The Ebenezer Mission Station is situated by the Wimmera River and was established by Moravian missionaries as the Lake Hindmarsh Aboriginal Reserve in 1859. At its peak more than 100 people lived and worked on the mission in more than 20 buildings. The Mission closed in 1900 and was returned to the Lands Department in 1904. The church was established in the 1870s and the cemetery includes hundreds of unmarked burials. In 1961 the National Trust (Victoria) received a letter from the Horsham Historical Society expressing concern for the future of the Mission buildings. By 1971 the National Trust was managing the site. It was fenced, connected to power and the church was restored. In the mid-1970s the gravestones were in a bad state of repair. Stonemason James McCauley worked on the stones for 2 weeks. In 1991 the church was handed over to the Goolum Goolum Aboriginal Co-operative to manage. On 05 December 2013 the National Trust handed over the freehold of the Mission site. Moravian missionary Revd Paul Bogisch and his wife Amalie are buried in the cemetery. A number of colour digital photographs showing buildings on the former Ebenezer Mission at Antwerp.ebenezer, bogisch, goolum goolum, goolum, national trust, national trust (victoria), lake hindmarsh, lake hindmarsh aboriginal reserve, moravian, mission, missionary

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Rev. Thomas Williams was grandfather of the Lindsay children. He is credited with encouraging his grandchildren in their artistic talents. Both Lionel and Normam learnt their model making skills from him. Creswick Hospital was foundation stone was laid in 1863. It operated as a hospital until 1911 when it was sold to the government as part of the School of Forestry (now University of Melbourne). The model shows it as a red brick building. In the 1870s it was painted as a white building. The Museum has b/w photos of the building taken prior to rendering. The people of Creswick collected fund for the project and obtained a government grant. The 1857 survey map of the proposed township shows the area at Eastern Hills reserved for a hospital and Benevolent SocietyThe model's unique association with the Lindsay Artist of Creswick. Model of Creswick Hospital before rendering. Made of paper with painted background and framed.model, creswick hospital, rev t. williams, lindsay family

Textiles. Calico flour bag printed on one side in red "GRIMSBY ROLLER FLOUR MILLS, STEWART SCOTT & CO CRYSTALS, BENDIGO''. In centre is a crown. Remnants of black cotton stitching along top opening. The two-story section of this mill was built in about 1873 with grinding stones. In 1887 the owners Stewart and Scott purchased new roller machinery and built a four-storey building to house it. The new building was designed by Architects Beebe and Son.textiles, domestic, grimsby roller mill bendigo flour bag

Typed notes on the building of the Law Courts. Mentioned is the cost, laying of the foundation stone, style of buiding, description of the layout of the building, and builders and architects.document, names of bendigo pioneers, bendigo law courts, the law courts, j w taverner, public offices, r c brown, lord hopetoun, m'culloch & m'alpine, j bennett & sons, j r fisher, post office, scurry & wardrop, annals of bendigo, royal historical society of victoria bendigo branch

Handrwitten notes on Dry Stone Walls. Notes mention the origin of the dry stne wall, where one can be seen, and briefly, how they are built. Written by I Hendry and dated 25/4/76.document, names of bendigo pioneers, dry stone walls, dry stone walls, ian hendry, mckie brothers, records of rhsv bendigo, building the dykes, p a macnab

Stone of which wall is constructed is believed to have been used in the construction of Jamieson's Buninyong Inn, built for Margaret Jamieson starting about 1853. She owned the earlier Buninyong Inn which impinged on they surveyed Learmonth St. and was demolished. Margaret died in 1854 before the building was completed by her son, who built the third Buninyong Inn on the corner of Learmonth and Warrenheip. The two story hotel was tenented for a while, then bought by Dr. Sparling who demolished it.Colour photo, Section of sandstone wall, 405 Learmonth St. Buninyong.buninyong, jamieson, sparling, buninyong inn, wall, sandstone

Stone of which wall is constructed is believed to have been used in the construction of Jamieson's Buninyong Inn, built for Margaret Jamieson starting about 1853. She owned the earlier Buninyong Inn which impinged on they surveyed Learmonth St. and was demolished. Margaret died in 1854 before the building was completed by her son, who built the third Buninyong Inn on the corner of Learmonth and Warrenheip. The two story hotel was tenented for a while, then bought by Dr. Sparling who demolished it.Colour photo, Sandstone blocks awaiting incorporation into reconstruction of wall, 405 Learmonth St. Buninyongbuninyong, jamieson, sparling, buninyong inn, wall, sandstone

Stone of which wall is constructed is believed to have been used in the construction of Jamieson's Buninyong Inn, built for Margaret Jamieson starting about 1853. She owned the earlier Buninyong Inn which impinged on they surveyed Learmonth St. and was demolished. Margaret died in 1854 before the building was completed by her son, who built the third Buninyong Inn on the corner of Learmonth and Warrenheip. The two story hotel was tenented for a while, then bought by Dr. Sparling who demolished it.Colour photo, Individual Sandstone block, awaiting incorporation into reconstruction of wall, for Mr. H & Mrs. D Westbrooke, 1995, at 405 Learmonth St. Buninyongbuninyong, jamieson, sparling, buninyong inn, wall, sandstone

Stone of which wall is constructed is believed to have been used in the construction of Jamieson's Buninyong Inn, built for Margaret Jamieson starting about 1853. She owned the earlier Buninyong Inn which impinged on they surveyed Learmonth St. and was demolished. Margaret died in 1854 before the building was completed by her son, who built the third Buninyong Inn on the corner of Learmonth and Warrenheip. The two story hotel was tenented for a while, then bought by Dr. Sparling who demolished it.Colour photo, bottom section of wall, showing individual Sandstone block with hole to support wooden strut, in reconstruction of wall, at 405 Learmonth St. Buninyongbuninyong, jamieson, sparling, buninyong inn, wall, sandstone

Stone of which wall is constructed is believed to have been used in the construction of Jamieson's Buninyong Inn, built for Margaret Jamieson starting about 1853. She owned the earlier Buninyong Inn which impinged on they surveyed Learmonth St. and was demolished. Margaret died in 1854 before the building was completed by her son, who built the third Buninyong Inn on the corner of Learmonth and Warrenheip. The two story hotel was tenented for a while, then bought by Dr. Sparling who demolished it.Colour photo, Sandstone wall after rebuilding at 405 Learmonth St. Buninyongbuninyong, jamieson, sparling, buninyong inn, wall, sandstone

historic, buildingBelieved to be built using stone from Margaret Jamieson's demolished Buninyong HotelColour photo, Stone wall, 405 Learmonth Street, before reconstruction.stone wall, learmonth st., buninyong hotel, ma jamieson

historic, buildingBelieved to be built using stone from Margaret Jamieson's demolished Buninyong HotelColour photo, Sandstone blocks, remnants from earlier wall, 405 Learmonth Street, during reconstruction.stone wall, learmonth st., buninyong hotel, ma jamieson

historic, buildingBelieved to be built using stone from Margaret Jamieson's demolished Buninyong HotelColour photo, laying sandstone blocks, remnants from earlier wall, 405 Learmonth Street, during reconstruction.stone wall, learmonth st., buninyong hotel, ma jamieson

This photo shows the foundation stone that was erected on the Manchester Unity Hall site when it was built in 1961. The building was demolished to make way for the Local Government Center, presently housing the Rural City of Wangaratta. The first meeting of Manchester Unity members was held in Wangaratta 1863. This was an important sociocultural group in Wangaratta during the mid 20th Century.This photo shows the foundation stone that was erected on the Manchester Unity Hall site when it was built in 1961. The building was demolished to make way for the Local Government Center, presently housing the Rural City of Wangaratta and other government departments.manchester unity hall wangaratta muioof

On 1 April 1991, fire gutted the Town Hall. Arson was suspected. The municipal art collection then valued at $800,000 was lost, including Rupert Bunny’s The Forerunners, itself valued at $250,000. Community support was immediate for Mayor Melanie Eagle and her team, and a foundation stone for rebuilding was laid only a year later by Sir Zelman Cowen. Useful debates resulted from the St Kilda Town Hall fire as to the best protection of historic buildings from fire. http://skhs.org.au/SKHSbuildings/33.htmcolour photographst kilda, st kilda town hall, st kilda town hall fire

The St Kilda Presbyterian Church is now part of the St Kilda & Balaclava Presbyterian Church. Its first service was inaugurated by the Free Church Synod of Victoria in May 1855, in a building at the corner of High Street and Alma Road. In October 1855 the congregation moved to a wooden building in Inkerman Street, purchased from the Independent (Congregational) Church. The present church site was purchased and the first church opened in 1860. The foundation stone for the present church building, the second to be built on the site, was laid by the Governor of Victoria, Sir Henry Brougham Loch, on 27 January 1885. The building was opened on 30 May 1886. Wilson and Beswicke were the architects. Ralph Wilson designed the Methodist church on the corner of Princes and Fitzroy Streets and lived diagonally opposite the Presbyterian church. Charles Beswicke had toured Britain and the Continent in 1886 armed with a camera and returned to Australia with photographs of what he considered the greatest examples of architecture. He was responsible for the town halls in Brighton, Malvern, Hawthorn and Essendon and Wesleyan churches in Camberwell and Dandenong. Thomas Corley was the builder. The lofty spire was ‘a landmark to the mariner’ used by sea captains sailing up Port Phillip Bay. On a prominent position, the highest point in St Kilda, the church attracted wealthy people with legal, merchant and pastoral backgrounds.colour photographst kilda, churches, presbyterian church, balaclava

Booklet contains photographs of: THH the Duke and Duchess of Cornwall and York; Earl of Hopetoun, Governor General, and Countess; Commonwealth Ministry; The Royal Party at Government House Melbourne; TRH the Duke and Duchess Landing at St Kilda Pier; The Mayor of Melbourne Welcoming His Royal Highness at the entrance to the City; Procession Passing down Bourke Street; Presentation of War Medals to Victorian Soldiers; The Duke of York and his Staff; St Kilda and Prahran Arch; City Arch; Procession passing Princes Bridge; Opening Ceremony at First Federal Parliament; Citizens' Arch; Queen Victoria Arch; Royal Yacht Ophir; Warships Gromoboi (Russian) and Brooklyn (USA); German Arch; Chinese Arch; State School Fete at Exhibition Building; The University Commencement; Group of Fijian Constabulary; Laying Foundation Stone, Soldiers' Memorial Ballarat; Visit to South Star Gold Mine, Ballarat; Illuminations at Princes Bridge and Flinders Street Station; Illuminations at Parliament House and Treasury; Illuminations at Town Hall and City ArchGold coloured paper cover embossed and tied with gold thread. Contains 16 pages of cream coloured paper printed in black, some with blue decorative margins.Handwritten inscription on title page: 'For the Boy from Grandfather in memory of a very happy time we spent together May 1901'duke and duchess of cornwall and york, royal visits, 1901, opening of parliament, federation arch, st kilda and prahran arch, city arch, german arch, chinese arch

Program commemorating the church's 70 year history, and Armistice Day, in 1928. All Saints Anglican Church in East St Kilda is one of Melbourne's oldest Anglican churches. The foundation stone was laid on 8 November 1858 and the first service was held in the church on the 8 December 1861. The building which can seat up to 1400 people is said to be the largest Anglican parish church in the southern hemisphere. Two sheets of yellow paper, folded and bound with two staples and printed in blackall saints church, all saints anglican church st kilda

Invitation to services commemorating the 80th anniversary of the laying of the foundation stone of Christ Church, at 14 Acland Street St Kilda, on 25 November 1934. Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. White card, discoloured with aged, printed in dark blue on one side.christ church, acland street

Gardens done by the prisoners at Camp 13.Black and white photograph of a pond with stones around the edge and two plymths and statue in centre. Background is two buildings, with windows open and some bushes.camp 13, camp 13 internees, camp 13 gardens

The archway is at the entrance to the Japanese compound. The small Japanese building is a Japanese shrine. This was built at Camp 14.Black and white photograph. Two lamps on posts in the front of the photograph. There is an archway to the left and rear of the photograph. Between the 2 lamps there are three stone steps leading up to a small Japanese building.loveday, south australia, opium crops, internment camp loveday, japanese shrines, japanese internees

War and family memorabilia collated by Betty Thornton, daughter of local Thomas Thornton. WW1 & Family Memorabilia - Thomas Thornton contains: ~ 2 x leather-bound photo albums containing b&w photos of family members, some labelled with hand-written notes ~ Sample of small stones containing copper ~ Several sized detachable buttons used on WW1 service uniforms (cuffs, collars, shirts) ~ Small purple-coloured cardboard box containing a number of service medals, fund-raising badges, royal family medallions ~ B&W photos of Thomas Thornton and comrades in uniform ~ Small leather-bound book containing information about servicemen known to Thomas Thornton (My Roll of Honour) ~Small white cardboard box containing plaster Welcome Home plaque in the shape of Australia. Lid has floral decoration, Auld Land Syne and Thomas Thornton written in the corner ~ Photocopies of Thomas Thornton's war records (AWM) ~ Homemade cardboard frame covered in clear plastic, containing some WW1 items of Thomas Thornton see photosthornton, ww1, copper, badges, medals, buttons

Scots Presbyterian Church, Lake Bolac. The architect was Mr George Harriot and it was built of local bluestone by stonemason Mr Helme and completed in 1878. The Rev. Mr J S Muir took the opening service. Mrs John Moffat and Mrs William Veale laid the foundation stone. It was furnished by the existing Kauri pews but the present pulpit is not the original. Both Methodist and Anglican services were held in the building in the early years.scots presbyterian church, lake bolac, bluestone, methodist anglican, harriot, helme, muir, moffat, veale

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Pacific Mercantile Bank Building (or the Perpetual Savings and Loan building), 9720 Wilshire Boulevard, Beverly Hills, Los Angeles, California, USA, 1961(Architect: Edward Durell Stone.)Made in Australia / 15 / Encircled 5 (Handwritten)slide, robin boyd

The memorial stone of the UMFC in Church St. Richmond was laid in December 1868. The bluestone church, which seated 308 people, was designed by G.R. Cox and built by John Wright. It was opened in May 1869. By 1890 subsidence in the foundations of the building had caused the bluestone façade to bulge dangerously outwards and a new façade of red and white brick was constructed. The memorial stone of the new façade was laid on 7th June 1890. Before construction of the 1868 church, services were held in a weatherboard building which subsequently served as the Sunday School.B & W photograph of the exterior of the Richmond United Free Methodist Church.united free methodist church, church street richmond, bluestone, g.r. cox, john wright.