Showing 6120 items matching "clothing "
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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery, Pillow Shams 1 pair white cotton,c1900, c1900
This pair of white cotton pillow shams were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These pillow shams are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c1900 1 pair of white cotton pillow shams with crochet lace inserts clothing, haberdashery, crochet, bed linen, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery,Table Cloth small white x 2, c1900
These white table cloths were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These table cloths are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c1900 2 small white table cloths a) linen with wide crochet edge b) cotton with coloured needlework flowers and crochet edge clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery, Table Runners Linen x2 c1900, c1900
These Table Runners were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society These table runners are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c1900 2 Table Runners c1900 a) cream fine cotton with bands of cut-work and needlework border b) white linen with crochet squirrels at one end clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery, 12 linen serviettes cutwork crochet c1900, c1900
These white linen serviettes were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These linen serviettes are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c190012 Linen serviettes with cutwork in one corner and crochet edging clothing, haberdashery, serviettes, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery, Serviettes x 5 white damask, c1900
These white damask serviettes were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These white damask serviettes are examples of the needlework skills of the women of the early settler families in Moorabbin Shire c1900 5 White damask linen Serviettes. clothing, haberdashery, damask, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Lady's silk short nighties with button crutch x2, c1930
Lady's silk short nighties with shoulder straps, button crutch, crochet edging and needlework flowers is typical of the fashion c1930 and is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C These lady’s silk nighties are an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C 2x Lady's silk short nighties,with shoulder straps, 2 mother of pearl buttons at crutch, crochet edging,and needlework flowers clothing, , crochet, brighton, moorabbin, pioneers, dressmaking, needlework, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, Doiley Holder Wood painted, c1900
This painted wood Doiley Holder was used to store and protect the linen, cotton and net doilies, hand sewn with needlework, crochet and beads that were used by households c1900 This Doiley holder is an examples of the craftwork skills of the women of the early settler families in Moorabbin Shire c1900Two circular varnished wooden discs each with 2 holes through which ribbon was threaded to hold them together. The top disc is painted with flowers, kookaburra and the word Doyleys ."DOYLEYS' clothing, haberdashery, crochet brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire , dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, lady's white cotton, 1/2 petticoat, c1910
This cotton 1/2 slip with large lace flounce was made by a woman of the early settler families in Moorabbin Shire c1900 and shows the needlework and lace work skills . The Cotton 1/2 petticoat is an example of the dressmaking, and lace work skills of the women of the early settler families in Moorabbin Shire c1900Lady's white cotton 1/2 Petticoat cotton lace flounce, elastic waist and 2 bone buttons at side seam clothing, petticoats, underwear, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Footwear, Spats, wool, 20thC
Spats, a shortening of spatter guards are a type of classic footwear accessory for outdoor wear, covering the instep and the ankle. Spats are distinct from gaiters, which are garments worn over the lower trouser leg as well as the shoe. Since the mid-19th century, soldiers of various nations, especially infantry, often wore leggings or spats to protect their lower leg, to keep dirt, sand, and mud from entering their shoes, and to provide a measure of ankle support.These spats are of a type commonly worn to protect good shoes early 20thC and may have been part of a soldiers uniform c 1914A pair of khaki wool spats with 4 buttons and leather strap, with metal buckle, to pass under instep.MADE IN ENGLANDfootwear, spats, army uniform, clothing, knitting, craftwork, wool, world war 1 1914-18, world war 2 1939-1945, early settlers, city of moorabbin, bentleigh, mckinnon, ormond, moorabbin, post war settlers, hunt ailsa, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Booklet - 'Universal Knitting Book' Paton, John Paton, Son & Co. 6th Edition 1923, c1923
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. Both men had formed their businesses using the spinning mule developed by Samuel Crompton. They mainly produced yarns for commercial knitting machines. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia. The company branched out into various related lines of business, and the development of new products such as nylon and Terylene. In 1961, the company was merged with J & P Coats Ltd. The Patons trademark is still in use today.The yarn production facility at Alloa was closed in 1999 and the large factory in Launceston, Tasmania, Australia,closed in 1997. In 1952 J. & P. Coats and the Clark Thread Co. merged.and in 1961 a merger with Patons and Baldwins created Coats Patons. In 2015 the business returned to the market as "Coats Group".Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1950A printed paper booklet with 64 pages of knitting and crochet patterns, instructions, photographs bound by 2 metal staplesFront Cover ; UNIVERSAL/ KNITTING BOOK / SIXTH / ED / ITION / PRICE / NINE / PENCE / Photo of lady knitting / Trade Mark / JOHN PATON, SON & CO. / BRANCH OF PATONS & BALDWINS LTD. / ALLOA / LONDON, MANCHESTER / MELBOURNE / MONTREAL Written top right ; G Reed Back Cover ; Trade Mark / Registered / THIS TRADE MARK / IS YOUR GUARANTEE / WHEN BUYING / PATONS' ALLOA / KNITTING WOOLS knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Booklet - Patons Knitting Book No.182, Patons & Baldwins Ltd, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia.Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1940A printed black and white booklet with 31 pages of knitting instructions and photographs c 1940Front Cover ; Patons / Knitting Book / No. 182 / 'Rhumba' See page 14 'Swing" See page 15 / 6d ( decimal = 5cents) Back Cover ; Patons / No. 182 / Knitting Book / 'Fandango ' /See page 17 / 'Tarantella' /See page 18knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Booklet - Madame Weigel's Journal of Fashion, A Delightful Home Journal June 1 1937, c1937
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she used these patterns to make clothes etc.for her family and the Choral Society. Madame Weigel who migrated to Melbourne in1877 with her husband Oscar; began publishing in 1878 and distributed paper patterns of the latest fashions, throughout Australia and New Zealand, She and Oscar became the first commercial manufacturers of paper patterns in Australasia, and to publish Weigel's Journal of Fashion (1880-1915) and Madame Weigel's Journal of Fashion (1915-1950). Madame Weigel had an enormous following of women who used her patterns across the generations, and across the life cycle from babies to 'matrons'. Madame Weigel died in 1940 aged 92 years. Finally, after 91 years of business and millions of patterns sold, Madame Weigel's paper pattern business closed in 1969.Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and used these patterns for clothes etc for members of her family and the Choral Society. Madame Weigel was one of the most remarkable of early Australasian business women.A black and white booklet of 37 pages with advertisements, sketches, articles, photographs, knitting,crochet and tapestry instructions, dressmaking patterns and recipes. Volume LV111 pages 122 - 159 completeFront Cover ; Registered at the General Post Office Melbourne for transmission by post as a Newspaper / 4d / Published Monthly / MADAME / WEIGEL'S / JOURNAL OF FASHION / Vol LV111 No. 688 / A Delightful Home Journal / JUNE 1, 1937 / 58th YEAR OF PUBLICATION / Illustrated at Right - / Crocheted Cushion of / Unusual Design./popular Bed-Jacket. / ( Daisy Wheel Design) /Illustrated at Left - FREE Pattern ; / Lady's Costume Coat. / 34 Inches Bust Meas. Back Cover : Advertisement for Bushells Blue Label Tea / Printed and Published by Geo. Humphries for Madame Weigel Pty Ltd , Lennox and Rowena Sts., Richmond. Vic.haberdashery, cotton, lace, pillow cases, sheets, clothing, dressmaking, needlework, market gardens, dairy farms, lacework, craftwork, moorabbin shire, bentleigh, moorabbin, cheltenham,reed gladys, clark judy -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Hat feathers x 8 c1910, c1910
Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing,Lady's Black long crepe skirt, c1910
A typical long black crepe skirt worn by women in Moorabbin Shire c1910 whilst doing housework during spring and summerTypical day wear skirt worn by women in the early settler families of Moorabbin Shire c1910 The family of Nance Blackburn were early settlersA woman's full length black crepe skirt with side fasteners, pleats and side inserted pockets blackburn nance, early settlers, moorabbin, cheltenham, bentleigh clothing, dressmaking, moorabbin shire -
Flagstaff Hill Maritime Museum and Village
Functional object - Hat Box, John Brush, Son & Co, 1920s
This sturdy, deep hat box has been carefully constructed to give the contents utmost protection in the roughest of travel conditions. At the same time, attention to detail and quality of materials makes the box an attractive, desirable and useful piece of luggage. The supports inside the hat box show that the hat’s brim dipped at the front and back in the popular 1920s Homburg or Derby style. The hat box was likely to have been purchased, complete with its fashionable hat and personalised with the initials ‘G.M.’. The five shipping labels on the hat box tell that the owner traveller overseas with it on more than one occasion. The owner had first travelled with the shipping line Peninsular & Orient Steam Navigation Company, and may have been one the first Australian passengers in 1932, as the remnant of label on the base reads Sydney. The owner later voyaged under the company’s new name of P & O. and travelled from at least one of the voyages from Melbourne to London The square label, with “P & O” and red printed “M” in centre of circle, refers to alphabetical organisation of baggage by surname, connecting the owner ‘G.M.’ to the owner’s voyage with P & O. The P & O shipping line’s early beginnings started with the partnership of London ship broker Brodie McGhie Willcox and Scottish sailor Arthur Anderson in 1822. The partnership was joined by Irish shipowner Captain Richard Bourne in 1835 and they began operation as the Peninsular & Orient Steam Navigation Company with a service between London- Spain - Portugal. In 1932 the company expanded to include Australia with its passenger services departing from Sydney; in 1840 the company was incorporated. After various take-overs of other shipping lines and businesses, it operated under the name P & O. JOHN BRUSH The hat box was made by Australian saddle designer and maker, John Brush, Sons & Co. Brush began his saddlery trade in Roma, Queensland, His designing process included consulting with the men who rode and worked the horses. He was described in the Sydney Morning Herald of December 15, 1897, as a leading Sydney saddler, well known and reliable, with every kind of English and Australian saddle on view. John Brush established his business in 1840, operating from 371 George Street Sydney. A catalogue from that era jointly advertises John Brush (371 George Sty Sydney) and Butlers & Brush (432-4 Queen Street Sydney), both under the name of Edward Butler & Co. Pty. Ltd. The catalogue included saddlery, harness equipment, riding wear and travel goods, and strongly promoted the Wienkek made saddles, which he distributed Australia wide. John Brush, So & co. advertised its ‘new’ address in 1887, as 403 George Street Sydney. In 1898 Brush made a side-saddle for a customer, a design popular with gentlewomen of the era. The business was still operating over 100 years later, producing a catalogue in the 1950s.This early 20th century hat box is significant for being one of a kind in our Collection. Its fitted design shows the shape of the hat, dating it from the 1920s men’s fashions. The hat box is significant for being a high quality hat box made in Sydney, Australia by prominent and successful early colonial saddler and leather goods business, John Brush, Son & Co. The labels on the outside of the hat box are also significant, representing the prosperous lifestyle of an Australian traveller who purchased quality goods and cared for them. The traveller was able to depart from firstly the Port of Sydney and later the Port of Melbourne. Hatbox, oval shape, brown leather, strong, sturdy construction, six pieces, and metal lock on base. Wide lid, then tapers to a narrower base that has a red leather trim. Brown velvet fabric lining inside and covers some accessories. Other internal accessories are trimmed with plain red paper and blue and white striped paper. The lid has two attached leather tabs and a leather handle and underneath it has a drawstring liner and oval, gold-lettered maker’s label. The internal oval box has a leather retention strap and brim support. Separate moulded brim support is included. A detached leather strap with catch is inside the base. Inscriptions are stamped on the lid, printed on the maker’s label, attached as printed paper labels to the lid, sides, and under the base. Maker is John Brush, Son & Co. of Sydney. The owner’s initials “G.M” are embossed on the lid.Stamped on lid “G. M.” Label, oval, inside lid “JOHN BRUSH, SON & CO. / MANUFACTURERS & IMPORTERS / of / SADDLERY AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper: “BAGGAGE, MELBOURNE TO LONDON’, part of word ‘CABIN’ and “P & O” Label, square, white background, black print, circular emblem: ‘PE - - - - - & ORIEN-’, ‘STEAM NAVIATION COMPY.’ BAGGAGE’ and a red printed “M” in centre of circle. Label, rectangular, white background, black print; narrow line border, text in rows and an ‘X’ overprinted, from corner to corner of the border: “BAGGAGE / P. & O. S. N. Co. / MELBOURNE / To / LONDON” Label, paper, rectangular, white background, black print, an “X” across the label: “CABIN / P & O / “ Label, paper, on base, “– aid” [Paid], “SYDNEY” flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, hat box, leather hat box, vintage hat box, top hat, homburg hat, derby hat, travel ware, luggage, leather goods, travel goods, clothing accessory, men’s clothing, john brush, son & co, saddler, sydney firm, peninsular & orient steam navigation company, p & o, g.m., melbourne to london, sydney port, melbourne port, hat case -
Flagstaff Hill Maritime Museum and Village
Drawing - Pastel Picture, W.R. Angus (Dr. William Roy Angus), 1925
This large pastel drawing was created by Dr W.R. Angus in 1925, the year after he graduated as a doctor in South Australia. In 1926 Dr Angus was appointed as Medical Assistant to Dr Thomas Francis Ryan, in Nhill, Victoria, where he extended his experiences in radiology and pharmacy. Eventually, in 1939, he and his wife Gladys moved to Warrnambool, Victoria, with their children. The drawing is part of the W.R. Angus Collection, which includes another of the doctor’s pastel drawings and a box of used pastels. The picture was framed by W.H. Rogers & Co. of North Terrace, Adelaide. The business also framed maps and plans. This pastel drawing is locally significant for being the work of Warrnambool doctor, W.R. Angus. It is part of the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being a historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. The collection includes Army objects, which are examples of items issued to Doctors and Surgeons in the Medical Services of the Australian Army in World War 2. It also includes household items used by Dr Angus and his family from the 1920s in various locations including Warrnambool, together creating an understanding of the furnishing of an early to mid-20th century home.Pastel drawing behind glass in a rectangular wooden frame with an unusual oval wooden matt. The subject is a scene with a pink-tinted sky reflected in a river running between the foot of two hills with trees. The picture was created and signed by W R Angus in 1925. The back is covered in brown paper and has a mounting wire. Inscriptions are on the picture and the back. A remnant of the framer’s label is attached. The picture is part of the W.R. Angus Collection. Signature and date; “W.R.A. / 1925” Printed on label remnant; “—Rogers & Co. / - ORIA STREET / - way Station, North Terrace / “THE CORRECT FRAMERS” / -lise in Map and Plan Mounting / PHONE 5437”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, drawing, pastel drawing, pastel drawing by w.r. angus 1925, rogers & co., w.h. rogers & co., correct framers, w.r. angus collection -
Flagstaff Hill Maritime Museum and Village
Instrument - Letter Scale, 1920s to 1960s
This scale was owned by Dr Angus, whose training and experience included chemistry and pharmacy. This is a sliding balance scale. The object to be weighed, such as a letter or a dose of medicine, is placed on the square metal plate and the weight, the slider, is moved along the notched metal arm and adjusted until the arm is horizontal, then reading is recorded of the figure the pointer on the slider is positioned. This design of small is often referred to as a letter scale. This item was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969.The scale is significant as an example of 20th century measuring and weighing equipment. It is also important for its association with the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being a historical example of medicine, administration, household equipment and clothing from the late 19th to the mid-20th centuries. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Scale; a small sliding balance letter scale. The scale has a flat metal platform and a toothed metal balance arm with cylindrical brass weight. These are attached to a decorative metal stand that is mounted onto a shaped lacquered black wooden base. The sliding weight causes the arm to pivot on the stand. The arm is marked into equal-length segments from 0 to 8. Each segment is marked into halves. There is no maker’s mark. The scale is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, letter scale, postal scale, balance scale, single arm scale, chemist scale, pharmacy scale, office equipment, retail equipment, sales equipment, measuring instrument, weighing instrument, technical instrument, medications, w.r. angus collection -
Bendigo Historical Society Inc.
Container - JAR CONTAINING 20 BLACK PLASIC BUTTONS
Jar containing 20 black plastic buttons marked A.M. Pool Bendigo - 18 small size and 2 larger.costume accessories, clothing accessories, a.m. pool bendigo -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: 1959 'TELLING THE TALE' CALENDAR
A large 1959 calendar with a print titled 'Telling the Tale.' The print depicts 9 gentlemen enjoying a dinner in the late 18th century. The room has a carved stone fireplace, oak panelling and many shooting trophies. The clothes being worn are typical of the 1770's Coats of velvet, elaborate waistcoats and lace ruffles at the throat and wrists. The artist is Vine Lerche. A Bemrose Gravure Reproduction. Morgan Fairest Ltd. Sole manufacturer of the 'Banks' Labellers. Sheffield 4 England.drawing, reproduction, calendar, lydia chancellor, collection, calander, history, print, 18th century history, 'telling the tale, ' vine lerche, art, artworks, 18th century clothing, drawing -
Bendigo Historical Society Inc.
Photograph - BENDIGO WOOLLEN MILLS PHOTOGRAPH, 1940
Framed black and white photograph of large group of people outside large single story building, signage across top of building reads-- ' ? UST Bendigo Knitting Mills. Pty Ltd ' accession Number 531 lists ' Hanro Building 'Bartlet Bros. Bendigo. Handwritten bottom right cornerorganization, business, clothing manafacturer -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: MANNEQUIN PARADE, 31/10/1952
Black and white photograph of a mannequin parade in the Hanro factory, the girl on the catwalk is Joan Ryan. Written on the back in pencil is ' J. Mannix 54 Bannister Street Bendigoorganization, business, hanro, hanro mannequin parade, joan ryan, j. mannix, clothing manufacturers -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: SAMPLE BOOK, No date on item
Orange coloured manila folder with a glued on hand written label : ' Samples of Attachments in Sewing Room '. It consists of 25 cardboard pages and one loose cardboard insert. 17 of the pages have samples attached, by sellotape each end of the sample. The samples are of different fabrics and lace edgings. Eight pages at the rear of the folder are blankHanroorganization, business, hanro, hanro , clothing manufacturers, sewing room, fabric samples -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: CATALOGUES, 1960
Five Hanro catalogues, produced in Switzerland, printed in colour, depicting a range of Hanro garments. (a) A timeline of the Hanro Company from 1884 - 1959, printed in French ? , (b) Woollands Catalogue of Hanro Knit womens suits. (c) Catalogue of the Hanro Knit autumn collection. , (d) ' Miller Anderson presents Hanro of Switzerland ' catalogue, (e) Autumn collection -- same as © aboveHanro Companyorganization, business, hanro, hanro knitwear, clothing manufacture -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: ANNUAL CONFERENCE, July 10 1958
Page from ' The Draper of Australasia 'magazine, with the headline ' Hanro salesmen and representatives confer at Bendigo Headquarters. 3 pictures on the page showing their 1959 Autumn winter knitwear styles and the management team at Hanro. On the reverse side there is an advertisement for ' Tootex ' an exclusive new 'Tootal ' fabric for smart serviceable uniformscottage, miners, the draper of australasia, hanro annual conference, clothing manufacture, tootex, tootal -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: SHOP DISPLAY, Aug - Sept. 1956
Black and white photograph of a shop window display by Allan and Stark, Brisbane of Hanro underwear and slumberwear. The prices displayed are : Slips 37/6 , Scanties 16/11 , Briefs 12/11David R. Jones 97 Hardgrave Rd. West End Brisbaneorganization, business, hanro, hanro, clothing display, shop window display, smartex, slips, scanties, briefs -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PANTIES
Black and white photograph of a box of 'Santies' by Hanro. Described as Finely knitted Sanitized cotton interlock briefsReg. V. Brockorganization, business, hanro, hanro clothing, underwear, santies -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PRESSING ROOM
Black and white photograph of a section of the interior of the Handschin and Ronus factory in Switzerland ( the parent company of Hanro). It depicts about a dozen women working in the pressing room, they are using industrial steam irons and there are assorted bins in front of the workbenches. Some of the bins are empty and some are full of freshly pressed garments ready for collection.organization, business, hanro, clothing manufacture, iro9ning, pressing, handschin and ronus, hanro -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: INTERIOR OF FACTORY
Black and white photograph of a section of the interior of the Handschin and Ronus factory in Switzerland (the parent company of Hanro), depicting a woman working at a machine that is winding a large number of bobbins from large skeins of yarn that are fitted onto frames above the bobbinsorganization, business, hanro, clothing manufacturing, hanro , handschin and ronus -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: EXECUTIVE DINING AREA
Black and white photograph of the executive dining area of the Handschin and Ronus factory. There are half a dozen small square tables arranged around the room with four chairs at each one. Six men are seated around a larger table in the centre of the room. Some of the tables have ashtraysorganization, business, hanro, hanro, clothing manufacture, handschin and ronus, board room -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: KITCHEN
Black and white photograph of an industrial kitchen, There are nine women working at various locations. There are high windows visible on two sides of the kitchen. This is the kitchen associated with the dining room (entry 11000.139)organization, business, hanro, hanro, handschin and ronus, industrial kitchen, clothing manufacture