W. Williams Saddlery, first shop established c. 1876 near Cricket Club Hotel, High St CharltonCopy from 1891 Lithograph. Sepia tones. W. Williams Saddle Collar & Harness Maker. Three men in front of shop; one holding a horse, two in aprons. Text at bottom of picture reads "W. Williams, Saddle & Harness Maker, High Street"Rider & Mincer Lithosw. williams, saddlery, lithograph, charlton

50th Anniversary of WWII. Photos and brief captions of enlisted, voluntary and social occupations of women during WWII.Two pages, back to back, from a magazine with black and white images of former magazine covers, black and white photos, captions and text. Most images and photographs depict women and men in uniforms or working clothes from WWII. Part of a four page article.wwii, world war 2, world war two, wwll, women's roles, women, australian women's weekly

Sepia photograph showing the SS Despatch sinking outside the piers. Shows three row boats with three or four men standing in each boat and a glimpse of the hull of the Despatch just showing the name. Actual picture in oval shape on card. Lakes Entrance VictoriaLast sight of the Dispatch Cunningham Sept 22nd 1911shipwrecks, ocean rescue

Black and white photograph of five men Doug Winch Master of April Hamer, Peter Clark and Denis Shepherd fishermen, David Jones CEO Gippsland Ports and Rod Thomas Manager of Gippsland Ports at inaurgural meeting of Gippsland Ports Lakes Entrance Victoriaboats and boating, gippsland ports, port authority

Sepia photograph showing the SS Despatch sinking outside the piers. Shows three row boats with three or four men standing in each boat and a glimpse of the hull of the Despatch just showing the name. Actual picture in oval shape on card. Lakes Entrance VictoriaLast sight of the Dispatch Cunningham Sept 22nd 1911shipwrecks, ocean rescue

Harry Holmes and his battalion friends photographed aspects of their time on the Suez Canal, Egypt. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) This photograph is significant because it was taken by a soldier (rather than an official war artist) and shows one of the day to day activities experienced by Australian Soldiers in Egypt during World War One.1) Four Australian soldiers during World War One in Egypt .2) Soldiers watch while two men 'fight' on a greasy pole during World War One .3) Australian soldiers stand at the grave of a German Officer at the Suez Canal, Egypt.2) Verso - "greasy Pole Fight" .3) verso: - Snap taken at grave of German officer killed in the first tussel (sic) with Turk at the Canalchatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, egypt, cam williamson, greasy pole, ship, vessel, burial

Members of the Raftopoulos (Bourlotos) family are pictured in a rowing boat on the bay in Kioni Ithaca. Yianni Raftopoulos is rowing and seated closest to him is his wife Diamando (Manto). Seated at the front of the boat is Panoyiannis Raftopoulos. This photo would have been before Panoyiannis migrated to Australia in 1937. Peter was elected Secretary of the IPS only about a year after he came to Melbourne. A black and white photograph of two men and ladies seated towards the stern of a rowing boat near a small port in Ithaca. There are some houses along the shore line. The group are well dressed which seems to indicate that they may have been heading to a celebratory event.

This display case stood in the foyer of the Fletcher Jones shop in Flaxman Street, Warrnambool which was in the factory complex. The fleece came from the property of Jim Wilson of Camperdown . It is from a merino flock bred from original flock dating back to the time of John MacArthur, founder of the Australian wool industry. David Fletcher Jones, ( 1895 -1977) established his men's clothing shop in Warrnambool in the 1920s and from this grew an Australia wide company Fletcher Jones and Staff which was famous for its men's wear and later women's clothing. By 2011 the Warrnambool factory was closed and the company dissolved.This item is of particular interest as it came from a Fletcher Jones shop. Fletcher Jones factory and shop were part of a major industry in Warrnambool's history. As the notice in the display case says the fleece "represents living evidence of a mile stone in Australia's laudable history of fine wool growing"This is a large glass display case, mounted on a wooden base. It contains a sheep fleece and a framed notice containing typed information.fletcher jones clothing company, merino wool growing in australia

This trophy was awarded in 1934 to the Congregational Men’s Institute (C.M.I.), a men’s group attached to the Congregational Church at that time. A Congregational Church was opened in Liebig Street, Warrnambool in 1864 and a new church was opened in Henna Street in 1940. In 1979 this church was sold to the Salvation Army following the merging of the Congregational and Methodist Churches, re-forming as the Uniting Church. It is assumed that “W.C.A.’ refers to the Warrnambool Cricket Association. Cricket has been a dominant and popular sport in Warrnambool since the days of the first settlement of the town. Today the Warrnambool and District Cricket Association encompasses 13 clubs operating in three divisions. This cup is of interest, being one of the trophies won in the 1930s by the Congregational Men’s Institute, a leading men’s church group in Warrnambool at the time. This is a silver cup with a long thin stem attached to a silver and bakelite base. The cup has two handles. There is an inscription on one side of the base. The silver is in good condition with only slight tarnishing. ‘W.C.A. Premiers B Grade 1933-4 Won by C.M.I.’congregational men’s institute, warrnambool, warrnambool cricket association

Photo of the installation of an electric arc type street lamp in Lydiard St North, near the Provincial Hotel Ballarat. The tower wagon is drawn by a single horse. Two boys standing alongside while two men are on the top of the wagon, a man on the top of the ladder is positioning a lifting beam while two men on the ground hold the rope for this beam. On the side of the wagon is possibly an extension that could be lifted onto the top of the tower itself to give a greater working height. The buildings between Mair St and the railway station on the west side of Lydiard St North remain in position. Yields information about the methodology of the late 1890's to install street lighting in BallaratDigital print of a Positioning street lights Lydiard St North Ballarat late 1890sarc lamps, ballarat, lydiard st north, electric lighting, tower wagons, horses, workmen, street lights

A foundation day speech in 2002 by Past President, Legatee George Woodward. Instead of looking at the history of Legacy from a timeline perspective he chose to look at old Bulletin articles and comment on aspects of what he read. He mentions they provided a sense of belonging, of fun, sadness, enthusiasm, and activity. It gave him a different view of the founding legatees, other than as ageing old men, they were young men full of energy and enthusiasm. There were notices of marriages and children, leave taken for honeymoons etc. 'I received a terrific sense of family in reading through these early Bulletins'.A speech given at a Legacy function to commemorate the day on which Legacy was founded that has information about the early years of Legacy.White A4 paper x 5 pages with black print of 2002 speech by George Woodwardfoundation day, george woodward

Australian First World War recruitment poster. This poster was part of the First World War Australian Government Recruiting Kit. Recruitment posters were prolific in Australia throughout the First World War. Australia relied solely on voluntary recruits to serve in the AIF. Compulsory military service, or conscription, for eligible men was in force in Australia from 1911, however, these forces were for home defence and could not be used to serve in a war overseas. Following the initial rush of men to recruit in 1914, enrolments dropped, leaving federal and state governments to devise sophisticated campaigns to boost numbers.Norman Lindsay (1879-1969) was a painter, draughtsman, illustrator, cartoonist, printmaker, writer and sculptor. He joined the Sydney 'Bulletin' magazine as a staff artist, 1901-09, 1910-23 and 1932-58. During the First World War he produced jingoistic cartoons and pro-conscription posters. The is one of the series of six posters by Lindsay constituting the last nation-wide Australian recruiting campaign. A coloured poster of soldier sounding his bugle for assistance on the front line while civilians listen in the background.recruitment poster, norman lindsay, ww1

J. Miners was a cash draper and outfitter in Koroit Street , succeeding Thomas Nayler. The shop sold millinery in the "Elite Millinery' department . The known date for this business is 1907. The delivery docket tells us that delivery costs were covered for an item costing over one pound. .These labels are of some significance as little is known about this store..1, White rectangular label on adhesive paper with white and dark blue text and space for writing. Some of the text is contained in the borders. It is damaged. .2 Identical to .1 but undamaged .3 Identical to .1 and stained .4 Identical to .1 but undamaged and stained .5 Identical to .4. .6 Identical to .1 .7 Identical to .1 .8 Identical to .1 .9 Identical to .2 .10 Cream rectangular folded card with gold coloured text and a decorative border of leaves. .1,.2,.3,.4,.5,.6,.7,.8,.9.. From J. Miners KOROIT STREET DRAPER, WARRNAMBOOL ELITE MILLINERY. MEN'S CLOTHING. BOOTS AND SHOES Carriage Paid on all Parcels from ( one pound ) upwards. .10 Elite Millinery MODES DE PARIS No.........j miners, draper

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Playing cards featuring Onkaparinga sales mottos and picturesOnkaparinga Pure Wool Blankets/Australia’s Best/Rugs, Blankets, Piece Goods, Men’s and Boy’s Clothing/Made from Pure Wool In White Pink Blue Green And Primrose/The Home Of The Famous Onkaparinga Pure Wool Products/White And Coloured Blankets Give Individuality And Charm/Made In Australiablanket fever, wool, playing cards, advertisements, onkaparinga

Collected on a visit to Rabaul to visit Alec and Denise Kinnane.Yellowing paper with green print.Written in pidgin English. Pidgin News Supplement to the Times Courier, Wednesday, January 18, 1961. PISIN NIUSPEPA BILONG OL MAN = Pidgin Newspaper belonging to the old man FOA MAN I KALABUS LONG PAIT LONG BUNG = Four men in gaol after the fight at the market. pidgin english; language; papua; new guinea; newspaper; the new guinea times courier

Yields information about the nature of a visit to Ballarat by Melbourne pressmen and the buildings in the background at the time. Also shows the dress of the visitors at the time. Various sources - ex photo held by the Ballarat Historical Society. Also shows the condition of the trams at the time.Black and white print of a photograph of two crowded horse trams in Lydiard St North. Ballarat, titled "Visit of Melbourne Pressmen 1900". Has Morris Manufacturing Company building in the background. Both horse trams, No.9 nearest to camera, have "Havelock" Tobacco roof advertisements. Behind the trams is Irwin's Provincial Hotel, when it was a timber structure. Print made from a copy negative held in the Ballarat Historical Society collection???? 2nd copy added 8/11/2005 from BTM collection of photos in mess room. 2785.1 - as above, but photographed from an album - shows the full length of horse tram No. 9 and has number TR4 in bottom right hand corner. 2785.2 - as above but cropped on sides - cropped out rear of horse tram 9. 2785.1 & .2 added 12/7/2009, ex William F Scott. See Email from Max Harris 12/8/042785.1 - top on rear in ink - "Ballarat Visit of Press men , 1900 Sydney Harvey photo". 2785.2 - in ink on rear "18a)", "Visit from Melbourne Press 1900, opposite Ballarat Railway Station". In bottom right hand corner "Sydney Harvey" and "William F Scott" address label.tramways, trams, horse trams, melbourne pressmen, ballarat, tram 9

Taken in Beechworth 1869, this photograph depicts the Council Chambers on Ford Street. This phtograph was taken by James E. Bray who was well known for being one of four men to photograph the Kelly gang after the siege of Glenrowan. Black and white rectangular photograph mounted on card.Obverse: NO INSCRIPTION Reverse: BMM2969 / 23 / 76-1 / Taken 1869 / Showing Council Chambers / Built 1860 / burke museum, ford street, council chambers, beechworth historic precinct, tree guards, james e. bray

Photograph 1 shows 5 men (linesmen) on lunch break. (L-R) Stan Hassett, unknown, possibly Charlie Barnett, Jock Petrie, unknown. Photos 2 and 3 show the crew erecting power poles.These photos are significant as they show some Greensborough men at work, and the method of erecting power poles before heavy machinery was used.3 black and white photographs. Subject is electrical linesmen and the erection of electricity poles.sec, linesmen, power poles, state electricity commission, stan hassett, charlie barnett, jock petrie

The women at Mt Beauty played an important part in the life of the construction town especially as it began from scratch without any facilities or infrastructure. Also the men were working long hours and on site, away from home.Mount Beauty was a construction town with all facilities having to be built and managed.Booklet of 3 pages with black plastic spine and black back cover. The title is written on the frontInside stuck on the first page is a green tag on which is written 'Mrs Phyllis Sutton did not move into Mt Beauty until 1956.'mount beauty women, construction town

The detailed history of the Australian Independent Commando Companies.‘This Padre is able to tell of some exciting experiences that he encountered with the men as the sharp end troops with Sixth, Seventh and Ninth Divisions of 2nd A.I.F.’ Includes Roll of Honour Hard Cover with Dust Jacket – 309 pagesworld war ii, australian commando, independent companies, special forces

Cufflinks were worn to fasten the sleeves of dress shirts worn as part of the formal suit for men in City of Moorabbin c 1960. These cufflinks are typical of the fashion c1960 and are stored in a brown velvet spring lock hinged box These Cufflinks are typical of the fashion worn with formal wear by men in City of Moorabbin c1960 2 pair of Cufflinks in a brown velvet spring loaded hinged box. a) pewter b) silver gold with glass a) Jorge Jenson / Danish Pewter clothing, formal wear, dress shirt, tuxedo, waistcoat, drees scarf, cufflinks, bow ties maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

pin given to air men who had survived jumping out of aeroplanes during the war on a parachute. The parachutes were produced by the Caterpillar company and symbolically acknowledged the survivors. This particular pin was given to sergeant Jan Artymiukwar time memorabilia and remanents of war veterans experiencessmall gold coloured caterpillarmil'itaria, caterpillar club, jan artymiuk, air force

Invitation to a dance presented by the St Kilda Red Cross Emergency Service "A" Company, held at the 14 Ft Sailing Club on 13 May 1944. Men in Uniform were admitted free and the music was provided by Hood's Orchestra.White card, discoloured with age, printed in blackHandwritten date of the event: 13th May 1944st kilda red cross, wwii fund-raising, 14 ft sailing club, hood's orchestra

The sketch was drawn by artist Hans von Gruenewaldt. The sketch depicts Peter Mueller acting in the role of Custodian Krach in Hosterhaus, a play put on in camp 13. Both men were POW's in Camp 13 during WW2. Colour photograph copy of a sketch (on foam backing) of a red haired man wearing a white jacket which has double lines running down and a single line across. He has a red scarf tied around his neck and a red vest with 6 buttons. He has his thumbs in his armholes and fist closed. Trousers are white with black stripes running vertically. Standing behind a corner shaped wooden divider with 6 uprights. A black top hat on his head.hans von gruenewaldt, camp 13 artists, camp 13 internees, peter mueller

The Lake Bolac Memorial Hall was built in 1922 in memory of the local men who served in the First World War. The original hall was relocated from its site in Montgomery Street to form the supper room of the new hall. black and white photographlake bolac, memorial hall, wwi, first world war, great war, 1922

The photograph was probably taken c. 1930, around the time of the Home's first birthday. The money for the property at 12 Copelen Street, South Yarra, was largely raised by the Young Men's section of the Methodist Church's Laymen's Missionary Movement. B & W photograph methodist babies' home, laymen's missionary movement, copelen street

Note by T.H. Kneen 5 February 1992, "Note caps worn by the young men and the sharpening tools (whetstones) in carrier on hips of the operators." and on 26 February 1992, "Location is probably in the east orchard looking in the direction of Hawthorn." Black and white photograph. 2 male students using scythes cutting wheat ? in the East Orchard.wheat, sharpening tools, whetstones, students working outside, east orchard, caps

Raitts & Willoughby family picnic in the Grampians c 1890. The photo is in a bush setting showing 4 women and 5 children around a picnic on the ground. Five men are standing around the horse carriage with one sitting on the carriage. Sepia photograph of a picnic scene in a bush settings in the Grampians in 1980. The photo show 3 grey horses and a 4 wheel vehicle with 15 people at the picnic, 6 males, 4 females and 5 children. A enlarged photo copy is also included in the file."Grampians 1890" on the front. "Raitts & Willoughby's" on the back of the photo.stawell

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This knitting book was given away with the English magazine, "Housewife" and contains knitting patterns for mens, womens and childrens garments.HOUSE / wife / BOOK OF INSTRUCTIONS / KNITTING FOR / THE FAMILY / 25 EXCLUSIVE DESIGNS FOR YOU / YOUR HUSBAND AND THE CHILDREN / PRESENTED WITH THE OCTOBER ISSUE OF HOUSEWIFEknitting handicrafts - history, housewife, knitting, handicrafts - history