leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.

Ross and Malcolm grew up on their family's tobacco property in Myrtleford, and began skiing at Falls Creek at an early age. They were both taught by Austrian Sigi Haberzettl, who was chief coach at Falls Creek for 17 years. Ross went on to win the North-Eastern District Ski Association (NEDSA) Junior Championships for three years in a row. In 1961 Ross was a member of the Australian team which competed against New Zealand in the Inter-Dominion Championships. In 1963, he won the Downhill and Alpine Combined title at the Australian Championships, while placing second in the Grand Slalom event. Ross Milne was selected in the Australian team that participated in the 1964 Olympic Winter Games at Innsbruck, Austria. A few days before the opening of the Games, on 25 January 1964, he tragically lost his life when he crashed into a tree during a training run for the Men's Downhill. He was only 19 years of age.This image is significant because it captures an image of Ross Milne in action.A black and white image of Ross Milne on a downhill run.ross milne, australian olympians, milne brothers

A bronze bust was erected in Morwell to honour Legacy Founder Sir Stanley Savige. It was unveiled on 31 August 2006 and Legatee Bill Rogers was invited to perform the unveiling. Legatee Rogers says: Savige "was a great humanitarian; he dedicated his life to those who were less fortunate than himself and from a military point of view, was an officer and leader who always cared for the men he commanded". He went on to say that at the event he heard more about Stan Savige and his bravery in saving about 50,000 Assyrian refugees in the first world war. In the event where he protected refugees with only 12 men for six weeks and he was awarded the DSO for delivering these refugees to British lines just north of Baghdad. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of an memorial to Legacy founder Stanley Savige in Morwell.Print out of an article by Legatee Bill Rogers about the unveiling of the Stan Savige memorial in Morwell in 2006.stan savige, statue, memorial, assyrians, dunsterforce

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her photos are held in the Society Collection. The Wodonga Post Office was constructed on the corner of Sydney Road (High Street) and South Street in 1874. It was Wodonga’s second Post Office. The original post office opened on June 1, 1856 near Wodonga Creek. This building was originally built of red brick, although it was later painted over in white. It had an attached residence in South Street and was connected to it by a door. The residence was later demolished to move the mail boxes which had faced High Street, to South Street. The brick Telephone Exchange was constructed in 1946 behind the Post Office but separated from it. It operated as a manual exchange until the late 1960’s or early 1970’s. In 1985 a new post office was opened further south in High Street. This building, greatly renovated, is now part of the Wodonga Community College.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century. A black and white image of the 2nd Wodonga Post Office. There are 6 windows across the front of the building and the name Wodonga Post Office below a round clock. To the left of the building is the royal insignia of the crown above the letters E.R. A sign for the Commonwealth Saving Bank of Australia is also attached to the wall.high st wodonga, wodonga post office, businesses wodonga

George James McFarlane was born on 19 August 1895 in Wodonga, Victoria. He was the youngest son of Charles John McFarlane and Emily Charlotte nee Ellis. He married Margaret Frances Kirley in Wodonga in 1918 and they had 6 children. George kept this diary for most of 1927. It documents his daily life and some local events. George worked part time with the local blacksmith and then on his own farm before and after work. He was later to take over the blacksmith himself, operating as a blacksmith and farrier from premises in High Street, Wodonga. George's diary documents his daily dedication to other jobs on the farm including trapping and shooting vermin such as rabbits and foxes, growing watermelon and vegetables and training horses. He also became a member of the Albury Coursing Club. In his later years, George moved to Euroa and then fo the Northcote and Broadmeadows area of Melbourne where he died in 1968.A small diary with cardboard cover including volume and publisher details within a border. A red and white retailer sticker has been adhered to the front cover. The diary includes a calendar for 1927 and 37 pages of information including postal, money order and telegraphic information, British weights and measures and Directions for Making a will. The remainder of the diary is divided into 3 days per page. Entries have been entered until 28 August 1927.On front Cover: INVICTA AUSTRALIAN 1927 ROUGH DIARY / No 6 WITH THREE DAYS ON A PAGE / Price 2s. /PRINTED AND PUBLISHED BY SANDS & MCDOUGALL PTY. LTD. / SOLD BY ALL STATIONERS. On a circular sticker adhered at lower edge: BLAKE'S BUSY BOOK BAZAAR/ AND MUSIC WAREHOUSE/ ALBURY Handwritten on front: G J. McFarlane/ Wodonga/ Jan 1st 27g. j. mcfarlane, mcfarlane family wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This transistor radio was manufactured by Amalgamated Wireless Australasia Limited (AWA), Australia's largest and most prominent twentieth century producer of radios, televisions, audio and telecommunications equipment. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A mid-century cream, blue and gold chrome portable transistor radio manufactured by AWAlogo on face of radio: "AWA". Numbers on circular tuning panel. radio, music, electronics, awa radios, haeusler collection, haeusler, wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass lantern slide negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. These rubber pipes were used for enemas, and provide potential for interpretation in the areas of social history and medical history. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A black box for hard rubber pipe syringes, manufactured by The Global Syringe. On lid of box: "THE GLOBAL SYRINGE/NUMBER FOUR/HARD RUBBER PIPES"syringe, rubber pipes, medical, medicine, medical history, wodonga, haeusler, haeusler collection

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photograph is of Ilma Margaret Ernestine Haeusler (née Tasker, b.1900 in Tallangatta), mother of Alf Haeusler who was born in 1922. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A black and white photographic portrait of a Ilma Margaret Ernestine Haeusler (née Tasker, b.1900 in Tallangatta) displayed in a thick wooden framephotography, photos, photographic, photographs, family photos, family photography, haeusler collection

Arthur Lock was born in Newport, England and migrated to Australia with his widowed mother in 1924. After spending time in Queensland, he moved to Victoria where he enlisted in the Australian Army at Royal Park, Melbourne on 17 Jun 1940. His service number was VX31240. After basic training, Arthur was enlisted into the 2/23rd Battalion which was raised as part of the all-volunteer Second Australian Imperial Force and assigned to the 26th Brigade. The battalion was moved to Bonegilla, Victoria, and 2/23rd Battalion became known as "Albury's Own". Arthur saw service in the Middle East and Africa where he was involved in the siege at Tobruk, becoming one of the Rats of Tobruk. He also served in El Alamein, New Guinea, Borneo and Tarakan. In his post war life, Arthur dedicated much time and energy to the Scouting movement and in 1972 was awarded the British Empire Medal for services to young people and the community in Wodonga, Victoria.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A black and white photo of Private Arthur Lock taken whilst on service in the Middle East.world war 11, rats of tobruk, tobruk

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. The registration number on the fork Rd. 758470 indicates that this design was first patented in 1930, therefore helping to establish provenance of this set.A set of 6 cake forks in a hinged brown box with apricot silk lining. The box has 2 metal clasps. A label "Best Electro Plate on Nickel Silver - Made in England" is in the box.On forks: "MADE IN ENGLAND" "Rd 758470"silver cutlery, electro plate

Without knowing anything about the ring-in O'Day turns up at the races. Discovering a hidden brand on Smokey that could only have been burnt into Grapeshot's hide, and holding no belief for the crook administration at Nuggety Flat, he canters smartly down to the home of an old Chinese whose life his father saved during the Lambing Flat riots. Chin lends him 500 sovereigns. Waiting till O'Hara and Co. are "set" O'Day cleans up for himself and Chin, and quietly heads for home. Later he corners young O'Hara who confesses to the job, says Grapeshot is safely back in his paddock, and that Smokey has been sold to a Sydney show team owner and is well out of the district. O'Hara takes his money to the Camoola banker Redfern, who has befriended him, and clears up all his financial affairs. W.O. Tom Foster as Redfern.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 25des martin, many a mile, ringer's river, northeast victoria stories

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This album contains portrait photographs of the Haeusler family in the mid-twentieth century, and images of the town of Wodonga. They were taken by Alf Haeusler (1922-1997). This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A black leather photograph album containing family photographs from the early to mid twentieth-century.photograph, photographs, photography, family photos, album, photograph album, haeusler, haeusler collection, wodonga

The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking out to the bay. Many small fishing and leisure craft are moored on either side of the banks of the creek. To the right hand side can be seen parklands, while the left hand side has a small inlet in which more small crafts are moored.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways

The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking inland.Small fishing and leisure boats are moored on either side of creek, with a view of the Mordialloc Bridge Hotel in the background.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel

The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek with boats moored on both sides of the street and Pompei's boat yard visible on the right hand side of the creek., Main Street and St Brigid's Catholic Church are visible in backgroundmordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel, church

Part of a photo album (Cat.No. 01588) of material about the life of Legatee Donovan Joynt. This photo shows Donovan Joynt and Queen Elizabeth II reading from a pamphlet he is holding. This is a larger copy of the photograph Cat. No. 01590.1, and records the date of when it was taken as 17 March 1977. Queen Elizabeth visited Melbourne as part of her Silver Jubilee tour of Australia and attended a children's rally in Royal Park wearing this outfit. A crowd of 18,000 people greeted her. Footage of the visit can be seen in National Film and Sound Archive of Australia (NSFA-ID 44325). There is no indication of who the veteran on the right was. He is a VC winner and has medals from the second world war. A note on the reverse page mentions a photo in the album of Captain M. Moon V.C with Sir Alfred Kemsley and Colonel Joynt. It was removed by Legatee K.D. Green on 29.9.86 and does not seem to have been returned.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian.Black and white photo of Queen Elizabeth and L/ Joynt and another VC recipient in 1977.Stamped on the back of the photograph in aqua: "Copyright The Herald & Weekly Times Ltd., Melbourne Australia. Not to be reproduced or displayed without written permission." Stamped in purple: "The property of Melbourne Legacy. Please return this correspondence to Executive Officer." Hand written in blue biro: "17-3-77" royal visit, donovan joynt

Legatee Donovan Joynt at the opening of the Puckapunyal Sportsman's club that was named after him. The notes, dated March 1983, could have been for a newspaper article. "IT'S A HELPING HAND... for one of Australia's most distinguished soldiers outside his own memorial at Puckapunyal. Sapper Mark Drummond of Seymour, a member of 21st Construction Squadron, which built the Memorial, holds an umbrella and commander 3rd Military District, Brigadier Geoff Cohen of Canterbury, wheels Lieutenant Colonel Donovan Joynt VC to lunch. Lt Col Joynt, 94, donated more than half the cost of the $130,000 Donovan Joynt VC Memorial Sportsman's Club in the background. The building had just been officially opened by the Chief of the General Staff, Lieutenant General Sir Phillip Bennett of Canberra." See also Cat Nos. 01303, 01349-51 and 01588 which is an album that contained lots of details about his life.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian and VC winner.Black and white photo of L/- Donovan Joynt in Puckapunyal with paper notes taped to the backBack of the photograph has grid lines ruled in blue biro together with annotations 'B/C Pic.3' and '55 x 56' Notes are annotated M1306 in blue biro.donovan joynt, memorial

The newsletter from August 1955. It featured photos of the Legacy staff, including Miss Dorrie Vines the Matron of Stanhope. It summarises her life before joining Stanhope on 11 November 1946. She had served with distinction overseas during World War 2 as a Major with the Royal Australian Army Nursing Corps. At the beginning of 1940 she went to the Middle East and served as Senior Sister of No.1 Casualty Clearing Station and shortly afterwards was appointed Sister-in-charge of the No.3 Casualty Clearing Station. She returned to Australian in 1943 and was appointed Matron of a hospital in Alice Springs and in 1944 she again left Australia for New Guinea as Matron of the 2/11 Australian General Hospital. For her war service she was awarded the medal of an Associate of the Royal Red Cross in 1943 and was also mentioned in despatches. Miss Vines remained at Stanhope until her retirement in December 1966.Newsletter outlining news of Junior Legatee activities also occassionally contained information about staff.Black and white printed article about Miss Vines from Newsletter published August 1955. Volume 9 Number 2staff, residences, dorothy vines

A book of photos that records the activities of the disabled dependents group during 2014. It is mostly photos without captions but the enjoyment of the participants is clear. The introduction says: In January 2014, 45 dependents enjoyed 8 days together at Somers Camp , with a team of generous volunteers. In July 2014 a group of 21 visited far North Queensland . . . We are grateful for the high quality input to these events by our staff and volunteers. The dedication and personal commitment of these energetic young people gives the events great vitality to the clear benefit of our Junior Legatees. Melbourne Legacy's support of our Dependents with Disability is a most important part of the work of Legacy. Our widows are reassured in the knowledge that their children will have support throughout their lives from a caring organisation." Most junior legatees are helped until they reach 18 years of age. However, the group of disabled dependents are helped for their whole life. Which gives peace of mind to the family that Legacy will always be there to care.Legacy have pledged to look after the disabled dependents for their entire lifeColour book x 80 pages of photos from disabled dependent activities in 2014.disabled dependents, handicapped dependents, activities

From the Port of Portland website: The original corkscrew was built as a gift to the Portland Harbour Trust by the contractors who constructed the port. It was designed in 1960 and fabricated shortly after the completion of the Main Breakwater. The corkscrew was built as an observatory, with the observation deck approximately 13 metres above sea level. Its original design life was less than 25 years. The original structure was dilapidated, extremely unsafe and in danger of collapse. Understanding the historical and community importance of the original structure, in 2016 Port of Portland began the process of designing and building a replacement. The new corkscrew is a similar size and has been based on the same spiral shape of the original structure. The corkscrew has been constructed using mild steel, heavily coated in marine grade paint (similar to what is used on ships). Heavy duty plastic has been used for the walkway section which will withstand the harsh elements of the marine environment.Photograph of the Portland Corkscrew in the 1980s. Image is in black and white. The corkscrew is in front of a sky which is dotted with fluffy clouds. To the front of the Corkscrew are large rocks. The building is a spiral with glass windows. There is a white metal fence around it and a white pole at the top which reaches to the top of the image.Bottom right: J WILKINSportland, seafront, maritime, portland landmark, corkscrew, port of portland, portland photography, photography

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This flyer is advertising the sale of 12000 sheep, 30 cattle, 10 horses and station plant at the expiration of the lease of Coomete. It states that Coomete has been in the possession of Mr. Augustus Bostock for over 30 yearsThis is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This document contains a detailed view of the stock owned by Augustus Bostock at Coomete. From a social perspective the details provided show that it was an event of some importance in the farming area.Cream paper with heading and title in large font at the top with Coomete Estate in uppercase inside banner lines underneath with details of stock and numbers to be sold in smaller print below. Mercer printer Geelong. For further particulars apply to Armstrong, Howe & Co Geelong and Terang, James Jellie Warrnambool.coomete, warrnambool, augustus bostock, coomete lease, 1894

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This diary shows the daily entries over a long period of time with activities ranging from fencing, visiting neighbours and weather details. It mentions many local people and many properties he visited. Augustus Bostock along with a number of his brothers was one of the earliest pioneers in the Western District of Victoria. This diary sheds considerable light onto the life of Augustus and people of his era. There is a wealth of information on a range of topics relating to early life in Warrnambool and district.Maroon coloured cloth bound card cover, with grey paper label on front. Spine binding is maroon leather. Pages inside front and back covers are blue. Pages numbered to 186 and are all handwritten in black pen with days written in margins.Diary 1909 handwritten on label on front cover. A Bostock Oct 1909 inside front cover.augustus bostock, warrnambool, bostock brothers, bostock diary