[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Kookaburra in flight holding book in beak with MK lower left beneath bird's wing in plate and signed Mary Keep beneath image.Signature of Mary Keep in pencil beneath print.keith wingrove memorial trust, australian bookplate design awards 2020, mary keep, bookplates

Book. ALEC H CHISHOLM COLLECTION. 98 page hardback book of verse by Mary Augusta Poynter (Lady Poynter). Published in 1925 by Fleming H. Revell Co. and printed in the USA. Catalogue sticker ''2087 POY'' on spine.Mary Augusta Poynterbooks, collections, poetry, alec h chisholm collection, mary augusta poynter, poetry

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 87 of Photograph Album with two photographs (portrait and landscape) plus a photo of a photograph of St Mary's Old Vicarage.Handwritten: Hood Cres St Mary's Old Vicarage[top left] / bottom photo of photograph is titled "St Mary's Vicarage" / 87 [bottom left]trevor hart, elsternwick, hood crescent, helenslea, c.e.g.g.s., school, 1860's, sir george stephen, shelford, glen eira road, st mary's vicarage, st mary's old vicarage, vicarage, church of england, gardens, chimneys, caulfield north

Book. ALEC H CHISHOLM COLLECTION. A 65 page softcover book of poems by Mary Gilmore. Selection and introduction by Robert D. Fitzgerald. Published in 1963 by Angus & Robertson, ''Australian Poets'' series and printed by the Halstead Press, Sydney. Catalogue sticker ''2106 GIL'' on front cover.Mary Gilmorebooks, collections, poetry, alec h chisholm collection, mary gilmore, robert d. fitzgerald, poetry

A decorated cardboard box containing travel brochures, passenger lists and a map of Scotland. Also contains a letter to Grandma from Mary and George, dated 1st July, 1963, telling of their trip around Scotland.Mary, George travel letterplace, lydia chancellor, collection, letters, correspondance, communication, travel brochures, tourism, place, scotland, map, passenger list, ephemera

The first meeting of the 1st Bendigo Guides was held by Miss Merle Bush on the 22nd of August 1922 in the St Paul's School Room. Twelve girls were present. Miss Bush was given permission to open the Company by Miss R. Hamilton, State Secretary for Victoria, she received her Captain's Warrant on 12th December 1922.An order of Service for Emily Mary Lowery "Maisie" with photo on front coverA Thanksgiving and Eucharist to celebrate the life of Emily Mary Lowery "Maisie" 21.9.1930 - 4.4. 2007 St Mary's Anglican Church High Street Kangaroo Flat Wednesday 11th April 2007 Reverend Christie Kimpton Organist Joy Bruechertgirl guides, guiding, merle bush, trefoil guild, emily mary loweery, st marys anglican church

This is a most comprehensive and succinct history of the Palmer/Wood family and their descendants from 1838 to 2013. Several members of the Palmer family were prominent in the history of Warrnambool and district. These include Octavius Palmer of Waarn, Claude Palmer of Dalvui, William Palmer, Manager of the Bank of Australasia in the 1860s and Thomas Palmer of Grasmere. The noted novelist, Mary Gaunt, who lived in Warrnambool for some time, was the granddaughter of Frederick and Mary Palmer. These biographical notes of the Palmer family are of some significance as they will be very useful for researchers.These are 13 pages of printed notes enclosed in a folder with a clear plastic front cover and a black plastic back cover. The pages are attached using plastic clips. The pages include illustrations and photographs. Palmer – The Family of Frederick William Palmer and Mary Eliza Wood of Woodlands, Tasmania 1838-2013 Front Cover: ‘Palmer – The Family of Frederick William Palmer and Mary Eliza Wood of Woodlands, Tasmania. Researched by Florence Charles, 1838-2013palmer, frederick william palmer and mary eliza wood of woodlands

Book. ALEC H CHISHOLM COLLECTION. 30 page booklet of verse by Mary Gilmore with an introduction by Capt. C. H. Peters M.C. Published in 1941 by Robertson & Mullens Ltd., Melbourne and printed by Brown, Prior, Anderson Pty. Ltd., Melbourne. Catalogue sticker ''22105 GIL'' on front cover.Mary Gilmorebooks, collections, poetry, alec h chisholm collection, mary gilmore, capt.c.h.peters, poetry

From the Chapman family photograph albumPhotograph on card backing Mary Henderson as an older lady. Wearing earrings, brimless dark hat seated. Dark dress, three rows buttoned through. Ruffles on wrists. Holding bouquet and seated with elbow on book.P.F.W Niven Mary Henderson

Cecilia was a Harrington born at Blue Bridge in the latter part of the 19th century. She married into the Prunty family and both families still have descendants living in the district in the 21st century.Both the Harrington and Prunty families were well known early settlers in the Clarendon area and had links to the railway and agricultureBlack and white copy of photograph of Cecelia Prunty and her two daughters Mary and Baby Lou at the gate of the original "Innisfail" 1910Cecilia Prunty with Mary and Baby Lou at original "Innisfail" - 1910clarendon, blue bridge, prunty family, harrington family, "innisfail"

DESCENDANTS OF FRANCIS CLARK & JANE RANKIN.(CLUNES)FRANK, DONALD(SEN) MARY, ELIZABETH, DON (JNR) & THOMAS CLARK c1925 , BACK: ESMA, GLEN JONES, MARY CLARK, FRONT: LIZZIE CLARK, TOM CLARK, LIZZIE WALDRON. PTE.LEN WALDRON, THOMAS CLARK c1925.FRANK, DONALD(SEN) MARY, ELIZABETH, DON (JNR) & THOMAS CLARK c1925 , BACK: ESMA, GLEN JONES, MARY CLARK, FRONT: LIZZIE CLARK, TOM CLARK, LIZZIE WALDRON. PTE.LEN WALDRON, THOMAS CLARK c1925.local history, photography, photographs, clark family, waldron

Robert Anderson was one of the earliest settlers of Phillip Island. He built Glen Isla house in 1887 and travelled to Melbourne by ferry for his plumbing business. The family tree 1023-01 may have a mistake in that Annie Grant was his 2nd wife, not Bessy Flemming.HistoricHand drawn family tree on tracing paper and 4 photocopied pages of printed family treeRobert Anderson and his wife migrated from Scotland in 1856 and moved down to Phillip Island about 1870-1871. Descendants of Anderson, Robert Coxon Date 22 March 03robert coxson anderson, glen isla, anderson family, mary sharp, genealogy

Post Card printed on back with photographer's details: W. Mason & Co., 144 Bridge Road, Richmond. W. Mason & Co. operated from this adress from 1903-c.1932 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1903-1932, 1915, mary ann shillinglaw (1880-1963), w. mason & co. photographer 144 bridge rd melbourne

Copy of an original image. It appears that this was taken at the same time as EDHS_05725 PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, eltham, 1905, main road, shillinglaw cottage, wattle brae, elizabeth (lizzie) ann shillinglaw (1879-1972), jean shillinglaw (nee blemner 1819-1906), mary ann shillinglaw (1880-1963), phillip shillinglaw (1842-1914)

Original owner of Belle Vue, Elthambelle vue, eltham, mary ann williams

At some stage in the photo’s timeline it had information written on the back. It was stuck down, then later removed leaving residue all over the writing making it essentially impossible to read. With the photo was a handwritten note which has been verified is what can be made out on the back of the photo. This note appears to be written to Nellie by Annie Sweeney of Culla Hill, Eltham. Annie died in 1869 at age 21 so the photo must predate 1869 and is consistent with it most likely being the wedding day of John and Ellen (Nellie) Sweeney, November 10, 1868."To Dear Nellie Annie Sweeney With fondest love from your E. de Nc Annie la Sweeney Culla Hill Eltham, Victoria"annie sweeney, culla hill, eltham, ellen mary sweeney (nee kenney), john francis sweeney

Wedding party photos given to Lew Howard by his cousin Lois - 12 siblings. All the names were written on the side of the tank at the family property.Digital file only - scanned by EDHS from item on loanalice maude mary joyce howard, auntie jenny, bill joyce, lew howard collection, merlyn joyce

Buried in Eltham Cemetery.Memorial cardeltham cemetery, mary ann anderson, memorial card

Photograph of Jack Barker, Director of the Ballarat College of Advanced Education, in academic regalia. academic regalia, graduations, ballarat college of advanced education, mary akers

FRIENDS OF THE MISSION The Mission has always relied heavily on the patronage of its volunteers and sponsors who are kind enough to donate much-needed funds, time and expertise. In its first year, the Mission had only 99 pounds to its name, 90 pounds of which was taken up by the chaplain’s salary! Today the Mission is overseen by a Board of Directors and is run by a dedicated team of employees and volunteers. Even though developments such as containerisation in the shipping industry have meant that the number of seafarers on each vessel and their time spent in port has been drastically reduced, the needs of seafarers are just as pressing today as they were when the Mission first began. This window, titled ‘Jesus in the House of Martha and Mary’, was installed in 1947 in memory of Karen Brady, a volunteer and friend of the Mission, dedicated to providing for the needs of seafarers. This window is symbolic of the continuation of such needs in modern times.ontextual or historic information Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to member of the Guild, Karen Brady, who died during a black out hit by a car while she was on her way back home from the Mission, and two photographs of social activities organised for seafarers.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Ladies handing out light refreshments to seafarers during an outang at the Melbourne Zoo in 1907 BELOW: A full house awaiting New Years Eve dinner followed by entertainment in 1927reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, karen brady, lhlg, picnic, social events, catherine mclay, arthouse

Shire of Eltham Archives Series 13, Photograph Album, 1985. Originally contained in a 2-ring PVC binder and document sleevesColour photographseries 13, shire of eltham archives, eltham lower park bike track, cr. mary grant

Shire of Eltham Archives Series 13, Photograph Album, 1985. Originally contained in a 2-ring PVC binder and document sleevesThree colour photographsseries 13, shire of eltham archives, eltham lower park bike track, cr. mary grant, john miles

[from EDHS Newsletter No. 51, November 1986:] RECENT ACTIVITIES: The associated events of the September meeting and the bus trip to Gulf Station and Toolangi proved quite successful. Caroline Phillips' talk and slides on Gulf Station were an excellent preparation for the trip. The bus trip was at a more leisurely pace than some we have done. There was adequate time to explore Gulf Station and its re-created old world garden. We also had time to visit the Coranderrk Aboriginal Cemetery at Healesville on the way to Toolangi. At Toolangi we were treated to an excellent guided tour of the "Singing Garden" of C.J. Dennis by Jan Williams, proprietor of the Arden Tea Rooms. As well as describing the various features of the gardens, Jan was able to introduce many anecdotes about the famous poet and his wife (who seemed to have a major responsibility for the creation of the gardens).Colour photographactivities, gulf station

Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques

Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques

Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095shire of eltham, mary grant, comalco, apm, recycling campaign, mascots