Cards were sent by John Coleman in response to letters of support received after he injured his knee in 1954. He never played again. Thank you card on cream cardboard with rounded corners and message in calligraphy script printed in blue ink; message reads: "Sincere thanks for your kind expressions of Sympathy and Good-will during my recent football injury. I can asssure you it is deeply appreciated. John Coleman." Handwritten message in blue ink on back of card reads: "Thanks, Ray, for your very nice letter. The "Dons" are going along well now, don't you think. (Should make the four). Kind regards, John Coleman. essendon football club, john coleman

Copy of black and white photo. Image shows three men posed talking. Man on left wearing a peaked fabric cap, pipe in mouth, three piece suit, fob chain visible. R. Murray in centre of photo, wearing three piece suit and hat Man on RH side, coat, fabric cap and holding pipe. On bottom of surround 'W. Vincent Kelly, Mitchell St. Bendigo' written in white script. Australian dictionary of biography entry re Murray enclosed with the photo.Vincent Kelly, Mitchell Street, Bendigo

In 1940 The Surrey Hills Church of Christ team played in A Grade of the Eastern Suburbs Protestant Churches Football Association. Other clubs competing that season were: Spring Road Methodist, Glendearg Grove Methodist, Burwood Protestant, St.Marys Church of England, Balwyn United, Box Hill Adelphian and Box Hill United. Alan Sneddon played in the team. The inauguration of the Association took place at a meeting held at Camberwell Methodist School Office on the 19 March 1923. The following churches were represented at this meeting: Auburn Presbyterian, Kew Presbyterian, Hawthorn Presbyterian, Camberwell Methodist, Canterbury Methodist and St Marks Church of England, Burke Road and Holy Trinity Church of England, Surrey Hills. From 1923 to 1992 there were at least 160 clubs / teams that competed through the various grades with many of these combining & /or changing names, as well as those that competed irregularly. Black and white photo of the 1940 Surrey Hills Church of Christ football team with the Eastern Suburbs Football Association premiers flag in the background. The team includes 18 players, an umpire and 3 club officials, the later are centrally seated and one holds the premiership cup.Black and white photo measuring L 20.4 cm x H 15.4 cm mounted on its original presentation folder, which is mounted on card. The photographer's details are beneath the photo on the original mount, partially obscured by the descriptive label. The script is indecipherable.On back of card in Jocelyn Hall's writing: "Have 5 of these studio photos. / One is marked 'ORIGINAL' / ( - safekeeping) / This is Centre copy".churches, espcfa, surrey hills church of christ, football, football clubs, sporting clubs, eastern suburbs protestant churches football association, alan sneddon

Cap Badge for the Melbourne and Tramway Omnibus Co staff. Has abbreviation of "MTOCo". Made from a cast brass item, nickel plated, part of their uniform. Cast in the form of the handwritten or script word/s and underlined. On the rear, silver soldered on are two brass loops at either of the badge to enable badge to be sewn or fitted with clips onto the cap. No manufacturer's name on the rear of the badge. Two copies held, one fitted with a clip - as shown in photograph. See Reg Item 1923 for a photo showing how it was used for a Conductor's cap.trams, tramways, cap badge, hat badge, uniforms, mto co

This card is an invitation to attend the opening ceremonies with the dedication of memorial chapel on the 6th of September 1917 by the Archbishop, and the official opening of the Flinders Street Mission on the 11th of September 1917 by the Governor, Sir, Arthur Lyulph Stanley.This 1917 invitation marks the commencement of official ceremonies to dedicate both the new Mission Building and Chapel and associated services and celebratory concert. This building which has housed the multitude of continual services to Seafarers will attain the Centenary year in 2017.Commercially printed invitation on heavy card printed with blue ink ; features a Flying Angel flag of the Mission to Seamen in top left crnrprinted in copperplate script:"The Committee and Chaplains of / the Victoria Missions to Seamen / request the pleasure of your and your friends' company at / The Opening Ceremonies of the New Institute in Flinders Street extension. / On Thursday, 6th September, 1917 /...The Official Opening / will be performed by His Excellency the Governor / THE HONOURABLE SIR ARTHUR STANLEY, K.C.M.G/..."invitation, 1917, opening ceremony, flinders street, walter richmond butler, seamen missions, mission to seafarers, lord mayor of melbourne, dedication, sir arthur lyulph stanley (1875-1931), archdeacon hayman

Contained within our collection is an identity card for a Frau Fleischer from Vienna, Austria in 1919. We have no detail on this item, why we have it, where it came from and have not been able to conclusively decipher her first name. Did she migrate to Australia some time after the First World War, did she end up in Eltham? We have tried tracking the name Fleischer in Eltham but no positive links so far. The card is written in Gothic German script, the handwriting is very difficult however we have been able to decipher some of what it states. Legitimation The identity of the person depicted in the photograph Mrs. Johanna? Fleischer Profession ? Apartment XV. ?? and the handwritten signature is hereby officially confirmed D. o. Police Directorate Vienna, July 15, 19191919, atelier globus, austria, fleischer, frau fleisher, identity card, johanna fleischer, vienna, wahringerstrasse 97, wien

From website: "Shot at various locations by cinematographer Robert Tremelling under the direction of Brenton Manser, the docudrama Rider and Writer is based on poet Adam Lindsay Gordon’s life during the time he lived in South Australia and Victoria. Manser has been researching, planning and developing the script for the new film since February 2012. Much of the footage for Rider and Writer has been shot in Mount Gambier, Port MacDonnell, Penola, Coleraine and Warrnambool. Jakin Manser has the leading role of Adam Lindsay Gordon, and former Grant High School drama teacher, David Reed, returned to Mount Gambier to act in the film, cast as John Riddoch, wealthy pastoralist and friend of Gordon. After 50 commended performances playing Riddoch in the stage production ‘Reckless’, Reed had retired. However, he was enticed by Manser to revive the character for the film."With a bust of Adam Lindsay Gordon in Westminster Abbey, London, his story is of national and international significance. Only one other film about Gordon is known to exist, produced in 1916. Allan Childs, curator of Gordon’s former residence ‘Dingley Dell’ is excited by the project: ‘To have a film that is made with the latest high definition equipment will bring the story of this famous poet alive to a new generation. We’ve come a long way since the black and white silent movies of 1916.’ The film premiered in Mount Gambier on 30 August 2014.adam lindsay gordon, brenton manser, robert tremelling, docudrama, 2014

Tait collection: item 54 of 62 This document gives the details of the Letters of Administration of Michael Maloney who died intestate in 1907. He was aged 64. In this document he was described as a farmer from Dennington, near Warrnambool but a Michael Maloney is listed in 1866 as a butcher and this may be the same person or a member of his family. Michael Maloney left real estate to the value of £160 and personal estate to the value of £38. This was passed over to the son, Michael Maloney, a railway employee of Flemington, Melbourne. The lawyers involved in drawing up this document were O’Mahony and Murray who had legal offices in Warrnambool in the late 19th and early 20th centuries. Con O’Mahony had established his practice in Warrnambool in the 1880s under the name of Klingender, O’Mahony and Murray and by the 20th century this was operating under the name of O’Mahony and Murray. Con O’Mahony died in 1920. This document was then passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014 (the former premises of the legal firm of Mackay Taylor). This document is of some interest as it gives details of the Letters of Administration of Michael Maloney, a farmer in the Dennington area in the late 19th and early 20th centuries. It will be useful for researchers. This is a cream-coloured piece of parchment paper folded in two to make four pages. The front page has ruled black margins and there is handwritten material on two of the pages in brown ink. These two pages also have printed italic script on them in black ink with the handwritten material inserted in the spaces left. A seal of the Supreme Court of Victoria is attached with a green ribbon and there is a red stamp of the Master in Equity of the Supreme Court on the first page. The document is somewhat stained. The document gives the details of the Letters of Administration of Michael Maloney of Dennington who died in 1907. In the Supreme Court of Victoria in the Probate Jurisdiction in the Estate of Michael Maloney, late of Dennington, in the State of Victoria, farmer, deceased, intestate. Letters of Administration.o’mahony and murray,, warrnambool solicitors, michael maloney 1907, warrnambool, michael maloney dennington 1907, michael maloney, tait collection

This exercise book was owned by Audrey Sack and was donated by David Sack at the same time as a typewriter in its case plus accessories (refer to RN 3087). It has hand written notes of Commercial Principles class lessons from Warrnambool High School, written by Audrey Sack including pages dated 1938 and 1939. Audrey was the daughter of William Sack, owner of the business Sacks Jewellers at 115 Liebig Street, Warrnambool. William commenced trading in the early 1900’s; and the typewriter was used by Audrey in the business from the late 1930’s through to about 1996 when the business was sold. William and his wife June had three children, Eric, Audrey and David. The children were owners/partners of Sack’s Jewellers after William’s passing in 1976. Eric and David were ‘owners of the business’, with Audrey carrying out much of the clerical work. Eric died in about 1984 and David sold the practise in 1996. During the 65 years of business the typewriter was used for all the normal applications of a jeweller’s; preparing invoices, guarantees, taxation records. But in addition the four members of the Sack family were very involved in Church activities, particularly in lay administration and lay preaching in the Baptist Church, and the typewriter gained a lot of after-hours use. The family actively supported overseas Missions in India, SE Asia, and Africa. After the sale of the business in 1996, Audrey took the typewriter home for her community activities (David got a computer). In the 1980’s David volunteered as the Clock Repairer at Flagstaff Hill for the historical instruments. In the early days this took some long hours to get the clocks working, but in recent years he has just been ‘on call’ if needed. He is an alert 85 year old and just in the last 12 months has given up a busy schedule of Sunday Lay Preaching around the district. (2015)The exercise book is associated with a typewriter and text book, which is of local significance, being previously owned and used in a local business established for about 100 years.Book, student's exercise book with brown paper cover over soft cover. White pages have printed blue lines. Notes written in script with nib pen. Correction marks are on some pages. The book has entries from front to just past the centre pages, the turned upside down and written from back to almost centre pages. It belong to Autrey Sack, who was a Commercial Practices student at Warrnambool High School. Handwritten ink pen inscriptions are on the front cover and within the book. Notes are dated as 1938 and 1939."Commercial Principles" "Audrey Sack /. Commercial / W.H.S."flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, commercial principles, warrnambool high school, sack’s jewellers warrnambool, william sack, david sack, audrey sack, sack’s jewellers, exercise book, student notes, business education

Item 12. Large book with blue cover, a black spine and a black diagonal piece on each outer edge corner. Purple inside front and back covers and fly leaves. 'Fligende Blatter' German Gothic script, produced in Munich. A collection of magazines, editions 3232-3257 bound in hard-cover. Dates July 5th 1907 to Bendigo 27th 1907. Donated by Mrs Legg, Melbourne on May 28th 1990. Originally the property of the Deutscher Verein Library, Bendigo. Book has stories, hand drawn cartoons, advertisements and some photos.Berlag von Brann & Gchneiderbooks, collections, german magazine, german heritage society collection - fligende blatter, mrs legg, deutscher verein library bendigo

Large soft, hollow plastic model of ear with red spots and black Chinese script on purpose made, removable dark brown wood stand. Ear is attached to mount by two small horizontal wood dowels that meet holes in rear face of ear. One (1) pack of vaccaria seeds in small plastic snap lock plastic bag. There are ten (10) sheets of vaccaria seeds with each sheet holding sixty (60) seeds on translucent orange sheets with small, square fabric backing at the rear of each seed compartment. acupuncture, chinese medicine, vaccaria, herbal medicine, rmit chinese medicine collection

This product was introduced in an era where the "silky smooth" look was in vogue. From the 1920s on, American and British film stars set the tone of how clean cut (hero type) masculine look attracts the opposite sex faster and in greater quantities than the "unkempt" or natural maintained look. This look was bold and "polished" and had the intended projection that the hair matched the character of "I look after myself and have a high opinion of physical appearances". As fashion goes this slick and well maintained look has circled many times, in and out of history and in Australia in the 1950s this was a prime example. The liberation of the stereo type of both sexes occurred in the 1960s when the freedom loving "hippie culture" had a marked affect upon the city inhabitants but not so strong among rural males. Sexism was still rife in that time frame.This jar of Brylcreem was a part of the (masculine) rural scene for a longer period than that found in the larger towns and cities. The long held "men are men" and "women are women" distinction between the sexes lingered on more in rural areas because of the perceived physical differences, mainly "strength" and perceived tasks such as "men only" activities (heavy farm/mining/construction). The jar of Brylcreem maintained the respectable male look for those special occasions when males "dressed" up and looked clean physically and well behaved (to show respect to the women folk)This glass jar with a glued on,red background, label detailing the product Brylcreem (a men's) hairdressing ointment is empty of its original product. It has been contoured on each side to allow for a man's fingers to comfortably and firmly grip the jar. This form would allow even "greased up" hands to maintain control. The glass thickness is far greater than needed and also added the extra stability to the standing jar. The shape of the jar is a latent attempt to emulate the physique of a fit young man (small waist, expanded and muscled mid rift and large shoulders). The jar does not distract from viewing its contents (clear glass). It has a black gloss screw (on/off) lid made from mild grade steel. The jar holds approximately 200 grams of a thick molasses textured product. On the front red Label; in large white letters "BRYLCREEM" underneath this is in smaller silver print "THE PERFECT HAIRDRESSING" underneath this is a banner type motif with a crown at the top and a black letter "B"in the centre. Below this and in much smaller print are printed in black script "BEECHAM (AUSTRALIA) PTY. LTD. MELBOURNE VICTORIA M A Imen's deportment, toiletries, men's hair styles, physical appearances

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph, portrait of Miss Eva Carmichael. Reverse has gold maker’s print and a white adhesive label with hand writing on it.Reverse of photograph shows 3 signatures in script on bottom right corner., Printed text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / - - - - - TARY” plus white label, hand written “F- Ph 56/2 – 74” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph miss eva carmichael, loch ard shipwreck, loch ard survivor

This horse-drawn, two-wheeled cart with a tank, is known as a Furphy Farm Water Cart that was made in Shepparton, northern Victoria, c. 1942. John Furphy (1842-1920) was born in Moonee Ponds, in 1842 to Irish immigrant parents and subsequently raised in the Yarra Valley before the family moved to Kyneton in central Victoria, where he completed an apprenticeship with the firm Hutcheson and Walker. Murphy began operations of his own at a site on Piper Street in Kyneton in 1864. He relocated for a business opportunity and founded the first blacksmiths and wheelwrights shop in the newly surveyed town of Shepparton in 1873. Furphy invented many farming tools and machines including a patented grain-stripper, and won awards at the 1888-89 Melbourne International Exhibition. His most famous invention is the Furphy Farm Water Cart, designed in the 1880s, at a time when water for most households and farms was carted on wagons in wooden barrels. The Furphy’s water cart is a single item that combines a water metal tank and a cart. The design of the cart was simple yet effective, and became popular very quickly and established itself as a vital piece of farming equipment. The water cart has had a number of words cast into its ends over many years. References to the foundry’s location in Shepparton, as well as advertising of other products also manufactured by J. Furphy & Sons were present on the ends. However, the most significant set of words to feature on the tank, was a poem encouraging continual improvement: ‘Good Better Best, Never Let it Rest, Until your Good is Better, And your Better Best’. During The Great War (1914-1918), the water cart was used by the Australian militarily at a large AIF (Australian Imperial Force) camp in Broadmeadows (Melbourne) where thousands of men were camped for months, before being transported aboard. Furphy Water Carts provided water to the troops, and were usually placed near the camp latrines, which was one of the few places the troops could share gossip and tall tales away from the prying eyes and ears of their officers. The water cart drivers were also notorious sources of information, despite most of their news being hearsay, or totally unreliable. By the time the men of the AIF were in engaged in combat on the Gallipoli Peninsula and the Western Front, the carts used for water supply had no markings and became simply referred to as Furphys. This owed as much to the coining of the term ‘Furphy’, Australian slang for suspect information or rumour. After a number of decades as principally a soldier’s word, 'Furphy' entered the broader Australian vernacular and was used mainly by the political class until recently when the term was taken up by a Australian brewer as a beer brand. This Furphy Water Cart was purchased by Friends of Flagstaff Hill in 2014. The support of local individuals, organisations and businesses enabled its restoration and later its installation alongside the existing late-19th century water pipe stand and 1940s hand pump The Furphy Farm Water Cart is of historical significance as it represents a famous Australian time-saving and energy-saving invention of the 1880s, replacing the labour intensive activity of collecting and dispensing water from barrels and casks on the back of carts. The water cart’s connection with manufacturing companies J. Furphy & Sons and Furphy Foundry are significant for being early Australian businesses that are still in operation today. Furphy carts are of military significance for the role they played during The Great War (1914-1918) in Australian army camps, and theatres of war in Europe and the Middle East, to supply the AIF troops with fresh water. A wooden framed, two-wheeled, horse-drawn cart, fitted with a horizontally mounted, cylindrical metal tank. The tank is made of rolled, sheet steel with a riveted seam, and cast iron ends with cast iron ends. The spoked metal wheels have fitted flat iron tyres and metal hubs. A metal pipe is joined to the outlet. The tank is silver coloured, the ends, wheels and trims are crimson, and the script lettering on tank sides is black. There are inscriptions on the tank, ends, and hubs. The water tank was made in 1942 in Shepparton, Australia, by J. Furphy & Sons and has a capacity of 180 gallons (848 litres). Hub perimeter, embossed “J. FURPHY & SONS” “KEEP THE / BOLTS TIGHT” Hub centre embossed [indecipherable] Tank, each side, painted “J. FURPHY & SONS / Makers / SHEPPARTON” Tank ends, embossed – “FURPHY’S FARM WATER CART” “BORN ABOUT 1880 – STILL ‘GOING STRONG’ 1942” “j. FURPHY & SONS / MAKERS / SHEPPARTON - VIC “ “S - - - - - L MANUFACTURERS” [SPECIAL] “SPIKE ROLLERS” “SINGLE TREES” “PLOUGH WHEELS” “IRON CASTINGS” “LAND GRADERS” “STEEL DELVERS” “CAST IRON PIG” “CHAIN YOKES” “GOOD – BETTER – BEST / NEVER LET IT REST / TILL YOUR GOOD IS BETTER / AND YOUR BETTER – BEST” Image [Stork carrying a baby] above shorthand, transcribed "Produce and populate or perish" Image [Furphy Pig Feeder] beside ‘Cast Iron Pig’ Shorthand, transcribed “"Water is the gift of God but beer and whiskey are concoctions of the Devil, come and have a drink of water"warrnambool, flagstaff hill maritime museum, water cart, furphy cart, furphy tank, furphy farm water cart, furphy, john furphy, john furphy & sons, furphy foundry, kyneton, shepparton, mobile water tank, jinker, hutchinson & walker, blacksmith, farm equipment, implement maker, tool maker, horse drawn, stork and baby, good, better, best, barrel, tank, first world war, wwi, eastern front, gallipoli, j furphy & sons

Black and white photograph, 'Hibernia Hotel' printed over windows. Left and right of corner entrance 'Bar' also in script, circular plaque above door. 'Licensed to sell' 'fermented' and 'spiritous' liquor, P. McGrath painted over entrance. P. McGraths ball court to side. 4 male figures in foreground of two storey brick building, gas lamp obscuring one figure. 1 black and 1 white dog. 1 adult female in dark long frock with adolescent female, lighter toned mid calf length frock with cape. 264 Bridge St., Bendigo.cottage, miners, d. walker 5.11.1999 : suggested hibernian hotel, cnr. bridge and cemetry st, had bowling alley'

Cap Badge for the "Chief Inspector". Made from cast brass to indicate the position held by the wearer on their cap as part of their uniform. Cast in the form of the handwritten or script word/s and underlined. On the rear, silver soldered on are two brass loops at either side of the badge to enable to be sewn or fitted with clips onto the cap. On the back of the back of the badge in very small letters is the name of the manufacturer - Stokes & Sons / Melbourne. Used by the SEC only? Assumed collected by Les Denmead from spares held by the SEC. Note the same manufacturer logo as for the "Tramways Superintendent", Reg. Item 1939. tramways, trams, cap badge, hat badge, uniforms

Yields information about the Ballarat Tramway system through historic film collected by the BTPS and made into a Video tape. Has a strong association with those who provide the film, for example Bob Prentice and others.Video cassette tape and box with cover containing the video titled ""The Tramways of Ballarat" produced by the BTPS in 1993. The contents of this tape were subsequently used to make the DVD. Over a 1000 copies distributed. Material from BTV 6 used in the production. See rear cover for details of those whose film was used. Cover Photo Glen Mills, Script Richard Gilbert, Narration Bruce McLean and Produced by John Phillips and Richard Gilbert. Inside of the cassette paper cover is a map of the system. Produced by the Association of Railway Enthusiasts on behalf of the BTPS. Cost at the time $29.95, price sticker remains.ballarat, films, tv broadcasts, btv

This canister which contained a blend of Rasawatte tea was produced in the early 1900's and for the most of those who acquired it for its contents it was useful (because it was made from solid pressed steel) as a tea caddy or container for other kitchen utensils or loose grains etc. It was also a good advertising item for a general agent W.M. Peterson & Co. in Melbourne. This company along with neighbouring tea importers offices were burnt down in a horrific building fire in Melbourne.This item was used in a period of time when the tea beveridge was the main hot beveridge to accompany meals, and "high tea" was a special treat to enjoy quality teas and "finger" food. In the rural sector of the Kiewa Valley, the favourite hot drink at "smoko" or other rest times was a freshly "brewed" pot or "billy" of tea. The hot drink tea was later in time challenged by the hot cup of coffee. This change occured at a later time in the rural sector than in cities or larger towns. The rural sector in this time frame was a lot more "traditional" in a lot of their day to day learned mores. Life style changes took longer to evolve mainly due to lack of media bombardment (mainly from city based advertisers) within the family home . "The latest jadgets" took longer to permeate into "isolated or semi isolated rural regions" such as the Kiewa valleyThis cylindrical tin container, which originally contained fine Ceylon tea is totally constructed from pressed light steel. It is embossed with content details and the name of the general tea agent. The main body has been fastened by pressed, not soldered connections.Embossed with the following "Ceylon Flavoured" and in bold large letters "RASAWATTE TEA" and below this in smaller print "ONE POUND NETT" This is encapsulated by Tea plant petals and vines. On the opposite side and in script writing "3M" below this in an unfolded banner presentation "BLENDED & PACKED BY" below this "Peterson & co Melbourne" This is also encapsulated by Tea plant petals and vines.kitchen storage, tin container, cannister/caddy, kichen advertising

112 Page soft cover book titled 'The Victorian Readers Second Book' dark orange in colour with a cloth strip at the spine. On the front cover is a female child sitting on a wooden chair reading a book. The book consists of 102 pages of stories and poems plus 9 pages of language list. The back page has three children in various poses looking at a monkey on a swing hanging from two trees. Below the monkey written in script is 'The End' Inside the front cover hand written in blue ink is the name 'John M. Merifield' Registered by the Postmaster General for transmission through the post as a book.Education Department of Victoria. H.J. Green, Government Printer, Melbourne 1930.education, primary, victoria, the victorian readers second book

A Wright & Ditson 'All American' model composite wood racquet with open throat and octagonal handle. Spiral-wrapped perforated grip tape sealed at ends with plastic tape. Striped plastic reinforcement at top of grip. Striped plastic reinforcements and white paint around shoulders. Green painted section on shaft with gold writing on obverse: WRIGHT & DITSON/CHAMPIONSHIP QUALITY and on reverse is manufacturer's name and icon. Manufacturer's name and racquet model also printed in cursive script across base of head on both sides of racquet. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, String, Nylon, Plastic, Painttennis

Used for storing various threads for mending in the home - cotton, silk, wool nylon.A decorated brown lidded round container coated inside with black and brown type lacquer. The outside of the container and lid has patterns painted by hand in yellow and red of a bird, ying and yang symbols and oriental script all surrounded in black lined sections. It appears to be made from papier-mache which is layers of cardboard glued together and tightly compressed. This can be seen by the damage sections which grey cardboard shows though. It would have been lacquered over and painted. The container has a variety of sewing items and mending threads for stockings, socks and other work. Some pearl buttons included.As mentioned above, the container has various patterns painted on it. The sewing items include brands of threads for sewing work - Darneezi, Eagley, Rite Tone, Clark's Filosheen,Chadwick's Wool and Nylon, Nylusta.sewingcontainer, threads, containers, sewing equipment

This book is a technical book that was originally from the Wendouree Woollen Mills but latterly was part of a collection of books owned by the Warrnambool Woollen Mill. The Wendouree Woollen Mills in Ballarat began in 1870 as a flour mill and became the Doveton Woollen Mill in 1877. In 1918 it became the Myer Woollen Mill (Myer Emporium ownership) and in the 1920s it was a knitting mill. After Myer sold the mill it was known as Wendouree Woollen Mill but it closed in 1975. The Warrnambool Woollen Mill in Harris Street, Warrnambool was established in 1910 on the site of an earlier woollen mill destroyed by fire in 1882. It was a successful business for many years and closed in 2000 after 90 years of operations but by that time it had been bought by successive companies including the multinational company Dunlop. In 1968 the Warrnambool Woollen Mills (Dunlop era) purchased Wendouree Woollen Mills and transferred much of its operations to Warrnambool until the Ballarat mill was closed in 1975. This explains why a Wendouree Woollen Mill book was in the Warrnambool Woollen Mill building when it closed. This book is of some interest as a good example of technical books produced in the early 1920s. It would have been well-used by woollen mills workers and foremen at the time. It is also of interest as it comes from the Warrnambool Woollen Mill and so it is a memento of a most important and influential business in Warrnambool in the 20th century. A great number of local people were employed at this mill over the years and it enjoyed for many years a national reputation for quality products. This is a hard cover book with a dark blue cover and gold lettering on the front cover and the spine. The title of the book is printed in an ornate script and is underlined with two gold lines. The book has 277 pages commencing with page 273 as the book is Volume Two of this title. The book, about wool combing was written by Fred Bradbury. It has a Preface, a Contents page and fifteen chapters commencing with Chapter 21 and ending with Chapter 35, an Index and several pages of advertisements for other technical books. The book has several black and white photographs of machinery and illustrations and sketches demonstrating mechanical and technical processes. The book has some small stains on the front cover.Front Cover: ‘Worsted Preparing and Spinning (Wool Combing) by Fred Bradbury’ Spine: ‘Worsted Preparing and Spinning, Vol11- Bradbury – F.King & Sons Ld., Halifax, England’. Inside in two places: stamp of Wendouree Woollen Mills Pty Ltd wendouree woollen mills, warrnambool woollen mill, history of warrnambool

Cap or lapel Badge for the Electric Supply Co. of Victoria (ESCo) staff. Has abbreviation of "ESC of V Ltd". Made from a cast brass item, nickel plated to indicate the position held by the wearer as part of their uniform. Cast in the form of the handwritten or script word/s and underlined. On the rear, silver soldered on are two brass loops at either of the badge to enable badge to be sewn or fitted with clips onto the cap or the uniform. Exact use of the badge not known at the time of cataloguing. On the back of the back of the badge in letters is the name of the manufacturer - "Stokes & Sons". Assumed collected by Les Denmead from materials left over from the ESCo era in the SEC offices. tramways, trams, cap badge, hat badge, uniforms, esco

A letter written from Charles Quinn to his mother in 1946 depicting his time spent travelling from Sydney to San Francisco.This letter is of historical, social and interpretive significance as it provides information about the life of a seaman during the mid 20th century.Two page, double sided letter (0348.a1-a2) written on 21/02/46 from San Francisco from Allen to his mother with envelope (0348.b)Two double sided pages of script beginning with. "My Dear Mum...Arrived here on Wednesday being 2 days overdue...." Inscription on the top left hand corner which states. "M. I. Goonawarra/San Francisco/21-2-46" Inscription on the envelope. "Mrs. S Quinn/San Lorenzo/63 Ocean Beach/Manly N.S.W/Australia."charles quinn, sydney, san francisco, mission to seafarers, 1946, seafaring

The Edison Fireside Phonograph Combination Type A model phonograph was an open horn model. This machine was produced around 1909, just after the introduction of 4-minute record cylinders in 1908.; the selection lever on the front was either 4 or 2-minute choice. This Fireside model has a fluted octagonal horn that attaches to the reproducer on the machine and is suspended by on ring by a horn crane attachment. The phonograph machine is powered purely by mechanical means, winding the crank handle on the side of the machine to start the belt-driven, spring-loaded motor inside. The sound comes from a pre-recorded, vertical cut record cylinder, which slides over the Mandle, a smooth rotating drum. The reproducer, an all-in-one needle, amplifier and speaker, is lowered onto the cylinder, the needle picks up the sound and plays it on the speaker and the attached horn amplifies the sound. The phonograph machine was invented by Thomas Alva Edison in the late 19th century. Edison adopted the idea from the technology of the telegraph machine. He patented the phonograph in early 1878. It was able to record sound and play it back. This amazing invention opened up a whole new world of entertainment, where wax cylinders of pre-recorded sound could be purchased with a wide variety of music and played over and over. The first wax cylinders were white and used a combination of bees' wax and animal fax or tallow. By 1892 Edison was using 'brown wax' cylinders that ranged from cream through to dark brown. The Edison Phonograph Company was formed in 1887 to produce these machines. He sold the company in 1855 to the North American Phonograph Company but bought that company in 1890. He then started the Edison Spring Motor factory in 1895, and the National Phonograph Company in 1896. In 1910 the company became Thomas A. Edison Inc. In 1898 Edison produced the Edison Standard Phonograph, the first phonograph to carry his own trade mark. He began mass producing duplicate copies of his wax cylinders in 1901 using moulds instead of engraving the cylinders. The wax was black and harder than the brown wax. The ends of the cylinders were bevelled so that the title's label could be added. The last phonograph machine to use an external open horn was produced in 1912 due to the much more robust round records being invented. In 1913 Edison started producing the Edison Disc Phonograph. The company stopped trading in 1929.This Edison Fireside Phonograph model is significant for being one of the last models to have an external horn. It is also significant for its connection with the invention of the phonograph, which made music and sound available for domestic enjoyment. It was used for entertainment and education, even teaching languages. It signalled a new era of music that could be reproduced and played anywhere. It is also significant for its short time span of popularity, just a few decades, due to the growing use of records, which gave a much higher quality sound and were more robust.Phonograph; Edison Fireside Phonograph, Combination Type, Model A. It is in a wooden case with a domed lid, metal catches on each side and a folding wooden handle. It has a metal drum and a reproducer mechanism. The metal and wood crank handle starts the machine’s motor. A sliding lever at the front selects the speed for four- or two-minute cylinders. The inscribed plate has the maker, serial number, patents and other information. The reproducer also has an inscription. It has a curved metal open horn attachment. Made in Orange, New Jersey in c.1909. NOTE: the fluted octagonal horn is catalogued separately.Case front, in script, Edison’s early ‘banner’ decal “Edison” On the front of the machine “Thomas A Edison TRADE MARK” On the maker’s plate; "Edison Fireside Phonograph Combination Type" Serial number “14718” Around sound outlet; “C 4076” “REPRODUCER LICENCED FOR USE ONLY ON EDISON PHOTOGRAPHS SOLD BYT.A. EDISON INC.” At the front edge “4 MINUTES 2flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, gramophone, phonograph, music player, entertainment, audio equipment, edison, thomas a edison, horn, phonograph horn, amplifier, audio, sound recording, sound playback, phonograph machine, phonograph cylinder, external horn, edison phonograph company, wax cylinders, sound reproduction, edison spring motor factory, national phonograph company, thomas a. edison inc, crank-operated motor, open horn phonograph, 4 speed, 2 speed

Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Sewing machine, Wertheim brand “ Syst 182” hand crank operated machine with folding handle, timber case and carry handle. Metal machine is painted black, with remnants of gold, red and green scrolls and floral decoration. Machine has base with inlaid measuring rule across front and 2 holes drilled through the base (perhaps for mounting machine to a bench). Machine tilts open, hinged on one side, after thumb screw is unwound, revealing machine’s workings and serial number. Base has a fitted round, concave, silver metal pin holder with lid that hinges open, and symbol pressed into lid; several pins are inside. Body of machine has brand name transfer across front and oval metal trademark disc on front. Metal sliding covers over footplates have stamped lettering. Timber machine case or cover includes an accessory box with sliding cover and metal hook and eye latch, and inside the box are 23 metal sewing attachments, a disc and a stick of black crayon with maker’s trademark on it paper cover. Workings of machine have seized up. The crayon wrapper has printed on it “For the wonderful Wertheim new family machine made in Germany ‘Syst. 182’”, and the maker’s symbol with “Trademark” beside it. Made for Hugo Wertheim.“WERTHEIM” transfer across front and back of machine body. Cover of pin holder has symbol ‘Wings above a shield’. Maker’s trademark on gold oval disc, “WERTHEIM / FRANCFURT” and picture of a dwarf with a hammer. Left footplate has script “Syst 182”, right footplate has stamp in oval shape “MANUFACTURED IN - - /SPECIALLY FOR / HUGO WERTHEIM” Serial Number “7501”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand crank sewing machine, hugo wertheim, wertheim, clothing manufacturer, sewing, syst 182