Showing 546 items
matching stained glass
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Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED, Framed certificate presented to Robert Badon
Item in the collection re Robert H Baron No 3596, refer Cat No 1981P for his service history. Framed Coloured Certificate from the " Shire of East Loddon/ For Liberty Anzacs Justice" to Robert Baron, dated November 13, 1917. Certificate - red print and handwritten detail in red ink. Illustrated background in colour - flags, flora and ship; and silhouette of Australia. Frame - timber, light brown stain, decorative edge with gold painted inner edge, glass front. Mount - white cardboard with gold coloured inner mount.Handwritten in red ink on certificate "Robert Baron" - remainder of writing illegible.certificate, history, ww1, cooper collection -
Bendigo Military Museum
Print - PRINT, FRAMED, "The Landing of the ANZAC's 25 April 1915"
This item was originally hanging over the double doors inside the Billiard Room of the Soldiers Memorial Institute pre being a Museum in 1998. After the renovations to the SMI 2016 - 18 it was placed on the other side of the double doors in the foyer. It is not clear when this item came to the SMI but it was many years prior to SMI becoming a museum.Very large framed black and white print of a painting of " The Landing of the Anzacs, 25th April, 1915" from original by Charles Dixon R.I 1915. Title - Presented to White Hills Reading Room by Vernon Rymer ESQ, November 14th, 1921. Frame - heavy timber, dark brown stain with gold painted inner edge, glass front. Mount - Off white cardboardBelow print/painting - Block printing - title of painting " THE LANDING OF THE ANZACs 25 April 1915 , Presented to White Hills Reading Room by Vernon Rymer ESQ" brsl, smirsl -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED, unknown
Labels below photographs. Left) "Lt. S. De Araugo/As a Company Sergeant Major he was Mentioned in Despatches" Top right "Pte W. Howard No.763, A Coy, 14th Batt AIF/ Pte F. Poliness No.114, A Coy, 14th Batt AIF/ Pte S. De Araugo No. 49. A Coy, 14th Batt AIF/ All from Bendigo District they volunteered to go in an attack with/Albert Jacka V.C., M.C. and Bar No,465, D Coy 14th Batt. AIF on/Gallipoli in May 1915. In this attack Jacka won the first Australian VC./ In WW1 Howard was wounded 3 times in the attack. He survived and/ in 1917 as a Corporal he was taken P.O.W. at Bullecourt. Bottom right: "S.E. De Araugo and A. Jacka both as Sergeants./ Place and time unknown. Donated by Mrs Kathleen Williams, Bendigo." Photograph - framed. Photograph- collection of 3 black and white photograph. Left - portrait of a soldier in uniform. Top right - group photograph full portrait of 3 soldiers in uniform. Bottom right - 2 soldiers sitting on a bench. Berlow each photograph - names and description of soldiers in black print on white background.` Frame - timber with decorative moulding, bown stain finish. Mount in dark green with second inner mount with dark brown edge. Glass front and cardboard/paper backing. photography, framed photographs, accessories, ww1 -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED WW1, Bethany Gallery
... to fron of glass. FRAME - brown stain colour Timber brown stain... on white card adhered to fron of glass. FRAME - brown stain colour ...Photograph 1 taken at “Allonville, Northeast of Amiens” France - 38th BATT A.I.F. Officers during a well earned rest”PHOTOGRAPHS Black and white copy of 3 photographs depicting Photograph 1 - 38th Battalion officers at Allonville Northwest of Amiens France Photographs 2 + 3 group of 4 soldiers from 37th, 38th battalions. Printed name information on white card adhered to fron of glass. FRAME - brown stain colour Timber brown stain colour timber with decorative moulding. Dark green cardboards mount, glass frontName information, black print on white card on front of glassphotography-photographs/frame accessories, military history-army, military history ww1, 38th bn -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED WW2, 3 Nov 1942
Photograph - BLACK AND WHITE COPY OF PHOTOGRAPH ON PAPER DEPICTING A GATHERING OF TROOPS AT "RAISING THE AUSTRALIAN FLAG AT KOKODA" 3rd November. Photograph details and information on "The Story of Kokoda" in black print on white paper below photograph. Frame: brown stain colour timber with decorative moulding. Dark green cardboard mount, glass front." photography-photographs/frame accessories, military history-army, ww2, kokoda, army -
Bendigo Military Museum
Photograph - SCROLL & PHOTOGRAPH, FRAMED, ITEMS WW1
Refer Cat No 2351.5P David James HAMILTON, 329 14th BTN, WIA twice KIA 7.6.1917, 12th M.G.Coy, Buried Strand, Military Cemetery, Ploegstreet, Belgium Collection of three items framed. Photograph- copy of black and white photograph- half portrait of a soldier in uniform Commemorative scroll- original scroll, printed in black and red ink, with colour to coat of arms. Coat of Arms of King George V on paper Frame- brown colour stain timber with decorative moulding. Dark green cardboard mount, glass front, cardboard back.photographs, frame, accessories, documents, certificate -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED, 1998
SGT JOHN HNERY LOCKETT, 38th Infantry Battalion, Australian Imperial Force. Enlisted on 24th March 1916 in Mildura. Arrived France 22nd November 1916. Returned to Australia 5th August 1919.Photographs - collection of 5 photographs in a frame, black & white and colour. L - R , Left; a) a full portrait of Sgt. John Henry Lockett. b) 3 medals and ribbons. c) PM John Howard and JH Lockett, d) French Ambassador with Legion of Honour. e) Presentation Ceremony group. Black print on card - two information below photographs. Frame - brown stain timber frame with decorative moulding, dark green cardboard mount with dark red inner edge and 2nd mount, glass front.Black print on white card - 1. "SGT JOHN HENRY LOCKETT" -WITH SERVICE INFORMATION. 2. "Presentation of Legion of Honour to Mr J. Lockett at RSL Memorial Hall on 21st July 1998". with further ceremony information.photography-photographs, frame accessories, military history-army -
Bendigo Military Museum
Poster - POSTER, FRAMED, 'KOKODA'
Poster documents "Kokoda/Courage, Endurance, Mateship, Sacrifice" with headings " THE KOKODA LEGEND', THE KOKODA CAMPAIGN', THE FUZZY WUZZY ANGELS', THE BATTLE OF ISURAVA'. Poster - Gold and white print on black background, illustrated with three black and white photographs of scenes along the Kokoda Track, L-R Soldiers Resting. Fuzzy Wuzzy Angel assisting a wounded soldier. View of the ascending track. Gold Rising Sun Badge below centre photo. printed information. Frame - brown stain timber with decorative moulding. Dark grey with outline of cream colour cardboard mount. Glass front.photography-photographs, frame accessories, military history, ww2, kokoda -
Bendigo Military Museum
Poster - POSTER, FRAMED WW1, 10 jAN 1915
Title to Poster "ANZACS AT WAR/FALLEN ANZACS RISE A LEGEND/ THE 11th BATTALION AT THE CHEOPS PYRAMID IN EGYPT." Poster - Gold and white print on black background. Illustrated with large black and white photograph of the the 11th Battalion standing and seated at the Cheops pyramid in Egypt. On leaving Eqypt. Below photograph - seven examples of Rising Sun Badges in gold and information (white print) on the 11th Battalion AIF. Frame - brown stain colour timber with moulding. Black with white colour highlight, cardboard mount, glass front.photography-photographs, frame accessories, military history, middle east, ww1, anzac -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED, Welcome Home Certificate, Post1918
Item in the collection re Regt Sgt Major Edgar Frederick Dawson DCM, No 4472 57th Batt AIF. Refer Cat No 893, for his service history.Certificate from the Kangaroo Flat District Soldiers Memorial and Welcome Home League, presented to R.S.M E.F Dawson D.C.M Certificate: Black and dark brown print, background illustrated in colour with blue, red and white flags (Australian & British), and native flora. Frame: timber, mid brown stain with gold painted inner edge, decorative edge - glass front.Black printdocuments - certificates, name accessories, civic momentoes - presentation -
Bendigo Military Museum
Memorabilia - MEMORABILIA, FRAMED, Memorabilia for Rupert Henry Treganowan
Rupert Henry Treganowan No 18321. Refer 1862.5 for service history also 1863, 1864. Mounted and framed selection of items relating to Rupert Henry Treganowan, WW1, including photograph, New Testament, memorial card, medals, badge and envelope package. Frame - Timber, mid brown stain, plain moulding. Mount - dark green cardboard, red inner mount, glass front.Below collection, in black print "RUPERT HENRY TREGANOWAN"/SERVICE NUMBER - 18321/RANK - SAPPER/UNIT/SIGNAL SQUADRON ENGINEERS/ December 1916 to October 1919/Ship name -HMAT PORT SYDNEY - NO. A15 - Embarkation - Sydney" photography-photographs, numismatics-medals, military, badges, framed memorabilia, ww1, history -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Post WW1
Walter Peake No 6/1688 N.Z.E.F. He was from Bendigo and enlisted in New Zealand. He was " Mentioned in Despatches". This framed photo was one of a number that originally hung in the foyer "Gallery of Honour" at the Soldiers Memorial institute Pall Mall Bendigo which is now the Bendigo Military Museum. Refer Cat No 8003. Refer also 1794, 1793.2, 1791.3, 1792P. These items came into the Museum since it opened in 1998.Portrait photo, B & W set on a cream background re W Peake. Photo is in a dark stained wood frame. Brown wooden frame - glass front - cardboard backing. Head and shoulder, sepia photo in uniform. Mounted on fawn cardboard. By Bartlett Bros, Bendigo"Cpl Walter Peake Died of Wounds received in action 1.6.1917"brsl, smirsl, n.z.e.f -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Pre WW1
Photo Herbert Booker FIELD as a Senior Cadet prior to WWI, he had 4 years in Senior Cadets. Herbert enlisted in the AIF on 26.6.1917 age 18 years in the 25th Reinforcements 14th Bn No 7596, embarked for England 21.11.1917, disembark 5.1.1918, attends 4th Div Signal School, embarks for France 29.7.1918 to reinforce 13th Bn, RTA 1.11.1919, discharged from the AIF 14.1.1920. He enlists in the CMF on 3.5.1939 No V1629, appointed Lt 3.12.1937, transfers to the 2nd AIF 10.9.1942 as VX104280, joins the Interim Army 1.7.1947 till 7.6.1948, appointment terminated with the rank of Lt Col. Awarded the "Efficiency Decoration"Frame, brown stained timber with gold inner edge also decorated with copper wire. Timber mount with glass. Photo, black & white of a soldier in uniform, half portrait of H B FIELD. He is in his Cadets uniform. Handwritten in blue ink on brown paper on back of frame: “Mrs J E McCrystal” In Red ink: “Prior to enlisting WWI Senior Cadets 2nd Lt 67B. 1st AIF HB FIELD PTE 7596 13th Aust Inf Btn. 2nd AIF VX104280 HQ 8th Command Quartermaster General (not in notes) On white label: "H B FIELD As a Senior Cadet prior to WWI. No 7596 13th Batt AIF' No VX104280 2nd AIF. Donated by Mrs J E McCrystal"photography-photographs, frame accessories, cadets, 67th -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Portuguese Carvel, 1999
The Mahogany Ship is today regarded as a legend and refers to an ancient wreck that is purported to lie beneath the sand beside Armstrong Bay, several kilometres west of Warrnambool, Its location is currently unknown. For well over a century the mystery of this ship has fascinated Australians because the existence of such a vessel could throw a different light on the earliest phases of exploration of eastern Australia by Europeans. The story is that in January 1836 a party of whalers from Port Fairy travelled to the mouth of the Hopkins River in search of seals. Their boat overturned and one man was drowned. The three survivors were walking the 30 kilometres back to Port Fairy along the coast when, about halfway along, they discovered the wrecked ship in the dunes. It is said that Captain John Mills, who was in charge of the whaling station at Port Fairy promptly visited the wreck with several of his men, including Hugh Donnelly. Donnelly who was the originator of that version of events is now regarded as unreliable. Local history researcher Joan Fawcett believes Donnelly could not have visited the wreck in 1836 because he did not arrive in Victoria until 1841. The "mahogany" description can be traced to a letter from Port Fairy builder, architect and surveyor John Mason and published in the Melbourne Argus in 1876. He said he had seen the hull in 1846 and it "had the appearance of either cedar or mahogany." In 1884 Argus journalist `The Vagabond' wrote that the hull was built of "Spanish mahogany" and six years later Mason wrote another letter saying it might not have been mahogany but red gum or ironbark from New South Wales. He was too late with this new description as the wrecks mahogany tag was here to stay all through the hull was not visible as it had disappeared beneath the shifting sands by 1880. A more reliable account was later presented by the former editor of the Warrnambool Examiner, historian Richard Osburne, who wrote about the wreck in his book History of Warrnambool (published 1887). In it the author remembers to have noticed a wreck in the hummocks between Belfast and Warrnambool, in 1847 or 1848; he stated it was much nearer Warrnambool than Belfast, now known as Port Fairy, going on to state “in fact, it was only two or three miles from the former place, to the west of the big hummock which was supposed to fill Warrnambool Bay with drift sand washed by the Merri River before the cutting was made.” Osburne followed up with a letter to the Port Fairy Gazette on June 25, 1876, during a period of heightened interest in the wreck, although he was unsure of the provenance of the ship he went on to state in his letter. “The old wreck was, in fact, miles away from the Port Fairy beach, and only about four miles from Warrnambool. In the years 1847 and 1848. I have often seen the wreck and I regret to say I do not believe she was a foreign ship at all.”The ship model is significant for its association with the Warrnambool story of what is now referred to as the Mahogany Ship, an ancient shipwreck. The model is significant as it is an interpretation of a Portuguese caravel and possibly associated with the early history and exploration of Southern Australia. The model is a fine example of a hand crafted ship made from plans, not from a kit. Some of the materials used for the model are significant to the Gembrook community in that the timber used is a portion from a 30-meter pine tree that fell onto and destroyed the 120-year-old Gembrook church building. The model is also a dedication to Edward Kermond, who grew up in Warrnambool and claimed to have seen the shipwreck in the dunes when he was a lad in the late 19th century. (See note section of this document for further information on the creator and donation of the subject item).Ship model, an interpretation of a mahogany Portuguese carvel vessel in a glass display case with wood frame and a description plaque. Model is made from dark stained wood. The three masted vessel is fully rigged, with a Portuguese-like flag on mast. Plaque is rectangular, free standing on a pedestal. The model was handmade by Joe Hilder (Senior) in 1999 from flooring obtained from the Gembrook Uniting Church in Victoria. Inscriptions, hand written, under base of case and on plaque.Under base, black felt tip pen “Ship & Case made From / Flooring from Gembrook uniting Church, Flattened in 1999 / By Large Pine Tree.” On plaque, white paint "This interpretation of the Fabled Mahogany Ship was made by Joe Hilder, Gembrook Vic. is displayed in the memory of the late Edward Kermond (Ted) 1887-1973, a Warrnambool son who claimed to have seen the original ship as a child." flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model, mahogany ship, mahogany ship story, portuguese caravel, joe hilder, edward kermond, ted kermond, gembrook uniting church, gembrook storm 1999, port fairy whalers, belfast whalers -
Glenelg Shire Council Cultural Collection
Photograph, 'SS Casino', wrecked 10 July 1932, n.d
UnknownBlack and white photograph of the SS Casino. Fastened to mount board in timber frame, under glass. Frame is embossed with leaf and acorn patterns, and is stained brown.Front: (no inscriptions) Back: H/H 22 (yellow sticky label)s s casino -
Mission to Seafarers Victoria
Plaque - Memorial plaque, P.J. King, Rev. Alfred Gurney Goldsmith, 1927
... in this Mission in Japan. This plaque along with the stained glass window ...Reverend Alfred Gurney Goldsmith arrived from England in 1905 and left the Mission in 1925. He died a few months after leaving Australia in Kobe where he had accepted a new position in this Mission in Japan.This plaque along with the stained glass window in the St Peter chapel (the first one to be installer) demonstrate the affection for the Reverend and the appreciation for all the work he did.Large rectangular bronze plaque in memory of Reverend Alfred Gurney Goldsmithchaplains, mission to seafarers, seamen's mission, kobe, japan, lhlg, 1926, reverend alfred gurney goldsmith -
Mission to Seafarers Victoria
Programme (item) - Program, National Trust, Australian Heritage Festival - Victorian Program 2019, 2019
... of rare trades: stained glass windows, lace making, marine knots ...The Australian Heritage Festival is a yearly event organised by the National Trust. Organisations can register their events held during a month, with dates varying in each state.The Mission to Seafarers holds tours and other events every year during this Festival for the community to discover its history. In 2019, The Mission hosted "Practice Makes Perfect", a showcase of rare trades: stained glass windows, lace making, marine knots, wood carving etc.australian heritage festival, 2019, events, victorian program, national trust, friend of the festival, practice makes perfect, lost trades, artisans, rare trades, gordon byrne, artisan's guild of australia, bruce hutton, bruce walker, henry hakopian, keiran dunleavy, david stephenson, duncan mcharg, james charlwood, barry smith -
Mission to Seafarers Victoria
Photograph, 14 February 1928
... Windsor." In 1928 there were not many stained glass windows ...The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Seamen's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."In 1928 there were not many stained glass windows in the chapel, giving that bright light inside.2 original prints and a reprinted versionwedding, dora walker, st peter chapel, flinders street, dora simpson, lhlg, amy dora walker, molly walker, elle kendall, reverend j.r. weller, harry simpson, missals, flowers, bookcase -
Montmorency/Eltham RSL Sub Branch
Weapon - AK-47 Bayonet and Scabbard mounted in display case
Chris Albers served in Cambodia, with the UN Forces late 90's Russian AK-47 bayonet and scabbard cross mounted with metal wires in stained light walnut colour wooden glass fronted display case. Leather strap and buckle attached to mounting end of bayonet. Nylon hanging cord for wooden case stapled to back of wooden case. Black masking tape covering mounting wires on back of wooden case. White label with barcode on rear of case.Russian AK-47 bayonet and Scabbard. 0040 Memory Frame 10" XS with barcode on white label.cambodia, un forces, ak-47, bayonet, scabbard -
Mission to Seafarers Victoria
Print - Reproduction, William Holman Hunt (1827–1910), The Light of the World, unknown
... , that the painting inspired many stained glass windows (Bronwyn Hughes, New ...The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will come in to him, and will sup with him, and he with Me".Pre-RaphaeliteFramed colour reproduction of the Light of the World.jesus, william holman hunt (1827-1910), pre-raphaelite, allegory, reverend alfred gurney goldsmith -
Greensborough Historical Society
Microscope, Bausch & Lomb Optical Co, Bausch and Lomb microscope, 1912c
Bausch & Lomb were a prominent manufacturer of optical glass and instruments founded in 1853, which commenced making microscopes in 1876. Entered into joint venture with Saegmuller and alliance with Zeiss 1890s - 1903, now global manufacturer of eye products and pharmaceuticals. Possibly used in Australia as a laboratory microscope 1930-1950s.Brass monocular 3 lens (16 mm, 4 mm) laboratory microscope in cedar stained wooden box with key lock and carry handle, with glass specimen slides Plate on base: Bausch & Lomb Optical Co. USA, Logo B L Z S (Bausch Lomb Saegmuller Zeiss), Donald Ross & Co Ltd [Distributor/Agent]microscope -
Glenelg Shire Council Cultural Collection
Functional object - Decanter, n.d
Found at ship wreck site off Neve Valley by Abalone Diver some 10-15 years ago.Glass decanter with stopper. Neck of decanter broken and one side broken. Base of stopper broken. Scratched and stained inside and out. Pattern on base and sides of decanter.Front: Noneshipwreck, diving, decanter -
Glenelg Shire Council Cultural Collection
Print - Print, reproduction, F. W. Birmingham, Map of the town of Portland in the colony of Victoria, 1853
Town of PortlandFramed illustration of a map of the Town of Portland from a stone etching published by F.W. Birmingham, Dec.1853. Mounted and framed in stained black timber frame under glass.Front: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - View of quarry at Cape Grant, Sep-79
... . Framed under glass in light brown stained wood frame.... of quarry at Cape Grant. Framed under glass in light brown stained ...UnknownBlack and white photograph. View of quarry at Cape Grant. Framed under glass in light brown stained wood frame.Front: (no inscriptions) Back: Sept 1979 -
Glenelg Shire Council Cultural Collection
Certificate - Draft certificate of reward - Admella Relief and Reward Fund, 1859
William Melrose volunteered as an oarsman in the Portland Lifeboat on the second and successfil attempt at rescue when he rowed manfully through the breakers. He was awarded a Silver Medal and [pound mark]12.10.0.Paper certificate mounted under glass and framed. Frame is carved wood, stained brown. Top corner is a carved scotch thistle, bottom corner has carved anchors. Centre of each side has a cavity for the medals. At the bottom centre is the Admella Relief and Reward Fund Draft certificate of reward to William Melrose Seaman 'Lady Bird' Melbourne Nov 12th 1859. Photograph of William Melrose in uniform with his two medals pinned to his jacket. A coat of arms is carved at the top centre with the motto "PER-MARE-PER-TERRAS".Front: Admella Relief and Reward Fund Draft certificate of reward to William Melrose Seaman 'Lady Bird' Melbourne Nov 12th 1859. Services rendered - volunteered as an oarsman in the Portland Lifeboat on the second and successfil attempt at rescue when he rowed manfully through the breakers. He was awarded a Silver Medal and [pound mark]12.10.0. Back: (no inscriptions)admella, shipwreck, portland lifeboat, rescue, reward -
Glenelg Shire Council Cultural Collection
Map - Map of Drik-Drik, 1865
Displayed at History House.Print of map pasted onto board, mounted and framed under glass. Buff-coloured mount. Mahogany stained moulded wood frame, black inner frame.Front: Plan of the Agricultural Area of Drik-Drik L.2556/Prepared by the Board of Lands and Works in accordance with the "Amending Land Act 1865". Lands and Survey Office, Melbourne 11th May 1865. (printed, upper centre). Back: Duncan Hedditchmap, drik drik, plan, geography, cartography -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Glass, Pharmacy mortar & pestle, 20thC
The mortar is a bowl, typically made of hard wood, ceramic or stone. The pestle is a heavy club-shaped object, the end of which is used for crushing and grinding. The substance to be ground is placed in the mortar and ground, crushed or mixed with the pestle. The mortar and pestle is usually utilised when cooking and when crushing ingredients for a certain drug in pharmacies. For pharmaceutical use, the mortar and the head of the pestle are usually made of porcelain, while the handle of the pestle is made of wood. This is known as a Wedgwood mortar and pestle and originated in 1779. Glass mortars and pestles are fragile, but stain-resistant and suitable for use with liquids. However, they do not grind as finely as the ceramic type The mortar is a thick clear glass bowl and the pestle is a solid clear glass club-shaped tool for crushing tablets to a finer powder or mixing liquids by a pharmacist.pharmacy, mortar & pestle, medications, medicines, glass manufacturing, glass works, early settlers, moorabbin, bentleigh, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Glass, Pharmacy mortar and pestle, 20thC
The mortar is a bowl, typically made of hard wood, ceramic or stone. The pestle is a heavy club-shaped object, the end of which is used for crushing and grinding. The substance to be ground is placed in the mortar and ground, crushed or mixed with the pestle. The mortar and pestle is usually utilised when cooking and when crushing ingredients for a certain drug in pharmacies. For pharmaceutical use, the mortar and the head of the pestle are usually made of porcelain, while the handle of the pestle is made of wood. This is known as a Wedgwood mortar and pestle and originated in 1779Glass mortars and pestles are fragile, but stain-resistant and suitable for use with liquids. However, they do not grind as finely as the ceramic type The mortar is a thick clear glass bowl and the pestle is a solid clear glass club-shaped tool used by pharmacists for crushing tablets to a finer powder or mixing liquids pharmacy, mortar & pestle, medications, medicines, glass manufacturing, glass works, early settlers, moorabbin, bentleigh, cheltenham -
Kiewa Valley Historical Society
Bottle Ink, Circa early 1900's
This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis is a clear thick glass bottle with shoulders tapering up to the neck. The red stain on the cork stopper indicates that the bottle contained red ink.On one side is embossed "ANGUS & C0" and on the base "J 32" and below this "M" (the manufacturer's mark)dip pen ink, ink bottle, writing methods, nib. -
Kiewa Valley Historical Society
Sketch Rock Core Display, circa mid to late 1900's
This framed sketch details, in graphic form, where the core samples in the display cabinet were removed. The drilling was a precursor to the decision where to locate, in this case, the McKay Creek Power Station. The information gained by structural engineers from the core samples would be used also for the placements of underground tunnels entry and exit points and the overall effective size of the plant. This would have included drill and blast techniques(rock characteristics play an import part of explosion control), requirements for support structures and reinforcing cement/steel forms. The use and replenishment of diamond drill bits(the strongest available, see KVHS 0280) was dependent on the "type" of rock found. Support beams for reinforced ceilings and floors was also a necessity.The visual derails of where the rock core samples were removed is very significant in the formulation and placement of the underground Power Stations and their maze of tunnels(in and out) for a successful implementation of the Hydro Scheme. The amount of pre-planning and scientific studies required for such a large scheme must be undertaken to ensure that a "white elephant" was not the result.This framed and glass front rock core display sketch has type written information of the rock samples displayed in KVHS 0279 (A). It has a softwood stained and glossed frame with a fixed(nailed) back board and a brass fixture for mounting onto a wall.The paper and type are slighted faded (sunlight affected). The sign heading "ROCK CORE SAMPLES RECOVERED FROM DIAMOND DRILLED BORE" underneath this "BORE NO: 883" and below this "LOCATION: McKAY CREEK POWER STATION AREA" to the left a sketch incorporating the ground level point "GROUND LEVEL R.L.3493", and the core depth point "CORE DEPTH 40' 7". In between and representing( in visual form) the core location areain question.alternate energy supplies, alpine feasibility studies temperature, rainfall, sec, kiewa hydro scheme, electricity