The items include a wooden ruler, masonite and metal clipboard, metal stapler and desk calendar holder made of metal, date from the 1970s. Three clear glass ink bottles and a black Bakelite fountain pen with screw on top are a little earlier in date, and all appear to have a reliable provenance to the lightstation. They have second level significance as small items of office equipment used in the day-to-day running of the lightstation. Maintaining the lightstation – equipment (themes 2, 3, 5) This sub-collection of workplace objects under the main theme of ‘Running the Lightstation’, includes the equipment used for and maintaining the lightstation. All have second level contributory significance for the insights they provide into the types of appliances needed to keep the lightstation running and functioning as a navigation aid.Metal clipboard, wooden ruler, metal stapler metal calendar /date holder.

The wooden egg has a tiny metal latch hook inserted in the middle (same design as rug making tools). There is a groove down one side. A stocking or knitted fabric is stretched around the egg with the "ladder" in line with the groove. The latch hook is used to pick up the loops in knitted fabric to repair the fault. D.R.G.M., is not a German patent but was instead a way for inventors to register a product’s design or function in all states within Germany. From 1891 to 1952, products manufactured in Germany might have been stamped with this D.R.G.M. designation. This Quic Pic was used by the family of Ailsa Hunt in mid 20thCThe women of the post World War 11 estates made clothes and furnishings as their families settled in Bentleigh, McKinnon, Moorabbin ,Ormond in City of Moorabbin c1950s A wooden egg shaped tool with enclosed steel hook for darning stockings c1950'PIC - QUIC' DRGM 989116clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

Ernest Butcher served as No 56 8th Light Horse Regiment. He died of wounds sustained during the August 1915 offensive at Gallipoli. He is buried at Ari Burnu Cemetery Gallipoli. The death medallion was mounted on a wooden panel by his nephew Arthur Butcher and presented to 8th/13th Victorian Mounted Rifles on Anzac Day 1977. The 8th Light Horse suffered crippling casualties in the August offensive at Gallipoli. This innovative approach to ensuring the memory of a family member is well provenanced and lodged with the major repository of memorabilia of the regiment.Death medallion for No 56 Trooper Ernest Henry Butcher, 8th Light Horse, mounted on stained wooden panel with two engraved plaques."Ernest Henry Butcher / Born Port Melbourne / Enlisted 1914 8th Light Horse / Died of Wounds / Lone Pine Gallipoli/August 4 1915 Age 23 years 9 months" and "Presented by/ Mr Arthur Butcher / Nephew of Ernest Butcher / 25 April 1977" butcher ernest henry trooper, 8th light horse, gallipoli

This calf yoke is a wooden beam used between a pair of calves to enable them to pull together on a load when working in pairs. This item was made for John Mundy as a child. The original Mundy family moved to a land "selection" at Betebolong in the early 1880's from Buchan. This is an example of a hand-made item commonly used in Orbost on dairy farms in the first half of 20th century.A hand-made wooden yoke painted brown. It has two iron neck pieces and a piece of chain attached in the centre. There are two different locking devices for the necks.calf-yoke rural

Rose series postcard c1920 of St. Patrick’s Catholic Church Side view of church with wooden sanctuary at back of building. Later the sanctuary was built onto this side of the Church in 1927.Post card of St Patrick's Church Stawell and a photographic enlargement. Both photos are black & white, showing a side view of the church with a wooden sanctuary at the back of the building. Pine trees can be seen front and back of the church.The rose series P. 4873 St Patrick's Church Stawell, Vic. on the back POST Card A Real Photograph Produced in Australiastawell

These items have no known provenance and no information has been found on the Barnards on the printing blocks, delivery paper and stamps. The stamp for ‘W.I.O. Barnard’ was sent to an address in Camberwell so it is presumed that the Barnard family members were in Melbourne and not in the Warrnambool district.The only interest in these items is in the printing blocks and stamps. They are good examples of the type of printing used in the early 20th century and the type of stamp used by individuals for letterheads, visiting cards, personal items etc. There are 5 objects in this collection:- 1. A small red cardboard box 2. A printing block with a tapered wooden base and metal type – E.D. Barnard There are three small nails holding the type to the wooden block. 3. A printing block with a metal ring handle – R. Barnard 4. Five metal type letters (G, I, K, O, W) 5. A much-tattered sheet of paper showing delivery of stamp to ‘W.I.O. Barnard’ Wooden Block – E.D. Barnard Metal Block – R. Barnard Box - stamped E.D. Barnard Paper – ‘Linen Stamp Co. 231 Elizabeth St. Melbourne, Please deliver stamp and pad at 2/6, Name: W.I.O. Barnard, Address: 29 Bowen St. Camberwell, Signature: E. Barnard’ barnard, printing blocks

To honour 15 years of service provided, a bronze coloured medallion inset to a wooden column was awarded to individuals. On the front is a cameo of a woman wearing a pendant and an old fashioned ruffled blouse. Around the outside is written 'Vision Australia Foundation Tilly Aston Award' and below this '15 Year Award'. On the back of some awards is a printed panel: 'Tilly Aston, at the age of 21 years and herself blind, founded the Association for the Blind in 1895. Visionary, administrator, teacher and poet, Miss Aston brought together sighted and blind people in a partnership of action to improve the lives of blind people. This award recognises the continuing accord and tradition of friendship and selfless service which she initiated.'1 maroon wooden stand with bronze tone inlaid medallion, with illustrations15 Years Awardvision australia foundation, awards, john wicking

1 wooden boomerang shaped shield with engraved silver plates and bronze coloured man holding an image of a female lawn bowls player The central large silver plate is edged with wreaths and inscribed "Presented by E. & N. Maxwell 1976" and a long silver plate banner with "V.B.L.B.C. Most Improved Player" surrounded by multiple small silver shields with the names of individuals and the year that they won the award. A bronze coloured figure stands in front of the banner, holding a black, silver and green coloured picture of a female lawn bowls player taking a shot whilst two others look on. The smaller shields are engraved with the following: 76-77 Edna Wratten, 77-78 Michael McGuire, 78-79 Colin Johnson, 79-80 Mrs H. Conroy, 80-81 Mr L. Tester, 81-82 R. Teague, 82-83 H. Eustace, 83-84 Kate Smith, 84-85 George Hardham, 85-86 Laurie Hoskins, 86-87 Bill Martin, 87-88 Frank Bartoli, 88-89 Clarrie Greening, 89-90 Ron Jones, 90-91 Jean Moore, 1991-92 Marjorie Goodall. Digital Image of wooden trophySee descriptionroyal victorian institute for the blind, nameplates

Crosscut saws are used to cut down trees and to saw the trunks to length. This is a two man cross cut saw. The two-man crosscut saw has wooden handles that fit into a steel socket at each end. The teeth are designed to enable both users to have equal strength.Orbost has historically been based on the timber industry and it remains an important but diminishing economic activity. Timber cutting tools are reminders of this history.A steel bladed cross cut saw with wooden handles that fit into a steel socket at each end. The blade has one straight edge and a toothed curved edge. saw timber cross-cut-saw tool

This chair has no maker's marks. The studs still on the seat, and the ventilation holes in the wooden seat, seem to indicate that the seat once had an upholstered cushion. Chair, wooden, with carved backrest and carved second horizontal back support.Seat has holes in a pattern, also studs around its perimiter. Legs and bracing ring are bentwood. Top of uprights for backrest have slight indentation design. Bemnants of dark colour stain, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, 19th or early 20th century chair, victorian furniture, kitchen furniture, dining furniture

The board was made from a piece of quarry slate set in a wooden frame. In early times a slate pencil (not chalk) was used to form the letters. This slate pencil was often sharpened on the school wall. The advantage of slates over paper was that they could be wiped clean and used again and again. Children had to bring a dampened cloth or sponge to school so that they could clean the slate and start again but often they would use their own spit and the cuff of their sleeve! Two rectangular slate writing boards used in schools. .1 is plain black and is unframed. .2 is wooden-framed.education slate school-equipment

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron handmade knife with a wooden handle, attached by a nail.bootmaking tools, cutting tools

A brown wooden award with a gold coloured plate above a wreath inscribed "V.B.T.T.A. Presented by St Andrews Badminton Club Glen Waverley 1970". At the base of the award a smaller gold coloured plate is engraved 'The Black & White Trophy'. Multiple small silver shields with the names of individuals and the year that they won the award are located either side of the larger plate, with four shields having no inscription. The smaller shields are engraved with the following: 1970 P. Sittlington, 1971 P. Goebel, 1972 L. Poore, 1973 B. Sitlington, 1974 P. Sitlington, 1975 P. Sitlington. A brown wooden award with a gold coloured plate above a wreath with 10 mini shieldsassociation for the blind, swish, awards, p sitlington, p goebel, l poore, bryan sitlington

This book contains the set up and clues for cross word puzzles that can be constructed with the RNIB crossword board. The board is contained inside a wooden box, which also has compartments for storing yellow and red rubber markers that fit into a grid that sits on the lower side. Red smooth markers are used for blanks, whilst the yellow markers have three turnable pieces, which can be adjusted to represent each letter in Braille.1 braille book and 1 wooden box containing yellow and red rubber markers that fit into the grid inset in the box.'From the Evening News book of crossword puzzles no. 18' Catalogue 29444recreation equipment, games

Plaque commemorating the awarding of the Takeo Iwahashi Prize to Hugh Jeffrey in 1988. Takeo Iwahashi was the founder of the Nippon Lighhouse for the Blind in Japan. He made an enormous contribution to the lives and progress of blind people around the world, and was a great friend of Helen Keller. The annual Takeo Iwahashi Award was founded in his memory and is awarded to a "worker for the blind whose contribution to work for the blind in the fields of education, training, rehabilitation, placement, prevention and cure of blindness, administration of services for the welfare of the blind or any other program related to the welfare of the blind has been outstanding." The plaque features two roughly rectangular wooden veneer boards, one smaller layered on top of the larger, with the top edges aligning. On the smaller top layer is a round metal disc featuring a raised relief portrait of Takeo Iwahashi. Printed above in gold lettering is the following: The 13th Annual Takeo Iwahashi Prize Mr Harold Hugh Jeffrey" Below the disc is printed "March 16 1988. Nomination Committee Takeo Iwahashi Award. Nippon Lighthouse, Welfare Center for the Blind." On the back of the plaque is a metal plate with a Braille transcription of the text.1 wooden block with metal plaqueThe 13th Annual Takeo Iwahashi Prize Mr Harold Hugh Jeffrey March 16 1988. Nomination Committee Takeo Iwahashi Award. Nippon Lighthouse, Welfare Center for the Blind.hugh jeffrey, awards

Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs. The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, Warrigal Road, Holmesglen, 1965. Stuart Tompkins Studio provided this photograph for the Kew City Council. The photograph of Warrigal Road, north of Holmesglen looking north depicts wooden poles with bracket light fittings. These were the same as those proposed for Kew, except the lights and fittings were not to be 350 watt. Mercury lamps were preferred. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.3 Warrigal Road - North of Holmesglen looking north. Wooden poles with bracket fittings same as those proposed for Kew except lights and fittings are not for 250 watt c. c. mercury lamps proposed. Wooden pole 3' up 11 3/4" dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, warrigal road (holmesglen) 1965, street lighting

Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs. The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, Warrigal Road, Holmesglen, 1965. Stuart Tompkins Studio provided this photograph for the Kew City Council. The photograph of Warrigal Road, north of Holmesglen looking north depicts wooden poles with bracket light fittings. These were the same as those proposed for Kew, except the lights and fittings were not to be 350 watt. Mercury lamps were preferred. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.3 Warrigal Road - North of Holmesglen looking north. Wooden poles with bracket fittings same as those proposed for Kew except lights and fittings are not for 250 watt c. c. mercury lamps proposed. Wooden pole 3' up 11 3/4" dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, warrigal road (holmesglen) 1965, street lighting

Photograph of Legatee George Woodward and a wooden spoon in the lounge at Legacy House. He appears to be singing and seems to be before a comradeship luncheon. Ron Barassi is standing in the background. Was with other photos of the event that show Ron Barassi with Legatee David Ford so it might have been 2003 when David Ford was president or 2004 as it was stored with other photos labelled as being 2004. Ron Barassi was a Legacy boy after his father, Ronald Barassi Snr died at Tobruk in 1941. He helped promote Legacy many times through the years.A record of a celebrity having a close relationship with Legacy.Colour photo x 2 of George Woodward and the wooden spoon in the lounge at Legacy House for a functionHandwritten note with a group of photos in the plastic sleeve, 'Ron Barassi 2004 awaiting new photo folder'.ron barassi, legatee function, george woodward

Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. The detachable insulated handle was designed to be always cool for ironing. The handle was detachable, so that several irons could be on the stove at one time and the handle swapped between several bodies. This handle appears to belong to a Mrs Potts' sad iron - Reg. No. 1885. This item is an example of an invention that was universally adopted because it meant that users could keep several irons on the stove at one time and the handle swapped when needed. The original Mrs Potts irons had handles made of wood (walnut) and this enabled the user to us the iron without sustaining burns. The item reminds us of the difficult circumstances experienced in their daily routines by the early families in Orbost A wooden handle which has been painted green. The base is made of cast aluminium and is attached to the handle by two screws ( not original). In the base is a hinged piece for attaching to the iron, held to the base plate by a spring and operated by a wooden knob for quick release. A hook holds the handle to the iron.On the base is an indecipherable number.handle sad-iron flat-iron mrs-potts domestic laundry

Women in early settler days and 1900's managed the household and had to be self sufficient and were skilful cooks providing meals for their families. Normal daily life involved washing clothes, ironing, cooking meals and baking cakes, scones, bread, and pastries whilst caring for the children and making and mending the family's clothes. This was the precursor to the current hand held machine for making forcer biscuits. The metal cylinder was filled with biscuit dough and the wooden piece pushed down inside the cylinder to force the dough through different shaped, detachable, apertures to produce various shaped biscuits. The wooden forcer is missing from this set. The tin base has a movable end for cleaning the wooden press. An incomplete rusted long tubular tin cookie or icing press with four pattern attachments. There is no handle or forcer. There are four original shaped profiles which can be interchanged tied together with brown string. The tube was to be filled with biscuit/pastry mixture and a wooden press was used to force the mixture out of it. biscuit cutters, kitchenware, kitchen equipment, pastry cutters

This device assists blind music teachers to teach music notation to the sighted, by using a braille dial. Created by Percival Mayhew in the 1920-1930's, it consists of a wooden frame with a window, behind which is a sliding list of 63 staff notations and 17 sol-fa tones. To use, the teacher sits behind the indicator (to align the Braille scale of signs) whilst the student sits in front of the window and views the printed version. Black vinyl carry case has been created for transporting device.Wooden board with window for visual display and two double-sided paper cards and black vinyl carry case'The Mayhew Music Indicator' on front.adaptive devices, music teaching

Photograph of a Rose Series P 3764 showing wooden fence and bend in the G.O.R. at Big Hill g.o.r.; rose-series-postcard; big-hill;

Colour photograph.Photograph shows a cloth banner from the Victorian Ladies Bowling Association, housed in a wooden frame.

Dough was put in forcer/case/cylinder and wooden pin pressed down to force dough out as a star-shaped biscuit. In use in a working-class home in the mid 20th century.Representative of kitchen utensils in common use in working class kitchens in 20th century prior to the common availability of packaged biscuits. Tin/metal outer cylinder/case/open one end, lid other end, with star pattern (can be removed for washing). Inner wooden pin or forcer, knob on end to be pushed into metal cylinder to force dough out through patterned disc.domestic, kitchen, food, technology, biscuit, forcer, baking, woman s, work, appliances

Staff exchanger hoop - Leather Bakelite and wooden prop staff. The hoop held the 'Staff’ giving authority for a locomotive or rail vehicle permission to travel over a specified section of track. The display shows the hand held type used from person to person. Hand held staffs were exchanged at low speeds or stationary. Automatic staff exchangers were also in use when a vehicle was not required to travel at low speed to exchange the staffs and were used by express trains. To exchange the 'Staff’ from the platform or signal box to the locomotive driver, the hoop was held up in the air by the person, and collected by the Drivers arm. The reverse occurred when the staff was being given by the Driver. Both exchanges may occur where one section of line ends and another commences.Historic - Railways - Staff exchanger hoop - used for person to person exchanging.Staff exchanger hoop made of Leather Bakelite and wooden prop staffpuffing billy, staff exchanger hoop

A hook as a hand tool is used for securing and moving loads. It consists of a round wooden handle with a strong metal hook projecting at a right angle from the centre of the handle. The appliance is held in a closed fist with the hook projecting between two fingers. This type of hook is used in many different industries, and has many different names. It may be called a box hook, cargo hook, loading hook, or a docker's hook, and a baling hook, bale hook, or hay hook in the agricultural industry. Other variants exist, such as in forestry, for moving logs, and a type with a long shaft, used by city workers to remove manhole covers. A hay hook is slightly different in design in that the shaft is typically longer. It is used on farms to secure and move bales of hay, which are otherwise awkward to pick up manually. A small bale hook with a wooden handle and 2 curved steel hooks pioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, , blacksmiths, builders, farmers, graziers, wool bales, hay bales,

Single metal pulley or sheave with wooden cheeks. In sailing blocks have many uses including hauling up sails and loading cargo.Single sheave wood block with rope strap running to a metal thimble. Wooden body held together with rivets. Made in Japan by Tateno Sersakusho Pty Ltd. Image on wood where there was once an oval shape fixed into two holes. Brass plate attached, oval, with Inscription. Symbol pressed into wood. Inscription of brass plate "SW LO.175T". Symbol pressed into wood [Diamond above / x \ ]flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood block, block, tateno sersakusho pty ltd., ship rigging

Some very early tables were made and used by the Ancient Egyptians around 2500 BC, using wood and alabaster. They were often little more than stone platforms used to keep objects off the floor, though a few examples of wooden tables have been found in tombs. Food and drinks were usually put on large plates deposed on a pedestal for eating. The Egyptians made use of various small tables and elevated playing boards. The Chinese also created very early tables in order to pursue the arts of writing and painting, as did people in Mesopotamia, where various metals were used. The Greeks and Romans made more frequent use of tables, notably for eating, although Greek tables were pushed under a bed after use. The Greeks invented a piece of furniture very similar to the guéridon. Tables were made of marble or wood and metal (typically bronze or silver alloys), sometimes with richly ornate legs. Later, the larger rectangular tables were made of separate platforms and pillars. The Romans also introduced a large, semicircular table to Italy, the mensa lunata. Plutarch mentions use of "tables" by Persians. Furniture during the Middle Ages is not as well known as that of earlier or later periods, and most sources show the types used by the nobility. In the Eastern Roman Empire, tables were made of metal or wood, usually with four feet and frequently linked by x-shaped stretchers. Tables for eating were large and often round or semicircular. A combination of a small round table and a lectern seemed very popular as a writing table. In western Europe, the invasions and internecine wars caused most of the knowledge inherited from the classical era to be lost. As a result of the necessary movability, most tables were simple trestle tables, although small round tables made from joinery reappeared during the 15th century and onward. In the Gothic era, the chest became widespread and was often used as a table. Refectory tables first appeared at least as early as the 17th century, as an advancement of the trestle table; these tables were typically quite long and wide and capable of supporting a sizeable banquet in the great hall or other reception room of a castle. https://en.wikipedia.org/wiki/Table_(furniture)The table is one of the most important items of furniture used in the home, including the kitchen.Table wooden with 4 wooden turned legs and unvarnished raw wood topNone flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, table, kitchen furniture

Biscuit dough was put into the forcer/case/cylinder and the wooden pin pressed down to force dough out as a shaped biscuit. This would have been used in use in an Orbost home in the mid 20th century.This item is representative of kitchen utensils in common use in working class kitchens in 20th century prior to the common availability of packaged biscuits.Biscuit paste forcer made up of a metal barrel with a ring for hanging at top and a wooden plunger with a knob handle on top. This is shaped like a rolling pin. Biscuit mix is forced through the end of the tube to create fancy-looking biscuits.domestic kitchen food-technology biscuit- forcer baking appliances

A scythe is an agricultural hand tool for mowing grass or reaping crops. It was largely replaced by horse-drawn and then tractor machinery. A scythe consists of a wooden shaft and a long, curved blade is mounted at the lower end, perpendicular. Scythes always have the blade projecting from the left side when in use. Mowing is done by holding the handle , with the arms straight, the blade parallel to the ground and very close to it, and the body twisted to the right. The body is then twisted steadily to the left, moving the scythe blade along its length in a long arc from right to left, ending in front of the mower, thus depositing the cut grass to the left. Mowing proceeds with a steady rhythm, stopping at frequent intervals to sharpen the blade. The correct technique has a slicing action on the grass, cutting a narrow strip with each stroke Mowing grass is easier when it is damp, and so hay-making traditionally began at dawn and often stopped early, the heat of the day being spent raking and carting the hay cut on previous daysEarly settlers and market gardeners used these scythes as they established their farms in Moorabbin Shire c1880A large metal scythe with a wooden handle x 2early settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths