1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture

Kevin Richard Coombs, OAM (born 30 May 1941) is an Australian wheelchair basketballer and athlete who competed at 5 Paralympics including the first Paralympic Games in 1960. He was the first Australian Aboriginal Paralympic competitor for Australia.Silver / grey medal medal from 1966 Australian Paraplegic Games.held in BrisbaneFront - 4th Australian Paraplegic Games Brisbane 1966 Reverse - engraving of laurel wreath with "BASKETBALL" within the wreathaustralian paraplegic games

First edition copy of James Dawson's book, "Australian Aborigines" (1881). Dawson's book draws on his daughter Isabella's ability to speak the local languages and attempts a balanced description of a culture he considered ill-used and under-appreciated by white settlers. This work remains one of the more valuable insights into the life of First Nations people at the point of first European contact.Title page of James Dawson's book "Australian Aborigines""AUSTRALIAN ABORIGINES" BY JAMES DAWSON THE LANGUAGES AND CUSTOMS OF SEVERAL TRIBES OF ABORIGINES IN THE WESTERN DISTRICT OF VICTORIA, AUSTRALIA BY JAMES DAWSON GEORGE ROBERTSON MELBOURNE, SYDNEY AND ADELAIDE MDCCCXXXIcdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung, isabella dawson

A blue coloured cardboard cover with black information of the front. Below the Australian Coat of Arms Insignia are the details of the manual. There is a white sticker near the bottom left corner with 623.442 1431:3 AUS:C3 on it. There are two metal staples down the spine of the manual. The manual is cover with a plastic cover. There appears to be water damage to some of he pages.australia - armed forces - service manuals, infantry training, infantry platoon weapons, sub-machine gun 9mm f1

A khaki coloured cardboard booklet with black information on the front. Top right hand side reads 7610-66-096-4848. Above this is the W.O. 2 Moir. Below the Australian Army Insignia are the details of the Booklet. There are two punch holes down the left hand side. The booklet is covered in plastic. Amendment List No 1 is loose in the booklet.australia - armed forces - service manuals, land warfare, w.o. 2 moir

A yellow plastic cover with a clear window. Top right had in black texta reads AAP 7513.053-3M. In black reads Royal Australian Airforce with their insignia above. Under this reads Engineering Publication. Throug the window on yellow cardboard reads AAP 7513.053-3M Fuel Contents Gauge Amplifier Including Code No. FAA (Smiths)royal australian airforce - manuals, royal australian air force, engineering publication, fueld contents gauge amplifier

A bluish coloured booklet with black information on it. There is the Australian Coat of Arms above the title of the booklet. Down the left hand side there are two punch holes and two metal staples, At the top right hand side reads 7610-66-026-6594. Loosely placed on the inside there is an Infantry Training amendment. The booklet is covered with a plastic cover.australia - armed forces - service manuals, infantry platoon weapons, small arms fire

A bluish coloured booklet with black information on it. There is the Australian Coat of Arms above the title of the booklet. Down the left hand side there are two punch holes and two metal staples, At the top right hand side reads 7610-66-026-6594. The booklet is covered with a plastic cover. Very top right corner there is the name of Lt. Evansaustralia - armed forces - service manuals, infantry platoon weapons, small arms fire

A blue coloured cardboard cover with red information on the cover. Top right corner reads 7610-66-026-3591. Under the Australian Coat of Arms are the details of the booklet. There are two metal screws down the left hand side. The booklet is covered with a plastic cover. There is a couple of loose pages at the back of the booklet that has torn edges.australian military forces, infantry training, infantry platoon weapons, fieldcraft and target detection

A brown coloured cardboard cover with black information on the front. Top right hand corner reads 7610.010-3675. Under the Australian Insignia is the information of the booklet. Bottom left hand corner there is a white label with 3550170 C414 AUS on it. There are two metal staples down the left hand side of the booklet and the booklet is covered with a plastic cover.australian military forces, ceremonial

A greay coloued cardboard cover with black information on the front. Top right hand corner reads DSN 7610-66-035-7506. Under the Australian Army Insignia are the details of the booklet. Near the bottom of the booklet written in black texta is 1 FD Hosp. There are two punch holes down the lef hand side of the booklet.australian army, the enemy, 1 fd hosp

A cream coloured cardboard cover with black information on the front. in black in reads Australian Military Forces and under this there is an insignia. Under the insignia reads Armoured Fighting Vehiches Protection (which is underlined) followed by Gunner Wing - Armoured Centre Sept 1969. There are two holes down the left hand side. The manual is loose and stored in a plastic bag.australia - armed forces - service manuals, tank warfare, gunnery wing, armoured fighting vehicles protection, armoured centre, australian military forces

A cream coloured cover with black information on the cover. Top right hand corner reads DSN 7610-66-032-5157/2. Under the Australian Coat of Arms are the details of the manual. There are two punch holes down he left hand side. The manual is held together with a metal staple on the left hand top corner.australia - armed forces - service manuals, elementary field defences, all arms

A blue coloured cardboard cover with black information on the front. Top right hand corner handwritten is the name Cox and under this reads DSN 7610-66-035-3416. Under the Australian Army insignia are the details of the manual. There are two punch holes and two metal staples down the left hand side. Note that the back cover is missing.howitzers, manual, australian army, howitzer light towed 105mm, howitzer 105mm, carriage m2a2

A light blue cardboard caver with black information on the front. top right hand corner reads 610-66-023-7108. Under the Australian Coat of Arms is the details of the booklet. There is a white label on the left hand bottom with typed information on it. The booklet is covered with a plastic cover and there are two metal staples down the left hand side.booklet, division in battle, artillery

A grey cardboard cover with black information on the cover. Top right hand corner reads 7610-66-097-7299. Under the Australian Army insignia are the details of the booklet. There are two punch holes down the left hand side. The booklet is covered with a plastic cover and there is a white label on this with 355.540 M2941:C Aus typed on the label.australian army, land warfare, counter-insurgency operations

A green coloured cardboard coer with black information on the front. Top right hand corner reads 7610-66-020-3147. Under the Australian Coat of Arms insignia are the details of the booklet. There are two rusty metal staples down the left hand side. The booklet is cover with a plastic cover and there is a white sticker with 363.32 A2884 AUS typed on it.booklet, australian army, aid to the civil power

Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii

Actual photo showing the Australian Light Horse in the field December 1917Unique photoActual photo of the Australian Light Horse in December 1917'Coming out for a Rest' Australian Light Horse returning to a quiet area after being in action at Latron December 1917

The authors presentation of the years of the Vietnam War both in Vietnam and in Australia.One of many books written about the Vietnam War (Australia).Book, Paperback - The Vietnam Years (from the jungle to the Australian suburbs) by Michael Caulfield; Published 2007.Cover of the book has at the top, a picture of Australian soldiers in Vietnam; at the bottom presents pictures of activities in Australia at same time of pictures of anti-war protestors. The book tile rests in the middle of the cover: The Vietnam Years. From the jungle to the Australian suburbs. The authors name is at the very bottom of the cover: Michael Caulfield. vietnam, vietnam war, diamond valley vietnam veterans sub branch

"Presented in 2005 by Australian Government on behalf of Australian people, to those who served this nation and her allies during the war from 1939 to 1945" AWM.gov.auCoin commemorating 60th Anniversay of the end of WW2 1939-1945 in commemorative presentation box. Obverse - Commonwealth Coat of Arms - Reverse Symbolises service in Navy, Army and Air Force through its depiction of sea, land and air. inscription: 60th Anniversay of the end of World War II - For Service to Australia

Jacket issued by Australian Defence DepartmentComplete example of Australian Army WO2 jacketKhaki Australian Army Battle Jacket. Size ?? Red flashes on both shoulders that read "Australian Army Ordinance Corp". Warrant Officer Crowns on each sleeve. Brown buttons. Dark green lining

Images of Australian nurses about to embark for WWII February 1940. [As there is no digitisation of this magazine (The Australian Women's Weekly Pictorial) this photocopy of the clipping is important.][Publication not found in digitised format]Black and white photocopy of a magazine page featuring head shot photographs of women in nursing uniforms, their names captioned under each one. There are also handwritten annotations.'H88' [blue ink at the top on the right hand side] 'X THOSE WHO / WENT TO / ENGLAND / (IN ALL / 120 NURSES / ATTACHED TO / 2/2A.GH / SAILED TO / MIDDLE / EAST)' [blue ink on at the top right hand side] [10 captions under the photographs marked with a blue inked X]wwii, world war two, ww2, australian nurses

A slim square hardcover book with text by Allen Keast and a record of Australian Bush Sounds. The cover has a photograph of a Black Swan nesting in open wetlands. Inside the left front cover is a pocket with an EP record by Carl and Lise Weismann. The book has explanations of the sounds recorded as well as black and white photographs of the creatures featured. p.20.non-fictionA book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.animals, insects, mammals, australian birds, australian animals

A blue coloured cardboard cover with black information on the front cover. Top right hand corner reads 7610-66-118-5958. Under the Australian Army insignia are the details of the manual. There are two punch holes down the left hand side and the manual is covered in a plastic cover. At the top in the centre written in black texta reads E.G. Sungallsaustralia - armed forces - service manuals, land warfare, infantry training, the infantry battalion

A grey/blue cardboard cover with black information on the cover. Top right hand corner reads Sgt Hodden and under this 7610-66-019-1535. Uner the Australian Coat of Arms are the details of the booklet, There are two rusty metal staples down the left hand side. There is also written in red texta the number 2 near the top of the booklet.booklet, australian army, infantry training, the platoon

Hand made knives during WWIITwo knives made of stainless steel blades, soldered into what appears to be .303 bullets with shells that are used as handles. One knife has a three scallops on the top (blunt part of the knife) with a shaped cutting edge. On the base of the cartridge, a coin is soldered on that covers the primer and entire base of the cartridge. The coin appears to have Arabic writing on it. The other knife is scimitar in shape. At the base of the cartridge a 1941 Netherlands East Indies 1/10 Gulden Colonial Coin is soldered. This coin covers the primer and entire base of the shell.One coin has "Nederl Indie 1/10 G 1941"