Showing 6955 items matching " central"
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Bendigo Military Museum
Painting - AUSTRALIAN ARMY 100 YEARS, Post 2001
As the plaque states it is a depiction of the Australian Army over a 100 year period from 1901 - 2001. This item is on display in the Bendigo District RSL Havilah Road..Framed images of the Australian Army over 100 years, frame is brown timber with a gold edge, background is green with a Rising Sun center top, in top LH corner is the Australian flag, central is a intermixed depiction taken from photos of the history of the Australian Army with a larger colour depiction of a modern soldier to go with the time 2001.Under this is a oval shape with a map of the World centre on each side of the map is 3 rows of campaign ribbons from 1901 -2001. At the bottom on the frame is a small plaque with text in Black.On the plaque,, “The Australian Army 1901 - 2001 - The Spirit - Ordinary people, extraordinary service”brsl, smirsl, bdrslinc -
Bendigo Military Museum
Equipment - SURVIVAL KIT
The item was possibly issued Air Force personal in the event of being shot down ..1) Rectangular webbed canvas bag with attached flap lid secured with metal press studs and belt hook. .2) Emergency signalling mirror, black background, orange coloured printed directions on the non reflective side and mirror central. .3) & .4) Plastic rigid containers with a metal spring clasp contains medical/survival supplies and directions for use. .3) contains the medical supplies and .4) unclear what some are but has razor blades, sewing kit fishing line and hook kit.survival kit, emergency -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 8 Menin Road., Nunawading, 1997
A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 8 Menin Road., Nunawading. This property is listed as having sold for $225,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house with bullnose verandah covering the front porch. On the right is a driveway leading to a separate garage in the background. In the foreground is a picket fence enclosing the front garden. black and white line drawing of a single story weatherboard house, with a driveway on the right leading to a separate garage in the background. In the foreground is a front garden, with garden beds and central tree. There are two holepunch holes on just under the upper edge.8 Menin Road., Nunawading Margaret Picken - 97 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION:CENTRAL DEBORAH GOLD MINE, 28/1/1948
'Applications and allotment of 12,000 new shares, containing lists of shareholders for The Central Deborah Gold Mine as at 15th January 1948, contains information regarding applications for shares, transaction details of what was sold, cost and allocated to list of people who they were sold to'. A3 lined paper, hand written with names of each purchaser and balances of each transactions. Blue & white forms printed as contracts of applications to the directors of the company to state who the owners of the shares were and receipt of payments. Forms state the issue of release of 12,000 contributing shares of 1 pound each per share which were submitted by shareholders desiring to exercise their quota rights. Also contains hand written receipts from the Bank of New South Wales Chambers regarding applications to purchase shares from W.J Donovan who was a member of the Melbourne stock exchange which was part of Union Bank of Australia in 1948. All paperwork signed and stamped by McColl,Rankin & Stanistreet Legal Managers & Accountants upon receipt. All wrapped in brown paper with hand written on front 'Application + Allotment of 12,000 shares Thanks Central Deborah Co. Feb 1948'.McColl,Rankin & Stanistreet Legal managers & Accountants.document, gold, central deborah gold mine, central deborah gold mine, gold mine, mccoll rankin & stanistreet, bendigo, business records. -
National Wool Museum
Painting, The White Farm, 2020/21
The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed -
Bendigo Historical Society Inc.
Book - MINING REPORTS - THE CONFIDENCE GROUP OF MINES BULLETIN NO 41
Light brown covered booklet 'Bulletins of the Geological Survey of Victoria issued by W Dickson, Secretary for Mines, Under the Authority of the Hon. S Barnes M L A Minister of Mines. No 41 The Confidence Group of Mines, Bendigo with Plans and Sections by H S Whitelaw, Field Geologist, dated 1918. Mines mentioned are: Confidence Extended Mine, Confidence Tribute Company and the Central Windmill Hill Mine. Mentioned in the report are crushings and gold yield, details of levels, names of leases along the reef. Extracts from Mine Manager's Half-yearly Reports, 1878-1915 of tons crushed and gold yield. Plans and sections of the Confidence Extended Mine on the Garden Gully Line of Reefs are: Plate I General Plan of All Levels, Plans of Levels Plate No II, Plans of Levels Plate No III, Transverse Section Plate No IV, Longitudinal Section Plate No V, and Central Windmill Hill Mine Transverse Section Plate No VI. Plates signed by H S Whitelaw 17 & 18/6/16 and 20/7/16. Booklet if part of the Albert Richardson Collection. book, bendigo, mining reports, mining reports, the confidence group of mines bulletin no 41, confidence extended mine, confidence tribute company, central windmill hill mine, department of mines, bulletins of the geological survey of victoria, w dickson, the hon s barnes, h s whitelaw, h j green, mr robert eddy, mr w h cundy, j foster, c j thompson -
Eltham District Historical Society Inc
Photograph - Aerial Photograph, Landata, Eltham, Feb. 1956
Centred on present day Mount Plaeasant Road near Dalton Street, Eltham bounded by Luck Street to north, Eltham Lower Park to south, Reynolds Road to east and Central Park to west Historic Aerial Imagery Source: Landata.vic.gov.au Aerial Photo Details: Project No :250 Project : MELBOURNE OUTER SUBURBS PROJECT Run : 18 Frame : 93 Date : 02/1956 Film Type : B/W Camera : EAG9 Flying Height : 10000 Scale : 12000 Film Number : 1176 GDA2020 : 37°43'02"S, 145°09'38"E MGA2020 : 337871, 5823961 (55) Melways : 22 B6 (ed. 42)aerial photo, 1956-02, neil webster collection, eltham, central park, eltham lower park, luck street, melway 22b6, nyora road, reynolds road, dalton street, mount pleasant road -
Eltham District Historical Society Inc
Photograph - Aerial Photograph, Landata, Eltham, Vic, Apr. 1972
Centred on present day Diamond Creek Trail at the Eltham Leisure Centre bounded by Central Park to north, Main Road at Falkiner Street to south, MacMahon Ball Paddock to east and Grand Boulevard at Buena Vista Drive to west. Historic Aerial Imagery Source: Landata.vic.gov.au Aerial Photo Details: Project No :985 Project : MELBOURNE 1972 Run : 28 Frame : 207 Date : 04/1972 Film Type : B/W Camera : RC10 Flying Height : 5700 Scale : 9600 Film Number : 2635 GDA2020 : 37°43'25"S, 145°08'20"E MGA2020 : 335985, 5823223 (55) Melways : 21 G7 (ed. 42)aerial photo, neil webster collection, 1972-04, eltham, buena vista drive, central park, diamond creek trail, eltham leisure centre, falkiner street, grand boulevard, macmahon ball paddock, main road, melway 21g7 -
Mission to Seafarers Victoria
Magazine - Periodical - Quarterly, Melbourne Harbour Trust, Port of Melbourne Quarterly, Official Magazine of the Melbourne Harbour Trust Commissioners, 1959
non-fictionpadre frank leslie oliver, port of melbourne, beverley kent nee oliver, music, photographs, jacki fowler -
Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, 1916
An original group of plans drawn by Walter Butler who was also the architect of the Central Institute, Siddeley Street in 1906 and the Mission to Seamen building at 717 Flinders St that is still in use today. The early Port Melbourne onshore Mission gradually transformed from a 'wooden shack' to a one storey brick building designed by architect Frederick Williams in 1888. The St Nicholas chapel was added in 1915. Walter Butler was commissioned to add a second storey in 1917. The building retained its functions until 1937 when the Art Deco Mission, designed by Morris was built. The building has survived as a structure into the 21st century, and was incorporated as part of a multi-apartment development. Historical architectural record of Walter Butler's work. Walter Butler was a renowned architect and friend of the Fairfax family.Coloured architect's drawings of the proposed plans for Chaplain's Residence at Port Melbourne on heavy parchment. Including elevation drawings, floor plans and cross sections as well as architect's notes and measurements.Embossed architect's stamp in top right and left corners and bottom right corner "Walter R Butler [indecipherable] Melbourne" Printer's stamp on bottom right hand corner of rear "Printed by J. Creffield Propy. LTD. RIALTO, 493-5 Collins St. Melbourne"plans, walter richmond butler (1864–1949), mission to seafarers, chaplains residence, beach street, nott street, port melbourne, mission to seamen, frederick williams -
Warrnambool and District Historical Society Inc.
Document - Passport British Commonwealth of Australia, Australian Government, 1950s and 60s
This passport belonged to Alexander Swinton, a member of a prominent family in Warrnambool. The passport shows that he travelled extensively in Europe, U.S.A. and Central and South America. Alex Swinton’s forebears, William and Ann Swinton came to Warrnambool in 1854 and William Swinton opened a shop selling hardware, china and glassware in Timor Street Warrnambool in 1865. The Swinton businesses expanded in the 19th and 20th centuries and a Swinton furnishing store still exists today, making this store one of the oldest family businesses in Australia. Alexander Swinton (1907-1986) was the son of George and Florence Swinton of Merri Crescent Warrnambool. He attended Warrnambool Technical School in the early 1920s.This box is of interest as a memento of Alexander Swinton, a member of a prominent Warrnambool family. It also shows the type of passport issued to Australian citizens in the 1950s and 60s. These are two passport booklets joined together with white tape. Each has 32 pages and the booklet contains two black and white photographs, personal information (both printed and written), stamps and printed information from various countries and two inserted certificates. The front cover is black with printing and the image of the Australian Government crest.British Passport Commonwealth of Australiaalexander swinton, warrnambool, history of warrnambool, swinton, passport -
Stawell Historical Society Inc
Photograph, Cato Park -- Ornately Decorated Entrance -- 2 Photos -- Coloured
Two colour photo of Cato Park ornamental entrance gate that replaced the old entrance gates in c 1930's. The new entrance gates were donated by Mr. Frederick Cato and the park renamed from Victoria Park to Cato Park. The coat of Arms over the entrance gate was donated to Stawell Borough Council in 1926 by Mr. P. Whelan a native of Stawell. Mr. Whelan or better known as "Whelan the wrecker" demolished more than a quarter of central Melbourne buildings so new buildings could be erected on the old sites. The coat of arms came from "Burke & Wills Building" that once stood on the corner of Russell & Collins Street Melbourne. Two colour photographs of Cato Park ornamental entrance gate. Both photos are of similar views with the lake in the background and rotunda behind the gate. The main difference between the two photos is the colour of the rotunda roof, one red the other green. Judging by the increase in tree growth and pathway under the entrance gate the photo with the green rotunda roof must be the more recent photograph. stawell -
Ballarat and District Irish Association
Image, Patrick A. Collins, c1864
As a young man, Collins joined the Fenian movement (founded to overthrow British rule in Ireland). This work led him into politics. He was quickly elected a state representative and then a state senator. As a legislator, Collins worked to ease restrictions on the practice of religion for Catholics in state institutions and to earn public money for Catholic charitable institutions. With the rapidly increasing number of Irish voters in Boston in the 1870s, their vocal assertion of their rights, and strong political organization, the Irish were beginning to be recognized as a power to be reckoned with. Collins was central to these developments.(http://www.questia.com/library/journal/1P3-2036414231/young-patrick-a-collins-and-boston-politics-after, accessed 21 January 2014)Image of Patrick A. Collins, United States Congressmanballarat irish, patick collins, collins, -
Bendigo Historical Society Inc.
Document - RESEARCH PAPERS: ST JOHN AMBULANCE IN BENDIGO, 1956
St John's was first established in Melbourne in 1883 to teach First Aid. The first class of 30 ladies were trained in Bendigo by a visiting surgeon instructor and completed their First Aid course in November 1886. In 1888 the first stretcher and hand ambulance was established in Bendigo and a request was made for mobile ambulances to be operated by men. Women were deemed only suitable for home nursing and hygiene instruction. By 1902 , in response to the high level of mining accidents, men were being trained in First Aid and the first St John's branch was started at Eaglehawk in 1903. The Central Bendigo branch was started in 1912 and as late as 1956, the Bendigo Combined Division registered 10 members.A six page document dedicated to the history of the St John Ambluance in Bendigo and their ties with the local communityst john's ambulance, first aid, home nursing -
Kew Historical Society Inc
Postcard, Murray Views, Murray Views No.13 - Goulburn Valley, Alexandra, Vic, 1920-1955
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout. Murray Views is an Australian company, founded in 1908 by Fred Murray in Gympie, Queensland.Monochrome postcard of the Goulburn Valley near Alexandra, Victoriaalexandra - victoria, goulburn valley - victoria, postcards -- goulburn valley (vic.) -
Vision Australia
Equipment - Object, Sensory Tools, a division of Robotron Group, Talking compass, 20
The C2 Talking Compass is a miniature hand-held battery-operated eight-point compass with digitized voice output. At the top of the compass there is the speaker and the activation button. A three-position slide switch on the side is used to switch the compass off (central position) and select one of the two in-built languages or voices. The compass pronounces the eight compass points in clear digitised speech. It represents an excellent mobility tool for an active blind or vision-impaired person. Unobtrusive, light-weight and reliable, it augments it's user's orientation sense, and contributes to his or her safety and self-confidence. The compass relies on 2 x 12V batteries. Weight: 61 grams.1 semi-transparent light-blue oval shape compass with blue nylon, plaited wrist strapassistive devices, orientation and mobility -
Federation University Art Collection
Ceramic - Artwork - watercolour, Three Gold Fish Hanging by Chris Headley
Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection -
City of Greater Bendigo - Civic Collection
Letter, Post Master General's Department, Dead Letter Mail
When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility for the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office, built in 1887 and is situated on Pall Mall, it was the central distribution centre for receiving and delivering communication and postal services until 1997 and is now the Bendigo Visitor Centre. The Dead Letter Office, aka Mail Distribution Centre's job is to reunite the mail with their owners and to protect the integrity and confidentiality of the mail. This item is part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins.Printed brown paper which folds into an envelope.O.H.M.S / Postmaster - General's Department / P.M. 29. / Dead Letter Mail / Date Stamp / Office of Despatch / to the / Dead Letter Office / Enclosed are Articlested rankins collection, bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection -
Melbourne Legacy
Document, Lord Somers Camp 1967. RW Anderson reports on the Lord Somers' Camp, 1967
An account of Big Camp 1967 by a junior legatee that attended. It was an impression of the camp by Rod Anderson from Brighton Grammar. It was a reprint from 'The Brighton Grammarian'. The boys took a special train from Flinders St station direct to Somers. It mentions the location of the camp on the shores of Westernport Bay and the tidal creek and wooden bridge. It has a centrally placed circular lawn with huts and slushies quarters and the main hall. The camp has it's own radio station - Radio Somers, plus a printing press and open air theatre. Was stapled to 01970 JL11 Why I founded the Somers Camp an article about Lord Somers published in 1933.A record of the camp at Somers in the words of a junior legatee that attended in 1967.Foolscap page x 2 of black type.Handwritten 'JL11/10' in black pen.camp, lord somers, lord somers camp -
Melbourne Legacy
Photograph, Annual Demonstration, 195
Black and white photo of girls in elaborate costumes for an Annual Demonstration. There appears to be frogs or sea creatures around two central figures and King Neptune at the rear. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of dancers in elaborate outfits with King Neptune at the rear.junior legatees, demonstration, annual demonstration, girls classes, costumes -
City of Greater Bendigo - Civic Collection
Functional object - Clock, Post Master General, c 1890
When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility for the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office, built in 1887 and is situated on Pall Mall, it was the central distribution centre for receiving and delivering communication and postal services until 1997 and is now the Bendigo Visitor Centre. Clocks such as these were issued by the Post Master General's Department which was a department of the Australian federal government, established at Federation in 1901, whose responsibilities included the provision of postal and telegraphic services throughout Australia. It was abolished in December 1975 and replaced by the Postal and Telecommunications Department.Wall clock with ceramic face consisting of twelve Roman numerals with hand and minute hand. Clock has a wooden body with glass viewing panel in centre and brass internal mechanism and pendulum. The clock is fitted into a wooden display case and held in place by wooden pegs. The lower case has a small drawer which opens and holds the winding key. PMG on ceramic face centre upper. '146' and 'PMG' stamped into wooden clock frame below the number six. Key is stamped front; '8' verso; 'Made in England / Popular / Progress' and an ace of spades with a "P" in the centre. Clock mechanism stamped verso; 146 / PMG / PMGcity of greater bendigo post office -
Bendigo Historical Society Inc.
Administrative record - South New Chum Syncline Gold Mines Share Transfer Journal, 1934 to 1939
South New Chum Syncline (The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956) Thu 29 Sep 1932 ) Page 21: 'South New Chum Syncline Gold Mines,N.L., has been floated with a capital of £27,500 in 55,000 shares of 10/ each. Forty thousand have been issued at 1/, 10,000 fully paid shares go to vendors ,and 5000 will be held in reserve. -Messrs. Savage and Nicholas report that the issue was heavily over-subscribed. The property is situated in the central portion of the Bendigo field, adjoining such former producers as the Victoria Quartz. Lansell’s Big 180, North Old Chum and New Chum'.Black cover, red spine, fifty page journal. Written on front cover in black text on white background 'Transfer Journal' Purple stamp above 'Transfer Journal' 'South New Chum Syncline Gold Mines' . Entries detail the transferror, page in share register, number of shares, distinctive numbers, transferee, address, folio in share register, cancelled script number and remarks. Entries date from November 3rd. 1932 to June 27th 1939. Journal is part of the Margaret Roberts Collection. bendigo, gold mining, shareholders, share transfers, south new chum syncline gold mines, new chum line of reef -
Warrnambool RSL Sub Branch
JACKET - WORKING DRESS - RAAF (Blue Grey) Uniform Jacket, Military Uniform, 1990
This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) Working Dress (Jacket - Blue Grey). This uniform was in the period 1966 - 2001 as the primary daily uniform in the office environment. Polyester working dress is approved for wear employed in office or business type environments. The short waist length jacket consists of a jacket has a lapel collar and zip front, with two external chest pockets and exposed pocket flaps, There are portlets on each shoulder that are fastened with a black plastic button. This button has a crown over eagle in flight on the front. Rank slides are slid onto these portlets and this jacket has Squadron Leader rank slides on the portlets. is closed with four gold buttons down the front. Each button is inserted through a small round hole sewn into the right side of the tunic front and held in place at the rear with a safety pin. There are four corresponding button holes sewn into the left front of the tunic to fasten the jacket in the normal closed position when worn. The waist belt is part knitted on the sides and cloth on the front and rear. There is also one interior pocket on the right side below the exterior breast pocket. Maker: Australian Defence Industries The Tunic has two military decorations attached above the exterior left chest pocket. The decoration are: 1. Conspicuous Service Medal - Yellow and Green right sloping diagonal strips 2.. Defence Service Medal (with one clasp) - Blue and Gold upright stripes and round metal clasp positioned centrally. The DSM is awarded for 15 years service and a clasp is awarded for each additional 5 years service. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Commissioner S. L. Patterson, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: 8737/ Delete two side/ figures leaving/ the central man only/ Deep edit(?) (blue pen, upper centre) SULLIVANS' STUDIOS/ 84 PERCY STREET/ PORTLAND (purple ink stamp, centre) S'S' (blue pen, centre) 5" Deep/ 120 Scr... (orange pencil, lower centre) COMM. S.L. PATTERSON (blue pen, lower centre) .... Patterson (orange pencil, lower left)port of portland archives -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Experiences and Memories of Ringwood" - Geoff Stock
Digitised video (4.25GB) Duration: 68 minutes. Recorded February, 2020 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Geoff Stock is one of the select baby-boomers who was born at the Pines Hospital that was in Adelaide Street, sent to school in Ringwood and, 66 years later, still resides in the Ringwood area. Over that period, he has seen many changes, not only to the area of East Ringwood and Heathmont but central Ringwood itself. Geoff has many stories to tell of growing up in the district - mostly humorous - but revealing the 1960s/70s lifestyle. -
Diamond Valley Vietnam Veterans Sub-Branch
Award - Trophy, 2005
The Sub Branch male members began an annual day out in 2005 whereby they took travel by train to and from Gisbourne to enjoy each others company over a lunch and an ale and to while away the time. In a lighthearted spirit, the Break The Seal competition was began to honour that member who held off the longest before succumbing to the 'call of nature'.Significant is respect to being a lighthearted evidence of the comradeship and supportiveness of Vietnam veterans.Trophy shield of mahogany polished wood for the Breaking of the Seal award at the members' annual day out. Brass plates on the shield record the winners from inception in 2005 to retirement in 2014Shield heading on a gold plate at the top of the shield records: D Viets Whistlestop Tour, Gisbourne. "Break"-The-Seal "Perpetual Trophy. Individual brass plates record the winners since inception in 2005 until the Trophy was retired in 2014. Central in the body of the trophy is a circular disc imprinted with By Presidential Decree with sketches therein: possum on the left, a beer glass in the middle and a koala on the right with a jagged lightening like slash diagonally through the middle of the circle.diamond valley vietnam veterans sub branch, social -
Ringwood and District Historical Society
Flyer, Auction Sale Advertisement - Ringwood Railway Estate and Ringwood Heights Estate, Ringwood, Victoria - August, 1924
Refer also to Reg. No. 5183 for Ringwood Railway Estate (September 1923) and Reg. No. 5184 for Ringwood Heights Estate previous release (March 1924)Folded double-sided brochure advertising public auction of Final Sections of Ringwood Railway Estate and Ringwood Heights Estate on Saturday, 30 August, 1924, with town photographs, location map, terms of sale, and summary of local features and services.Subdivision includes Whitehorse Road, Sherbrooke Avenue, Burwood Avenue, Bon View Avenue, Grant Crescent, Hillcrest Avenue, Heatherbrae Avenue, Margaret Street, and Mary Street. (Agents) Knight & Harwood, 315 Collins Street, Melbourne, Phones Central 10615, 10616, in conjunction with J.B. McAlpin, Opposite Railway Station, Ringwood, Phone Ringwood 7. Footnote - "Will sell as above under instructions from the Owner, Mr. Thomas Grant, J.P.". -
The Beechworth Burke Museum
Animal specimen - Red-Winged Blackbird, Trustees of the Australian Museum, 1860-1880
The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater -
The Beechworth Burke Museum
Photograph
Taken in Beechworth, this photograph depicts the business of Camp Street looking towards the Ovens and Murray Benevolent Asylum. In the foreground of right hand side; there are row of buildings, on the left hand side; there are a two standing figures. The Ovens Benevolent Asylum (or the Ovens and Murray Hospital for the Aged) was constructed in 1862 on an elevated site overlooking the township of Beechworth. This Asylum was built in response to boom in population due to the discovery of Gold in Beechworth in 1852. This period also saw the development of additional administration buildings such as; the Court house, the Town Hall, and offices. The original Benevolent Asylum building was designed in an unusual Flemish Gothic Revival style. The single storey building is of red brick on a dressed granite base, and the main facade is dominated by four curved, Flemish gable ends, those at the extremities being added to the original central section in 1867. This facade incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs. The Benevolent Asylum was renamed the Ovens Benevolent Home in 1935 and The Ovens and Murray Home in 1954. Many buildings have been added to this site, particularly since the 1960s, including a poorly sited addition to the front of the original building. Extensive internal renovations have also been made to the original buildings. [https://vhd.heritagecouncil.vic.gov.au/places/118]The Ovens and Murray Hospital for the Aged is of architectural significance as an unusual example of Flemish influenced design from the 1860s. Although the facade has been partly obscured, it remains intact, and, together with the more simply designed Wallace wing, are important examples of early buildings designed for the specific purpose of aged care. The Flemish gables remain as a dominant form of Beechworth's urban landscape. The Ovens and Murray Hospital for the Aged is of historical significance due to its association with the early development of Beechworth and its dominant siting within the town. It is illustrative of the civic development that took place in the town after the peak of the gold rush, when Beechworth was develpoing as the administrative centre of the north east of Victoria. [https://vhd.heritagecouncil.vic.gov.au/places/118]Black and white rectangular photograph. Image is printed on matte photographic paper. Obverse: BOOT SHOE STORE Reverse: 7770.2 / 1997.3099beechworth, burke museum, diggings, camp street, the benevolent asylum, ovens benevolent hom, gold rush -
The Beechworth Burke Museum
Photograph
Taken in Beechworth, this photograph depicts Albert Road looking towards the Ovens and Murray Benevolent Asylum. In the center of the image are figures standing of a bridge. The Ovens Benevolent Asylum (or the Ovens and Murray Hospital for the Aged) was constructed in 1862 on an elevated site overlooking the township of Beechworth. This Asylum was built in response to boom in population due to the discovery of Gold in Beechworth in 1852. This period also saw the development of additional administration buildings such as; the Court house, the Town Hall, and offices. The original Benevolent Asylum building was designed in an unusual Flemish Gothic Revival style. The single storey building is of red brick on a dressed granite base, and the main facade is dominated by four curved, Flemish gable ends, those at the extremities being added to the original central section in 1867. This facade incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs. The Benevolent Asylum was renamed the Ovens Benevolent Home in 1935 and The Ovens and Murray Home in 1954. Many buildings have been added to this site, particularly since the 1960s, including a poorly sited addition to the front of the original building. Extensive internal renovations have also been made to the original buildings. [https://vhd.heritagecouncil.vic.gov.au/places/118]Black and white rectangular photograph. The image is printed on matte photographic paper. Obverse: NO INSCRIPTION Reverse: BMM7590 1997.2848 AO2848 beechworth, albert road, benevolent, asylum, burke museum, photograph, black and white