"In olden times, both the figure seven and the equal-sided triangle were considered to be perfect signs, therefore the two signs together become an ideal symbol for God, Who is perfect. The mark is also known as the General Mark of the Order" [Ritual of the Page's Degree for use in Junior Court Ceremonies, 1963, pg7] Stave tops of ceremonial staves. MOK221.1 Chrome MOK Esquire's Mark MOK221.1 Aluminium MOK Esquire's Markmethodist order of knights

An anthology of true life stories as told by Australians who served in New Zealand, South Africa, World War I & II.Hard, green, buckram cover embossed with gold shield surrounded by laurel wreath. Dust jacket with colour illustration on front. Title in white print on green background. Title in gold print on spine. End papers illustrated in green with maps & figure of soldiers. 265 pages with cut edges & black & white photos & drawings.books-biography, military history, photography, illustrations

black and white photo: Rt. Rev. Donald Baker, 3rd. Bishop of Bendigo 1920 - 1936. View of bordered by oval surround. Figure wears high buttoned collarless jacket, clerical collar, metal rimmed spectacles, clean shaven. On back ' Rt. Rev. Donald Baker, 3rd. Bishop of Bendigo , 1920 - 1936 'person, individual, bishop baker

This piece is possibly an Inuit sculpture from Alaska.Small stone sculpture of a mother and child, carved from a single piece of soft stone. Sculpture depicts a kneeling figure, with jacket and scarf, holding a baby bundled in cloths in front of them. The sculpture is made of dark, relatively soft stone. The base is carved with a number, '30107' and additional text which may be the name of the artist.

Black hard covered book of 1038 pp with index, colour and b/w.illus. binding is textured with leather spine and corners. the book begins with a colour fold-out figure of a pregnant woman plus other colour plates. Page edges are marbled. The envelope in the back contains a small booklet,"Directions for Emergency Confinement In The Home" non-fictionnursing, medicine, eulalia richards, eulalia s richards, medical, women, scarlet fever, diptheria

Item given to Geoff MURRAY in Vietnam by Sister Augustine from the Baria Orphanage. The figure, a bird feeding its young with rice in its mouth reminded the Sister of Geoff feeding the Orphanage with all his help he gave to them. Refer Reg No 638P for Geoffs service history and other items re the Baria Orphanage.Small arrangement, bone china representing a tree trunk, birds nest, floral arrangement with bird in nest & mother feeding. Colours range from white, pink, green & blue.On base: "Bone China SEYEA"ceramics - porcelain, military history - souvenirs, vietnam

Ewen Rankin migrated from Scotland to Victoria in 1852 with his parents and brothers and sisters. He became an important figure in Linton, being involved with both agricultural and mining activities. He was an Elder of the Presbyterian Church. He married Anna Woods in 1874 and they had several children, who also went on to become Linton identities.Black and white image of a man with a short beard. He is wearing a jacket and bow tie.ewen rankin

This pot contained ointment made by Thomas Holloway. The ointment was invented and produced by the Englishman Thomas Holloway from 1837 on. This particular pot was produced about the 1920s. The ointment was popular for those suffering from variety of ailments including gout, rheumatism, ulcers and bruises. The sales of Thomas Holloway’s patent medicines made him a wealthy man and amongst his endowments is the Holloway College in Surrey, England, now part of London University. This ointment pot has no known local provenance but is kept as an interesting example of patent medicines of the past. It will be useful for display. This is a white china pot with a lid fitting into a grooved top. The lid has a black and white image of the trade mark of the ointment firm – said to be the figure of the Muse, Hygeia and her brother Telesphorus. The child is holding a banner with the address of the Holloway business and the prices of the ointment jars. There is some slight chipping around the rim of the upper part of the pot. ‘113 Southwark Street London’ ‘in Pots at 1/3, 3/-, 5/-, 12/-, 24/- & 36/- each’ ‘Holloway’s Ointment Trade Mark 3s 0d.’ holloway’s ointments, patent medicines

Sister Augustine from the Baria Orphanage South Vietnam hand sewed these items for Geoff Murray for his help with the Orphanage on his 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70. Refer 594.2, 610.2, 1866.3 re Geoff and the Orphanage. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68. Refer 638P..1), .2) Embroidered pillowcases, hand sewn with 2 Vietnamese women. .3) Handkerchief embroidered with green edge and figure of Vietnamese woman. .4) Handkerchief, white with pulled through design in one corner. .5), .6), .7), .8) Handkerchief, white on white with small design in one corner. All items are hand sewn.embroidery, vietnam, baria, sister augustine

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast

Rainfall Chart; Bendigo Advertiser 2/3/1983. Chart shows rainfall from 1863 to1983. It is noted at the bottom that the rainfall chart is in millimetres. Monthly totals have been converted from points (the imperial system) to the nearest mm. This is why there are some discrepancies between the sum of the monthly totals and the figure in the total column. Box 625bendigo, newspapers, bendigo advertiser, bendigo advertiser. rainfall chart.

black and white photo: Alfred ( Tim ) Yates ? Walking down a mine tunnel with light in hand. Male figure in tunnel carrying lamp, tracks for carts on ground, pipes on wall at right. On back Mng 47. ' miner walking along drive at Central Deborah 1951' James Lerk 26.22.1999 ' miner assumes to be Alfred ( Tim ) Yates'organization, business, central deborah mine

Exhibition of Home Industries and fine arts. Wesleyan schoolroom. Forest street. Sandhurst. 1880. First Prize Certificate awarded to Miss. E. A Craven for drawing in crayon. Figure division. In Class A. Section 3. James Thomas. Hon Secretary. Coloured drawings of the bush, people, waterfall, trees and kangaroos. Markings: Evening news office. Sandhurst.person, individual, certificate

Part of the collection of Dr Frank Forster.Uterine stem pessary. Pessary is made of copper coated lead with upper oval shaped bulb. Bulb of the pessary is made of copper and oval has a small hole in the top centre. The upper part of the stem is made of copper and the lower section is made of lead and tapers to a blunt end. On the upper outer right side on the bulb is the figure "6".intrauterine device, pessary

This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery

Figurine is from a 1973 series of 'mini exotic national costume figuines' THe toy helps to tell the significant story of Sanitarium Health Foods in Warburton. Cream coloured plastic figurine toy from a Sanitarium cereal packet. A series of national costume figures was available in Sanitarium cerial packets in 1973. This male figure represents Java. Figurine wears shorts, T-Shirt and wide hat. Carries what appears to be fruit on either end of a large stick that he carries on his back. sanitarium health foods co, sanitarium

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A First World War button inscribed ‘Our Day Nation & Honour’, and featuring an image of British nurse Edith Louisa Cavell, who died at the hands of a German firing squad in 1915. She became a heroic figure of sacrifice in World War I, and was used to increase military recruitment in Britain and win support for the war in the United States."Our Day / Nation & Honor"patriotic buttons, first world war (1914-18), badges

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Two sherds that join to form a Canopic jar which held the stomach removed during mummification. The stomach was placed under the protection of Duamutef, one of the four Sons of Horus, who were charged with protection of the viscera removed during mummification. He was represented as a human figure with the head of a dog. Duamutef was then placed under the protection of the goddess Neith. Small paper label inscribed with 'A11' attached to back of sherd. The inscription, consisting of four columns of text reads: Words spoken by Neith My arms embrace what is in me I protect Nuamutef, who is in me The revered one with Duamutef, (Osiris) the dignitary Tusy true of voice. (translation by Dr Olaf Kaaper)canopic jar, hieroglyphs, james dodgson, aquila dodgson, flinders petrie

This Bateman & Co penny token was given to Les O'Callaghan by his workmate and neighbour Roger Walsh. This is the story which accompanied the gift. 'This penny has been in my possession since 1946. Was obtained at Koroit Races that year -Royal Gem winner of the Caulfield Cup. This penny was wrapped in silver paper and was accepted by the bookmaker Mr Harold James whom I clerked for as a wager. I in turn payed [sic] my wages for working for this bookmaker and received same. Incidently [sic] the custom of this bookmaker in those days was the clerk usually was paid with silver, which was left in the bag as he did not wish to carry the silver home as he lived in Melbourne.Circular coin -obverse has name of company (William Bateman) in an inner circle with the word Victoria across the centre; within outer circle the type of trade engaged in and the year minted. The reverse has a female figure in flowing gown holding scales in the right hand and cornucopia in the left; the value of the coin is stamped around the top edge.WILLIAM BATEMAN WARRNAMBOOL/IMPORTERS AND GENERAL MERCHANTS 1855/VICTORIA (obverse) ONE PENNY (reverse)william bateman, les o'callaghan, penny tokens, horseracing, roger walsh, bookmakers, harold james

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand modelled ceramic sculpture of a Madonna and Child figural group. The abstract figures are fully covered in an olive green overglaze, apart from the base which is overglazed in cream. The base has an incised spiral beneath the glaze, which was used to decorate the hidden surfaces of a number of pieces, The base is signed with the artist's name around the edge.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, madonnas and child, viola annie mcvicars, viola annie ayling

Decorative object made by silversmith Ernest Leviny.Silver mounted emu egg goblet with detachable silver lid decorated with a kneeling Aboriginal figure holding weapons (spear is missing). Emu egg is mounted on a silver base with filigree acanthus leaf designwork on the stem, leading to four sprays on the egg surface with a rose, thistle and shamrock design. The inner egg is lined with a gold wash.Noneernest leviny, silversmithing, colonial silverware, castlemaine, emu egg goblet, buda, c 1859

Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851

Located in the garden at Kooyong, at the intersection of the path to Talbot Crescent and the path leading to the Club house, this plaque marks the contribution of Louise Zalay. Louise worked in the library area and was a familiar figure at Kooyong until her unexpected death in 2015. This plaque was unveiled by CEO Ron Hooten, with Louise's parents and many of her colleagues in attendance, and was accompanied with the planting of a rose bush.Metal plaque with inscription embedded in garden bed.In memory of Louise Zalay A friend and colleague for 20 years 1995-2015vision australia, nameplates

This wooden box and other small gifts were given to performers at Carols by Candlelight as a small thank you for donating their time and talents at the concert. The Carols by Candlelight logo of two candle adult shaped figures stand beside a smaller candle child shaped figure, with the words 'Carols by Candlelight 2001' arching over the top of the figures and 'RVIB' at the base of the figures.1 dark brown wooden box with hinged lid and green lining on baseCarols by Candelight 2001 RVIBcarols by candlelight, royal victorian institute for the blind, fundraising

Members of the Aston family in front of Tilly’s father’s boot making business in Carisbrook, where Tilly was born in 1873. From left: Sophie Aston (Tilly’s sister), William Aston (Tilly’s brother), Ann Aston (Tilly’s mother) and Edward Aston (Tilly’s father) and dog. The female figure on the far left of the image is unidentified. This image is a copy of a copy, and not the original.1 x b/w photograph of four people outside a shoptilly aston, edward aston, ann aston, william aston, sophie aston

No-one at currently at Red Cliffs Military Museum knows Mrs Mihan. but are trying to rectify this.A brass cast Australian Soldier in jungle equipment with Owen Gun, slouch hat, dog tags, basic 37 patern webbing, short and boots.No makers markaustralian, ww11, brass, figure, jungle, owen, gun, fighter, trench, art

Born: Bradford, Yorkshire, England 1850; Arrived: Victoria, Australia c.1874; Died: Melbourne, Victoria, Australia 1908VictorianGift of Mr S.T.Staughton, 1978Rural landscape with animals at waters edge, trees, packed wagon and figures around a fire. Gold plated gesso on timber frame.Recto: Not signed, not dated, not titledpainting, landscape, figure, animals, wagon, horses, water, reflection, wheels, colonial

patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture

William Wilson Jamieson came to Warrnambool around 1857 after running a Ironmongers business in Hawthorne died . He opened his store in Liebig St which he operated until his death in 1882. He was quite active in the community serving on the town council for a number of years and also the Oddfellows Lodge and the Mechanics Institute. He came to Warrnambool in 1857, after running an Ironmonger's business in Hawthorn and having worked for the hardware company McEwan & Co. in Melbourne. He bought a weatherboard building that had previously been a 'bowling saloon' in Liebig Street and opened a business that Gardner describes as a general store and Turnbull describes as a drapery store. He was a member of the town council from 1862 to 1874 and from 1877 to 1880 and also served as mayor for two terms. He was also active in community organisations including the Mechanics institute and the Oddfellows This token is of great importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens)A round copper token. The token was issued by: W.W. Jamieson & Co.. Liebeg St. Warrnambool, Storekeepers 1862 which is in raised lettering on the obverse of the token. The reverse features a blindfolded woman with the scales of Justice in her raised right hand. She is standing beside the seashore with a sailing ship in the background AUSTRALIA is stampedabove the figure anf the date 1862 is stamped below.W.W. JAMIESON & CO STOREKEEPERS LIEBEG STREET WARRNAMBOOL. AUSTRALIA1862jamieson token, warrnambool, william wilson jamieson, warrnambool ironmonger