This goblet was gifted to the Faculty by Professor John Norman (UK) during the Combined Scientific Meeting (CSM) organized by Hong Kong College of Anesthesiologists (HKCA) with ANZCA, held in May 2001, Hong Kong. The goblet is a unique design by the Australian - born artist Stuart Devlin AO, CMG. Devlin is considered to be a significant contemporary gold and silversmith, having become well known as a London Designer in the '70s and '80s. His achievements include the Royal Warrant of Appointment as Goldsmith and Jeweller to the Queen of England granted in 1982.Hand made gold gilded sterling silver goblet. The stem is designed in a rope like twist holding up a simple tempered cup. The hallmarks are punched on the outside of the cup.[hallmarks] SD / lion passant / lion's head / Sprofessor norman, john, combined scientific meeting, csm, devlin, stuart

Graphic Design / Multimedia: Daniel Buckingham, Dominic Carey, Claire Hards, Simon Hunt, Rose Kim, Glen McClay, Joshua McGregor, Luke Monssen, Stuart Murray, Kristian Pechotsch, Melissa Price, Michael Renga, Kristen Retallick, Claire Robson, Jarrod Rouhan, Leigh Ryan, Alana Smyth, Stuart Sullivan, Mary Rose Thomas, Peter Wallace. Multidiscipline: Marlene Broadbent, Gary Brogden, Marg Delahunty-Spencer, Nathan Donegan, Cameron Haldane, Natali Mirovski, Darren Newby, Kelly Roberts, Natasha Young Drawing: Kim Anderson, Vane Andonov, Rebecca Brown, Lucas Corbett, Kathryn Cudia, Jessica Jackson, Penelope Jenner, Michelle Trgovac Ceramics: Marty Foster, Perry Lane, Georgina Moon, Kristine Thomas, Paul Uren, Dawn Whitehand Painting: Esmene Beyzade, Christopher Geljon, Peta Jeffries, Sara Johnson, Mari-Martha Mago, Ricki Millar, Kate Peachey, Daniel Salmon, Sandra Williams Honours: Claire Blake, Wendy Bolger, Suzanne Close, Benjamin Cox, Kieran Denahy, Natasha Dusenjko, Judith Hughes, Paul Mears, Michael Shiell, Leigh Scholten, Janelle Vaughan, Fiona Woolley. Custom polypropylene case, printed single colour black. Eight single-sided pages printed black and yellow, bound top left with metal paper fastener. CD Rom included in pack, unprinted.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy, painting, ceramics, drawing, multidiscipline, honours

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Black and white photo looking down Centenary Bridge towards the London Family Hotel and Swallow and Ariell. Also commercial businesses to left of bridge C W Ward photo, 355 High St, Prahran, Melbournenatural environment - beaches and foreshore, centenary bridge, built environment - commercial, london family hotel, swallow & ariell ltd, built environment - industrial, hotels

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]British aircraft carrier, HMS Glory (inner east) and unknown freighter (inner west) at Station Pier. Military personnel and civilians on Centenary Bridge ramp with Gatehouse in centre view. c 1946-47 C W Ward photo, 355 High St, Prahran, Melbournetransport - shipping, piers and wharves - station pier, war - world war ii, centenary bridge, hms glory

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Image taken from Centenary Bridge showing HMS Glory at Station Pier (inner east), an unidentified freighter at (inner west) and another unidentified ship berthed at the west finger pier. C W Ward photo, 355 High St, Prahran, Melbournetransport - shipping, piers and wharves - station pier, war - world war ii, centenary bridge, hms glory, hms implacable, hms indefaticable

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

This photograph of Fortuna’s Hockey Team was taken at the Bendigo Regional Hockey Complex, Garden Gully, Ironbark, a suburb of Bendigo circa 1988 to 1990. It is possible this photo was most likely taken at an inter-area Army competition or alternatively, an inter-service or local Bendigo competition.This photograph of Fortuna’s Hockey Team was taken at the Bendigo Regional Hockey Complex, Garden Gully, Ironbark, a suburb of Bendigo circa 1988 to 1990. The photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. .1) - Photo, colour, c1988 to 1990. Back row L to R: Peter Imeson, Trevor Osborne, Andy Love, Peter Lefel, unidentified, Graeme Spong, Nadine Paul, Stuart Thaxter. Front row L to R: Nick Cowan, unidentified, John Reid, unidentified, Dick Crawford.No personnel are annotated.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

(1) "Entrance to Rainforest Garden from Rose Garden." (2) "The Native Garden." "Please return to Stuart Miller." The Robert Boyle Ponds. (3) View of Kath Deary Garden to James Hitchmough Grasslands. (4) Cultivating with tractor in Field Station." (5-12) Trialling native grasses in the Field Station. (13) Kath Deary Garden. (14-15, 17-19) James Hitchmough Grasslands, Native grasses. Planting of flowering herbs commenced 1992. (16) "Native Area 2005." James Hitchmough Grasslands native grasses. rainforest garden, rose garden, native garden, stuart miller, robert boyle pond, kath deary garden, james hitchmough grasslands, tractor, field station, native grasses

Black and white photograph of the recovery of the body of Horse Tram No. 1 at the Anderson St. Ballarat home of J. Leviston on Friday 13 December 1985. See also Ref. No. 734. Body yet to be loaded on the trailer. From inside a shed at the property. People in the photo from left to right: Richard Gilbert, J.Leviston, Stuart Loddington, Jacqui Edwards, Garry Wood (stooping) and Paul McDonald. High Res image added 20-8-2016. See Reg Item 7579 for other photos of the tram prior to recovery and 8338trams, tramways, horse tram no. 1, btps, tramcars, tram recovery , tram 1

Originally an SEC town built for workers on the Kiewa Hydro Electric Scheme. It became a tourist centre from the 1960s.Examples made to increase tourism with historical photos, historical items no longer used or sought after. Items such as these are a different way of advertising to on-line methods used today1. Coloured shiny poster with photos of mountains, river and fishing backed on to orange & white pattern. 2. Christmas card "Mt Bogong and Mr Beauty Township" on the back in gold Markdon Prints, Porpunkah ..."" 3. Plastic coloured trays x3 - Mt Beauty Vic. x2 and Mt Beauty Victoria (4 photos including Mt Bogong, Falls Creek x2, Kiewa Valley.) 4.Silver plated spoon "Mt Beauty Vic." 1. Printed bottom left hand corner "Mount Beauty, Victoria" 2.Centre front "The Seasons Greetings" with title written under painting also "From the painting by Marcus L. O'Donnell" 3. On the back of the tray with 4 photos - embossed "A Starlite Product ..." 4. Embossed on back of handle "Stuart / Silver plated"mt beauty tourism

GFS Australia began as a local branch of the Girls' Friendly Society founded in England in 1875 by Mary Townsend. This was an Anglican Church group which formed to give maids and female domestic staff spiritual guidance and social activities for their days off. The Society later also functioned in part as an employment agency. The first local Australian branch was formed in Adelaide in 1879, with branches being established in all states by 1901. Vera Constance Sophie Saunders (1897 -1967) was the daughter of Arthur Scott Saunders and Agnes Louise Stuart Morris. Her father was a storekeeper in Orbost.The Girls' Friendly Society was an early youth group and was associated with the Anglican Church and were a common way to attract children and teenagers to the congregation. The group is an example of the social importance of the churches in rural communities in the early 20th century.A folded card which is a senior candidate's card for membership of the Girls' Friendly Society. The card is white with blue print. On the front is the name of the member with details of the diocese and parish as well as the date of enrolment. At the top is the emblem of the Girls' Friendly Society.Vera Saunders written in cursive with red pen Orbost April 4 1912 St Jamessaunders-vera girls'-friendly-society anglican-church-orbost

Black and white photograph - Grade 1B, 1954"Attached to photograph" Back Row- L to R: ?, ?, Douglas Ford, Robert Neave, Allan (?), Jeffrey Williams, Bill Williams, Bill Slater, ?, Terry White, Robert (?), Stuart (?), ?. 2nd Row - L to R: Kaye Rutherford, Dorothy Hogarth, Lorraine McCubbin, Elaine Smalley, Yvonne (?Hendry, Judy Mitchell, Pamela Cupples, Sophia Poulianakis, Carole Bryan, Wendy Connelly, Dawn Lilywhite, Jan Spencer. 3rd Row - L to R: Dawn Hambly, ?, Suzanne Edwards, Marion (?), Jill Oliver, ?, Jillian Beatttie, Glenda Orr, Patricia Elleck, Jenny Thompson, Judi Caughey, Barbara (?). Front Row - L to R: Neil Clutterbuck, Chris Bannan, Russell (?), Barry Rose, Stuart (?). Teacher:

Grade 2/3V 1996 Top Row: (L to R) Chris McDermott, Stuart Campbell, Phillip Rouse, Linda Ouk, Robert Kazenwadel, Anthony Baker, Sharon Legg, Aleesha Ashdown, Jacinta Price, Jan Kempton. 2nd Row: Mitchell James, David Newman, Janelle Hausser, Sarah Jesudhason, Mrs. Jenny Vincent, Brenda Chamrouen, Sophanna Sophea, Benjamin Sengsouvanh, Karl Vita. 1st Row: John Roberts, Steven Taualii, Jessica Clark, Aaron Oldfield, Claire Leigh. Absent: James Gussman. Teacher: Jennifer Vincent. Principal: Mr. Geoff Buzaglo.

Yields information about the construction of the Trackwork on the depot fan and some of the people who undertook the work.Black and White copy photograph of a newspaper photograph taken by The Courier of Trackwork on BTPS depot fan (left-right) Bill Kingsley, Noel Forster, Gavin Young, Clyde Croft, Stuart Lodington. Photo taken 7/5/1973? published 8/5/1973. No. 27 appears in the view with the "million mile" banner on the tram. Copy of newspaper clipping photo appeared in, not held by Museum at date of cataloguing. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, ballarat, access track, btps, begonia festival, tram 27

The Madge Simmons collection. A modern copy of a photograph of the Grade V class, Bendigo Central School 1976, 1929.This information is given on the blackboard in the front row. An accompanying sheet of paper gives the names of some of the pupils. It is handwritten and titled 'Bendigo Central (Camp Hill) School No. 1976 Grade V 1929'. Pupils named: Harold Chatfield / Alec Reed / Stuart McMillan / Jim Jordan /? Plumridge / Charlie Runnels / Wal Penman / Ken Roberts / Bob Howe or Doug Howe / Wilma ? / Phyllis Chatfield / Dorothy Wilby / Katie Doyle / Lavinia Wesphalen / Dorothy Rogers / Kevin Nelson / Myrna Brascher / Una Ebdon / Una Houston / Iris Gainby / Phyllis Date / ? Goughlan / Eva Rogers / Elvira Exell / Hazel Sheehan / Eunice Parker / Jean Elliott / Harry Elson / Cyril Sayers / Clyde Ruddy / Brian Balnaves / Vern Wright / George Braecher / Bob Buckell / Stuart Dowsey / Don Hargreaves / Reg Fawcett / Amerkan Bob Howe / Dough Richards / Jack Homer / Rupert Fawcett / Jim 'Dickie' Thom / Frank Hellier / Les Simmons / Stan Carlton / Ray Browning / Jack Pitt / Harry Cameron / Bill Casley. Signed M Simmons on behalf of Les Simmons (front row).bendigo, education, bendigo central (camp hill) school, bendigo central school. camp hill primary school.

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above although this photo has been taken from the Princes Street jetty beside Centenary Bridge looking back towards Beach Street. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]View from Princes Street jetty of London Family Hotel, Swallow and Ariell & children bathing. Small photo of Boat No 9 has been pasted at corner. C W Ward photo, 355 High St, Prahran, Melbournebeach street, natural environment - beaches and foreshore, hotels, built environment - commercial, london family hotel, swallow & ariell ltd

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above although this photo has been taken on the pier looking back through the gatehouse towards Centenary Bridge. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Station Pier Gatehouse from waterside with bunting and a "Thank You" sign attached. Pedestrians walking towards Centenary Bridge. c1946 - 47C W Ward photo, 355 High St, Prahran, Melbournepiers and wharves - station pier, war - world war ii, centenary bridge

A damaged white programme with blue print. On the front cover is a picture of a harp and the words ' Young Men's Christian Association of Bendigo Orchestral Society (Frank Grose, Conductor.) Orchestral Concert Shire Hall, Rochester Saturday, May 26th, 1923, at 8 p.m. Assisted by Lily Jackson, Soprano. Edith Lansell, Contralto. Muriel Boldt, Pianiste. Arthur E. Sayer, Flautist. Frederick C. Stuart, Accompaniste. F. H. Sparkman, Arcade Press, Bendigo. J.A. Hart Thos. Shambrook Joint Hon. Secs.' On the inside is the programme and on the back cover are the names of people who are members of the Bendigo Y.M.C.A. Orchestral Society.A blue Royal Historical Society of Victoria stamp, also a white label D1713 in blackprogram, music, orchestra, lydia chancellor, collection, event, music, orchestras, bendigo y.m.c.a., entertainment

Set of two timetables reproduced on card for the Melbourne Tramway and Omnibus Company by the Tramway Museum Society of Victoria c1980. Both signed by W. G. Sprigg Secretary. .1 - Kew Cemetery horse tram line - details times for each service, fares. Dated 10/6/1895. Has advertisements for Lincoln Stuart & Co on rear - cloth suppliers, original printed by H. Hearne & Co. Paragon Printers Melbourne. .2 - Hawthorn Auburn Road horse tram line - as above, dated 6/4/1894, with advertisement for John Twinem Draper and Importer on rear. Two copies of each held.Both copies have the stamps of the TMSV (332 Flinders St Melbourne) and Graeme Breydon on them.trams, tramways, mto co, horse trams, kew, hawthorn, auburn rd, timetables, tmsv

Events and information concerning the 10th Eltham Community Festival held 16-18 November, 1984 [Photo of Keir Baker of Research Primary School] On the reverse (page 1) Fireman officially honoured, Diamond Valley News, Tuesday, October 23, 1984, p1 Opening of the Panton Hill Firemen's Memorial Park by the Member for Evelyn, Mr Max McDonald on Sunday 21 October, 1984 in memory of the five firemen who lost their lives on Ash Wednesday (1983) fighting the fire at Upper Beaconsfield - Maurie Atkinson, Stuart Duff, Neville Jeffrey, Bill Marsden and Peter Singleton [Photo of the memorial and Mr Max McDonald]]Newsprint1984, apex club, eltham community festival, eltham festival, eltham jazz festival, eltham living and learning centre, eltham rotary, eltham service club, eltham town park, grand parade, jaycees, keir baker, lions club eltham, main road, phoenix club, research primary school, ash wednesday, bill marsden, cal martin, diamond valley big band, evelyn, maurie atkinson, max mcdonald mp, neville jeffrey, panton hill firemen's memorial park, peter singleton, stuart duff, victorian bushfires - 1983

A special luncheon was held for World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as moustached French waiters to add a bit of humour to the day. Due to its success it was held for a number of years. Legatee waiters included Legatees Lucky Luscombe, George Woodward, Stuart Leslie and John Stevenson (President in 1993). These colour photos were taken at the same time as the black and white photo (00909) used to promote the 1993 WWI widows luncheon. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 2 of Legatees as waiters at a World War 1 widows' luncheon in 1992.widows, function

Warrnambool South Primary School was opened in 1877 and the first teacher was Mrs Eliza Clarke. Many of the trades of the early parents were occupations such as tanners, saddlers, wharf labourers and fishermen. The school celebrated its centenary in 1977 and was decommissioned around the 1990’s.The community of South Warrnambool was close knit and the school was a focal point of that community. The McDonald name has had a strong association with that community for over 100 years. The game of cricket was and remains an important part of sporting life. Black and white photograph, on cinnamon coloured mount, with fifteen boys front row sitting and back row standing. Man on left side of group and children at either end of front row, have cricket bats. Boy kneeling at front is holding a sign with group details.On blackboard in Photo: Warrnambool Sth. SS 1902 Cricket Club. On back of mount: Stuart McDonald in pen struck through with black lead, Pink stamp H Webb, Photographer, weddings and picnics attended, In grey lead: Person to left of Roy was P? Knights. Roy (Goog) McDonald born 21.12.1903. Father was Griff or Charlie. In red felt pen McDonald. south warrnambool, warrnambool south ss cricket team, boys cricket team south warrnambool, ss1902

How many matches did these men play? Away games, home games? Any remarkable runs or scores? How long had each been playing? Were they professionals or amateurs? 1961-62 brought the Blackburn Cricket Club a triple premiership winning the A Grade, C Grade and D Grade flags in addition to the Under 16s. Team Standing (L-R): George Allerton, Keith Sturgeon, George Stone, Brian Pickett, Keith Blackley, Jim Robertson, Peter Grant. Sitting: Alan Taylor, Les Reed (President), Neveille Jacobs (vc), Don Meehan (c), Stuart Walker, Allan Berry (Sec), Ken Henwood.Black and white portrait of the cricket team anf officials. cricket, a grade, blackburn, blackburn cricket club, cricket whites, 1961-62, a grade premiers, george allerton, keith sturgeon, george stone, brian pickett, keith blackley, jim robertson, peter grant, alan taylor, les reed, neveille jacobs, don meehan, stuart walker, allan berry, ken henwood

This program was for an event to celebrate the golden anniversary 950 years) of the official opening of Orbost's Commonwealth Hotel. It was organised by Chas and Una Roberts (nee Marshall) and was a fund-raiser for O.C.C.A. (Orbost Continuing Care}). This group was initiated by Brenda Murray who was the founding chairperson of the Orbost Continuing Care Appeal, which raised money to build an aged persons' facility for Orbost. The evening was compered by Graeme Eddy. The performers included: Victoria Strait, Leslie Strait, Norma Williams, Pauline Strait, Hoard Oberg and Wayne Stuart. All were accomplished musicians from New South Wales. The event took place at 6pm on Saturday September 2 1978.This item is associated with the Commonwealth Hotel which has been operating in Orbost since January 1901.A white paper program with black print.It is one sheet folded.On the back is a picture of the Commonwealth Hotel, Orbost with a brief history of its establishment underneath the photograph. On the front side is the title, "an evening of baroque music and a golden invitation to dinner". There is a stylised drawing of a saxophoene, drum and cello. Inside are details of the program and menu with notes on some of the performers.on front - "MUSEUM".commonwealth-hotel music-concert event-orbost

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. George Lewis, third Chairmen and later first Mayor of Kew. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.George Lewis / Mayor 1863 mayors of kew (vic), cr. george lewis, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John Carson, Mayor of Kew 1863-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Carson / Mayor 1863-4mayor of kew, cr. john carson, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. W. M. Derrick, Mayor of Kew 1864-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.W.M. Derrick / Mayor 1864-5mayor of kew, cr. w. m. derrick, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. William Stevenson, Mayor of Kew 1865-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.William Stevenson, Mayor [of Kew] 1865-6mayors of kew (vic), cr. william stevenson, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Francis Barnard, Mayor of Kew for the years 1866-7 and 1883-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Francis Barnard, Mayor [of Kew] 1866-7, 1883-5mayor of kew, cr. francis barnard, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection