Showing 12603 items matching "wooden-sword"
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Red Cliffs Military Museum
Collage, Collage of WW1 photos of E. H. Rowe, 1st April, 2001 (exact)
This is part of the E.H. Rowe Collection.A brown wooden frame, containing 7 photos and a history of Ernest Henry Rowe. The frame has a small plaque on the bottom front.Photos from left-top to bottom: (.1) 1 Australian Divisional Headquarters- Orderlies, Grooms & Police- Derna Camp - Egypt 1914/ (.2) Two Pals and Ernie Rowe -Pyramids, Egypt, 1914/ (.3) Morning fatigues- Derna Camp- Egypt, 1914/ Main Photo: (.4) Officer Cadet Ernest Henry Rowe/ Queens College, Oxford, England/ October 1917./ Top right to bottom: (.5) Recovering at Al Hayat Hospital- Egypt after being wounded at Lone Pine Battle, Gallipoli, in August 1915./ (.6) The boy from the Bush- heading to France with Engineers- 1916./ (.7) The Sphynx and Pyramids - Egypt - 1914/ Plaque: To The Red Cliffs R.S.L. / from/ The Rowe Family of Red Cliffs/ 1st April, 2001. camp, australian, ww1, 1, gallipoli, henry, egypt, ernest, rowe, derna, divisional, headquarters, queens, college, oxford, lone, pine -
Flagstaff Hill Maritime Museum and Village
Equipment - Rope Block, Early-to-mid 20th century
A block and tackle is a simple but highly effective lifting device, thought to have been invented by Archimedes. These systems were used extensively for construction in the ancient world, and continue to be used today for a variety of applications, especially at sea, where non-motorized lifting systems are highly useful. A basic block and tackle includes a single fixed pulley or block, and at least one additional pulley, linked with rope, to form a complete set. Depending on the size of the load being lifted, additional sets may be used to further distribute the weight.This wooden two-sheave block is part of a ship's rigging. Its an example of rigging equipment in use from the early-to-mid 20th century and an example of the evolution of rigging equipment since the 17th century.Block; two sheave wooden tackle block with metal rollers and a large metal hook. It has a compliance plate on the side with an inscription. Stamped inside a lozenge; "2 ↑ CS" flagstaff hill museum, flagstaff hill village, shipwreck coast, flagstaff hill, block & tackle, rope, lifting heavy weights, ship rigging, cargo lifiting, rope block, marine technology, ship equipment, rigging, two sheave block -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Knives, x 2
Somali fighting knives (made by natives) - Long knife (top; Scabbard for same (centre); short knife with wooden handle (lower).weapon, c ww2 -
Bendigo Historical Society Inc.
Tool - ROUND RULER
Round one foot wooden ruler / dark timber -probably used in tailoring or dressmaking trade for measuring and smoothing out fabric.trades, tailoring -
Bendigo Historical Society Inc.
Photograph - RANDALL COLLECTION: SPECIMEN COTTAGE, BENDIGO
Photograph, Specimen Cottage, Hargreaves Street, Bendigo, now the Front of House for The Bendigo Historical Society. Sandstone cottage, wooden balcony.photograph, building, specimen cottage -
Bendigo Historical Society Inc.
Accessory - PARASOL
Parasol, cream linen with embroidered floral design in shades of gold, wooden handle with two silk tassels, china handle with flowers.costume accessories, female, parasol -
Bendigo Historical Society Inc.
Domestic Object - MAGIC LANTERN COLLECTION: KALEIDOSCOPIC MAGIC LANTERN
Object. Kaleidoscopic magic lantern slide cased in a brass disc, and a cracked wooden case - metal turning crank handle is missing.photography, projectors - still -
Bendigo Historical Society Inc.
Functional object - APEX CLUB DIRECTION ROSE FROM LOOKOUT TOWER
Direction rose from lookout tower, wooden base with lead lettering & directional arrows. Bendigo Apex Club Centenary Gift.Carved by Mr.Holland.clubs and associations, history, apex -
Bendigo Historical Society Inc.
Painting - PRINT OF CHILD WITH BALL
Print of small child wearing a blue and white striped dress, white bonnet and holding a ball, in a wooden frame under glass.artwork, print, child -
Bendigo Historical Society Inc.
Photograph - RICHARD W LARRITT
Framed photograph of Richard William Larritt, Bendigo/Sandhurst first surveyor. Under glass in brown wooden frame with gold trim.photograph, portrait, richard william larritt -
Port Melbourne Historical & Preservation Society
Document - Velvet Soap advertisment, c. 1900
Document advertising Velvet Soap made by J KItchen & Sons and Apollo Co Ltd. Framed between glass in a wooden surroundindustry - manufacturing, j kitchen & sons pty ltd, velvet soap, apollo candle co -
National Vietnam Veterans Museum (NVVM)
Functional Object - Ammunition box
Wooden ammunition box painted olive green with white letter stenciling. To contain 30 grenades. Rope handles and hinged lid.30 grenades Hand Frag M2GA2 Comp. B W/Fuze M215 108-MY-12-70 FUZE 108-MY-6-70ammunition box, hand grenades -
Coal Creek Community Park & Museum
2 Reels of thread
Wooden reels of multi -strand thread, khaki in colour 9030.1 Half used 9030.2 Top label missing, mostly used.Top Label - Lotus, trade Mark Regd. British Made. Rayon Legee Twist Bottom Label - 6 threads, 80 yards, 2 ozs. S5 -
Port Melbourne Historical & Preservation Society
Photograph - Original Port Melbourne Swimming Club Building, c. 1920
In the 1920's West Beach Swimming Club was located at the corner of Beacon Road & the Boulevard in Garden City. The main hall was a men only facility with the women using in the smaller building at the rear. Situated next to the hall is the Commonwealth Oil Refinery storage tank.B & W photograph of large wooden hall with a smaller hall to the rear. In the 1920's it was used by the West Beach Swimming Club.On reverse - Original Port Melbourne Swimming Club.sport - swimming, port melbourne swimming club, west beach swimming club -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Government Action Without Proper Thoughtt"public action campaigns, amalgamation, local government - city of port melbourne -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Think Before You Act! Kennett"public action campaigns, amalgamation, local government - city of port melbourne -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Fetal stethoscope associated with the Royal Devon and Exeter Hospital, c. 1900
This stethoscope , or auriscope, came from the Royal Devon & Exeter hospital in 1958 when the maternity unit was transferred to the new City Hospital. Dr Walker in his correspondence states: "The foetal auriscope is from the days of modesty, came from the Royal Devon & Exter Hospital in 1958, when its maternity ward transferred to the new City Hospital and storage for memorabilia was unavailable." This item is similar to Stoke's stethoscope, or Barclay's stethoscope, as illustrated in Tiemann's catalogue of 1899. The stem of this stethoscope is, however, much longer than either of these. The stethoscope came with a letter written to Dr Walker's maternal grandfather by Dr. James Young Simpson. This letter was transferred to the RANZCOG Archives following conservation treatment by the Conservation Centre.A lightweight wooden stethoscope with long stem and a black ebony bell on one end. The bell is almost flat. 37.5 cms in length.infant care -
Australian Gliding Museum
Machine - Glider – Sailplane, 2001
This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo -
The Ed Muirhead Physics Museum
Resistance Bridge Hartmann & Braun
Machined metal parts, polymer base, wooden box plinth. Uncoated metal, polished wood. Surface finish: wood varnish. [Stamped] on upper face, centre of front edge: Hartmann & Braun A.G./ Frankfurt a.M/ No 13881. [Stamped] on upper face, centre of back edge: Manufacturer’s symbol. Paint dot on upper face in top left corner approx. 0.7-1.0cm in diameter. -
Coal Creek Community Park & Museum
Framed picture, Black Brunswicker
Black and silver wooden frame with 4 gold ornaments Print of the painting "Black Brunswicker" by John Millais R.A. Permanent photograph -
Coal Creek Community Park & Museum
Framed picture
Dark wooden frame with carved foliage design on top and bottom. Unusual shape. Print of cyclamen flowers with mountains and trees in background. -
Coal Creek Community Park & Museum
Framed Picture, C 1900
Brown speckled wooden frame with carved floral motifs on corners and sides. Subject is a male portrait in black and white, appears to be a photograph. -
Coal Creek Community Park & Museum
Framed Picture
Brown wooden frame with carved gold inner frame enclosing a floral print of pink flowers with mountains and a flowing stream in the background. -
Coal Creek Community Park & Museum
Framed Picture
Light brown wooden frame with silver edging. Print of two little girls comforting each other under an apple tree. -
Bendigo Historical Society Inc.
Plaque - HENDERSON BEEHIVE BRASS OFFICE PLAQUE
Brass rectangular plaque mounted on wooden backboard by 4 screws inscription reads Registered Office R.O.Henderson (Beehive) Proprietary Limited.business, retail, beehive, bendigo-history-businesses-beehive-henderson -
Bendigo Historical Society Inc.
Drawing - COHN BROTHERS COLLECTION: ETCHING OF MORITZ COHN, 1878
Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros -
Yarra City Council
Painting - Public Art, Rule 30
Clinton Naina’s earliest memory is attending Collingwood football matches at Victoria Park with his father and uncles. His dad was an avid Collingwood supporter and Naina proudly wore his football colours. Lining up to enter the grounds at the big old black-and-white painted wooden doors gave Naina the feeling of entering into another world. 'Rule 30' is a comment on race relations in sport. The artwork is made from the original doors located at the front entrance of the Collingwood Football Club’s grounds at Victoria Park. When the club was refurbished the door was gifted to Naina by a friend—an ex-Collingwood football player—for use in his art practice. The work depicts a big red target painted on the existing Black and white stripes—Collingwood colours—of the door. Naina placed a fabric number ‘30’ on top of the target—created from material used for numbers on the back of players’ football vests. This represents the individuals who have been racially vilified while playing football over many years. The red represents the colour of human blood, while the Blak and white Collingwood colours already painted on the wood are a very fitting comment on race relations. The door itself becomes a potent metaphor for “overcoming barriers, making change, breaking down doors and moving forth into a new era of respect for people”. Rule 30 in the AFL was the first racial vilification code in Australian sport. It prohibited conduct between players, clubs and other AFL officials, which threatened, disparaged, vilified or insulted another person on the basis of that person’s race, religion, colour, descent or ethnic origin. In 2013, ‘Rule 30’ was amended to ‘Rule 35’ to combat other forms of discrimination including disability, appearance and sexuality.The number '30' cut out of fabric placed on top of a painted red target at the centre of an existing black and white wooden door.Accompanying labelracism, sport, football, afl -
National Vietnam Veterans Museum (NVVM)
Photograph, Vietnam Veteran Memorial
Colour photo in wooden frame with buff matt board. De[icts an elderly couple pointing to a name on the memorial wall in the USWes Kendall (signature)vietnam veterans' memorial -
National Vietnam Veterans Museum (NVVM)
Plaque, Vendetta
Wooden shield with metal detail of a crown above a hand holding a dagger over Aboriginal weapons - boomerang, axe and nulla nullaVindigoplaque, vendetta plaque ship -
National Vietnam Veterans Museum (NVVM)
Plaque, Special Air Service Regiment
Wooden shield with metal decal of downward pointing excalibur wreathed in flames with "who dares wins" Special air Service Regiment"Who Dare Wins Special Air Service Regimentplaque, sasr