The butter stamp rolling pin was used in The Orbost Butter factory.It was rolled across the butter in a wooden box, lined with a wax paper.Bicarbonate of soda was added to the butter to stop it from going rank.The first shipment in about 1893 to England went rank and was only good for axle grease on wagons and carts.The milk was brought to the factory by horse and dray.Most people would take the whey home for their pigs,which were abundant on the farms in the Orbost district. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. Large, hand carved, round wooden roller with handle at each end. There is a central carved word, with a pattern of raised squares either side of the carved word and an uncarved area at either end of the roller. The stamp rests on a wooden plinth. "AUSTRALIA" carved in reverse around the width.orbost-butter-factory dairy butter

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. Sometimes the board was labelled with organisational labels. In this example, the Rules of Membership for the Victorian Association of Braille Writers was attached, which included the costs of being a transcribing member and the length of the loan period. It is signed by Millicent Ritchie (Hon. Secretary) and Minnie H Crabb (Asst Sec and Librarian) at the base of the sheet.Brown rectangular wooden board with hinged paper clamp and metal hinged guideFree Lending Library for the Blind label is attached to boardbraille equipment, victorian association of braille writers

Skittles or Nine Pins has been played since the 4th century. It is an old European lawn game. In general, players take turns to throw wooden balls down a lane at the end of which are several wooden skittles in an attempt to knock them all over. It evolved into ten pin bowling, one of the most popular pastimes around the world. This is an indoor children's toy probably played on a carpeted passage inside. Skittles was an indoor game which could be played by the whole family.This item reflects a time when simple games were enjoyed as a family. In rural areas where there was limited access to commercial recreation skittles would have been a popular pastime.Four wooden skittles. They are tapered with a knob at the top. All are painted black with two red bands towards the base. Two are smaller and have rounder bases. Under the bases are T-shaped ridges.recreation skittles indoor-games

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design.Custom made wooden hinged box with a hook latch. Brass yarn spinner, attached to a mahogany wood plinth base, which spins fibre into cord/yarn/thread. It has dials to set the rate that it spins. Metal plaque with black inlaid enamel lettering. Small cork inlay. Brass rod with hinge and wingnut, and ball at end. Ball at end has an adjustment mechanism. Rod also has an adjustable circular collar. Pair of curved tweezers. Circular magnifying glass on long thin handle. Glass has two concave lenses. Weaving sample in shades of blue, green and brown. Twill weave. Alternate pattern samples separated by red thread.Brass plaque on base of spinner: 42 MARKET St / John Nesbitt / REGd TRADE MARK / LIMd / MANCHESTER Underside of wooden plinth: 4976apparatus, textile, testing, spinning, nino corda, magnifyer, tools, brass, mahogany, tweezers, yarn, spinner, design, john nesbitt, manchester, england, 19th century, engineering, manufacturing

A washboard is a tool designed for hand washing clothing that are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. With the invent of mechanized cleaning of clothing becoming more common by with the use of washing machines by the end of the 20th century the washboard was soon discontinued. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood, sometimes glass and by the 20th century, ridges of metal became common The first "fluted" metal washboard was patented in the United States by Stephen Rust in 1833 and Zinc washboards were predominantly manufactured in the United States from the middle of the 19th century. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife into the 20th century.Washboard wooden frame with a ribbed glass sectionNonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washboard, glass ripples, clothes cleaning, washing, laundry

A washboard is a tool designed for hand washing clothing that are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. With the invent of mechanized cleaning of clothing becoming more common by with the use of washing machines by the end of the 20th century the washboard was soon discontinued. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood, sometimes glass and by the 20th century, ridges of metal became common The first "fluted" metal washboard was patented in the United States by Stephen Rust in 1833 and Zinc washboards were predominantly manufactured in the United States from the middle of the 19th century. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife into the 20th century.Washboard wooden frame with a ribbed glass sectionMarked "Possum Brand"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washboard, glass ripples, clothes cleaning, washing, laundry

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Welt Cutter with a wooden handle.

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Seat Breaker with a wooden handle.

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Fudge Wheel with a wooden handle.

A metal circle sits on a brown wooden board. Within the circle are the words 'Royal Horticultural Society of Victoria' around the upper edge, an outline of a tree with a bush either side in the middle of the circle, and 'Award' below this. A gold coloured plate rests below this and reads: Community Horticultural Award 1987-88 This award was presented to The Association for the Blind George Vowell Centre, Mt Eliza in recognition of its outstanding contribution to the extensive uses of horticulture in an innovative programme being experienced in a practical way by visually-impaired elderly persons who are assisted by a strong volunteer group and staff. President: Val Sinclair 26 November 1988Wooden rectangle with 1 large round and 1 rectangular plaqueassociation for the blind, george vowell centre (mt eliza), awards, royal horticultural society of victoria

Camp 3 was one of the Tatura Group of civilian & prisoner of war internment camps during World War 2. Camp 3 was a civilian 'family' camp. The abacus was made by a German internee, for his son in the camp. It was made from scrap materials found in and around the camp & the beads & other wooden parts of the abacus were turned on a lathe also constructed by the internees. Wood & metal abacus with wooden base, sides & beads (100), & metal rails. Wood painted red & black. camp 3, tatura, internment camps, civilian internees

Large dark wooden one fits the dish ordered by D.O.Masson shortly after arrival in Melbourne. (Sir) David Orme Masson was Professor of Chemistry at the University of Melbourne from 1886 to1923. As well as being a distinguished teacher and researcher, he contributed significantly to Australian scientific and public life, being instrumental in the establishment and governance of many important bodies including the CSIRO. Masson supported Antarctic research for 25 years, beginning with Douglas Mawson?s expedition of 1911. Born in England and receiving an MA, BSc and DSc from the University of Edinburgh, he was a gifted, elegant and disciplined lecturer and a researcher of substance. His research work included the theory of solutions, from which emerged the term ?critical solution temperature?; the periodic classification of the elements; and the velocity of migration of ions in solutions. Much of his research was done in collaboration with talented students such as David Rivett and his own son Irvine Masson. Masson was knighted in 1923. He is commemorated by the Masson Theatre and Masson Road at the University of Melbourne; a mountain range and island in Antarctica; a portrait painting by William McInnes in the foyer of the School of Chemistry; the Masson lectureship from the Australian National Research Council; and the Masson memorial scholarship from the Royal Australian Chemical Institute.Wooden containers (formers)

An aid for learning the points of the compass. A circular aluminium plate mounted on a wooden base and embossed with 16 raised lines radiating from the center. 16 small plates each brailled with a different compass direction are provided. The set is accompanied by an instruction sheet. 1 silver aluminium plate on a larger black wooden circle with 16 metal spikes around edge housed in a cardboard box and 16 rectangular aluminum plates.assistive devices, orientation and mobility

To honour 15 years of service, a gold coloured medallion inset to a wooden column was awarded to individuals. On the front is a cameo of a woman wearing a pendant and an old fashioned ruffled blouse. Around the outside is written 'Association for the Blind Ltd. Tilly Aston Medal' and below this '15 Year Honorary Service'. On the back of some awards is a printed panel: 'Tilly Aston, at the age of 21 years and herself blind, founded the Association for the Blind in 1895. Visionary, administrator, teacher and poet, Miss Aston brought together sighted and blind people in a partnership of action to improve the lives of blind people. This award recognises the continuing accord and tradition of friendship and selfless service which she initiated.'1 blonde wooden stand with gold tone inlaid medallionJohn O. Wicking, Presented 17.9.93 Mardi McCann 18.5.2000 Neil Maxwell 27.02.98 Elizabeth Maxwell Presented 16.10.92association for the blind, awards, john wicking, mardi mccann, neil maxwell, elizabeth maxwell

This wooden condom former has no defined manufacture date and was used in the production of rubber condoms in Melbourne by the rubber goods manufacturer Ansell. Wooden formers of this type were used from 1905 till 1945. The condom former would be dipped tip first into liquid rubber and the covering left to dry, and then the resulting condom packaged and sold. This object was acquired by the Richmond and Burnley Historical Society in the 1970’s on the closing of the Ansell factory located on River St, Richmond. This object has historical significance at a national level, as it is associated with the use and manufacture of sexual health devices within the broader Australian context. It also holds local historical significance as a marker of local manufacturing and industry in Victoria. Alongside these points it is also a large part of the story that surrounds the creation of Ansell Industries as we know them in a modern context. Wooden condom former/ mold. Frame consists of 11 individual upright moulds. Used by the Ansell Rubber Co. Pty Ltd in the production of condoms. Obtained in 1970's from an old factory site occupied by Ansell. None visibleansell, condom machinery, richmond industry, moulds, rubber products, sexual health, contraception, condom

This fairly substantial wooden desk with vinyl top was issued to Wilson’s Promontory Lightstation by the Department of Public Works in the 1960’s. Primarily the desk was used for correspondence purposes, and now has the Bureau of Meteorology computer stationed on it. Although the design and make of this desk is common to many lightstations across Victoria, it is a good example of the kind of furniture that was provided to Victorian lightstations in the 1960’s. The solidly constructed desk was used in the lightstation office. It is made of honeycoloured hardwood and has a green vinyl top and three drawers on the left side. The style suggests that it may date to the 1960s. Gabo Island Lightstation has two identical desks, and all were probably standard issue from the Commonwealth Lighthouse Service or Public Works Office. Another twentieth century vinyl topped desk at Gabo is manufactured with a steel frame. Cape Nelson, Cape Schanck, Point Hicks and Gabo Island retain nineteenth century cedar desks. The desk at Wilsons Promontory has second level significance as a good example of the style of office furnishing provided to lightstations in the 1960s.Wooden desk with square legs and green vinyl top. It has three drawers with wooden handles on the left . The top drawer has a keyhole.

Chinese market-gardener’s watering-cans on a wooden yoke. This item was authenticated by the Bendigo Historical Society, and is said to be quite rare. It consists of two large galvanized watering-cans each with a pouring spout, suspended by chains from a well-used wooden yoke. The cans would each have been filled with water, then carried a distance into the market garden and used to water crops. The cans and yoke alone are very heavy, one can only imagine how heavy they were when filled with water.As profits from the gold-fields petered out the Chinese immigrants, (nearly all single men), were forced to seek other occupations. Many moved into furniture building in the East Melbourne area, whilst others went into market gardening . A significant number of Chinese men, realising the potential of the sandy, fertile soil, with a good supply of water, in the Shire of Moorabbin, leased tracts of land in that area to establish a market garden and grow produce for the increasing population of MelbourneAfter the Dendy Special Survey in1841in Brighton, Victoria, the first sale of Crown Land, taking in the whole Shire of Moorabbin, occurred in 1852. These allotments of land were eagerly bought up - some by speculators - although many were either worked by the owner, or leased out as market gardens and "fruit gardens", (orchards). Chinese market-gardener’s watering-cans suspended by chains on a wooden yoke. This item was authenticated by the Bendigo Historical Society, and is said to be quite rare. It consists of two large galvanized watering-cans each with a pouring spout, suspended by chains from a well-used wooden yokebrighton, gardeners, bentleigh, orchards, vegetables, dendy henry, market gardens, chinese settlers, pioneers moorabbin, water wells, creeks

A cabinet scraper (sometimes called a ‘card scraper’) is a woodworking tool used for shaping and finishing furniture. The name ‘cabinet’ is used because scrapers are versatile and important tools for cabinet makers to provide a smooth surface to a finished cabinet. The body and the cutting edges of most cabinet scrapers are formed from a single piece of material. The blades are created on each edge of the body. Also, a scraper can have adjustable blades and a wooden handle these are two-handled cabinet scrapers. Cabinet scrapers are used manually to scrape small amounts of material from the surface of the wood to smooth it, shape it, or remove an old finish such as varnish from its surface. They are commonly used on furniture and musical instruments such as guitars and violins. The tools can be used on hardwood or softwood but when using a cabinet scraper on any wood, you should generally work along the grain.A tool used to finish timber to give a smooth finish and a important tool for a cabinet maker that has been in use for many hundreds of years in different design formsBox scraper adjustable with long wooden handle.Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, box scraper, scraper, woodwork tool, cabinet scraper, furniture finishing

The Forests Commission developed the use of helicopters for aerial ignition from the mid 1960s. Bryant and May at Richmond worked with the Commission to develop a Delayed Action Incendiary Device. DAIDs as the were known, had an overall length of 180 mm, striker end length - 10 mm. Ignition end length - 80 mm, then a layer of high melting point wax (to prevent accidental ignition when rubbing together in transit). Both ends coated with a modified match head compound with safety fuse exposed length between coated match ends. There was a 17-second delay from when the small end was struck to an intense flaming of the large end, which lasted for 40 seconds. Other types on large matches known as fusees were also used. DAIDs and Fusees were dangerous so were transported in this wooden box lined with foam cushioning. Wooden safety box lined with foam cushion Fuseesbushfire, forests commission victoria (fcv)

Wattle and Daub home of Morgan family at Dadswell's Bridge. The house is surrounded by Bee hives with wooden palings in foreground, mountains in the background. The two gentlemen in the photograph are David Morris Morgan Jn on the left and John Richard Morgan on the right. David Morris Morgan came to Australia in September 1857.Black & white photograph of a scene featuring a simple Wattle and Daub dwelling. In a bush setting, mountains in background. Bee hives and wooden palings in foreground.Morgan House between Dadswell's Bridge & Rose's Gap Donation - Maurie Robson Left David Morris Morgan Jnr. Right John Richard Morganstawell

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Wooden, folding, foot measure/ruler with brass clasps.bootmaking tools, measures, rulers

Wooden crosses were installed in the grass verge of the Shrine in 1995 to mark the 50th anniversary of the end of World War II. It was called the Field of Remembrance. These photos show some of the crosses, and with The Shrine in the background. The Field of Remembrance was publicised in editions of the Answer and featured on the cover of the October 1995 edition. The field of crosses was part of "Australia Remembers 1945 -1995". Crosses were available without charge (but by donation) at kiosk near the Shrine and names and unit numbers could be added and the cross placed in the Shrine grounds. The crosses were later gathered and burnt with the ashes being scattered on 11th November 1995. In the April 1997 edition of The Answer a poem was published that was written about the crosses. Patricia Fanke was awarded first prize in the Poetry section, Writing and Art Program run by the Department of Veterans' Affairs in September 1996.The 50th Anniversary of the end of World War II was a significant milestone marked in many ways by Legacy and the wider community.Colour photo x 3 of wooden crosses at The Shrine.Printed on the back "shrine of remembrance, answer

To commemorate the contribution of Mr MacLennan, this tablet was commissioned and on display in the foyer of the Braille Library in Commercial Road. It consists of a wooden frame, with a copper inset of Scottish thistles (to the left and right) and gum leaves and nuts (above and below) surrounding a sepia photograph of Mr MacLennan. A blue glass plate below the photograph reads "The social, friendly, honest man/ What e'ver he be/ 'Tis he fulfils great / Nature's plan / And none but he. Burns". To the left and right of this are accompanying blue glass plates with interwoven lines. At the base of the tablet is another blue glass plate: "To perpetuate the memory of the late/ William Hector MacLennan/ Who died on Sept. 18th 1929/ He was one of the founders of this Association/ and President of the Social Committee from its inception/ 1894-1929". Brown wooden memorial tablet with inset of copper and photograph victorian association of braille writers, william hector maclennan

This mounted chart, dated 21 August 1971 is under glass in a wooden frame and covers Bass Strait between Cape Otway and Gabo Island, showing southern and eastern Victoria and the whole of Tasmania. The frame was possibly handmade locally. The charts are specific to the Gabo Island Lightstation and have second level contributory significance for their historic value and provenance to the lightstation.Blue / grey & white nautical chart of Cape Otway to Gabo Island . It is under glass and in a white painted wooden frame. The frame has three holes at the top left and the base.Top left-hand," AUS 422 DEPTHS IN FATHOMS......."

This wooden board has two differently designed sides: one with four strips running the length of the board and the other with seven strips of wood running across the width of the board. These strips and various ridges around the edge and in the 'lanes' assist players as they play card games. The attached booklets describe the sides as Squares (4 strips) or Streets (7 strips), which could be used to play a variety of card games described. On the Squares side: Carpet, Count Nogo, Frames and Poker Patience and on the Streets side: Triangles and Henley could be played in addition to the traditional game of Patience. The board was designed to be used with a distinct sized card (RNIB no. 9087) that could fit between the strips. Wooden board with card dividers with accompanying printed and braille booklet. recreation equipment, games

A courting chain was carved by a man and given to the girl he was courting. This was a common European practice in the past, with Welsh courting chains surviving from the 17th century, though the practice may have gone back even further than that. The chain indicated that man was a capable artisan and was occupying his hands in a healthy way, particularly when the lady was present. The many types of loops and chains carved all had symbolic meanings. The cage with the wooden balls inside was said to indicate the desire of the man for children and the number he would like. The symbolism of the arm and hand with the two digits touching is not known. This courting chain has no known local provenance but it is an interesting object as an example of the customs of the past. It will be useful for displays. This is a wooden carved courting chain. One end is in the shape of an arm and hand with the thumb and first finger touching at the tips. Then there are three chains linked to the arm with a peg inserted into another loop at the end. Next, joined to this, is another loop attached to a wooden cage which has two wooden balls inside. The chain is finished with a carved turret structure at the end. courting chains, history of warrnambool

Black with gold writing. Arm: " W--heim". Badge: "Wertheim Francfort" With wooden basesewing machine, hand crank, wertheim

German Mauser bayonet from WW1 and WW2. Grips are made of walnut. Metal scabbard.Matching numbers of bayonet and scabbard S238G and 5616B. Swastika hand engraved into wooden handle.