This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps

These items were hand sewn by Annie Beryl Mathieson, the daughter of Alexander and Elizabeth Mathieson who lived at Naringal. The silk came from China, via family connections. Annie Beryl Mathieson married John Harman in 1939, lived at Macarthur and died there in 1983.These items are retained as mementos of the type of clothing made and worn by women in the early to mid 20th century.1 Cream silk lady's panties with hand embroidery on the lower legs. There is an opening on one side with two buttons .2 Cream silk sleeveless nightgown with hand embroidery at the neck and on the front. There are two ties attached to the sides of the front. vintage women's clothing, silk clothing

Contents: • Next meeting, guest speaker; Meera Govil: Eltham Literary Connections • May Meeting • Plenty Gorge Excursion • War memorials in Australia • Walter Withers in 1903 • Office Bearers 2003/2004 • Subscriptions 2003/2004 • Life Members • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

This bag is one of a number of objects gifted to the Kew Historical Society in 2015. A number of the items relate to F.C.M. McArdle, the donors' father. Others belonged to his relatives. Some of the items testify to the family's close connection with the Sacred Heart Church in Cotham Road, Kew.Brown leather gladstone bag with intact metal fittings. The bag is embossed in gilt with the initials of the owner - J.M.Embossed initials: "J.M."gladstone bag, mcardle family, bags

Y valves were used to split water supplies so it could be directed to a number of locations on a fire. In this case four outlets with two controlling valves. Canvas 1.5 inch hose was normally attached Screw connections rather than twist-camm locksY ValveYarrawonga Forests Commissionbushfire, fire pump, forests commission victoria (fcv)

Decorated with Allied flags to welcome home a family member after World War 1. Mr and Mrs William James Donaldson moved into the house after their marriage in 1900 and it has had a family connection ever since. Courtesy: Mrs Elizabeth Mary DonaldsonA black and white close-up of the decorated porch of a brick house. A man is sitting on the front steps, two women are standing to his left and a little boy is sitting on a verandah post. Flags, including an American, British and Australian flags, decorate the porch.clothing and dress, festival and celebrations, insignia, flags, world war 1, 1914-1918, william james donaldson

Candle stick manufacturing moulds were extensively used throughout the Kiewa Valley and its regions to provide rural homes and businesses with illumination during times of limited light e.g. night time. These candles were used before the Kiewa Valley was placed of the electrical grid. The candles were made from parrafin wax. Before the 1920"s electricity was in limited supply due to the inability of the private electricity suppliers to service isolated rural regions. It was not until the Victorian State Government passed legislation (1920) to improve electricity supplies by forming the State Electricity Commission of Victoria (S.E.C.V.) Isolated rural communities could not meet the higher costs to have electricity supplies connected and therefore it was not until the 1950's that adequate domestic electrical power could be supplied.The isolation that the Kiewa Valley provided was of a greater hindrance to any utility (power,roads & telephone) where the cost per instillation was beyond the rural population's ability to pay either directly or indirectly. One of the benefits that the "closed" community of Mount Beauty had, when it was administered by the SECV was that some utility costs were a lot lower than that of the other settlements in the Kiewa Valley. This disparity led to a conference in 1928 of the rural and regional councils to demand from the Government an equality of electricity tariffs. This equality did not take place until 1965. The demand and usage of cheaper and affordable lighting that wax candles provided was for some rural families a way of life until the mid 1900's.This candle making mould is made from mild rolled sheet steel(tin). The top basin is rectangular in shape with beveled edges(facing in on all sides. There are six holes in the top basin for vertical hollow tubes to feed off. The six tapered cyclindrical tubes running from the top basin to the bottom raised platform base. All connections are welded together. The bottom of each cylinder has an opening for the candle wick. The wick is positioned in place before the molten wax is poured into the cylinders. A positioning ring has been welded to one bottom ring for stability.parrafin wax, candles, domestic household ighting

Pewter mug, recovered by David Gunn from the Glasgow Arms Hotel, Kangaroo Flat. The Gunn family held the license in the early days of the hotel. Mug has an ornate handle and glass bottom. Piece of paper insider mug ' Pewter mug - recovered by David Gunn from the old Gunn Hotel 'The Glasgow Arms' at Kangaroo Flat. I became very friendly with Dave and his wife Nolly. Our Binks connection with Gunn famiy was by Aunt Sara Fraser' Signed Q,C, Binks C 1985. SEE ALSO Glasgow Arms Hotel foundation stone (7163)bendigo, hotel, glasgow arms

Collection of photographs of various Bendigo church buildings with Cornish connections: a. front of simple (Methodist) wooden church with handwritten annotation of ''Webster St'' together with typewritten attachment to photo giving some of history of Methodism and the Cornish (and the four sects represented in Bendigo); b. Photo of interior of Chapel Street Gospel Hall (Mission Hall) decorated for Sunday School Anniversary (no date); c. three photos - Former Wesleyan Church, Kangaroo Flat; the former Primitive Methodist Church, Eaglehawk; former Bible Christian Church , California Gully (''now St Judes Anglican'' - typewritten attachment to photo).photograph, building, church, john wesley. united methodist free church. wesleyan mission hall. bible christian church. uniting church.

Inside the suit it is labelled with abroad arrow mark Code No. 8848 Stores Ref No. 22C/1013 Size MEDIUM Serial No. 1064 Inspector 7

Lynah's Ovoid Laryngeal Speculum with the light bulb and part of the connection wires still attached. Its semi square shape is characteristic of this kind of instrument, also has an screwable pointed end attachment. It has dusty and grey spots inside the canal of the blade near the light bulb canal. Solder spots are visible at the top of the blade as attachment of the laryngeal speculum blade base. General discolouration over the surface of this piece and hit marks present at the base of the handle. It was roughly engraved over the handle the owner’s details and year. Stamped at the base of the handle are the manufacturer’s details partially visible. Engraved at the handle, U N N A M E T . A D E L A I D E . c. 194[6] . Stamped at the base of the handle, [first line worn away might be MADE BY] / E / A D / [might be an S] YDN [might be an EY] / CHROME PLAT [incomplete word due stamp near the edge]laryngeal speculum, laryngeal instruments, unnamet, adelaide, lynah, henry lowndes

This meat mincer was born in a period where hand operated mincing and blending machines were only available for household mincing meats and blending ingredients up to the 1960's. Electrical kitchen based whitegoods were rare in areas where the connection to electricity was intermittent or not at all.This kitchen aid is a very significant item in the Kiewa Valley before suitable electrically operated mincers became available and constant reliable electrical connections were installed. The Kiewa Hydro Electricity Scheme provide the stable supply of electricity which made most of the hand operated mincing machines obsolete. However large mincers for bulk supplies were still required eg. kitchens for SEC workers during the 50's and 60's.This heavy industrial type meat mincer(cast iron) has a top "rounded feeder cup" with a mincer screw blade at the bottom. A winder handle rotates the screw like mechanism to mince and express solid pieces of meat at the other end. There is a clamp below the main structure which permits the fastening of the hand driven mincer to a table or solid ledge. The hand grip of the handle is made from wood and fashioned like a clothes peg.On the rounded feeder bowl "MAJOR" and on the winder handle "A POPE PRODUCT"hand operated meat mincers, meat grinders, kitchen utensils

Commemorates the tenth anniversary (2012) of the independence of East Timor, achieved on 20 May 2002. The people of the first new nation of the century suffered some of the worst atrocities and trauma of modern times in their struggle for self-determination. Honours the spirit of the East Timorese people and their connection to BallaratThe artwork is of aesthetic and interpretative significance to the people of BallaratCorten metal laser cut sculpture2012 Australia East Timor Association (Ballarat) honours the spirit of the East Timorese People on the tenth anniversary of the restoration of their Independence. Artist, Marqy da Costa, Afalyca Art Baucau, East Timoreast timor, independence

Upon approval of the construction of the new bridge, there was a move to retain the old bridge. It was a very significant connection to the world when first built and it was hoped that all or part of the old bridge could be retained. Town meetings were held and the National Trust approached to enlist their financial support. Significant as it demonstrates the efforts by the townspeople to retain the old bridge.Three and half column newspaper article from the Cobden Times Jan 16th 1985Handwritten at the top is "Cobden Times Jan 16th 1985". With handwritten corrections of names in the article.peterborough, peterborough old bridge, curdies river bridge

This mantel clock is one of a number of objects gifted to the Kew Historical Society in 2015. A number of the items relate to F.C.M. McArdle, the donors' father. Others belonged to his relatives. Some of the items testify to the family's close connection with the Sacred Heart Church in Cotham Road, Kew. A wooden mantel clock presented to Mr F. McArdle by the Kew Catholic Young Men’s Society on the occasion of his marriage. The date engraved on the plaque is 29 June 1936. F. McArdle was the father of the three McArdle family members who are donating the item. The donors were born at 3 Wills Street, Kew.cyms (kew), kew catholic young men’s society, mantle clock, f.c.m. mcardle

A part of a yearly marketing and information material promoting Falls Creek region for the summer holidays. It focuses on Falls Creek's location in the High Plains and its connection to the Bogong National Park. Large amounts of information about activities, facilities and regulations for the use of Park facilities are included,This item is important because it documents seasonal activities at Falls Creek Alpine ResortGreen A4 size brochure for summer holiday program at Falls Creek 'Gateway to the Bogong High Plains'. Dark green printed text and images on lighter green card paper, with image of Wallaces Hut framed at bottom of page and titles above. Opens to A3 size with internal and back pages of images and information for Summer Holidays at Falls Creek. falls creek, bogong high plains, bogong national park, northeast victoria

Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia

Contents: • Next meeting, guest speaker; Vivien Williamson: Banyule Heritage Study • Annual General Meeting • Banyule Heritage Study • Eastern Region Conference • Other Events • War Memorial News • Eltham Family Connections • Help Wanted • Help Given • Wurundjeri Signs Installed The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

The origin and owner of this album are unknown but the name’ Vickers’ suggests some local connection. There are twelve photographs of people and twenty-nine photographs of buildings and scenes, mostly of places in England (Nottinghamshire and Derbyshire). The photographers’ names listed are from Nottingham. The photographs probably date from the 1860s and 1870s. This is most likely an album of some significance as the name ‘Vickers’ on the inside cover of this album suggests that the photographs belonged to the Vickers family. Robert Vickers, who came from Nottingham, was a farmer at Summerside in Panmure in the 1860s, 70s and 80s so the photographs in the album are likely to be of his family members. This is a small photograph album with a brown leather cover There is a raised gold-coloured metal belt motif on the front cover and one piece of gold-coloured metal on the lower side of the front cover,Inside the front cover, in blue biro, the handwritten name ‘Vickers’ The word ‘Album’ is printed on the spine. warrnambool, vickers, robert vickers

This photograph was found in the archive of Newman College, a residential college at the University of Melbourne. It is not currently clear what the connection is between Newman College and the Yallourn School. Was one of the teachers at the school a former resident of Newman? Or did a student from the school come to Newman later in life, bringing this photograph? The town of Yallourn in the La Trobe Valley Victoria no longer exists except in photographs, records and memories. The town was established by the State Electricity Commission from the 1920s to the 1950s and was removed in the 1980s to make way for coal mining.Black and white photograph pasted onto brown mount board. The image shows children in four rows and their teachers in front of their weatherboard school building. Three rows of children are standing, the front row is seated and the middle child in the front row holds a sign saying Yallourn School No. 4085 23.2.23yallourn, yallourn school, newman college

This CYMS (Kew) certificate is one of a number of objects gifted to the Kew Historical Society in 2015. A number of the items relate to F.C.M. McArdle, the donors' father. Others belonged to his relatives. Some of the items testify to the family's close connection with the Sacred Heart Church in Cotham Road, Kew.Certificate, mounted on board, presented to Mr A.I. Mason honouring his occupancy of the role of President of the Kew Branch of the Catholic Young Men’s Society of Victoria. The certificate marks the end of his tenure of the office on 30th November 1933. Mr Mason was the uncle of the three McArdle family members who are donating the item.cyms (kew), catholic young men's society, certificate, a.i. mason

This RAAF Kit Bag is one of a number of objects gifted to the Kew Historical Society in 2015. A number of the items relate to F.C.M. McArdle, the donors' father. Others belonged to his relatives. Some of the items testify to the family's close connection with the Sacred Heart Church in Cotham Road, Kew.A kit bag made of khaki cloth with brown leather handle, trim and nameplate belonging to F.C.M. McArdle (no 94449) of the Royal Australian Air Force (RAAF). The address on the plaque is 3 Wills Street, Kew, Victoria, Australia. second world war 1939-1945, mcardle, kew, royal australian airforce, raaf

Massacre Bay is located on Victoria's Great Ocean Road, and is in the centre of the Bay of Martyrs. The bay consists of 20 m high, red limestone bluffs. This paper by Ken Clements considers the origin of the term martyr in connection to this location, and where the Aboriginal massacre may have taken place. Thirteen page document by Ken Clements relating to Peterborough, Victoria. Contents include coastal features, local Aborigines, Bay of Martyrs, Massacre Bay, Massacre Hill, Buckley Creek Run, Pioneer Pastoralists, British Traversers, settlers, Peterborough, Maps, tourism, history method. Photographs by Laurie Moore.aborigines, bay of martyrs, massacre bay, massacre hill, buckley creek run, pioneer pastoralists, british traversers, settlers, peterborough, maps, tourism, history method, childers cove, barque children, murnane bay, sandy bay, dog trap bay, buckley creek, viviennes lookeout, stanhope bay, buttres bay, burnies beach, armstrong creek, flaxman hill, antares rock, lovers nook, crofts bay, clements, worm bay, halladale point, the well, wold dog cove, james irvine monument, curdies inlet, squirrel creek, wallaby creek, boggy creek, whiskey creek, pioneer beach, schomberg rock, young australia, spit, crown of thorns, newfield bay, the grotto, london bridge, point hesse, high cliffs, the arch, cape martyr, little massacre bay, aboriginal massacre, ken clements

This book belonged to Emily Gascoigne Stratford. She married Barnard Mathews in Victoria in 1856 and the births of seven children are recorded in Victoria. Carshalton (the home of the aunt who gave the book?) is a town in Surrey, England. So far no connection has been found between the Mathews family and Warrnambool.This book has no known local provenance but it is of interest for its antiquarian value. This is a hard cover book of 381 pages. It has a brown cover with embossed ornamentation and gold lettering on the spine. The front cover is partly detached from the binding and the pages are gilt-edged. There is a black and white illustration on the second page. The cover is very faded and stained and there is some staining throughout the pages. The inscription is handwritten in black ink. ‘Mifs Emily Gazoigne Stratford, From her Aunt, F.S. Stratford, Carshalton, Augst. 1850’. emily gascoigne stratford, emily mathews, warrnambool history, believers daily

ANZAC CENTENARY 2014-2018. 'Sharing Victoria's Stories & Making Connections'. .2) 'WORLD WAR ONE HISTORY - Victoria's Story'. .3) 'VICTORIA'S WORLD WAR ONE LEGACY - Recipients of the Victoria Cross'. .4) 'COMMUNITY RESOURCE GUIDE - Planning a commemorative event and sharing local stories'. .1) Folder - cardboard, folded to store books etc. Gold, black & white print on front and spine. Illustrated black & white photograph of troops disembarking. Interior - colour illustration of medal ribbons. .2) .3) .4) - soft cover, cardboard, black & gold print front & back. Illustrated black & white photograph. .2) troops in shell crater .3) troops on wharf .4) group portrait of 15th Battalion. Pages - cut, plain, white, illustrated black & white photographs .2) 42 pages .3) biographies 31 pages .4) 18 pages .5) letter A4 white paper .6 medal mounted on cardboard - copy of 1919 children's Peace Medal with printed colour ribbon. oval block print on cardboard, beige background. ww1, educational folder

This evening bag is a popular style of the 1960s. The Australian brand 'Oroton' was established in 1938 and is still in production today. This bags owner Mrs Edna Parker is a Wandin local with connections back to the original Rouget family of the Wandin Area. In 2025 Mrs Edna Parker will be turning 100 years of age.1960s 'Oroton' gold mesh frame evening bag with gold chain handle. Kiss clasp closure and bronze satin lining,one small compartment. 'Oroton- made in West Germany' label inside.Inside label reading 'Oroton-made in West Germany'.evening bag, mesh, oroton, 1960s, nineteen sixties

This book has written by a local Warrnambool resident Dennis O’Keeffe. He was a folk-singer and composer and collector of folk songs. In this book he documented for the first time the full details of the origins of the song, ‘Waltzing Matilda’, especially its connections with 19th century Warrnambool. It contains much original material. This book is significant because it was written by a well-known Warrnambool resident and tells the full story of the origins of the song, Waltzing Matilda, including its beginnings in Warrnambool in 1894. The book is signed by the author. This is a soft cover book of 294 pages. The front cover has yellow and white lettering with an image of a bushman camping in the bush with a smaller version of the same image on the back cover. Information on the book is on the back cover. The book has a preface, 17 chapters of text, a bibliography, notes and an index. There are several black and white photographs and illustrations in the book. The book is signed in black biro by the author, Dennis O’Keeffe. ‘D.O’Keeffe’ dennis o’keeffe, waltzing matilda, history of warrnambool

A post card sent to Master J. Brenner of "Chippenham" Railway Parade, Williamstown by his cousin Ethel for his collection. The connection to Legacy is not known. This postcard is the Country life. Series V registered postcard number 9180. Was named "OILETTE" and was produced and printed by Raphael Tuck & Sons, the date is unknown. This item represents a serie of artistic postcards created in England and even though its year of making is unknown possess an aesthetic significance about the kind of postcards produced by Raphael Tuck & Sons.Postcard with of a country scene with a boy holding a donkey. Handwritten: Dear Cousin, Mother says she promised she would send you some postcards. I am sending these & hope you will like them for your collection. Your Cousin. Ethel. / Master J. Brenner "Chippenham" Railway P. Williamstown. Front side: Printed in photo, "CHUMS" / Handwriten photo sign, [?]lette. Back side: Printed on paper, printed symbols / Raphael Tuck & Sons' "OILETTE" [Regd.]Postcard 9180. / COUNTRY LIFE. Series V. / ART PUBLISHERS TO THEIR MAJESTIES THE KING & QUEEN / Printed in England / If sent Abroad, this space may only be used for Name and Address of Sender. / CARTE POSTALE. / TUCK'S POST CARD. / POSTKARTE. / (For Address Only.) / [Stamp] VICTORIA, POSTAGE, ONE PENNY, 1d. souvenir, world war one

Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin