof. That building needed to be replaced after the stone walls collapsed outwards. In August 1912 the school issued a requisition for remodelling of the school concerned with replacement of the existing windows with larger and wider windows to allow additional light into the school rooms and the erection of a wooden partition in the centre of the room. An extension to the building at rear and skylights in the roof were added in 1921. Only two low wooden stairs were originally provided to enter the porch. These were rebuilt by 1928. A steel mud grate was introduced 1930s/1940s and an infant shelter shed circa 1945.fay bridge collection, eltham, 150th anniversary, 2006-08-12, eltham primary school, eltham state school no. 209 -
Bendigo Historical Society Inc.Document - DAHLIA & ARTS FESTIVAL, EAGLEHAWK, 16 March 1995
Dahlia & Arts Festival, Eaglehawk.16th - 26th March, 1995. Programme. Debutante Ball (1), 'The Festival' Exhibition at the Borough Galleries. Debutant Ball (2). Art Preview and Presentation of Awards. Craft Market. Displays of Cake Decorating. Sidewalk Busking Competition. Gala Fair. Eaglehawk Fire Brigade open day. Porcelain Art and Craft Show. Art Show. Display of Memorabilia-Cornish Assoc. Static Display-Irish Assoc. Children's Multi-Dimensional Art Exhibition. Children's Photographic Display. Flower Show. Photographic Print Competition. Eaglehawk Heritage Society-Display. Bridge to Park, foot race. Street Procession. O'Shea-Ryan Bendigo Irish Dancing School and O'Shea-Ryan Academy of Irish Dance - Melbourne Performance. 2nd Seasons Fashion Show. 13th Annual Dahlia & Arts Half Marathon. Ecumenical Church Service. Picnic Lunch. Free Concert-Guinness Show Band. Cycling Criterium. Mining Heritage Tour of Eaglehawk. Dahlia Diner. Variety Concert. ''High Jinx On The High Seas''. Childrens Fancy Dress Parade. Gala Charity Old Time Ball. Brass Instrument Solo/Party Competition. 'Gardening Through The Drought'-Guided Tour. California Hill Church Open Day Craft & Devonshire Teas. Traditional Cornish Concert. 'A Time to Remember'. Annual Croquet & Bowls Tournaments. Festival Guest of Honor Mr Wayne Gregson - Journalist. Editor - Bendigo Advertiser. Festival President, Mr Noel Thomas. Vice Presidents Alan Bull, Kevin Herdman. Executive Officer Jeanette Moss. Treasurer Lorna Thomas. Acknowledgements and sponsors on back page.event, entertainment, eaglehawk dahlia & arts festival, dahlia & arts festival, eaglehawk.16th - 26th march, 1995. programme. debutante ball (1), 'the festival' exhibition at the borough galleries. debutant ball (2). art preview presentation of awards. craft market. displays of cake decorating. sidewalk busking competition. gala fair. eaglehawk fire brigade open day. porcelain art and craft show. art show. display of memorabilia-cornish assoc. static display-irish assoc. children's multi-dimensional art exhibition. children's photographic display. flower show. photographic print competition. eaglehawk heritage society-display. bridge to park, foot race. street procession. o'shea-ryan bendigo irish dancing school and o'shea-ryan academy of irish dance - melbourne performance. 2nd seasons fashion show. 13th annual dahlia & arts half marathon. ecumenical church service. picnic lunch. free concert-guinness show band. cycling criterium. mining heritage tour of eaglehawk. dahlia diner. variety concert. ''high jinx on the high seas''. childrens fancy dress parade. gala charity old time ball. brass instrument solo/party competition. 'gardening through the drought'-guided tour. california hill church open day craft & devonshire teas. traditional cornish concert. 'a time to remember'. annual croquet & bowls tournaments. festival guest of honor mr wayne gregson - journalist. editor - bendigo advertiser. festival president, mr noel thomas. vice presidents alan bull, kevin herdman. executive officer jeanette moss. treasurer lorna thomas. acknowledgements and sponsors -
Bendigo Historical Society Inc.Document - THE MAYORAL AUXILIARY, 25 Sept. 1947
The Mayoral Auxiliary. Entertainment arranged by The Mayoral Auxiliary in aid of The Food For Britain Appeal. 25 Sept., 1947. Part 1 - Musical Programme. 1.Piano & Violin: Misses Leggo & McNair. Vocal Solo: Mr Arthur Nicholls. Trio: Mesdames Ennor & Lober & Miss Pianto. Dramatic Scene, Song & Dance: Miss Janice Morgan. Vocal Solo: Mr Beckwith. Specialty Act: Miss Gladys Brown. Vocal Solo: Mrs Ennor. Part 2 - Dramatic Entertainment. Dramatic Personage: Dreamer: Mr Jack Hocking. Grandparents: Mr Mac Walker & Mrs Oliver. Suitors: Messers Beckwith & Harvey. Daughter: Miss Letty White. Dancer: Miss Eileen Clarke. Sports Girl: Miss Mary Stanistreet. Marie & Mary: Misses A Taylor. The Cook & the Lady: Misses Dorothy Farmer & Helen Sargeant. Widow: Miss Beverly Dyer. Sister: Miss Judy Edwards. Bride: Miss Phyllis Farmer. Nanny & the Children: Mrs T O Hunter, Misses Janice Morgan & Gladys Brown. Nurses: Misses D Farmer & Helen Sargeant. Orchestra: Misses Leggo (Piano); McNair (Violin) & Kerr (Viola). Costumieres: Mr & Mrs L V Lansell. Cake Stall: Mesdames Amer, Bryenton & Poulston. Sweets: Mesdames Chellew & Guthery. Sellers: Girls School Students. Doorkeepers: Mesdames Anderson and Streader. Sweets supplied by Girls School, High School, Mr Wilkinson, Mrs Body, Misses Burgess & Weller. Tickets donated by Mr Albert Matthews. Stage Manager: Mrs T O Hunter. Compere: Mess L MacGillivray. Assistant: Mr L M Green. 3 copies of program 4268 a,b,c. 4 pages.entertainment, theatre, the mayoral auxiliary, the mayoral auxiliary in aid the food for britain appeal. 25 sept., 1947. piano & violin: misses leggo & mcnair. vocal solo: mr arthur nicholls. trio: mesdames ennor & lober & miss pianto. dramatic scene, song & dance: miss janice morgan. vocal solo: mr beckwith. specialty act: miss gladys brown. vocal solo: mrs ennor. dramatic personage: dreamer: mr jack hocking. grandparents: mr mac walker & mrs oliver. suitors: messers beckwith & harvey. daughter: miss letty white. dancer: miss eileen clarke. sports girl: miss mary stanistreet. marie & mary: misses a taylor. the cook & the lady: misses dorothy farmer & helen sargeant. widow: miss beverly dyer. sister: miss judy edwards. bride: miss phyllis farmer. nanny & the children: mrs t o hunter, misses janice morgan & gladys brown. nurses: misses d farmer & helen sargeant. orchestra: misses leggo (piano); mcnair (violin) & kerr (viola). costumieres: mr & mrs l v lansell. cake stall: mesdames amer, bryenton & poulston. sweets: mesdames chellew & guthery. sellers: girls school students. doorkeepers: mesdames anderson and streader. sweets supplied by girls school, high school, mr wilkinson, mrs body, misses burgess & weller. tickets donated by mr albert matthews. stage manager: mrs t o hunter. compere: mess l macgillivray. assistant: mr l m green. -
Federation University Historical CollectionDocument, Eureka Centenary Response
Eureka is a significant event in Ballarat's History3 page handwritten document 3pm 3 December. Speak up, Mr Speaker ! Ballarat is calling! 100 years have gone by - Celebrations are at hand.. . but lo! there is no speaker 3 O'clock has past and gone, the official party to open the centenary celebrations of Eureka has not arrived. Of course the programme has been changed so often and so much that a little event like this wouldn't even matter. Only Peter Lalor might mind; he's been waiting since 18 to see this anniversary. He's not even cold but my, is he wet! Time 3.15 pm, still no sign of the elusive meeting and commemoration; only a few stalwarts are waiting now... What Rain! Plenty of it but just then a glimpse of brightness appeared under the western sky. Tho' warming up perhaps Peter's cold .... Its' Ballarat, we know , but are you referring to the weather or public spiritedness. Perhaps there have been too many partisan influences in the great Australian event at Ballarat and the tacit official attitude. Very hard for them to eat their cake and give it to us too! 3.30pm The appointed hour has dragged on... the possibility of paying a commemorative respect to a fine, hard thinking flesh and blood builder of Australia and particularily Victoria has lapsed. We wonder whether such things as races, the dogs and beer are worth more nowadays? Oh well got to push on , but we remebered at least Peter!eureka, centenary celebrations, peter lalor -
Vision AustraliaPhotograph - Object, Lorna Lodge, 2004
This board was constructed to provide information about the history of Lorna Lodge and to display some photographs and a newspaper cutting relating to this. The photographs are (clockwise): Photograph of Lorna Lodge on December 26, 1969 with a man standing outside and three children on the ramp leading to the front door. Photograph of Miss Elizabeth Skene, oldest member, at the 60th anniversary of the Barwon Heads auxiliary. Newspaper cutting: Ocean Grove News. Luncheon to help the blind. Ocean Grove has its fair share of fundraising groups. And the Royal Victorian Institute for the Blind, Ocean Grove Auxiliary is up there with the most hardworking. Pictured at the auxiliary's recent meeting are president Lorna Walker, secretary Vera Montgomery and treasurer Grace Brown. Talking of fundraising, the auxiliary will hold a casserole luncheon at the Ocean Grove Bowling Club on Monday, June 6 at noon. Tickets are available at the door at $5. Photograph of 60th anniversary in 2002 of RVIB Barwon Heads Mrs Grace Brown President and Yvonne Conners of Geelong West with a cake marking the occasion. Photograph of Bonnie Cameron and Vera Montgomery, RVIB Members holding a picture of the boat shed at Barwon Heads. Photograph of RVIB Life Members Achievement Award, awarded in recognition of support from Barwon Heads Auxiliary. Presented by Governor of Victoria John Landy at Government House on March 26th, 2003. L-R: Lorraine Gleeson, Jill Smith, Bonnie Cameron, Alice Donally, Wyn O'Brian, Una Harding and Dawn White. Photograph of Mrs Lorna Walker. In 1979 a 7.2 sq holiday home on exhibition at the Melbourne Home Show was donated to the Royal Victorian Institute for the Blind by Eureka Budget Homes Pty Ltd. The Ocean Grove - Barwon Heads Lions Club transported this home from Melbourne to it's present site in Barwon Heads, where since 1980, it was planned to be made available as a holiday home for the blind and visually impaired clients. Mr Keith Rikards the then president of Ocean Grove - Barwon Heads Lions Club and another member Mr John Van Den Eykel volunteered to carry out all maintenance. In 1942 Mrs Eric Russell formed an auxiliary for the blind in Barwon Heads and amongst these foundation members was Mrs Lorna Walker. Mrs Walker was married to the local butcher who also had trotting stables on their property. Of their two children, Nola and Barry, Nola had developed an eye problem, noted by Mrs Walker's friend Mrs Alberta Tutton, the then Victorian President of RVIB, with whom she met to play tennis with each week. Through this friendship Lorna became a valuable member of the RVIB and enjoyed 48 years with Barwon Heads, 18 of those years as President. Tragically killed in a car accident in 1990, the local auxiliary made the decision to name the holiday home 'Lorna Lodge', in memory of their hardworking member Mrs Lorna Walker. Today December 2004, The Barwon Heads RVIB Ladies give of their time to maintain this home and garden for the benefit of all visually impaired people.Image of board with photographs, text and newspaper cuttinglorna lodge, royal victorian institute for the blind -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: EIGHT FIRST BIRTHDAY SOUVENIR PROGRAMME, c1955
Royal Princess Theatre Eight First Birthday Souvenir Programme, 31st August, 1955. 1874 - 1955. Manager: Don Vincent. Price - Sixpence. Proceeds: Cinematograph Trade Benevolent Fund. The Royal Princess Theatre. In May, 1874, the late John Crowley, at a cost of 12,000 pounds the Royal Princess Theatre. It was opened on 31st August, 1874, on which occasion the 'Grand Duchess of Gerolstein' was performed. It was in January, 1904, that the Theatre was closed until April, 1905, for re-construction at a cost of 5,000 pounds. Further alterations were made I 1936 when the old circle and the gallery was converted into the present circle and loge, the cost on this occasion was 14,000 pounds. At the Royal Princess has been seen every form of entertainment known in the world. Operas, including Gilbert and Sullivan, Shakespearean plays, Minstrels, Pantomime, Circus (Wirth's making their first appearance in1887), Drama, Revues, Magicians, and the latest medium of entertainment Ice Revue. Of the many shows presented on stage of the theatre, I feel none has survived as long, or as well, as 'Charley's Aunt.' The companies to present their performances have been many and varied, but among an imposing list, the names of Charles Holloway, The Royal English Opera Company, J. C. Williamson Co., and Royal Comic Opera Coy., will long be remembered. The line of notable personalities who have appeared on the stage is long also, and includes such names as John McCormack, Clara Butt, Harry Lauder, Peter Dawson and more recently Jessie Mathews and John Calvert. But of all these and many others, I am sure none can ever compare with the wonderful performances by the late Dame Nellie Melba, who gave her farewell performance in September, 1921. It is interesting to note that Dame Nellie Melba, gave two farewell performances. The first was in February, 1886, when she made a last appearance as Mrs Armstrong, to later become Madame Melba. The first competition of the Austral Society was held in the Theatre in May, 1897, and the first living pictures were seen in August, 1899. The London Bioscope Co. presented 'Struck Oil,' with Maggie Moore, in February, 1901 (Maggie Moore had appeared in the stage play or the same name many times earlier). However, it was not until 1910 that the Royal Princess was mainly used for pictures, and of course, since that year, that has been the principle form of entertainment presented. It was Easter, 1930, that the first talkie, 'The Desert Song,' was screened and then followed coloured films, and now in 1955 the latest in film development - Cinemascope has been installed. This installation caused, for the first time in many years, alterations to the back stage to enable the large 30ft. Screen to be quickly removed ready for any 'live' performances. In 1937 the Royal Princess came under the Management of Northern Amusements Pty. Ltd., a unit of the Woodrow Corporation Ltd., whose policy it is to bring in entertainment to Bendigo, and I, as their representative will carry on the traditions of the past, and make the Royal Princess truly a Home of Entertainment. Don Vincent, Manager. Wednesday, 31st August, 1955 on the stage. Eagelhawk Brass Band. Official cutting of the Bithday Cake and its presentation to the Matron of the Benoevolent Home by His Worship the Mayor of Bendigo (The cake kindly donated by Friedrich & Bassemir). Presentation of the Travel Voucher for a 10 day Luxury Coach Tour on behalf of Pioneer Coaches Ltd., to the licky couple winning the recent 25th Wedding Anniversary Contest, by His Worship the Mayor of Eaglehawk. 'Progress of Fashion by Bendigo Fashion House including A Tableaux of 7 Bridal Ensembles. Miss 1874 Gertrude Perry, Misses 1955 Rosemary Lorenz, Lorraine Foley, Joan Pinder, Pauline Kim, Shirley Morgan, Pat Ferrari, Wilma Breerton. Make - up by Helen Lang Beauty Salon. 81st Birthday Performance on the screen. Newsreels, Cartoons, Shorts, Seven Brides for Seven Brothers. Photograph: The Staff of the Royal Princess, under the Management of Mr Don Vincent, who are at your service. Hearing Aids are now installed in all parts of the Theatre, Doctors or Nurses on call may leave their names at the pay-box. Advertisements for Bendigo businesses: Radio Taxis, Kings Dry Cleaners, John V. Schenck Art Florist, Morley Johnsons everything for the home, Ron Meurer fridges, The Melody Bar, music. Program comprises of two sheets of paper.program, theatre, royal princess theatre, royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. -
Eltham District Historical Society Inc
Document - Folder, Mitchell, Grace
Grace Mitchell (nee Whieldon) was born in Yarram Gippsland, second of nine children. After her father died, the family moved to Creswick. She left home at age 12 to earn a wage to help the family, including as a matron at the School of Mines in Creswick and, after moving to Melbourne, as dietitian at Royal Melbourne Hospital. After marrying Arthur Mitchell, they moved to Mount Pleasant Road, Eltham, in 1948. Because Arthur had an accident and was not able to work, she did various jobs before starting a cake shop in their house; she also cooked at Montsalvat,. She was also a tailor and dressmaker, studied psychology and journalism, her crochet.patterns were published in 'New Idea' as a girl when she also started carving wood.She knew many artists, writers, etc.As a widow, in her late 60s, she enrolled in a diploma of arts course, majoring in sculpture and print-making. Contents Newspaper article: "Amazing Grace!", Diamond Valley News, 7 July 1981. Newspaper article: "A way with wood", The Age, ?1999. Diamond Valley News, 30 April 1985. Describes life of Grace Mitchell, just turned 80, who began carving wood as a girl. Newspaper article: "Paging women to celebrate", Heidelberg and Diamond Valley Weekly, 12 February 2008. To promote nominations for 'Celebrating Nillumbik Women', designed to honour women, Grace and Jenni Mitchell are featured. Newspaper article: "Celebrate history and her story", Diamond Valley Leader, 20 February 2008. To promote nominations for 'Celebrating Nillumbik Women', designed to honour women, Grace and Jenni Mitchell are featured. Newspaper article: "Eltham artist's will to live", Diamond Valley Leader, 27 October 2010. Grace Mitchell recovering in Austin Hospital. Order of Service: A celebration and thanksgiving for the life of Grace Mitchell, Montsalvat Eltham, 19 April 2011. Newspaper article: "Death of an Eltham icon", Diamond Valley Leader, ?20 April 2011. Obituary of Grace Mitchell with tributes from Ona Henderson, Sigmund Jogensen, Jenni Mitchell. Newspaper article: "Amazing Grace remembered", Diamond Valley Leader, 27 April 2011. Report of Service for Grace Mitchell at Montsalvat. Newspaper article: "Thanks Eltham for your kind messages", Diamond Valley Leader 18 May 2011. Letter from Jenni Mitchell, thanks for messages. Newspaper article: "Eltham all-rounder a remarkable gem", The Age, 13 May 2011. Obituary for Grace Mitchell. Newspaper article:"Search for home for ark art", Diamond Valley Leader, 11 November 2011. Grace Mitchell's work 'The Ark" 1983, is on display at local MP's office, seeking a home in a public collection. Newsletter article: "Jenni Mitchell - 'May mother Grace'", Eltham District Historical Society newsletter No.207, November 2012. Notice that Jenni Mitchell will talk about her mother's work at the November meeting. Flier: Eltham South Fine Art Studios and Gallery, 7 October-18 November 2012"Grace Mitchell 1916-2011: The Artist's Work: A Selected Retrospective". Handout: Sheet to accompany Eltham South Fine Art Studios and Gallery, 7 October-18 November 2012"Grace Mitchell 1916-2011: The Artist's Work: A Selected Retrospective". Biography of Grace Mitchell.Newspaper clippings, A4 photocopies, etcgrace mitchell, jenni mitchell, alan marshall, clifton pugh, robert helpmann, katherine hepburn, phillip institute of technology, celebrating nillumbik women, austin hospital, mount pleasant road eltham, montsalvat eltham, sigmund jorgensen, ona henderson, helen coleman, gail pritchard, school of mines creswick, mitchell's homemade cakes and pies, susan toole, eltham cemetery, arthur mitchell, mervyn hannan, vicki ward -
Eltham District Historical Society IncDocument - Newspaper article, Eltham's growth has been rapid in recent years, c.1960
ELTHAM’S GROWTH HAS BEEN RAPID IN RECENT YEARS Unknown local paper c.1960s Recent years have seen a rapid change in the appearance of Eltham’s business centre - so rapid, in fact, that the growth of premises has been almost 300%. For more than thirty-five years Eltham had little more than a dozen traders - the town's business area spreading from Pryor Street in the north, to Pitt Street in the south. The greatest density of businesses - no more than a handful of shops - were situated in the present shopping centre but other essential services such as the Post Office, were located half a mile away. As the town's population grew and the need for more shops became apparent, the growth was centralised around the railway station and Shire hall. Few of the old premises are used for their original form of business today, though many are still in existence. One of the oldest (seen clearly in the illustration) still in use is now Ferrari's Greengrocery. This shop was Eltham's butchery in early days, conducted by Jim Ryan. Up to twenty years ago, Mr. Ryan ran his business from the shop. whilst his son toured Eltham in his horse and cart, cutting his customers' orders as he went from door to door. Another business - one of the few still trading in the same goods-was Burgoyne's Hardware. This is now owned by Mr. R. Clinton, a new shop has recently been added and shortly the old premises will disappear completely. The Burgoyne family were well known to Eltham's population. The Post Office and Store (then in Main Road, near Bridge Street) was run by Mr. and Mrs. Burgoyne. The Post Office was later moved, and attached to the hardware store. OLD HOTEL In this same area was the old Eltham Hotel, almost opposite the present hotel. The building still stands, but has been converted into a house. The hitching rail can still be seen by the roadside. Back in the township was Barber's Blue Gum store, later conducted by Mrs. Burges (mother of Garnet Burges) and claimed to be Eltham's oldest shop. Further down the road, just past the hardware store, was the barber shop and billiard saloon. Next door was E. J. Andrew's news agency, library and State Savings Bank. Eltham's original chemist's shop, or dispensary as it was called, is now an electrical repair shop. On this side of the street too, was Mrs. Monteith - Draper. Mr Monteith was the owner of Eltham' s bus service. This bus service had no regular route, but deposited passengers at the point nearest their homes - a. door to door taxi service. Next to Mrs. Monteith stood another grocery - and general store, and next again, the local blacksmith. Another of Butcher Ryan's sons was Eltham's blacksmith and obviously an enterprising man he conducted a timber business next door to his smithy's shop. These two premises are still run by one man - Garnet Burges. BOOM STARTS Twenty years ago, when Thompson's took over Eltham's pharmacy they occupied the old shop adjoining the Shire hall. The building of Thompson's new premises, from which· they operate today, was the beginning of Eltham's recent growth and development. With another grocery store and a bakery at the corner of York Street, a butcher near Franklin Street, a cobbler's shop opposite the State School (did you ever wonder what that-little building attached to one of Eltham's oldest houses had been?), and an estate agency conducted by Mr. Clark, now Eltham Real Estate - only one trader remained - and today, still carries on, the only original owner of one of Eltham's .oldest established businesses - Mr. Dave Lyon, of Lyon Bros. Garage, which was formerly located in what was later used as Chenowyth's Foundry in Main Road. From the early twenties until little more than six or seven years ago that was the picture of Eltham. Some businesses had changed hands - many years before Mr. C. Rains had acquired Andrew's news agency, Mrs. Monteith's drapery had become Mrs. R. Smith's home-made cake shop, to change again and again to many other types of business. But generally, Eltham was unchanged, for nearly thirty years. Then suddenly new shops mushroomed. The new news agency and drapery, the chemist and adjoining shops, a new butcher, a green grocer and several more. POPULATION DOUBLED In the space of a few years, fifteen new shops, two banks, a restaurant and a post office were built at Eltham. New types of businesses found a ready market in an area which was quickly almost doubling its population. A little over twelve months ago, another wave of progress hit Eltham. Since then eight more shops have been built - a cake shop and fish shop in Dalton [sic – Dudley] Street - for building areas are unprocurable in the Main Street shopping centre now – have been built by Mr. D. Kimball; a new ladies’ and children’s wear shop has been opened by Rains; Eltham Dry Cleaners have another of these new shops, and Mr. R. Clinton has built elaborate new premises. Further down the road, Mr. C. Campbell has built a new butcher's shop, and next door, at present under construction, are a self service store and a shop which Mr. J. Hodges will open on completion. In addition to these new shops, Mr. J. Millett has extended his grocery to almost twice its original size. FLOURISHING Outside the central area, other businesses are flourishing. Latimer's felt factory is being developed in a picturesque rustic setting; P. J. Timber and Trading Company have recently completed a large showroom and timber yard, and in the town itself Nicholson and Merritt are now completing the extension of their foot wear factory to double its former area. This is Eltham today. Progress is moving rapidly in this rural area on the fringe of the metropolis. Less than a decade has seen vast development. The years to complete that span of time will see even greater changes and greater prosperity in this heart: of the Diamond Valley. OLD LANDMARK GOES Perhaps the most famous landmark in Eltham's' business section disappeared last Wednesday when the towering blue gum in Pryor Street at the rear of Main Road shops was felled. The tree, stated to be more than 80 feet high, was the one for which the adjoining café was named, when that business was Eltham’s only provision store, long before the turn of the century. Mr. J. Millett, who now owns the property on which the tree stood, deeply regretted its removal, but was mindful of the need for expansion in the business area. The "Old Blue Gum" was removed by Mr. A. Wilson, expert tree feller, from Heidelberg. Its proportions might be assessed by these facts – it took a gang of experienced men two days to completely fell and clear the tree, and, falling sections being brought down by cable tipped electricity wires on the opposite side of Pryor Street.andrew's news agency, bakery, barber shop, barber's blue gum store, billiard saloon, blacksmith, blue gum, burgoyne's hardware, butcher, cake shop, chemist's shop, chenowyth's foundry, cobbler's shop, dave lyon, dispensary, draper shop. mr monteith, dudley street, e. j. andrew's news agency, electrical repair shop, eltham bus service, eltham butchery, eltham dry cleaners, eltham hotel, eltham railway station, eltham real estate, eltham shire hall, eltham shopping centre, eltham shops, eltham town centre, estate agency, expert tree feller, ferrari's greengrocery, fish shop, foot wear factory, franklin street, garnet burges, general store, grocery, heidelberg, horace clark, jim ryan, ladies’ and children’s wear shop, latimer's felt factory, library, lyon bros. garage, main road, mr. a. wilson, mr. c. campbell, mr. c. rains, mr. d. kimball, mr. j. hodges, mr. j. millett, mr. r. clinton, mrs. burges, mrs. monteith, mrs. monteith's drapery, mrs. r. smith's home-made cake shop, nicholson and merritt, p. j. timber and trading company, pitt street, post office, pryor street, self service store, shopping centre, state savings bank, taxi service, thompson's pharmacy, york street -
Surrey Hills Historical Society Collection
Work on paper - Bakeries in Surrey Hills
A vertical file with the following items: 1. Bakers in Surrey Hills from Sands and Mac’s directories 1885-1960s (1 page). 2. Bakers in Surrey Hills at 108 and 118 Union Road, 1900-1950 (1 page). 3. M.F. Conlan’s new bakery, Box Hill Reporter, 3.1.1930 (1 page). 4. M.F. Conlan – bakery 410-412 Canterbury Road, note from Miss E. Conlan (undated) (1 page). 5. 108 Union Road history, prepared by Lisa Gave, March, 1997 (2 pages). 6. Bakery – Slavin: undated notes on G.I. Garner & M. Conlan by Mrs. E. Sneddon (1 page). 7. ‘Conlan’s bakery’ by Eileen Conlan for a talk at S.H Neighbourhood Centre, 1985, (2 pages with 3rd answers to questions). 8. Advertisement ‘Conlan’s bread’, The Argus, 24.2.1933 (NLA) (1 page). 9. Bakery 118 Union Road various notes 1890-1980 (1 typed and 1 handwritten page). 10. Russell Slavin death notice, 31.1.2001 (1 page). 11. 2 photos, back to back, of baking equipment made by Joseph Baker and sons (unknown newspaper) (1 page). 12. Rowe family information, 2004 (1 page). 13. ‘New ways for cake fillings and frostings’ compiled by Davis Gelatine (Australia) Pty. Ltd. (undated) (1 page folded into booklet). 14. ‘Diabetic recipes’ compiled by Davis Gelatine (undated) (32 page booklet & covers). 15. Catering competition held by the Victorian Master Pastrycooks’ Association: prize awarded to D.H. Rowe July, 1938 (1 page). 16. 2 photocopies of no. 11 (2 pages). 17. Edible Oil Industries Pty. Ltd. Bakery service department 14 recipes (undated) (14 pages). 18. The E.O.I. bakery service Kaykee 10 minute mixing method (undated) (1 page). 19. Casely’s ice block mixes (undated) (15 page booklet & cover). 20. Imperial Margarine Digest, October, 1942, W. Angliss & Co. (Aust.) Pty. Ltd. (1 page). 21. Imperial Margarine Digest, July, 1942, W. Angliss & Co. (Aust.) Pty. Ltd. (1 page). 22. Nycander & Co. Pty. Ltd. Bun recipes, (3 page booklet). 23. ’Bakery focal point of festival’, Progress Press, 12.4.1999 (1 page). 24. Pure Bread Bakery – business card for Terry Seaman (undated) (1 page). bakeries, recipes, 118 union road, 108 union road, lisa gave, m f conlon, 410-412 canterbury road, eileen conlon, g i garner, conlon's bakery, russell slavin, joseph baker and sons, rowe family, davis gelatine (australia) pty. ltd, victorian master pastrycooks’ association, d h rowe, edible oil industries pty ltd, casely's ice block mixes, imperial margarine digest, nycander & co pty ltd, terry seaman, pure bread bakery -
Mission to Seafarers VictoriaPhotograph - Photographs, Serie, Mission to Seafarers Victoria, The sea is all around us, 29 May 2015
EXHIBITION in the DOME The Sea is All Around Us - Margaret Woodward 11-21 May 2015 Dome Gallery – Mission to Seafarers, 717 Flinders Street, Melbourne, Australia. 37 º 49'21" S 144º 57'03"E Hours: Daily 11.00am - 4.00pm The sea is all around us is a multi-layered event which will create a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event will acknowledge and raise awareness of the working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery will become an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery will be inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation will be given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland will continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. For more information visit the website: sensingtheremote.net Margaret Woodward is Associate Professor of Design at Charles Sturt University For a fortnight in May 2015, Margaret Woodward was ‘in residence’ at the Mission to Seafarers Norla Dome Gallery with her participatory installation project "The Sea is All Around Us". The floor of the gallery became a large scale compass. Seafarers were welcomed to the gallery their ships, journeys and destinations were recorded and mapped on the floor drawing. Seafarers were welcomed with cake and souvenir mugs of tea. These mugs, a momento for the seafarers, were inscribed with a scannable QR code and an invitation for seafarers to record their journeys on a dedicated project website. Around 120 souvenirs are now continuing their journey by sea and seafarers have scanned the mugs from locations including Singapore, Brisbane, Fremantle, Adelaide, Busan and Johor! After the exhibition Margaret Woodward was able to follow the seafarers' whereabout: ""The Sea is all Around Us". I am in awe of where this project might go, well done Margaret. One week has passed since finishing up at the Mission to Seafarers Victoria. Today I check my website and can see that the cup-carrying seafarers are reaching warmer climates, they tell me it’s getting hot as some are already in Suva and Port Lautoka. I’ve watched the souvenirs travel and fan out from Melbourne, some West to Adelaide and Fremantle, others going north to Sydney Brisbane, Singapore and Busan. Another seafarer scans in from Changi Airport, excited to be going home for some time with his family in the Phillipines. I keep an eye on my ‘fleet’ of 22 ships that visited the Dome Gallery, and see where they are on the Live Shipping website, watch some of them sail up the coast of Western Australia and marvel at the steady pace this journey takes. I am so used to flying over coastlines and countries in a matter of hours, impatiently watching the tracking screen from my airline seat, this shipping pace seems so much more real, so much more of a passage. I feel connected to these ships, to the people on board, to know that an object has passed from my hands to theirs, now holding in it my cargo of concern."margaret woodward, installation, exhibition, norla dome, 2015, sea voyage, sea journey, cultural events
