Neville BUNNING (1902-1990) Born Rockhampton Neville Bunning taught Sculpture and Ceramics at the Ballarat Technical Art School between 1945 and 1964. During that time he started the Ballarat Artists's Society, a group tat sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly rt column in 'The Courier' where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird in flight.art, artwork, neville bunning, watercolour, ballarat artists society, ballarat school of mines, available, rooster, bird, animal

Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style using the traditional motifs of her people blended with contemporary interpretation. Cultural Map of Melbourne shows significant sites across Melbourne. These include scar trees, corroboree trees, stone quarries, bush tucker sites, significant rivers, fresh water wells and traditional campsites.

Bruce STEWART A Diploma Student in Ceramics at the Gippsland Institute of Advanced Education from 1977 to 1979. Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. A total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Salt-glazed pots. Presented to the Jan Feder Memorial Ceramic Collection by Bruce Stewart jan feder memorial collection, jan feder, ceramics, gippsland campus, artwork, artist, bruce stewart, alumni

This item was donated to Wodonga Historical Society by the artist, Betty L. Barberis. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work including these badges for the Australian Antarctic Research Expedition in 1982. Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013.This item represents an important research organisation in Australia and was created by an highly recognised artist from Northeast Victoria.A framed montage of 2 cloth badges designed for the Australian Antarctic Research Expedition in 1983, a pin featuring a penguin, a business card and a note written by the artist and donor Betty Barberis nee Barton.On sign above badges:' THESE BADGES WERE DESIGNED FOR THE -/ AUSTRALIAN ANTARCTIC / RESEARCH EXPEDITION 1982/ By BETTY L. BARBERIS In the top left corner: "It is with very great pleasure I give these treasures to Wodonga Museum/ Betty Lorraine Barberis (Barton) 1927 / 2 -1-2011"betty barberis, anare, australian antarctic research expedition

This item was created for Wodonga Historical Society by the artist, Betty L. Barberis in 2009. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work, including this banner created for Wodonga Historical Society and featuring the Wodonga Water Tower. Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013.This banner was created by a renowned and highly regarded artist from Northeast Victoria.A large velvet banner created for the Wodonga Historical Society by noted local artist Betty L. Barberis. It is mounted on a pine rod and features an image of the water tower in Wodonga, Victoria. The majority of the banner is hand stitched.Around the edge of the central image: "Wodonga Historical Society Victoria.wodonga historical society, betty l. barberis

In 1916 students were examined by the Victorian Education Department and not by the local school. This included small rural schools and involved mail delivery.Mongan's Bridge was a small, remote, rural school in the Kiewa Valley.Large brown thick cardboard envelope with traditional triangle flap for opening and broken red seal. Yellow/brown with black writing and x2 pale green 3d stamps on the top right-hand corner (green kangaroo inside white map of Australia). In black writing: OHMS Examination Papers Only / Not to be Opened till 9 am on 21-11-1916. Addressed to: The Head Teacher / School No" 3403 / Mongan's Bridge / Via Dederang" (" to " hand written in grey lead on ruled line) At bottom left of envelope: 0 x2 and underneath M x2 / Education Department / Melbourne. On back: Seemingly unrelated and hard to read writing and figures.On Back: Seemingly unrelated and hard to read writing and figures. education, mongan's bridge school, teacher, examinations, australian stamps, assessment in the primary school

Cash registers were used by businesses to store the money received for the transactions of goods and for recording the amount of money taken over a period of time e.g.. a day. This cash register is pre 1966, pre decimal currency and includes the halfpenny.Dudley Pigram who managed the Mongan's Bridge Caravan Park used this register. He brought it down to the Mt Bogong Clay Target Club in the 1970's although it is pre decimal currency. Dudley wass a founding member of the Clay Target Club.This brass cash register has a serial number indicating that it was made between 1905 and 1906. It is very heavy. A black metal cash register with glass across the top where the amount of the sale is displayed. There are 2 rows of keys - the top row left to right - 8/-, 6/-, 4/- 2/- with white background, 11d, 9d, 7d, 5d, 3d, 1d with red background. Bottom row left to right - 9/-, 7/- 5/- 3/- 1/- with white background, 10d, 8d, 6d, 4d, 2d, with red background plus a digital half d with a white background. Between the rows on the left is a 'No Sale' key. At the front of the register is a locked tray.Serial number S 33148. B.214KAA on a gold plaque below the glass display in the middle. On its right is a key hole. 'National' - above the keys. cash register. mongan's bridge caravan park. mt bogong clay target club. dudley pigram. business.

John TESCHENDORFf (1942- ) Born Richmond, Melbourne, Victoria John Teschendorff studied at the Caulfield Institute of Technology (now Monash University), the Royal Melbourne Institute of Technology and the Royal College of Art London. In 1995 he was selected for Australian Ceramics 1830-1995 a major survey exhibition presented at the Museo Internazionale della Ceramiche, Faenza Italy. Since the early 1980s John Teschendorff has been working with constructed forms and works on paper whilst holding a number of senior academic appointments in Melbourne (Melbourne State College), Perth (Curtin University) and Kuala Lumpur (Malaysian Institute of Art & Limkokwing Institute of Technology). Black ceramic of slab construction item in a perspex box.john teschendorff, ceramics, jan feder memorial ceramics collection, gippsland campus, john teschendorf, strezleckie sptkanie

The MMTB Timetable details the trips from Elsternwick or Point Ormond for each day of the week. The sheet records the time of the last tram, 1036pm, driver G Loft No. 2480, and the tram as X2 677 on 22-10-1960. The donor advised that the MMTB following the practice adopted for the Bourke St changeover in 1940, the MMTB chose to pull the tram service before the last advertised trip for the day. Those present to ride the last started early and rode up and down for quite a few runs, then, on one arrival at Elsternwick Station, the Inspector (known as grasshoppers or Braids) on board instructed the driver to keep going and we rode through to GH Depot without paying another fare. They noted a half-cab bus, destination 'Clifton Hill', lurking ready to take up the running. The donor reported (and as you will see from the endorsements on the timetable) “I circled the time of the last run and got the signature and badge number of the driver. The rubber-stamp impressions were also applied to souvenir tickets (3d).” Yields information about the Point Ormond Service prior to its closure and records details of the last tram service.Foolscap Gestetner duplicated sheet, dated 29/1/1960Marked to show the last tram on 22-10-1960, time, tramcar and driver's name and number.tramways, timetables, tram 677, point ormond, closure, last tram

Demonstrates aspects of the method of ticketting systems used by ESCo and yields information on the design of the ticket. Has an association with the donor's father.Colour ink jet printed photograph and enlarged photograph of an ESCo tram ticket No. Z 6564, 3d cash fare, up and down directions to specific destinations on the ticket - light brown colour. Donated by Peter Henry 22/4/14 who advised in a phone call on 26/6/14. Story behind the ticket. Peter Henry’s father was involved in the CFA and travelled to Ballarat for the Hose and Reel competitions that were regularly held. He was with the Warburton CFA at the time. Has badges for Geelong 1936 and Bendigo 1930, so ticket would have been in the 1930’s. Peter now lives at Linton. Attached to the sheet of A4 paper is an actual size of the ticket and a donation note.trams, tramways, tickets, esco

Demonstrates a souvenir item for the opening of the electric tramways in Ballarat in the form of a postcard, one of which has actually been used to send a message. Has a strong association with the people who sent and received the card.608 - Postcard size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No.11162 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. Letter/note to Mino Loveday Hutchins c/o P.O> Queenscliff. No date. Fares given on card are : Mount Pleasant and Orphanage and Grenville St. 3d, or Grenville St. and Tram sheds 3d. Printed in a blue/grey ink of various shades onto a white card. Souvenir 608.1 - as above, numbered 11308, has been punched on lower edge near right hand corner. Has been used as post card to a person in Alexandria?, but rear has been eaten by silverfish or similar. Did have a date stamp of "28-8-0?" See also Reg Item 2488, page 28 for ticket number 1595. (On page 29) - image btm608i2 608.2 - added 18.07.2006 - Ticket No. 3934 608.3 - added 3.11.2011, Ticket No. 9030 Note re donation of 608i3 added 11-12-2016 and original donation 27-2-2017. See also Reg Item 7071 for a version that has actually been used with a message written onto the rear of the card and 7083. On lower edge card has been punched with a circular hole. stamp has been in position, but since removed.Letter on reartrams, tramways, esco, opening, ballarat, tickets, tram 26

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy, Institute of Education, Arts and Community. Notes a return to face-to-face teaching. Catalogue includes students from Diploma of Graphic Design (9), Advanced Diploma of Graphic Design (4), Bachelor of Visual Art (6), Bachelor of Communication Design (2), Graduate Diploma of Ceramics (4), Bachelor of Fine Art (2). Publication design by Angas Dorsett, Jack Trevey, Ashleigh Freeman, Susan Stanley and Jason Grace. Last page lists acknowledgements of staff and supporters. Inside back cover lists sponsors.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2022. 48 page + 4 page cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye

Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection

In 1945, after feeling Nazi Germany in 1939, Karl Duldig and his wife, Slawa, were finally granted ‘landing permits’ in Australia, after six years living in refugee camps, both here and Singapore. Duldig was appointed art master at Mentone Grammar in 1945, while also establishing a small ceramics business with his artist-inventor wife, Slawa. His work was prolific across several mediums. Our School Archives holds a large collection of sketches, as well as several bronze busts which he made, depicting life, students, and staff at Mentone Grammar during his time at the School from 1945 to 1967.

MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. Jan Feder Memorial Collection Presented by the artist in 1977. malcolm boyd, ceramics, stoneware, artists, artwork, jan feder memorial ceramics collection, alumni, woodfire

Gwyn HANSSEN PIGOTT (1935 - 11 July 2013) Born Ballarat Gwyn Hanssen-Pigott completed a Bachelor of Fine Arts at Melbourne University in 1954. She spent three years apprenticed to Ivan McMeekin at Sturt Pottery, Mittagong, New South Wales. As a teenager she was taught to through by Neville Bunning, Ceramics lecturer at the Ballarat Technical Art School (a division of the Ballarat School of Mines). Between 1958 and 1965 Gwyn Hanssen-Piggott worked at various potteries in the United Kingdom, including Winchcombe Pottery in Gloucestershire, Leach Pottery at St Ives, and Wenford Bridge Pottery and Aldermaston Pottery in Berkshire. In 1960 she established her own studio in London. The essence of her work is purity, simplicity and form. She worked with porcelain for strength and for its translucent nature, and fired with wood to add a dine ash bloom to glazes. In 1992 Gwyn Hanssen-Piggott visited the Ballarat School of Mines Ceramics students, under the direction if lecturers Neville French and Prue Venables In 1994 she was artist in residence at the Ballarat School of Mines for six months. Gwyn Hanson Piggott received the Order of Australia Medal in 2002. Born Gwynion Lawrie John at Ballarat on 01 January 1935, Gwyn Hanssen Piggott died in London on 11 July 2018 London where she was for a solo exhibition of her new work. It is believed this work was presented at the time of Gwyn Hanssen Piggott's residencey in Ballarat.. It is part of the Federation University Art Collection which features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Australian Studio CeramicsA bottle and two tumblers by renowned ceramicist Gwyn Hanssen-Piggott. art, artwork, ceramics, bowl, ballarat, gwyn john, ballarat school of mines, gwyn hanssen pigott

The Council President in 1984 was Ian Gordon.Yellow soft covered book. Contents include: Review of College objectives and organizational structure, Nursing, Mining Engineering Education, Physical Education, Ultra Violet Visible Spectrophotometer, Microbee computers, Scanning Electron Microscope, Peter Colville, Thelma Rungkat, Ray Cotsell, Samantha Taylor, Don Fairhall, George Wasyluk, staff resignation of Alan Roberts, Lynette Snibson, Margaret Bowman, John Burrell, Malcolm Mackinlay,Fazal Rizvi, Irene Wasyluk, Wendy Batchelor, Peter Coman, Micro-teaching area, Staff retirement of Geoff Biddington and Mr Rofe, Staff appointment of Richard Dutton, Peter McCarthy, Richard Croggon and Jim Nugent, building of external kiln, Studio Production Ceramics, Nellie Skolnikova, John Hopkins, Sonny Dalimore, Judi Hill, Academic Registry, Staff resignation of Josephine Ryan, Staff appointment of Diane Costello, building of Metallurgy workshop/shed, Beaufort House, new road entrance to campus, ballarat college of advanced education, bcae, mt helen, mount helen, gordon, tippett, dobell, parkin, tippett, crouch, kiln, ceramics, skolnikova, hopkins

Milton Moon (1926-2019) Born Melbourne, Victoria Milton Moon attended the Central Technical College, Brisbane where he studied painting and drawing. In 1950 he undertook study in Ceramics with Harry Menmott and Mervyn Feeney at the Sandison Pottery, Brisbane. He lectured in Ceramics at Central Technical College, Brisbane, and he was awarded a Churchill a Fellowship in 1966. In 1974 he travelled and worked in Japan for a year, and established a workshop at Summertown in the Adelaide Hills. In 1984 Milton Moon was awarded the Order of Australia Medal for his services to ceramics. Milton Moon died in 2019. At the time of his death his website included the following:- "In this, my 'ninety second year,' over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant. The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently the Pilbara and Kimberley areas of Western Australia, where rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world. All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful 'spirit-presence.' It is impossible to ignore the feeling that this country remains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large ceramic platter, framed for display on wall.art, artwork, milton moon, ceramics

Yields information about the style and printing of tickets used in Ballarat tramways and how they were presented at the commencement of the SEC fare system. Generally issued c1963, some have dates on rear.Group of eight different pre-decimal values of used SEC Ballarat Tickets, ex the Wal Jack Collection. Tickets already held on the BTM system in blocks. All except .7, have a tartan or criss cross back. 1. - 5d Green (5 No. - B400836, B265927, W808385, B400835, Z742326) - note the same as Reg Items 3991 and 3994, though the printing of the section marks do vary a bit. These were not imaged. 2. - 5d Green (M714336) - imaged - has different section system on the side to the above - used 1/3/1963. 3. - 6d Teal - (34 No.) - some sequential - All A series. Note the same as Reg Item 3993. 4. - 6d Teal (L918047) - imaged 4009i4 - has different section system on the side to the above. 5. - 8d Red - (5 No. all A series, 292132 & 3, 206314, 315138 & 362937) - note the same as Reg Item 3984. 6. - 2d Red (S306797) - different section layout to Reg item 3986. 7. - 1 1/2d - (Ad705016) - black ticket, with red overprint of 1 1/2d fare and ticket prefix number - similar to Reg Item 2115, but different sectional layout. The section layout is the same as Reg Item 2116. Has Bushells Pty Ltd Tea advertisement on the rear. 8. - 3d City Section, Orange - (3No. A032622, 036606, 047637) - note the same as Reg Item 3982. All have dates on the rear - August 1963. 9. - 3d Concession - Orange, (A447731, 470928) - note the same as Reg Item 3989 and 4001. One has date of 1/3/63 on rear. 10 - 4d Brown (7 No. Y997727, 998446, Z004193, 005655, 012671, 018609 & 024899) - Some have dates of 1963 in pencil on the rear. Note the same as Reg Item 3995, though different series letter. All tickets and Reg Item 4006, 4007, 4010 to 4018 were received originally in a folded cloth wrapper - wax canvas? - with "All Since 1/3/1963 /3d Concession since 1/8/63" written in pencil on it. Stored with this item. See image btm4009i3. Tickets have not been formally numbered on the rear for this item No. All numbers recorded except for the 6d Teals. trams, tramways, secv, ticket

Letters enclosed within cardboard enclosures. Written on outside ' Air Mail, 'Flown Covers' R.K. Munro, 63 Pyke Street, Bendigo, Vic. Aus.' Stamped underneath stamp 'booking agents for Australian Aerial Services Ltd. Per Aerial Mail'. Airmail Envelopes sundry addresses : 9 addressed to Wilkinson & Lavender, Melbourne - from Hay, NSW. (no contents); 1 addressed to K Munro c/o Box 808J GPO Melbourne - contains 3 used 3d. Stamps (Airmail Service). Stamped on back of one envelope: Wilkinson & Lavender Ltd., Riverina Office, Hay, N.S.W. Auctioneers, Stock & Station Agents, Sydney & Hay. Date 10 May, 1929, stamped on back of envelope.communication, postal, airmail

Timetable printed on off white paper, folded into 9, titled "Timetable of first and last trams and buses also All-night and Sunday morning services", setting out services, fares, city concession fares, all night fares, fare sections, and that strips of 2d and 3d tickets could be bought from conductors. Has a "advertisement" for shoppers travelling in comfort between 930 and 430, dinner and afternoon tea at the Wattle Park Chalet and Family excursion tickets to the Beaches and Wattle Park - 2/6. Dated January 1946. Printed by Sands and McDougall - has their logo printed on the middle section of the outside fold. See Reg Item 1751 for an April 1951 version and 2140 for a 1935 version.trams, tramways, timetables, first tram, wattle park, fares, all night services

Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the decentralisation of industry. The Sanyo Australia Pty. Ltd. factory in Wodonga was officially opened on 25 October 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first 10 years, 350,000 televisions were assembled from Japanese parts. The official plaque was uncovered by Victorian Premier Rupert Hamer. In October 1977 there were 79 workers retrenched, followed by 30 in November and 45 in February 1978. In 1978 workers staged a sit-in which lasted over a week, to protest multiple mass retrenchments of staff. The factory stayed open for almost another decade. In 1982 the General Manager of Sanyo was quoted as saying the productivity in the Wodonga factory was 10% higher than in Japan. However by 1984 the number of staff had reduced to 112 and the factory closed in 1987. The premises were taken over by Parker Hannifin and the administration building is now the home of 3D Lanes Bowling Alley. The street in which it is located is now called Sanyo Drive.These images are significant because they document and industry which employed many people in Wodonga in the 1970s and 1980s.A set of black and white photographs of the Sanyo Australia Pty Ltd premises in Wodonga.sanyo, sanyo-guthrie wodonga, decentralised industry wodonga

Set of tickets - late 1940s early 1950s. All numbers in black 1 - 1d - blue - No. 135902 - with Bushell's coffee advert on rear. 2 - 2d - green - 721954 - with Bushell's coffee advert on rear. 3 - 3d - orange - 383181 - with Bushell's coffee advert on rear. 4 - 4d - black - 569287 and 343601, both with schoolboy howlers on rear. 5 - 5d - mauve - 450822 - with Bushell's coffee advert on rear. 6 - 8d - purple - 319145 & 909015 - both with Stamina Trousers advert on rear. 7 - 9d - black - 241492 and 232188 - both with Stamina Trousers advert on rear 8 - 10d - blue - 142295 and 372421 - both with Stamina Trousers advert on rear. 9 - 11d - green - 008109 and 189952 - both with Stamina Trousers advert on rear. 10 - 1/- orange on off white paper - 545180 & 979835 - both with Stamina Trousers advert on rear. 11 - 1/- red with deep red price printing, 462142 with Stamina Trousers advert on rear. 12 - 1/1 - green 153467, 153878 and 906375 - all with Stamina Trousers advert on rear.Demonstrates tickets used by the MMTB with the price in reverse printing.Set of 20 tram/bus tickets - paper flimsy - various colours and denominations. All prices are printed in reverse, some with advertising on the rear.tramways, tickets, mmtb, bushells, stamina trousers

Douglas ALEXANDER (1945-1981) Born Skipton, Victoria Doug Alexander studied Ceramics at the Ballarat School of Mines. In 1968 he was employed as a thrower and designer at Bendigo Pottery leaving that position to work and travel to New Zealand. He settled at Kerri Kerri, Bay of Islands in New Zealand and operated the Red Barn Pottery. In 1970 Doug Alexander returned to Australia establishing Spring Mount Pottery at Creswick where he used local clays to produce his work. He moved to Tharwa, ACT, in 1976 and established the Cappucumbalong Pottery. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Slab formed stoneware platter with impressed decoration finished with slips and oxide made at Spring Mount Pottery, Creswick.art, artwork, ceramics, alexander, doug alexander, red barn pottery, ballarat school of mines, ballarat technical art school, kerri kerri, spring mount pottery, creswick, cappucumbalong pottery, springmount pottery

Murray WALKER (1937- ) Born Ballarat, Victoria Described as one of Melbourne's Figurative Expressionists Murray Walker educated at the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1952 and 1953, followed by the National Gallery School and RMIT Art school, Melbourne between 1858 and 1859. He studied at the Slade School of Fine Art (London) from 1960 to 1962, with a Summer School at the Academia della Belle Arti, Perugia, Italy in 1961. Myth, narrative and people form an important place in the work of Murray Walker, and he has worked in many mediums including printmaking, painting, collage, assemblage, ceramics and tapestry design. Humour and storytelling are a feature of his work Figurative ExpressionismGift of Dr Graeme Williams OAMFramed hand coloured pen drawing of a number of life modelsavailable, alumni, life models, nude, life drawing

A badly damaged red fabric hardcover book Pals Annual for the Boys of Australasia with a black, red and white lined illustration on the front cover in a large square of a cowboy cracking a whip on a farm. The covers are detached from the pages which are tanned, some torn and with foxing on the edges. There are a year's worth of magazines included date from Volume 1 No.1 Sat August 26 1922 to Volume 3 No. 34 Saturday April 14 1923. Price 3d. each. There are black and white illustrations throughout , and a coloured plate,. There is a coloured plate frontispiece as well as a green background lined illustration. At the end of the book is a lengthy story, Wilson's Wheel by Andrew Walpole. p. 817 - 854. There are missing pages 847 - 850. Total p. 854.fictionA large annual for Australasian Boys of Pals weekly magazines from Sat August 26 1922 to Sat April 14 1923 including a lengthy adventure story at the back - Wilson at the Wheel.children's magazines, boys annual, adventure stories, australian fiction

Timetable printed on off white paper, folded into 9, titled "Timetable of first and last trams and buses also All-night and Sunday morning services", setting out services, fares, city concession fares, all night fares, fare sections, and that strips of 3d tickets could be bought from Head Office. Has a "advertisement" for shoppers travelling in comfort between 930 and 430, golf, dinner and afternoon tea at the Wattle Park Chalet. Dated April 1951. A panel on the rear has an advertisement for employment of Conductors and Conductresses, gives conditions and where to apply. Printed by Sands and McDougall. See Reg Item 899 for a 1946 version and 2140 for a 1935 version. William Dunworth of Limerick Ireland, driver in the 1950's - see donation note.trams, tramways, timetables, first tram, wattle park, fares, all night services, employment, conductors, conductresses