The drawing or map shows the 8-mile radius that applied to the City of Ballaarat's powers for the licensing of passenger Motor buses. Shows the boundary of the City of Ballaarat, Borough of Sebastopol, Shires of Ballaarat, Bungaree, Buninyong, Creswick, Glenlyon, Grenville and Ripon. Demonstrates a plan that shows the limits of the City of Ballaarat's power to license passenger buses.Drawing - dyeline print and colouredbuses, licensing of buses, shires, maps, city of ballaarat

Set of three drawings related to the Brill 22E Maximum Traction trucks: 1 - "Brake Rigging Brill Maximum Traction Truct No. 22E" - showing the dimensions of the levers and pivot points. For the relevant Geelong drawing T1647 see item 8044 and 9025. 2 - "Standard Pony Axle" - traced from MMTB drawing R3755 3 - "Pony Axle Box" - traced from MMTB drawing R1112 and dated in ink 28-4-1955Yields information about Brill 22E brake rigging and equipment.Set of three Drawings - dyeline print on plain paper with a brass clip in the top right hand corner.tramcars, brill 22e, pony axles, axles, axle boxes, brake rigging, ballarat, geelong, drawings

Part of a set of drawings by David Williams of the National Wool MuseumPen and ink drawing of wool press at the National Wool Museum, by David Williams.David Williamsnational wool museum

Drawings shows on a street plan of Melbourne, tram routes, route numbers location of cross overs, and track availability of pantograph only, pole only and dual running. Dated 5/6/1996Demonstrates a PTC document for detailing overhead availability and cross overs.Drawing - Document - folded A3 sheettramways, ptc, pantographs, trolley poles, overhead, cross overs, route numbers, tram routes

Set of the three drawings of the Prahran and Malvern Tramways Trust (PMTT) Depot in Glenferrie Road, Malvern. 1 - Drawing No. 22 - Sheet No. 1 - Contract No. 8 - "Car shed offices and converter station buildings" - by Noyes Bros, dated 10/10/1909 2 - Drawing No. 23 - Sheet No. 2 - Contract No. 8 - Plan view of above - shows the first three roads or tracks within a larger building. Shows the room layout of the first depot building. 3 - Drawing No. 156 - Layout of Offices, car depot, and substation - c1920 - showing additional buildings, floor plans, extensions and the small four road workshop on the northside of Coldblo Road.Yields information about Malvern tram depot by the PMTT.Set of three prints on paper from a larger drawing reduced to A3 size.trams, tramways, depots, pmtt, malvern depot, drawings, noyes bros

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 12 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1991, was commissioned from the artist by Woodards.12 ADENEY AVE., KEW / MARGARET PICKEN ~91 / WOODARDSartist -- margaret picken 1950-, 12 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.)

Wal Jack had an extensive range of correspondents throughout Australia and the world who often prepared extensive drawings for him. This detailed drawing is by Roy Field who swapped many photographs with Wal Jack. The drawing details the railway or narrow gauge (2') tramway that served Mossman and Port Douglas, Queensland. Most of this is now used for cane trains, though a small tourist operations runs out of Port Douglas. Details of Roy are included record 8561.Demonstrates some of the correspondence that Wal Jack received from around the world and that of Roy Field.Drawing - pen and ink red and black on foolscap sheet of the "Mossman Steam Tramway"letters, wal jack, tramways, drawings, roy field, railways, mossman, port douglas, narrow guage

Port of Portland Authority archives.Front: (no inscriptions) Back: Line drawing attached to verso recording identities seated on the foredeck of a visiting naval vessel.

A drawing done by artist Pat Hanna and sent to friends at Legacy. He was living in London at the time and drew this on his letterhead. It was stored with other items including a letter to Frank in 1972 (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted to film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years. Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Drawing of a kangaroo and kiwi from Pat Hanna on his letterhead pasted onto brown cardboard. Also a digger's face, a rising run and maps of Australia and New Zealand.Handwritten in the drawing 'Heres to every cobber who wore the old chapeau, 20 - 30 - 40 - 50 years ago!!!' and 'There's a wee toon on the Yarra with streets broad and narra that's where we first toasted dear old Legacy.'hanna, founding legatee

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist. Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1995, was commissioned from the artist by Woodards, Hawthorn. 1 ADENEY AVE., KEW / MARGARET PICKEN ~95 / WOODARDS, HAWTHORNarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 1 adeney avenue -- kew (vic.)

The drawing provides details of the two sets of springs that fit on either side of the axle box of a Brill 21E four-wheel truck. Gives load, sizes, and material dimensions. Revision E dated 7-11-1958. Prepared by the MTTB for use on four-wheel trams. Original drawing dated 30/9/1927Yields information about Brill 21E truck axle box springs.Drawing Foolscap size with two punched holes on the left hand side.tramcars, 21e trucks, brill 21e, springs, mmtb

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1994, was commissioned from the artist by Woodards, Kew.7 ADENEY AVE., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, 7 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 46 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.46 ADENEY AVE., KEW / MARG PICKEN ~88 / WOODARD ~ HAWTHORNarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 46 adeney avenue -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 84 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.84 ADENEY AVE., KEW / MARGARET PICKEN ~88 / FLETCHERS REAL ESTATEarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 84 adeney avenue -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 86 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.86 ADENEY AVE., KEW / MARGARET PICKEN ~88 / WOODARDS ~ HAWTHORNarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 86 adeney avenue -- kew (vic.)

"Ray & Gilbert" articulated arm type manual drawing machine as used in a drawing office. Fitted with "W & G" scale rulers. Rulers are plastic coated timber. Black arms and handle, white rulers. Mounted on a wooden drawing board.. .4) Metal adjusting spanner..1) At mounting pivot point of drawing machine "Ray & Gilbert / Drafting Machine / Serial No. ? / Melbourne. Aust." .2) Scale rule "W & G E 18". .3) Scale rule "W & G E 12". .4) No inscriptions.drafting, engineering

Item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Place mat rectangular shape white background with central in brown colours, centre has "Rats of Tobruk Association" badge followed by drawing of a church surrounds and two soldiers walking, under is a scroll with text.Under drawing, " The Church of St Anthony Tobruk", on scroll, "1941 - 50th Anniversary seige of Tobruk - 1991"place mats, tobruk, souvenirs

The postcard has a drawing of a traditional landscape of The Netherlands represented by a lake, house with mills, a boat and a child dressed in a colourful, traditional costume. The handwriten text is a letter home and describes the writer Peter's visit with his cousin. Other items addressed to Mrs Elsum are in the archive (see 00180 a postcard from 1915). The connection to Legacy is not known.This postcard has a historical significance for the family involved and remind them the time when Peter was at Holland. Postcard with a drawing of the Netherlands.Handwritten text in blue pen: "10-10-80, Hello There, greetings from Holland. Spending a couple of days with my cousin & his wife at Leiden, which is very old city with narrow cobble stone streets. Last night Paul & I did a 'pub crawl' on bikes which was good fun. Everyone rides bikes here, they even have part of the road reserved for them! All are well at Takerton, [?], send their best wishes & thanks for your gifts. Mum is writing to you. Thanks for keeping my girl company. See you soon. Love. Peter. Addressed to: Mr & Mrs John Elsum, 52 Davey Street, Mordialloc Vic 3195, Australia." Printed on postcard: gebr.spanjersberg / Rotterdam - antwerpen / Cobas y Cia. Barna. Printed in Spain / [Symbol] 7013 [Air mail stamp] LUCHPOST PAR AVION / P 4579 / PTT / [Postage Stamp] JULIANA NEDERLAND REGINA 55csouvenir, postcard

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38-40 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1997, was commissioned from the artist by Woodards, Camberwell.38-40 ADENEY AVE., KEW / MARGARET PICKEN ~91 / WOODARDS C'WELLarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 38-40 adeney avenue -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38-40 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1996, was commissioned from the artist by Woodards, Balwyn.38-40 ADENEY AVE., KEW / MARGARET PICKEN ~96 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, 38-40 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38-40 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Kew.3 ADENEY AVE., KEW / MARGARET PICKEN ~89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 adeney avenue -- kew (vic.)

"R10-495 - Rolling Stock Data" dated 11/5/1965 details the tram fleet of the MMTB at the time - listing class, Tramcar numbers, No. in Service, type, capacity seated and crush loading, trucks, wheel and truck centres, motors, Tare Tons, Controllers, Compressors, and length over bumpers. No heritage trams at the time included. The drawing number determined from the MMTB drawing Registers. Signed by F Kirby.Yields information about the MMTB tram fleet in 1965.Photocopy of drawing "R10-495 - Rolling Stock Data" sheetmmtb, tramcars, tramways, data sheet, rolling stock

Drawing by the Prahran and Malvern Tramways Trust No. 758, of the Rest Verandah or shelter at Victoria St terminus or the change point from cable to electric tram Richmond. Dated 19-12-16, signed by H Dix Engineer and ? R Henderson Construction Engineer. Details the structure, foundations, and shelter decoration.Yields information about the Victoria St shelter at the terminus of the cable tram line.Drawing - blue print on paper.trams, tramways, pmtt, shelters, cable trams, victoria st, richmond

Fred Negro, cartoonist from St Kilda, made drawings of guests during Stephen Cummings concert in the Mission's courtyard on 25 June 2011. Stephen Cummings gave several concerts at the Mission in 2011 and 2012.A4 drawings in black ink on white paperfred negro, stephen cummings, andrea fleming, 2011, caricature, concerts, cultural events

Drawing Room of Glen Isla showing beautiful Antique furniture. Large mirror above Marble Fire Place. Shelves with Porcelain Vases. Two Marble busts, open Fan in Hearth. Many Photographs on walls.Interior Photograph of Glen Isla Drawing Roomlocal history, photography, photographs, slides, film, buildings, historic, glen isla drawing room, phillip island, sepia photograph, mrs emma anderson jacobs

Drawing Room of Glen Isla showing beautiful Antique furniture. Large mirror above Marble Fire Place. Shelves with Porcelain Vases. two Marble busts, open fan in Hearth. Many Photographs on walls.Interior Photograph of Glen Isla Drawing Roomlocal history, photography, photographs, slides, film, buildings, historic, glen isla drawing room, phillip island, sepia photograph, mrs emma anderson jacobs

Kevin Parker was born in 1942 in Melbourne and studied Architecture at RMIT and from 1965-1990 worked as a freelance architectural illustrator. He continued this when he moved to Deddick in East Gippsland in 1991. In 2001 -2002 he began working on series of drawings about Mc Killops Bridge and environs for exhibition at Gippsland Art Gallery, Sale Victoria (Oct 2003). These drawings and prints feature McKillop's Bridge an the item is a compilation from a folder usually sold in the Slab Hut (Orbost Visitor Information Centre). A loose-leaf display book of copies of architectural style pencil drawings by Deddick artist, Kevin Parker. There is an introduction by Valerie Auer of Tubbut. The drawings are of McKillop's Bridge.parker-kevin drawings mckillop's-bridge display-book