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Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club:Marcus and the dunny at 63 Station Street, showing his vest with hand embroidered graffiti motifs as often painted by him on local surfaces.celebrations fetes and exhibitions, built environment, maree menzel, marcus davidson -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: wedding party and musicians assembling in the reservecelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree MENZEL & Marcus DAVIDSON, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree MENZEL and Marcus DAVIDSON, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: procession in Donaldson Streetcelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson, station street, port melbourne yacht club -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: procession in Beach Street, Swallow & Ariell, Sandridge Hotel and former cable tram depot in viewcelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson, amelia finch -
Mission to Seafarers Victoria
Booklet - Booklet, Recipes, The Rogue Academy, Food for Conversation-The Rogue Academy, 2017
From the Rogue Academy website: Over the last 100 years, volunteering has been the mainstay of the Mission To Seafarers. We were invited to create an artwork for the MTS centennial celebration, which was held in September 2107 In highlighting the essential nature of volunteering to the organisation, we further explored the richness and vitality of the MTS volunteer community by gathering information about the volunteer. We initiated conversations that sought individual stories, their role within the organisation and heir feelings, opinions and ideas about the generous act of giving time. This information was being used to create further artworks in the leadup to the September that highlight the impact and importance of your role at the Mission and the changes in these roles after the introduction of shipping containers. Food for Conversation recipe booklets which show old recipes that may have been served by the famous Ladies Harbour Lights Guild at their many functions, sea shanty evenings and volunteer BBQs accompanied the main even – a diiner at the exhibiion.The Rogue Academy is a social and participatory agency run by artists Amanda Shone and Fiona Lee that is working with the Mission’s volunteers to rethink the capacity of volunteering as a form of social engagement and unpaid labour in the 21st century. For Opening Night, they will host a casual dinner for Mission volunteers and their families, offering a hearty meal that would be the envy of the Ladies of the Harbour Lights Guild. As seats become available seafarers and members of the public will be invited to join in the conversation, and adding to the atmosphere will be three seafaring knotters.PerformanceSmall blue booklet with the Flying Angel logo in cover.mission to seafarers, 2017, 100th anniversary, sounding histories, the rogue academy, food for conversation, lhlg, ladies harbour lights guild, recipes, centenary, flinders street, cameron bishop, anne wilson, maree clarke, artworks, deakin university, fiona lee, amanda shone, dinner, volunteers, michael needham, catherine bell, bishop and reis, michael graeve, anne scott wilson, performance, installation, community, cultural events -
Tatura Irrigation & Wartime Camps Museum
Folder - autobiography, Eric Eckstein, 17 October 1989
Eric Eckstein - his story as told to a Tatura Historical Society meeting. A noted speaker Eric and Mrs Eckstein were invited and accepted to be our guest speaker. Co incidentally a member of our Society remembered the name and wandered if it was the same bloke. It was. Eric having taken the opportunity of the learned men among the Dunera people, furthered his education and qualified as a secondary teacher. Numurkah was one high school to which he was posted. It was a memorable and enlightening evening.7 page printout in a plastic folder, transparent front cover with a red flap left hand side extended to the back with inscription below. Top right hand corner and along left side.Top right hand corner "Erick Eckstein. One of the Dunera Boys - as told to the Tatura Historical Society 17 October 1989. Left hand margin: "Erick Eckstein Recollections of his internment and Dunera experience" Tatura 1989erick eckstein, dunera, dunera boy -
Bialik College
Article, "Bialik College", The News, 14 March 1969, 1969
Newspaper article regarding the opening ceremony of the 'Samuel and Margaret Wynn House' at the Shakespeare Grove campus, possibly published in The Jewish News, 14 March 1969. "Bialik College, the community is invited to the Official Opening of the Samuel and Margaret Wynn House. A new, ultra-modern buidling consisting of four classrooms and facilities, on Sunday, March 23, at 11a.m. In the College grounds, 6 Shakespeare Grove, Hawthorn. The opening ceremony will be performed by Mr. Sam Wynn. No Appeal"shakespeare grove, major donors, celebration, fundraising -
Vision Australia
Administrative record - Text, Thirteenth Annual Report of the Association for the Advancement of the Blind 1908, 1908
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the growth of membership to 219, over 400 visits were made to people in their homes, all items designed for blind in England and have sold and a new order will be drawn up with members invited to add their items, the Correspondence Club continues to flourish with Brazil and Chile, via Esperanto, now involved and there are insufficient correspondents to keep up with demand from American writers.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Melbourne Legacy
Article - Latrobe Valley Express, Sir Stanley comes home, 2006
A bronze bust was erected in Morwell to honour Legacy Founder Sir Stanley Savige. It was unveiled on 31 August 2006 and Legatee Bill Rogers was invited to perform the unveiling. The article from the local newspaper says that "Legacy founder Sir Stanley Savige was finally immortalised in his birthplace, Morwell" with the unveiling of the bronze bust. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of an memorial to Legacy founder Stanley Savige in Morwell.Photocopy of a Latrobe Valley newspaper article about the unveiling of the Stan Savige memorial in Morwell in 2006.stan savige, statue, memorial -
Melbourne Legacy
Photograph - Junior legatee outing, Bowling
These photos show a gathering of Legacy's handicapped dependents outside Legacy House. Also an outing to a bowling alley. Every month Legacy's handicapped dependents were invited to go on outing for take part in recreational and educational activities. These programmes aimed to develop independence and thus lessen the need for reliance on others for simple routine functions. Once a year there is a two week camp this also gave the mothers some respite. The photos are from approximately early 1990s.A record of the type of activities Legacy provided for the handicapped dependents of the Legacy families.Black and white proof sheet of photos taken at a HDC outing at a bowling alley and a gathering outside Legacy House.junior legatee outing, hdc, bowling -
Melbourne Legacy
Photograph - Junior legatee outing, Bowling, 1994
This photo shows a few of Legacy's disabled dependents on an outing to a bowling alley. Every month Legacy's handicapped dependents were invited to go on outing for take part in recreational and educational activities. These programmes aimed to develop independence and thus lessen the need for reliance on others for simple routine functions. Once a year there is a two week camp this also gave the mothers some respite. The photos are from early 1994 as they were featured in the Answer newsletter in April 1994.A record of the type of activities Legacy provided for the handicapped dependents of the Legacy families. Names on a slip of paper have tried to identify the dependents. 'Russell Sister, Julie Kenny (?), David Mossof (?)'Black and white photo taken at a HDC outing at a bowling alley.junior legatee outing, bowling, answer, ddc, hdc -
Sunbury Family History and Heritage Society Inc.
Photograph, Rosa McCall, The Nook, 25th September 1997
The photograph of The Nook is one of a series of photographs that was included in an exhibition organised by the former Sunbury & District Heritage Association in March 2001 and displayed in the George Evans Museum. Local; people were invited to submit photographs for the exhibition. The Nook is a major recreational area in Sunbury and over the years out has been an areas where grazing and cereal growing was practised before it became the original town's swimming area before the Aquatic Centre was opened in Ligar Street in 1966.Jacksons Creek at The Nook was the site of the original Sunbury Swimming Club for 49 Years from 1917 to 1966, when the Aquatic Centre opened in Ligar StreetA non-digital coloured photograph of river with trees growing along the banks and open ground across the river flats.the nook, swimming, sunbury swimming club -
Robin Boyd Foundation
Functional object - Canister set
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of melamine kitchen canisters. They were used for flour, sugar, rice and biscuits etc. Both Robin and Patricia liked melamine, and also had melamine serving dishes. Seven melamine containers with coloured exteriors (ranging from white through yellowy-green, orange and black) with black interiors and teak lids. Height ranges from 100-200mm, width ranges from 110-170mm, Base measures 100-155mmcookware, walsh st kitchenware, robin boyd -
University of Melbourne, Burnley Campus Archives
Document - Forms, Competition, Plant Competition Forms
A batch of seven forms: five are headed "The Royal Horticultural Society", of these five, three were prepared for the Wisley Trials. Specifically they are: 1. Royal Horticultural Society - Wisley Trials - Dahlia 2. "" "" - Hardy Border Carnations 3. "" "" - Joint Sweet Pea Committee 4. (Also a detailed form concerning sweet pea plants) 5. The Royal Horticultural Society - Invited Vegetable Trail 6. (And a form for competition use on Cabbage, Savoy) 7. The Royal Horticultural Society - Flower Trial. Plant competition formsstudents, competitions, wisley trials, royal horticultural society, national dahlia society, burnley gardens, burnley gardens competitions -
Nillumbik Shire Council
Ceramics (bowl): Mary-Lou Pittard, Mary-Lou Pittard, Decorative Bowl, 1983
Mary-Lou began exhibiting in the mid 1980s and over the years has been involved in producing unique pieces as well as developing a large range of domestic ware. In 1984, six months after graduating from a Bachelor of Fine Arts at Phillip Institute of Technology, Mary-Lou was invited to present a solo exhibition at Devise Gallery in South Melbourne. This objective, she says, compelled her to find a studio and was an incentive to focus on developing her ceramic practice independently.Mary-Lou Pittard holds close ties to the Shire of Nillumbik - living and working within Eltham. Her Eltham North Mudbrick Studio employed 5 assistants until recently when Mary-Lou and partner Chris Pittard have scaled down operations. They now produce everything themselves and find that this enables them to focus on producing unique, sculptural ceramic works. Mary-Lou is currently exploring the fine qualities of porcelain and combining these with her ongoing passion for decorative colour and form. 'Decorative Bowl' is a wheel-thrown/moulded bowl, oblong in shape and has been manipulated by hand. Narrow sections have been incised from the main body, perhaps a practical design feature for air circulation, and the rim has been altered to form a jagged edge. Bold colourful shapes decorate the interior of the bowl. They have been applied directly to the bisque surface and subsequently covered with a transparent glaze which protects them and enhances their permanency.mary-lou pittard, ceramic, chris pittard, eltham, nillumbik -
Melbourne Legacy
Photograph, Anzac commemoration for students 1994, 1994
A Legacy ceremony at the Shrine of Remembrance. It was one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The photo shows a pair of students with a wreath at the Cenotaph. Usually two junior legatees are invited to lay the wreath at the cenotaph. They appear to be the same children in a photo used for a leaflet in 1995 (see 00558), which implies it is 1994.A record of a ceremony for school students at the Shrine.Colour photo of two students at the Cenotaph.Handwritten in black ink on the back E27.anzac commemoration for students, wreath laying ceremony -
Damascus College
Photograph, St Paul's Technical College Ballarat Official Opening
As early as 1941, it was recognised that the people of Ballarat needed a Catholic boys technical school. When the Bishop of Ballarat, James O'Collins, established St Paul's College in 1948, he invited the Christian Brothers to continue their work through the provision of technical education. When Brother Cooke, the first Principal, opened the doors to St. Paul's Technical College, Lydiard Street, in 1948 to 55 students the Catholic boys of Ballarat finally had a place to earn their Junior Technical Certificate prior to obtaining an apprenticeship.technical education, catholic education, ballarat -
Kew Historical Society Inc
Photograph - Rural landscape, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 17 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos preceding images of [Black] Spur, so the photographs may have been taken as part of that bushwalking trip. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This camera shot invites the viewer to access the landscape through the point-of-view of the man standing with his back to the camera at the edge of the road. The man holds leaves in his left hand [to deter insects], and has a knapsack on his back. The landscape in the distance includes both cleared land for farming and remnant vegetation. The oval framing device was used when Henry Christian developed the photo.Illegible ink inscription on pagehenry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria -
Whitehorse Historical Society Inc.
Photograph, Blackburn Bowling Club, 2012
First games played 1926. The Club was then situated in South Parade. Ladies were invited to join in 1927. The yearly fee was 1.10 sterling. In 1933 the green was officially opened by Robert Menzies. The clubhouse was finally completed in the late 1940's. By the 1960's membership had risen to the extent that a new site was needed. A site on the east side of Pakenham Street, south of the creek, was proposed but it was subject to flooding. In 1966, after the flooding of the creek was managed, the South Parade property was acquired and the new greens were ready by September 1966.Coloured photograph of the Blackburn Bowling Club, Pakenham Street Blackburn. Photograph shows rinks in front of the club house - 2012blackburn bowling club, sporting clubs, pakenham street, blackburn -
Mt Dandenong & District Historical Society Inc.
Photograph, Fernhem, c1916
Fernhem Guest House situated in The Crescent at Sassafras. It is now a private home. An advert in the 1910 'Hotel and Boarding House Guide' states that: FERNHEM - Is beautifully situated amongst fernery glades and gladsome nature's sights. The accommodation offered is exceptional and the Proprietress with the greatest pleasure strives to make her guests during their stay, whether brief or lengthy, as happy and comfortable as human skill will allow. TERMS 30 /- PER WEEK. Milk and cream from our own cows. Correspondence invited. Mrs. TUTT, "Fernhem" SASSAFRAS.B & W photograph from Rose Series postcard showing front view of Fernhem Guest House in sassafras. There are two men, a dog and a child in the foreground with a group of people on the verandah. A large tree is in the garden RHS.The Rose Series # 1475 "FERNHEM' SASSAFRAS VICTORIAsassafras, guest house, fernhem, tutt, the crescent -
Federation University Art Collection
Painting - Watercolour, [The Towel] by Neville Bunning
Neville Bunning taught Sculpture and Ceramics at the School of Mines and Industry, Ballarat between 1945 and 1964. During that time he formed the Ballarat Artist’s Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly art column in The Courier, where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour.art, artwork, neville bunning, bunning, watercolour, watercolor -
Federation University Art Collection
Oil on masonite, Storm over Merimbula - Pambula Beach by Neville Bunning
Neville Bunning taught Sculpture and Ceramics at the School of Mines and Industry, Ballarat between 1945 and 1964. During that time, he formed the Ballarat Artist’s Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly art column in The Courier, where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Federation University Art Collection
Oil on masonite, 'The Fantastic Ship' by Neville Bunning
Neville Bunning taught Sculpture and Ceramics at the School of Mines and Industry, Ballarat between 1945 and 1964. During that time he formed the Ballarat Artist’s Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly art column in The Courier, where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a sailing ship framed in a aluminium frame. art, artwork, neville bunning, ship, boat, sailing, sea -
Melbourne Legacy
Letter - Document, letter, 25/03/1986
This is a copy of a letter to Sir John Leahy in 1986 inviting him to speak at a Legacy luncheon, it was then used as a draft in 1990 for another invitation, this time to Senator Jocelyn Newman, Shadow Minister for Veterans Affairs. Note that women were now being invited to speak at Tuesday luncheons. Legatees met regularly and had guest speakers to entertain and inform on different subjects at their Tuesday Luncheons. This document was from a file of information about guest speakers (see also 00812-00822 and 00829-00837). The Programme Committee was responsible for organising the speakers. A record that the speakers at Legacy functions were from very different walks of life and the subjects spoken about were many and varied. This draft to Senator Jocelyn Newman shows that from 1990 women were invited to speak at Legacy Luncheons. Refer to item 00816 para 3 in regard to changing attitudes.Yellow A4 copy paper, carbon copy of a typed letter to Sir John Leahy, with handwritten pencil updates.Dated 25 March 1986, edits in pencil.speakers, programme committee -
The Beechworth Burke Museum
Photograph, 02/12/2005
This series of photos all depict Burke Museum curator Beryl Witkowski. The invitation was created in 2005, the other photographs seem to be throughout Beryl Witkowski's career, however it is not possible to determine exactly what date they are from. The photographs show Beryl in front of the main museum building, standing beside exhibits, receiving awards and holding antiques.This series of photographs are centred around the Burke Museum curator Beryl Witkowski. The collection consists of an invitation that features mid-2000s photo editing and numerous photographs of Beryl throughout her career. The invitation provides artistic/ aesthetic significance for its interesting photo editing technique, as photo editing was becoming increasingly popular during this time. Socially, the collection of photographs are significant to the community of Beechworth and to the Burke Museum. As a curator Beryl would have had significant influence over the running and display of the museum, therefore having photographic evidence is a way for the community to reminisce and connect.Some coloured and some black and white photographs printed on paper.7599.1 Obverse: You are invited to Beryl's Bash, 'for her sins, 30 year's at the Burke' 2 December, 7pm-10pm, 2005 at Robert O'Hara Burke Memorial Museum, RSVP to Burke Museum, 03 57 28 8067 / 7599 7599.1 Reverse: and Christmas Party at the Burke Memorial Museum on 2 December, 2005 7-10pm, RSVP to the Burke by 29th November / 7599 7599.2 Obverse: Library Burke / Burke Museum / Open 10am- 5pm 7599.2 Reverse: Burke Museum / Robert O'Hara Burke Memorial [Mus]eum / Exhibitions / Notices / 1856 7599.3 Obverse: Newsagent / Est. 1853 / (illegible) invitation, christmas party, staff party, burke museum, beechworth, beryl witkowski, 2000s, employees, curator, celebration, 2000s photo editing -
Federation University Historical Collection
Booklet - Annual Report 1878, The Ballarat Star, The School of Mines Ballaarat Annual Report, 31 January, 1878, 1878
The School of Mines Annual Report, 23 December, 1878, Statements of Receipts and Expenditure for 1877-78, General Balance Sheet, List of Subscriptions and Donations, Bequest - form of, Certificates granted by the Council, Donations of Books, Specimens, facilities for forwarding, Examiners, Extracts from Visitors Book, Fees - table of, General Balance Sheet, Honorary Correspondents, Laboratories - cost of, Lecturers, Life Governors, Museums, Officer-Bearers, Receipts and Expenditure 1878 - General, Balance Sheet 1878 - Pyrites Fund, Receipts and Expenditure 1878 - Endowment Fund, Subscriptions and Donations, Visitors invited to inspectWhite booklet of 36 pages - Ballarat School of Mines Annual Report 1878ballaratschool of mines, annual report, life governors, honorary correspondents, office bearers, subjects and lecturers, subjects and examiners, john noble wilson, j. noble wilson, r. f. hudson, fees, george perry, william henry barnard, w. hy. barnard, certificates, subscriptions and donations, denjn, h. dods, count de zaba, john garbutt, w. campbell sleigh, f. coglan, michael o'connor - bishop of ballaarat, william kelly, j. e. bromby, wm. f. drummond jervois, h. b. de la poer wall, charles h. pearson, redmond barry, charles e. albrecht,, william jervois, h. dodds -
Melbourne Legacy
Postcard - Document, postcard, 1992
A postcard to the Comradeship Committee when a Legatee was travelling in England. It is addressed to Mr T Walsh at Legacy. It is dated 12 June 1992. It says: Dear Terry and all. We've had 4 days ON Dartmoor, not IN Dartmoor. In view of our name, we keep a low profile so as not to be invited to stay!! Most of the Moor is a very beautiful place, especially around Widecombe-in-the-Moor! We're keeping well and should see you all in the middle of August. Give our kind regards to all our Legacy friends. Thanks, John and Nancy C.A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard of Dartmoor Prison.Printed "Dartmoor Prison, Princetown". 33p UK postage stamp. Handwritten text in blue pen.comradeship, legatee -
Surrey Hills Historical Society Collection
Photograph, Children at Tantallon, 49 York Street in the 1930s, 1930s
This was the home of John Inglis Lothian, father of Thomas Lothian of St Abbs 33 York Street, Mont Albert. John Inglis Lothian was a bookkeeper, who with his wife Lillias Charlotte, née Smith, arrived in Melbourne in July 1888, John having come to represent the publishing firm of Walter Scott. The children had been invited to a garden party where they entertained themselves making daisy chains. Left to right: Emily Broadfoot, David Dory, Betty Hopkinson; at back John Hopkinson; front right Jean Lothian.A black and white photograph of some children holding daisy chains they have made.tantallon, house names, york street, mont albert, (mr) john lothian, (mr) thomas lothian, (miss) emily broadfoot, (mr) david doery, (miss) betty hopkinson, (miss) joan hopkinson, (miss) jean lothian, john inglis lothian, thomas carlyle lothian -
Federation University Art Collection
Painting - Oil on board, Neville Bunning, Self Portrait (unfinished) by Neville Bunning, 1997
Neville Bunning taught Sculpture and ceramics at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A framed unfinished portrait by Neville Bunning, teacher of Ceramics at the Ballarat School of Mines. The portrait of the artists shows a camera around his neck, a ceramic pot in one hand, and some of Neville Bunnings paintings in the background.art, artwork, neville bunning, bunning, available -
Federation University Art Collection
Painting, Neville Bunning, 'The Buckjumper' by Neville Bunning
Neville Bunning taught Sculpture and ceramiCs at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting depicting a horse and rider.art, artwork, neville bunning, horse, bunning, available