This horse hide strop was traditionally used to sharpen and polish straight edged razors, although it could be used for kitchen knives or chisels. The metal loop was designed to be hung onto a nail or peg, and the person held onto the handle and pull the strop taut. The razor was sharpened by drawing the spine down along the strop, so no pressure placed on the blade. Once the razor reached the bottom of the strop, it was flipped and drawn upwards. This process required skill, although it could be done at a great speed. Keen Kut was an American brand that sold razors, strops, and safety brands. Double sided, two strips. Metal ring one end, padded stitched handle at other. Horse hide.KEEN KUT /GENUINE HORSE HIDEchurchill island, strop, horse hide, tool, kleen kut

Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Griswold bench-type sock knitting machine hand operated by turning the handle.sock knitting machine, textile industry, wool, fashion, clothing

A night exposure of Bridge Street looking west. The tram tracks are clear, one set going straight ahead up Victoria St hill, the other set turning along Main Road. Stone's at Stones Corner was a select ladies dress shop for many years. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. bridge street

This item is an attractive one and has belonged to someone who was a more affluent member of society. It is an item that would have been kept in a bedroom on a dresser or table. It is surmised that the ‘H.D’ stands for Hope Dickson, a member of a prominent Warrnambool family. She was the daughter of Mary Glass Cramond and James Dickson. Her grandfathers, John Cramond and James Dickson, established a clothing and drapery store in Warrnambool in the 1850s and it continued as a major business in Liebig Street, Warrnambool until 1973. As an elderly woman in the 1970s, Hope Dickson donated many household and personal items to the Warrnambool and District Historical Society and this perfume bottle may be one of them. This item is significant because it is a high-quality household item that dates back 100 years. If it belonged to Hope Dickson then this local provenance gives it added importance. This is a glass bottle with a covering silver holder. The bottle body is round with two straight pieces on either side. The neck is rounded and short and the opening has a cork stopper that extends down the neck. The silver folder, which is cylindrical, covers the entire base of the bottle and is open at both ends. The silver holder has impressed silver patterns (chains, bows and discs).The bottle slides into the folder which is slightly rusted inside.‘H.D.’women’s boudoir items, perfume bottle, history of warrnambool

WW2 standard army issue kitbag.Name and serial number of soldier stenciled on bag. Details of service available on Australian WW2 Memorial Roll. Donated by a family member who was a Montmorency/Eltham sub-branch member.The kitbag consists of a long, brown, canvas cylinder closed at the bottom. The top has an internal canvas flap and eight brass grommets to allow a drawstring type rope to securely close the bag. A metal D-shaped hinged clasp to enable fitting of a padlock (end of straight section of D has been broken off - see photo). The name and army serial number of the owner are stencilled in white paint on the side of the bag. Along side of bag: D.F. NEWTON VX41537 61419 Stencil of "armoured arm holding battleaxe" (see photo - a unit insignia?) On base: D. NEWTON VX31537 61491 "A white solid circle"personal accessory, carry bag

Curved Acrylic (probably) or tortortoise shell handled cutthroat/straight razor with steel blade. Two handle pieces known as 'scales'. Blade hinged through handle with rivet at one end. Thumb notch as part of blade continues past hinge. Two more rivets attach two pieces of handle together; 1st rivet with spacer 4cm from hinge rivet, 2nd rivet at opposite end to hinge. Handle:Gold decorative writing-Flic R with 'REGD' enclosed below on one side approx 9 cm from hinge. 2nd side no inscriptions. Blade: Side 1- FLIC enclosed in rectangular parrallelagram next to hinge. Etched 'gold' decoration and inscription along back edge. Inscription reads 'FLIC GOLD'. Blade: Side 2- Near Hinge- MADE IN GERMANY FROM BEST FLIC SILVER STEEL. Blade: Back edge- Serrations for 5cm from hinge.

This Japanese ceramic vase was recovered from the wreck of the S.S. Casino (1882 – 1932) between the late 1960s to early 1970s. It is one of the shipwreck artefacts in the John Chance Collection. The design is an example of vintage basket weave pottery. The base of the vase is stamped ‘MADE IN JAPAN’ , which dates its probable manufacture to circa 1921-1932. The vase has side seams indicating that it was made by joining two moulded sides of the vase together, then adding the round base. The coastal trader SS Casino (1882–1932) had a run of almost 50 years along the coast of Western Victoria. She traded goods and food as well as carrying passengers from port to port on her many voyages. This vase may have been included in her cargo or could have been amongst the personal luggage of the people on board. The ceramic vase is an example of ceramic pottery in Victoria the 1930s. The vase is also significant as it was recovered by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The vase is also significant as it is associated with the S.S. Casino, which played an historical role in Western Victoria, providing transport, communication and trade along the coast between Melbourne and Portland in the late 19th and the early 20th century, visiting the ports at Apollo Bay, Warrnambool and Belfast (Port Fairy). The S.S. Casino was the only regular trader with normal passenger accommodation along the West Coast and the only Western District steamship that was in service between 1854 and 1939, and to be represented in the Victorian Heritage Shipwreck register, and to have been wrecked in the Western District, and to have the wreck located, and to be accessible to divers. The wreck of the S.S. Casino, and its associated relics, is considered an important part of Victorian and Australian cultural heritage and is now protected as a Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). Vase, round, cream coloured, unglazed ceramic, basket weave design. Wide mouth, short neck that tapers out to wide shoulders and straight down to round base. Seams on each side, mouth to base. Small handle on each side of vase between mouth and shoulder. Front and back of vase have a plain oval space bordered by a floral design. Inscription stamped onto base. Made in Japan. Stamped onto base in black ink "MADE IN / JAPAN"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, japanese vase, s.s. casino, john chance, vintage pottery, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, west coast trader, apollo bay, captain middleton, basket weave, ceramic

This black and white photograph of Sister Pat McPherson was taken at the 1st International Congress on Domiciliary Nursing held in Melbourne. The congress was hosted by the Royal District Nursing Service (RDNS) and ran from the 1st - 8th of February 1970. Following this Congress, Sister Patricia McPherson was employed by RDNS from 1970 - 2003, mainly in the area of Administration.Sister Patricia McPherson, State Registered Nurse, Midwife, and Infant Welfare trained nurse, B.A. was awarded an M.B.E. for her community health work among the Aboriginal communities during the time she worked as a Sister for the Australian Inland Mission (AIM). This was just prior to her joining Royal District Nursing Service. Patricia McPherson is listed on page 210 in the 'Women Shaping the Nation - Victorian Honour Roll of Women Vol 1 - 2001' - Centenary of Federation 1901 - 2001.This black and white photograph is a portrait head and shoulders view of Sister Patricia McPherson, who is smiling and has short straight dark hair. She is wearing a black and white patterned frock; on its upper right is attached a plastic name badge with two lines in white capital letters on black background stating: "Miss P. MCPHERSON / WESTERN AUSTRALIA' . Seen in the background is black and white vertical striped wallpaper.The Herald & Weekly Times Ltd, Melbourne, Australiardns, royal district nursing service, 1st internation congress on domisiciary nursing, sister patricia mcpherson

2.5x1.5 inch black and white photograph of 1 Powlett street, the Court House Hotel, former colonial bank of Australasia. Corner of Powlett Street and Lancefield Road. Copy printed on card stock. Two story light coloured rendered building. The intersection of Lancefield Road, Powlett Street, Sydney Street and (modern day) Skehan Place. With a view straight down Sydney Street. One figure crossing the road.Writing on the back: PHO-00004hotels, historical towns

This bearing cap is thought to be from a donkey winch engine, (or steam donkey, or donkey winch), which is a small secondary steam engine with a cylindrical shaped boiler. In 19th century merchant sailing a steam donkey was often used in marine applications such as to help raise and lower larger sails, load and unload cargo or to power pumps. The bearing cap could have been used on the donkey engine to hold the rod of the winch gear wheel in place, or bolted to another bearing cap around the neck on the top of the boiler’s cylinder, connecting it to the flue. The Newfield was a three-masted iron and steel barque, built in Dundee, Scotland, in 1889 by Alexander Stephen and Sons. It was owned by the Newfield Ship Company in 1890 and later that year It was registered in Liverpool to owners Brownells and Co. The Newfield left Sharpness, Scotland, on 28th May 1892 with a crew of 25 under the command of Captain George Scott and on 1st June left Liverpool. She was bound for Brisbane, Australia, with a cargo of 1850 tons of fine rock salt, the main export product of Sharpness. At about 9pm on 28th August 1892, in heavy weather, Captain Scott sighted, between heavy squalls, the Cape Otway light on the mainland of Victoria but, due to a navigational error (the ship’s chronometers were wrong), he assumed it to be the Cape Wickham light on King Island, some 40 miles south. He altered his course to the north, expecting to enter Bass Strait. The ship was now heading straight for the south west Victorian coast. At about 1:30am the Newfield ran aground on a reef about 100 yards from shore and one mile east of Curdie’s Inlet, Peterborough. The ship struck heavily three times before grounding on an inner shoal with 6 feet of water in the holds. Rough sea made the job of launching lifeboats very difficult. The first two lifeboats launched by the crew were smashed against the side of the ship and some men were crushed or swept away. The third lifeboat brought eight men to shore. It capsized when the crew tried to return it to the ship for further rescue The rescue was a difficult operation. The Port Campbell Rocket Crew arrived and fired four rocket lines, none of which connected with the ship. Peter Carmody, a local man, volunteered to swim about one mile off shore to the ship with a line to guide the fourth and final lifeboat safely to shore. He was assisted by James McKenzie and Gerard Irvine. Seventeen men survived the shipwreck but the captain and eight of his crew perished. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. The Marine Board inquiry found the wreck was caused by a "one man style of navigation" and that the Captain had not heeded the advice of his crew. According to Jack Loney ‘… when the drama was over . . the Newfield was deserted except for the Captain’s dog and two pigs.’ Peter Carmody was awarded the Bramley-Moore medal by the Liverpool Shipwreck and Humane Society for Saving Life at Ssea, which he received by mail on January 21st 1893. The medal and a letter of congratulations were donated to Flagstaff Hill Maritime Museum by Peter Carmody’s grand-daughter Norma Bracken and her son Stuart Bracken on 25th May 2006. The Bearing Cap joins other items in the Newfield collection.Flagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreck.Brass bearing cap from the wreck of the sailing ship “Newfield” is possibly from a donkey winch engine. The half-circle shaped cuff with a rectangular brass block attached to the outside of each end of the half-circle. Both blocks have a round hole in their centre and are approximately the same depth and width as the cuff. Midway around the half-circle cuff is another brass block that is about twice the depth of the cuff. It appears to have been a circular shape that has been modified to match the width of the collar, having had the sides of the circle cut off to leave straights edge parallel to the edges of the cuff. In the centre of this block is another hole, and there appears to be the head of a bolt inside this hole. The bearing cap is lightly encrusted.1893, flagstaff hill, flagstaff hill maritime museum, maritime museum, warrnambool, newfield, 1892, 28 august 1892, port campbell, shipwreck, nineteenth century, ship, curdie s river, victorian shipwrecks, barque, ship wreck, 29 august 1892, 19th century, bearing cap, donkey engine, donkey winch, steam donkey

Little owls (also known as the owl of Athena or owl of Minerva) usually prefer the warmer parts of Europe, North Africa and Asia, enjoying open country and agricultural land with high trees to swoop down upon their prey from. Their diet includes amphibians, small mammals, reptiles and insects that they also hunt from small holes in the ground. Little owls are monogamous and while they're usually solitary creatures, pairs who breed together will often stay together past breeding season. An Athene Noctua would usually be slightly smaller than this specimen. The colouring of browns and whites speckling the feathers is an accurate representation however the posture of a typical little owl would be more crouched, not so thin and tall. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Athene Nuctua (The Little Owl) is dark to medium brown with white specks all over the feathers. Large white spots are located on their wings/back. This specimen has some inconsistencies with how it has been styalised by the taxidermist. The tail curls in under itself where it should be straight and flat. There are several feathers which appear disheveled on the chest, shoulder and wing. The specimen is mounted on a wooden stand with paper and metal tags attached to the legs. Swing tag: 41. / Allied to / Diurnal Owl / Catalogue page 53 / Other tag: 31 / Strix Noctua / Holland Metal tag: 4061 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, owl, little owl, athene noctua

This cast iron "boiler" was produced by one of the largest foundries in England during the late 1700's and onwards. These products were "shipped to the far realms of the "British Empire". This source was one of the only ones available to the early settlers in Australia until the mid 1900's. The catch cry of those "early " times was "the best of British" which was ingrained into the early (Australian) settler's iron and cast iron purchasing mind set. It was not until after World War II did that mindset change, when both American and Asian based manufacturers' products were accepted by the Australian consumer. The city based consumer embraced the swing a lot earlier than the more "traditional" rural consumer. This cast iron 8 gallon "boiler" is very significant to the Kiewa Valley not only that large "boilers" were used to "boil" clothes clean, over an open flame source, but also because it demonstrates one of the most important "rural" mores founded by the "early" settlers in this region. That more was the very "close" tie to "Mother England" and the "establishment". The social and "family" values from the "English" way of life was ingrained until well past the day of the "Australian Federation". It was not until the friendly "American soldier" invasion during World War II that the "Empire" bondage was being eroded away. The transition from the good "rural war cry" of "Australia prospers off the sheep's back" was slipping away and the industrial monolith started its challenge. This change was the slowest in semi remote rural centres such as the Kiewa Valley. The "old English" values lingered on until the mid 1900's.This large (8 gallons) cast iron boiler is oval in shape and has a cast iron (swivel) carrying handle. The handle has a "bend" in the centre position to allow hook and straight type rods to facilitate the positioning of a "hot" boiler. This boiler would have been used over an open fire or placed on top of "coals". On the top rim and evenly spaced between the fixed handle joins is a slightly semi curved balancing/control lip.At the bottom (underneath) "CLARK & Co. PATENT", Below this a six star triangle with the letter "C" in the middle.. On the opposite end "BEST QUALITY" and underneath "8 Gall s"camp fire cooking utensils, hot plate, cast iron cooking and boiling appliance, drovers kitchen

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Used for rectal examinations. Stainless steel. 2 parts. Shaped like a gun the handle of the hollow holder being at a rectangle. The connections are attached to a cone shape. The part that fits inside this holder is straight with a handle at one end, with a shield to stop it travelling into its holder too far.Then it continues as a rod, half way along which is another shield until the rod stops at a solid half cylinder. The handle of the 'rod' is rounded with 8 faces.medical equipment. hospital equipment. sigmoidascope. rectum. mt beauty. tawonga.

This candle holder has a sharpened point to push or hammer into soft rock and a hook to hang on a ledge or piece of rock. It is intended to be used in a mine and many residents of Warrnambool and district went to the gold mining districts in the 19th century. But it could have been used in the Warrnambool district if a small night light was required in one of the many local quarries or even in the search for coal deposits in the region. It could also have been used in a household.This miner’s candle holder has no known local provenance but it is retained as an interesting example of a candle holder used in the past.This is a thin piece of metal tapering to a point at one end and curving around in a loop at the other end to make a handle. Along the straight metal piece is attached a curved metal hook. At the end of the loop is an open-ended circular piece with a serrated top. The circular piece has a rectangular-shaped end piece which enables the hole in the curved piece to be pushed out or pulled in to make the hole smaller or bigger. The metal is much rusted. 19th century mining, history of warrnambool

Clothing. Infant's ivory coloured cotton night dress.High round neckline with casing and lace frill trim (1.5 cm).Front yoke of broderie lace and horizontal strip of lace at waist with square pattern. Long straight sleeves with casing and 1 cm of broderie lace with scalloped edge. Centre back opening (30 cm) fastened with cotton tape tie through casing at neckline and one button and button hole at waistline.costume, children's, infants ivory coloured nightdress

Clothing. Child's white linen dress. Wide round hemmed neckline. Dress made up of two pieces of fabric. Dress is straight to below the waist (35cm) and then widens to the hem (51 cm). Sleeveless with arm holes edged with one cm lace. Front of dress is cotton fabric with alternating vertical stripes of embroidered fabric and floral patterned lace. Back opening (16cm) with placket, fastened with two metal press-studs.costume, children's, child's white linen dress

Michael Ricker was a renowned American pewter artist. His most famous piece, entitled 'Park City', was a 30 foot by 10 foot miniature town depicting life at the turn of the 19th century. It was completed in 1986 and presented to former President Gerald Ford. Ford graciously accepted the "key" to Park City and promised a home for the masterpiece in the Smithsonian Institute. (foundantique.com)Pewter sculpture featuring an obstetrician and an antenatal patient. A pregnant woman is lying on a low bench, with her left hand resting on her stomach, and her right arm by her side. She is wearing a dress and shoes, and has her eyes closed. To her right stands the figure of on obstetrician, wearing trousers, a short sleeved shirt, stethoscope and gloves. He is standing straight with his arms at his sides. The entire sculpture is silver in colour.obstetrics

The Cross of Honour of the German Mother (German: Ehrenkreuz der Deutschen Mutter), referred to colloquially as the Mutterehrenkreuz (Mother's Cross of Honour) or simply Mutterkreuz (Mother's Cross), was a state decoration conferred by the government of the German Reich to honour a Reichsdeutsche German mother for exceptional merit to the German nation.Eligibility later extended to include Volksdeutsche (ethnic German) mothers from, for example, Austria and Sudetenland, that had earlier been incorporated into the German Reich. The decoration was conferred from 1939 until 1945[5] in three classes: bronze, silver, and gold, to Reichsdeutsche mothers who exhibited probity, exemplary motherhood, and who conceived and raised at least four or more children in the role of a parent. A similar practice, that continues to this present day, was already established in France since 1920, by conferring the Médaille de la Famille française (Medal of the French Family), a tribute to the French mother who raised several children in an appropriate way.The cross design is a slender elongated form of the Iron Cross or cross pattée and very similar in design to the Marian Cross of the Teutonic Knights Order (Marianerkreuz des Deutschen Ritterordens), enamelled translucent-blue with a slim opaque-white border. Resting on the centre radiant starburst rays is a metal roundel decorated with the words ”DER DEUTSCHEN MUTTER” (In English: TO THE GERMAN MOTHER) around an enamelled black straight centred “swastika” symbol, infilled white enamel. Der Deutchen Mutter on front 16 Dezember 1938 by H...… ??german medal, the cross of honour of the german mother, ehrenkreuz der deutschen mutter, mutterehrenkreuz, reich, third reich, german reich, mutterkreuz

CEMA Art Collection Winner of Portland Artists' Society Prize for category Oil.The painting portrays a standing female figure. She has straight black hair which sits just above shoulder length. she has a short fringe. She wears a blue and green dress with orange markings. She is depicted as looking at the observer and holds something in her right hand which is held across her body. The background is a mixture of purple, green and blue. The work has a thick wooden frame and exposed canvas.Front: - 63 AMOR (lower right, black paint) Back: ELMA AMOR HERBST "GIRL" (1963) (lower left, typed label)cema, portland artists society, female artist, women, female artists, female portrait, portrait painting, portrait

Auger bits fit into the jaws of a hand brace (brace and bit), which is used to bore holes into wood. The tapered end, or tapered shank, fits into the brace, while the twisted shank and twisted point draw the bit into the wood. The twisted shank guides the bit into the wood, helping to remove chips produced by the cutters and enabling the user to bore deep straight holes. The collection pictured here includes two common patterns of twist bits: the ‘Jennings’ double twist pattern; and the ‘Irwin’ single twist pattern. Their finely pitched threaded points are typically used to cut hardwood timber.Set of thirteen auger bits, with tapered proximal ends and corkscrew spiraled distal ends. Some with tight and loose spiral patterns. Paint spots and surface rust.[size of each bit stamped on]churchill island, tool, auger bits

A froe was used for splitting, or riving, wood in the early days and was a skill practiced by craftsmen who made boards, shingles, c lapboards, fences, basket splints, chair parts, wagon spokes, lath, and more. Our ancestors used axes, gluts or wedges, froes, draw knives and spelk planes for splitting wood.   The froe was designed in many sizes and designs for splitting timber. It is typically an L-shaped tool made up of a wedge-shaped blade with a dull, but not blunt, knife edge and a wood handle. Blades were usually straight with a socket forged at one end for a handle, but curved blades were also made. Most handles were round and tapered and were inserted up through this socket. But some froes had eyes similar to those on axes for handles that were wedged. The froe handle is held in an upright position in one hand while the other hand drives the top of the blade downward with a wood froe club or mallet. After a split is started, the froe is wiggled downward to lengthen it until the split is complete. Most old froes were hand forged, but they were also available in many catalogues. The 1873 D.R. Barton American catalogue offered straight froes at 12 1/2 cents per inch. You can still buy new froes from many tool manufacturers today.A tool that has not changed in design or use since its inception several hundred years ago to split timber for various uses.Froe, also called cooper's froe or stave froe, without handle.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, froe, cooper's froe, stave froe, wood splitter, carpenders tools, coopers tool, splitting timber

This medical instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme. Used for sucking fluids during an operation. The sterilised pack is an old way of sterilising instruments.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.In sterilised bag. 3 metal instruments. 1. long and curved with holes at one end and hollow at the other. Near the hollow end the instrument breaks into 3 and rejoins further along. 2. An elongated "S" like metal instrument with an elongated hollow at one end and hollow at the other end where there is a small loop 3. A straight instrument except for close to one end where there is a hollow. At the other end it is hollow with a small loop near the end.medical instrument. hospital instrument. doctor. nurse. mt beauty. tawonga. yanckeur. operation. sterilise pack

This pack is made from materials available at the time and was used to carry supplies & equipment for bushwalking and/or skiing. it is designed to protect the contents in all weather and to be as comfortable and practical as possible.The Bogong High Plains was a popular destination for bushwalking and cross country skiing. This backpack is an example of the equipment used for extended walks and/or cross country skiing.Orange backpack with nylon front and canvas back. The back flap has cord threaded along the sides for adjusting the shape of the pack. It has 6 pockets with zips - 2 each side and 2 across the back. There is 1 pocket with a velcro fastening on the outside of the flap. The cord enables the closing of the top. The frame is aluminium with 2 nearly straight sides and continuing across the top. There are 3 separate aluminium rods that are joined across and 1 piece of canvas.backpack; bush walking; bogong high plains; cross country skiing

Japanese Model 1899 Cavalry SwordJapanese Model 1899 Cavalry Sword This Japanese Model 1899 Cavalry Sword has a interesting hilt in that the grip is of wood with a metal backstrap. The wood is probably is very hard, and has been nicely checkered. The checkering continues right through on to the metal backstrap, giving a very interesting effect. The pommel is smooth and round, with a spanner type flush mounted nut which most likely acts to retain the tang. There is also a screw and spanner that is retaining the grip. The pommel is smooth and round, with a spanner type flush mounted nut which most likely acts to retain the tang. This Japanese Model 1899 Cavalry Sword has a interesting hilt in that the grip is of wood with a metal backstrap. The wood is probably is very hard, and has been nicely checkered. The pommel is smooth and round, with a spanner type flush mounted nut which most likely acts to retain the tang. The scabbard is a heavy duty steel example which exactly matches the steel used to construct the hilt. The scabbard is perfectly straight throughout, with a single carrying band and ring.A number is stamped near the hilt on the shoulder of the blade " 96982"japanese model 1899 cavalry sword, metal scabbard

Spirits came in bottles sold at licensed premises either locally or in larger cities visited during a shopping expedition. The shape of bottles varied and were re cycled remaining the property of the manufacturer who paid for their return. History of Thomas Hardy & Sons Pty Ltd.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing and shape. Clear dark brown glass bottle used for storing whisky or rum. the base is oval shaped. The sides are straight three quarters of the way up then tapers quickly to the neck and then a lip near the opening. the fort & back sides have smooth rectangular shapes bordered by heavy embossing of grapes. On the sides heavy embossing of horizontal ripples. embossed front and back print at bottom and at base. Strip of metal around the bottle at the top of the neck (remainder of the seal).Base, front and back sides: 'This Bottle is the Property of / Thos Hardy & Sons Pty Ltd'glass bottle, whisky, rum, spirits, thomas hardy & sons pty. ltd

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the double collar lip. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass, matt surface with opalescence in places, cork-top style. Applied double lip; straight upper, flared lower. Slightly bulbous neck, high shoulder seam, body tapers inwards towards base and has rippled surface in areas. Uneven heel thickness, concave base. Bubbles, rippled surface and circular blow marks in glass. Label remnants on the surface. Internal sediment top to bottom along one side.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, green glass bottle

Photograph - black and white. A photo of a friend of Elma Wells. Mrs Isherwood, wearing a dark coloured long dress, huge puffed sleeves, high neck, gathered at the front, skirt part of dress very straight and plain. At the front bottom: Creelman & co. Photographers, Burlington Galleries, Sydney Arcade. On the back enlargements to any size finished in black and white, oil or water colour. Creelman & co. art photographers, Burlington Galleries, Sydney Arcade.Creelman & Co. Sydney.person, individual, female portrait, mrs isherwood. elma wells collection.

The granite coach house and kitchen are part of the Glen Loeman complex which is situated on Loemans Road in Bulla. Most of the buildings on the estate were constructed in the 1850's. The first owner of the property was Michail Loeman and his wife Isobella.A coloured photograph of outbuildings. The pitched roof is slate clad and is partly moss covered. The grey stone chimney stack at the end of the building is finished with a simple cornice. The stone walls are constructed in a random rubble pattern. There are two doorways. The wider doorway has black timber doors and is finished with an arched stone lintel and the smaller doorway has a straight stone lintel. The twelve paned sash window has a white painted frame and stone lintel and sill.granite, coach house, burns, joseph, loeman, michael, glen loeman, george evans collection

Black and white interior photograph of SEC Birney No. 28, Bendigo, decorated as a Santa Special. Year not given. Possibly the same year as Ballarat No. 32, as the same handwriting on the back of the photograph - see Reg. Item 1876, which was taken in 1967. Shows simple decoration down the centre of the tram. Photographed in the depot - has other trams in the background. Has interior roof advertisements for Wales Savings Bank, fight cancer and "Straight 8" stockings. On Agfa paper.On rear in red brown ink, "Interior View of Birney No. 28, the "Santa Special", Bendigo tramways, Wednesday, December T.M.S.V. archives".trams, tramways, decorated trams, christmas trams, interiors, bendigo, santa tram, tram 28