significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a goannasigned: R ROGERS Bush Ka (lower right)

Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN

"Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria painting Signed: Glover-Fleay 35 (lower right) Verso: DRY SWAMP

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of building a sheep yardsSigned: R READ 03 (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a old house on the streetSigned: R READ 2000 (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of large rocks in Australian desertSigned: Adams (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of Kata TjutaSigned: Adams (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a bush sceneSigned: Adams (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a rockSigned: Melville R (lower right)

significant to the Pyrenees Shire and Lexton communitypainting of landscape with stones in foreground signed lower right: Sonia B

significant to the Pyrenees Shire and Lexton communitypainting of trees in landscape signed lower right: DRIDAN 18

Saunders Waterford - water coloursigned: M Chapple (lower left)

This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.Black and white photograph of crossed level crossing gates at McKinnon railway station. The image also affords a street view which includes the shopping strip where advertising signs abound.Stamped in blue ink on reverse: COPYRIGHT / Public Transport Corporation / For re-ordering photographs / Please quote negative No PR4764 / Enquiries C/- PTC Photographic Unit / Telephone switchboard 619 111mckinnon, railway station, streetscape, shopping strip, suburbs

A photo of a young man on a hike at Oberon Bay on Wilson's Promontory, with a sign saying 'Lighthouse 9M'. The date is possibly 1967 from the note on the back. The event and the name of the man is unknown. It is possibly part of a young legatee camp though the photo was in a Comradeship Committee photo album. The Comradeship committee gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through.Melbourne Legacy provided many outings and experiences for Legatees and also junior legatees, this is perhaps one of them in the 1960s.Black and white photo of a young man on a hike.Stamped Property of Melbourne Legacy in purple ink. Handwritten "Dec 1967 / At Oberon Bay / Wilsons Promontory" in pencil.camp, legatee event, junior legatee outing

An amended Charter of Legacy was adopted at the Townsville conference 2007 and this certificate was signed on 1/7/2008 by the Chairman and Secretary of the Legacy Co-ordinating Council. It says: The Spirit of Legacy is Service. The care of dependents of those who served their country; namely, veterans who died on operational service, or subsequently, and Australian Defence Force personnel who died as a result of their service, affords a field for service. Safeguarding the interests of dependents, especially children, is a service worth rendering. Personal effort is the main essential: In as much as these are the activities of Legacy, it is our privilege to accept the legacy of the fallen. Therefore you men and women who have accepted the legacy of the fallen, form you a Club to be known as Melbourne Legacy Club and keep fair the name of Legacy. Date this first day of July in the year of our Lord 2008". Signed by the Chairman and Secretary of the Legacy Co-ordinating Council.A record that the Co-ordinating Council published a formal document outlining the purpose of Legacy after agreeing on it at the Conference.White foolscap paper with black print, the word Melbourne appears in Red print.rules, coordinating council, charter

A framed certificate that acknowledges that Melbourne Legacy was a member of The Australian National Flag Association (ANFA) in 1984. The ANFA is an association that promotes and defends the use of the flag of Australia.A record that the ANFA recognised Legacy's work as a positive contribution to preserving the Australian Flag.Glass, black wooden frame, mottled off white paper, picture wire, white tape and compressed timber backing. Top centre:- The Australian Flag. Centre:- The Australian National Flag Association, Victorian Division This is to certify that The Legacy Club of Melbourne is a Corporate member of The Australian National Flag Association, Victorian Division Bottom:- Date 6th June 1984. signed Bruce Ruxton Chairman. A. Harnel.Hon Secretary australian flag, membership

This list of medical specialists in 1992 with instructions on the way it is to be used was made available to Legatees to assist them to help widows and their families if in need of specialist attention. Many of these specialists were making their time available at little or no cost to Legacy.The specialists listed, although not necessarily legatees, or returned service personnel gave their time and income up as a charitable gesture to assist in the work of Legacy. White A4 paper, black type about medical specialists who may help Legacy when necessary.Signed by T.G. Butcher, chairman pensions Committee. Last page in black ink F/S LI- G.J. Welsh.legatee, register

A certificate that was given by Melbourne Legacy to Junior Legatees. This was presented to Ronald Edison Harding on the 1st August 1941 and signed by the President Stanley Parkes. A good representation of the process of membership and importance given to being part of Junior Legacy, Melbourne. Text on the certificate: 'During the Great War many men offered themselves for Service in the Forces of the Empire. To assist the children of those who fell, or who have died since, the Melbourne Legacy Club was formed. The Children of deceased sailors and soldiers constitute the Junior Legacy Club.' Also: that the recipient 'had been accepted into membership of the Junior Legacy Club, Melbourne and has undertaken to accept its obligations.'A record of the formalisation process of Junior Legacy membershipPrinted certificate for membership in Junior Legacy Melbourne, this one was presented to Ronald Eidson Harding in 1941.Typed is the recipients name Ronald Edison Harding and the date 1st August 1941. Ink signature of Stanley Parkes.junior legatee, membership

A Melbourne Junior Legacy certificate that was awarded for the Senior Division of the Marching Championship in November 1964. It was awarded to Betty Marshall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. Their skills were showcased in the Annual Demonstration. The certificate shows there were prizes and recognition for achievements.A record of the recognition Junior Legatees received for achieving excellence in their classes.Printed certificate on white card awarded for marching championship in Junior Legacy Melbourne. Signed in blue ink by the Class Leader (illegible), the instructor Miss Enez Domec-Carre, and the Chairman of Girls Group (illegible)junior legatee, girls' club

During the golden jubilee of Legacy the delegates at the Annual Conference decided to send a message of loyalty to Queen Elizabeth II. This was signed by Geoff Handbury who was president of Melbourne Legacy and also conference chairman. H38 is a numbering system that was once used to sort items for the archive. The 'H' stood for History and it was the 38th item. For other items commemorating the 50th Anniversary see 00451 to 00455, 00460 to 00464, 00391, 01418, 01419, 01420, 01421. A record that the Legatees were very committed to the monarch at the 50th anniversary of Legacy during the Golden Jubilee year 1973.Black and white photo of a message of loyalty sent to the Queen in 1973.In an envelope marked 'H38' and 'Message of Loyalty 1973'golden jubilee, history

This circular was issued to both Legacy Club of Melbourne and The 'Carry On' Club of Melbourne, and signed by presidents: JHB Armstrong for Legacy and WL Sinclair for Carry On. It was after a series of annual conferences between the two clubs and shows an agreement between the clubs on the spheres of work carried out by each club to prevent duplication of effort. As a general rule, Legacy would concentrate on the care of widows and children of DECEASED servicemen; the 'Carry On' Club would focus on the LIVING ex-servicemen and their dependents. A note was made that the Intermediate Legacy Club was a group formed of sons of deceased soldiers who had progressed through the Junior Legacy Club and now 'interest themselves in the physical well-being of totally and permanently incapacitated ex-servicemen.' When an ex-serviceman dies leaving dependents the case will be transferred from the Carry On Club to Legacy, with the occasional exception. Employment: 'Legacy will pass to 'Carry On' the employment opportunities or vacancies that can be filled by ex-servicemen or their dependents in instances were Legacy is unable to fill such vacancies from it's own register' and vice versa. Welfare: close liaison is important and copies of reports will be transferred when transferring cases. These resolutions and discussions about them are shown in the minutes of the "Combined Meeting of Members of Legacy and 'Carry On' Clubs held at Legacy Club Rooms on 27 May 1937, which is the second document included here. Present for Legacy were Legatees Armstrong, Russell, Birrell, Kemsley, Clements. And present for the 'Carry On' Club were Messrs Hall, Pears, Masterson, Neil and Ramsay. The notation H10 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record that Legacy was in contact with similar clubs with the intent of sharing the work load and not duplicating effort. Notice to the members of Melbourne Legacy and 'Carry On' clubs 15 October 1937 outlining the agreed spheres of work of each club.Handwritten H10 in red pen. history, carry on club, intermediate legacy club

An article in the Sun about the donation of the Changi violin to Legacy in 1982. It mentions that the violin was thrown over the fence at Changi prison and Mr Roy Arnel played it for the 3 and half years he was in Changi. When the war ended he went around the camp getting concert party members and friends to sign it. He died in January 1982 and his wife Netta contacted Legacy who had it restored by Roger Lewis. He said many of the parts were not original but had been made for it in prison. The notation H35 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. The text of the letter to President E J Larkin says: Dear Ed, I attach a press cutting which is self explanatory except that the violin has been given to me on behalf of Legacy by one of many widows - Mrs Arnel. I have discussed with 'Kem' Kemsley and others what we should do with this interesting relic. Kem has endorsed my fear that if it is sent to Canberra no-one will ever see it. The prospective War Museum in Victoria will not be ready for some years and could not handle it. I suggest that is be displayed 'pro?' at Legacy House until it could be passed to the Victorian War Museum. Both Mrs Arnel and Kem agree with this suggestion. I should be glad to make a display cabinet if Legacy agrees to the above suggestion. I shall be glad if you will return the cutting to me in due course. Yours sincerely Roger Westerback (?) 581.A record of the donation of the Changi violin to Legacy in 1982.White A4 photocopy of an article about the Changi violin published in the Sun in 1982 and a copy of a two page letter.Handwritten H35 in red pen. history, changi violin

A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. Names unknown. In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home from Gallipoli by a wounded soldier. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of widows preparing rosemary as gifts for the public. Rosemary is sign of remembrance. Black and white photo of widows preparing trays of rosemary.widows, legacy promotion, rosemary

A group of widows at Legacy House preparing trays of rosemary to be given to the public on Anzac Day and worn as a sign of remembrance. Inez Bruce is the lady in apricot in all three photos, other names unknown. Date was probably 1989 or 1990. In The Answer in 1995 an articles says: "Operation Rosemary. Since 1982 Legacy ladies have volunteered to make rosemary sprigs for the Anzac Day marchers. At a later date they also made sprigs for the Schools Shrine Service. . . don't worry, there are ladies here to show you how to make them and it's a chance to hav a chat and cuppa whilst you work together. Any day day that you can spare . . . please ring Joan Miller." Photos were in a scrapbook of photos spanning 1983 to 1991. A note on yellow paper from 01046 explains the source of the rosemary. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home from Gallipoli by a wounded soldier.A record of widows preparing rosemary with Australian flags as gifts for the public. Rosemary is sign of remembrance. Colour photo x 3 of widows preparing trays of rosemary and Australian flags.widows, legacy promotion, rosemary

Widows are conducting a sale of craft items in a shopping arcade. It is possible the items sold were those made for the annual Art and Craft Exhibitions. The Legacy signs say "Legacy caring for Australia's biggest family". The trading tables are outside a Boyles Sweets shop and a Franklins No Frills supermarket in an unknown shopping centre. Boyles Sweets closed down by July 1993 so it was before then. Names unknown. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided as a social outlet for widows and fundraising for Legacy. Colour photo x 4 of a craft stall run by Legacy widows.This paper manufactured by Kodak.widows, fundraising

The dinner took place on Tuesday 25th November 1958 at The Naval and Military Club; there is no indication of what the occasion might have been. The two caricatures are clearly of the same person and are signed by Pat Hanna, in the same style as the drawings in 01293 and 01290, it is possible that 'Donno' might have been Donovan Joynt though his name isn't in the autographs. (Donovan Joynt was a prominent original Legatee and VC winner in France in 1918, and looks similar to the drawing). It may not have been an official Legacy occasion but simply a gathering of Legatees at the Naval and Military Club. The artist Pat Hanna was a founding member of Melbourne Legacy. Legacy kept some of his works in the archive.As well as demonstrating the conviviality of Legatees, it attests to the food usually offered at dinners in the 1950s. The 'Papa au Rum' listed for dessert might have been a misprint for 'Baba au Rhum' which was popular at the time. Printed and folded menu card, black on white, with the menu printed in purple by a spirit duplicator; two handrawn blue ballpoint caricatures, autographed in blue biro by participants.14 autographs: F.Meldrum, James G. Gillespie, Frank Doolan, Aaron Beattie, Pat Hanna, J Wallace, R. Mitchell, Brian Armstrong, and the rest illegible. In black ink: 'The One & Only DONO' underlined on back page,' DONNO THE ONE & ONLY' inside front cover.comradeship, donovan joynt, hanna

Photocopy of an article in the 'You asked us' section about 'Flanders Fields, and the man who wrote it' published in The Toronto Star 13 November 1971. The article discusses the controversy surrounding the wording of the first and penultimate lines and claims that poet John McCrae originally originally wrote 'grow' but changed it to 'blow' when asked to by the editors of 'Punch'. The photocopy of the article was supplied by Legatee Ken Rabling. Legatee Frank Doolan signed the note he wrote to accompany the photocopy and dated it 7/8/73. An item from Legatee Frank Doolan, who was on the archive committee and made attempts to collate the history of Legacy. An example of the ongoing controversy surrounding the disputed wording. The poem 'In Flanders Field' was the inspiration for the torch of the Legacy Badge with McCrae's call to the reader to take up The Torch, as the organisation did by looking after the widows and families of fallen soldiers.01302.1 Handwritten signed note in blue ball point, address stamped in black. 01302.2 Photocopy of a page from 'The Star Weekly', Toronto, Canada dated 13 November 1971.01302.1 Top right hand side 'Box 16'poem, history

Handwritten notes signed by Frank Doolan in response to an unnamed article on the building of the Shrine of Remembrance. A first page of notes is missing, indicated by the notes being numbered 5-14. Note No. 10 refers to the founding of Melbourne Legacy being erroneously attributed to Sir John Gellibrand. The pages are undated but refute in detail many of claims made by the 'architect author'. Doolan clearly feels passionate about the Shrine and Legacy's links to it and has very detailed knowledge about the building as he was a surveyor who worked on the building. An item from Legatee Frank Doolan, who was on the archive committee and made attempts to collate the history of Legacy. Illustrates the activities of Melbourne Legacy in the wider community, particularly in relation to the Shrine of Remembrance.3 handwritten sheets, blue/black ink on white lined note paper.history, shrine of remembrance

The dinner took place at the Town Hall, Melbourne, and was attended by the Governor, Sir Rohan Delacombe, the Hon. Don Chipp, M.P., the Premier of Victoria, Sir Henry Bolt, and the Lord Archbishop of Melbourne, The Most Reverend F. Woods. The insert has information for guests and is indicative of traffic movement on Swanston Street at the time. The document was found with other papers of President D.J. Simonson who would have been one of the guests since it took place during his presidency. The signatures on the back have not been identified.Part of the social history of the early 1970s and an indication of the activities of Melbourne Legacy presidents.Cream coloured menu card, black and gold printing and insert paper black on white.Signed in blue pen by some of the people attending the dinner.legatee event, function