Postcard of Collins St looking west from Russell St with W2 class tram No. 629 with the destination of Victoria St. The tram entered service during July 1930. Has route number boxes fitted but not in use. Another W2 class tram is westbound. There is a policeman on point duty along with many motor cars. Photo early 1930s. Unknown publisher.Yields information about the view along Collins St from Russell St.Postcard - black and white, divided back, unused.trams, tramways, collins st, w2 class, tram 629

The photograph was taken at an Ithacan Club picnic some time during the late 1930s. Races have always been a popular feature of the picnic. The then president, Andreas Papadopoulos is congratulating the three place-getters, from L-R unknown, unknown, Hector Anagnostatos (Andrews). Andreas Papadopoulos was president from 1934 - 1939. Hector Anagnostatos was president from 1953-1955.A sepia photograph mounted on grey board which has a darker grey border. Three men dressed in singlets and trousers are standing in sports arena and a man in a suit is shaking the hand of one of the men. Some people are seated in a grandstand behind the group on the oval. Written on the back: AGP - 8

Scan of a black and white photo, undated but probably 1930s, which shows the first Grenville Shire hall and Council offices building in Sussex Street, Linton, and the shop next to it, which was owned from the 1860s to 1882 by the Austin family. (The shop appears to have been unoccupied at the time the photo was taken.)shire of grenville hall, council offices, town hall, shire hall, shops, thomas austin

These labels come from the Brewery of Hodgens & Co. who operated the Warrnambool Brewery west of the corner of Timor and Banyan Streets This brewery was established by Edmund Wheeler as the Western Brewery in 1866. Daniel Hodgens the principal of Hodgens & Co. owned the Warrnambool Brewery from sometime in the 1890s until 1909. (Hodgens died in 1907.) Daniel Hodgens also owned the National Hotel and the Pieter Both Hotel and leased the Union, Princess Royal, Prince of Wales and the Bayview hotels in the late 1890s.These labels are of considerable interest as they are artistically pleasing and are part of an important brewery business in Warrnambool in times past. .1 Oval grey and white label adhered to a piece of cream coloured card. It has a sketch of a lake and hills in the centre which resembles Tower Hill .This is surrounded by a wide border containing text. The label is discoloured .2,.3 Dark cream paper rectangular labels with black and white text. There are decorations of berries and leaves in one corner. The primary texts are contained in two long arcs and a black rectangle. Both labels are torn. .2 has a section missing. .4,.5 Rectangular labels with a curved top and extended side panels. It features,on a gold coloured background, the profile of Punch wearing a crown with a striped red and white stocking attachment. Punch has a long hooked red nose and is raising a flask towards his mouth. Above him in the curved top section are two diagonal red and dark green panels containing text. Underneath Punch are two rectangular wide, dark green and white panels containing text. The extended side panels are at right angles to the central section.There are two crosses on the top and bottom of .5 The section containing these and also a sections beside the side extensions have been removed from .4. .1EXTRA NOURISHING STOUT HODGENS & CO WARRNAMBOOL .2,.3 HODGENS & CO. WARRNAMBOOL BREWERY BRAVO ALE Refreshing, Invigorating and Contstiting (sic.) an Appetising Tonic while slightly Stimulating. Easy of Digestion HODGENS & CO PROPRIETORS WARRNAMBOOL .4,.5 A CERTAIN CURE FOR INDIGESTION HOT STUFF USED WITH BEER SPIRITS AND AERATED WATERS A DELICIOUS DRINK . Bottled for the Manufacturers by Hodgens & Co. at their Spirits Stores. . warrnambool brewery 1885-1909

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 1930s dress and jacket is one of a number of items donated to the Fashion Collection by Teresa Mayer.Long burgundy machine-made lace evening dress with a separate red underslip. The dress is currently paired with a red velvet jacket and belt which it is believed was part of the original donation by Teresa Mayer.evening dresses, australian fashion - 1930s, women's clothing, evening wear, evening ensembles

The photograph shows a cable tram set being towed out of a car depot or car house by a tractor, North Fitzroy Nicholson St depot. The grip is in the raised position, with the gripman's hands on the brake levers. The conductor is waiting to pull the pin that secures the tow bar. The tram has the destination of Spencer St. Photo late 1930s or 1940. Note the Bundy clock on the depot wall.Yields information about towing a cable tram out of a car house probably shortly before closure of the cable tram system in 1940.Black and White photograph - printed on plain paper.On the rear has the Copyright stamp of The Age and pencil number "KM-M-007", Ken Magor stamp, "tram being towed out of depot" and number 4838.cable trams, tractor, towing cable tram, car house, north fitzroy depot

Slate and satchel commonly used in primary schools prior to World War 2; exercise book was produced by local traders in the Brunswick and Brunswick West area for free distribution to students.Leather school satchel, with slate and exercise book. Exercise book entitled "Brunswick West and North-West State Schools Homework Exercise Book", probably produced between 1926 and mid 1930s. The Advertised Bruce Small/Malvern Star business was located at 134 Sydney Road in the 1931-1934 period. Slate and exercise book marked "Doug Elliott"school slates, school satchels

Offering Plate circa 1890s. The decorated plate features a carved Scottish thistle and turned handle. These were used in the 19th century and hung on pegs at the back of the church when not in use. Velvet lined wooden offering plate with turned handle. Features a carved thistle. offering plate

This is a simple wallet purse for daily use,leather was a popular material due to its durability and longevity. The decorative top corners show an art nouveau style which was popular in the 1890s.Small black leather purse with green hues and a silver chain. Circa 1890 decorative designs on front top with silver hallmarks. Inside is a kiss clasp coin purse and 4 compartments for cards. Also inside is a small purple pencil with string attached and a 'L.T.Piver No.11'French perfume sample card. There are very small hallmarks on the decorative frame and a small 'WJ' on the clasp.purse, silver, art nouveau, leather

Black and white photograph of W2 488 east bound in Victoria Parade with the destination of Kew Post Office. The tram was built in Feb. 1928 and fitted with route number boxes in 4/1930. The Victoria Parade line was opened to electric trams on 15/9/1929, dating the photo to a short period of time, early 1930s. The photos shows established hedgerows that were planted along the tram track.Yields information about the then new Victoria Parade tramway and tram 488.Black and white print with details on the rear.Sutcliffe Photographers stamp.tramways, tram 488, w2 class, victoria parade, kew post office, trams, mmtb

These items, 1930s bank books belonging to Michael Toohey, a Woodford farmer, come from the estates of the Ardlie family of Warrnambool and appear to have been stored amongst the office material of the prominent Warrnambool lawyer, William Ardlie (1843-1933). He was the son of pioneer Warrnambool settlers, John and Mary Ardlie. William Ardlie established a legal practice in Warrnambool in 1867, initially in partnership with George Barber. Ardlie was a dominant figure in legal and community circles in Warrnambool and continued with his legal practice until the early 1930s. The bank books were issued by the Commercial Banking Company of Sydney. A Warrnambool branch of this bank was established in 1927 when it acquired the Bank of Victoria. The Warrnambool branch of the Bank of Victoria at 92 Liebig Street then became the Commercial Bank of Sydney. In 1958 the bank building was demolished and new premises were built. In 1981 the Commercial Bank of Sydney merged with the National Bank of Australia and traded as the National Bank in the building at 92 Liebig Street until the premises were closed in 1985.These items are of minor interest as mementoes of the Warrnambool branch of the Commercial Banking Company of Sydney..1 A bank book with a hard black cover and pages containing ruled black lines. The cover has a white label pasted on. This has black printing and handwriting. The pages contain handwritten debit and credit entries. .2 A bank book with a soft black cover and a white label pasted on. This label has black printing and handwriting. The pages have ruled red lines, some entries in black handwriting and some bank stamps. Most of the pages are unused. Mr M. Toohey Michael Toohey Woodford commercial banking co of sydney, warrnambool branch, michael toohey,, woodford farmer, history of warrnambool

This is an unmarked earthenware storage jar possibly made by the Hoffman's Pottery of Brunswick Victoria. It displays a dark treacle glaze typical of Hoffman's Pottery in the 1930s. this jar would have been used to store foods such as biscuits, flour or rice away from rodent attack. it has a wide mouth to enable easy withdrawal of produce. Originally it would have had a large cork stopper or cloth fastened with a string to seal it.This item was recovered from the abandoned barn of the Pope family in 1971, when the property was sold to the Shire of Diamond Valley. This barn was located on the northern side of Pope Place and sketched by Ron Reynolds for the book "Greensborough and Greenhills".Glazed stoneware jar with dark treacle glaze to top, wide neck. Stopper missing.hoffman pottery, stoneware jars

This is an unmarked earthenware storage jar possibly made by the Hoffman's Pottery of Brunswick Victoria. It displays a dark treacle glaze typical of Hoffman's Pottery in the 1930s. this jar would have been used to store foods such as biscuits, flour or rice away from rodent attack. it has a wide mouth to enable easy withdrawal of produce. Originally it would have had a large cork stopper or cloth fastened with a string to seal it.This item was recovered from the abandoned barn of the Pope family in 1971, when the property was sold to the Shire of Diamond Valley. This barn was located on the northern side of Pope Place and sketched by Ron Reynolds for the book "Greensborough and Greenhills".Glazed stoneware jar with light treacle glaze to top, wide neck. Stopper missing.hoffman pottery, stoneware jars

The photo shows tram 12 in Bridge St Ballarat on its way to Mt Pleasant. The photo is of Bridge St looking west from Peel St. In the photo are a butcher, a newsagent, a sign "Join ANA Today", along with two ladies with prams crossing the road. Wal Jack on the rear of the photo notes it is about 1940. Based on the cars in the photo, late 1930s. Item 5463 has a poor quality negative of this postcard. Yields information about Bridge St Ballarat during the late 1930sPostcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, bridge st, tram 12

Photo of a cable tram set, trailer 389 at the Bourke St terminus shortly after its arrival. Passengers are waiting in the Safety Zone, for the shunting to be completed before returning to Nicholson St. in the background are the Bourke St West Police station, Hudson's Stores, the MTO Co. Head office building and Carlyons Hotel. Under the awning of the MTOC Head office building is Buchanan;s Cafe. Photo late 1930sYields information about the Bourke St cable tram terminus, late 1930sBlack and white print with a plain backtrams, tramways, tram 306, cable trams, bourke st

This machine was made in Baden, Germany, for the Ward Brothers of Melbourne, who imported machines from various manufacturers and had them branded with their Ward Brothers decals. This machine is most likely dated before 1911, when the Ward Brothers became two separate businesses, as one of the decals appears to have been deliberately removed. The case is made in an attractive design and the machine itself has decorations that are pleasant to the eye. Even the metal cover of the folding handle has a swirling design on it. The machine has the added bonus of a ruler along the front base. Many sewing machine manufacturers in Germany produced their machines specifically for export. A company could mass-produce its machines and give the same product several different brand names, according to their overseas buyers. There was a huge market for domestic machines as it enabled tailored clothing to be made in households at a fraction of the retail prices. Ward Brothers began in Australia in the late 1890s and early sewing machines sold by them had the three brothers on their decals. In 1911 the brothers divided into two separate firms, one operating on his own, the other two remaining together, and all still operating in Melbourne and at first still using the name Ward Brothers.This sewing machine is one of two hand-operated Ward Brothers machines in our collection that were made in Baden, Germany, and the only one that has had the three Ward Brothers on its decal, and that has front and rear slide plates. This machine represents the early domestic market for sewing machines, making it possible for the everyday homemaker to produce fashionable garments and linen ware that was affordable. The owner of this machine could work at more than one location as it was portable and did not require a large space to set up. The machine is associated with the well-known Ward Brothers of Melbourne, who sold imported sewing machines that were branded with their own name. Sewing machine, hand operated, in wooden case. The machine is painted black with gold decals, and front and rear slide plates. The wooden base of the machine has an inlaid ruler. The case has curved sides and shaped ends, decorative woodwork on corners, an inlaid diamond pattern on top, and a folding metal handle. Accessories are included. The decals include doves, inscriptions and swirls, and there is a map of Australia with two portraits of men. The machine was made in Baden, Germany, for Ward Brothers, Melbourne. Images: Map of Australia with States marked, and with portraits of two men. [A portrait-sized area on the left of the men has had the image removed.] Text in printed script: "Specially / Made in Baden" "WARD BROTHERS / MELBOURNE" " with a Logo is a map of Australia,flagstaff hill, warrnambool, great ocean road, sewing machine, hand operated, pre-1911, domestic sewing, homemade clothing, fashion, ward brothers, made in germany, baden, front and rear slide plates, crank handle, hand crank sewing machine

This album of ephemera contains a variety items such as invitations, tickets, brochures and cards for businesses and shops in Bacchus Marsh and district. The items range in date from the 1890s through to the late twentieth century. Vinyl and plastic covered album housing small card and paper ephemera items in plastic sleeves and pockets.bacchus marsh history, ephemera bacchus marsh, bacchus marsh social history

8546a Photograph of 13 miners at the ?? Poppet Head, date unknown, possibly circa late 1930s. Note on rear states Pat Scarff second from RHS Refer 8546b attached Long Gully Rivers Football team 1938; Pat Scarff second from RHS, second row - 11520.493Box 616a miners, unknown poppet head, possibly late 1930s

The Photograph shows Ballarat tram No. 14 with the destination of Lydiard St North most likely in Albert St Sebastopol during the 1930s or 1940s. The tram was in the livery shown from August 1936 until Dec. 1950. A motor car is travelling on the adjacent side of the open door, which indicates possibly at the north end of Albert St, just before the tram turned into Skipton St. On the right side is a building advertising Robur Tea.Yields information about tram 14 in Albert St. Black and white prints - plain back. tramcars, tramways, tram 14, albert st

Moulded Bohemian ruby flashed glass, with blown storm shades all decorated with enamelled painted floral motifs, c. 1890s. These decorative candlesticks with shades matched the light fittings in the cottage parlour.Decorative candlesticks with faceted glass drops with storm shades demonstrating not only the practical use of the object protecting the lighted candles from being blown out by draughts, but also a decorative element. These candlesticks also matched the light shades of the front parlour of the cottage c.1890s.candlestick, storm shade, ballarat, flashed glass, bohemian,

Wooden box used to advise other stations - Box Hill and Ringwood when the Mitcham train was departing. Acquired when the Mitcham station was demolished in 2014. Handset altered c. 1970s.Metal plate with switches. Wooden box 1930s. Handset altered C.1970s as used by trains as they departed from Mitcham to Box Hill and Ringwood. Switches Black - Up to Box Hill and Down to Ringwood. Red "UP" Bell to Box Hill Red "Down" Bell To Ringwood To advise the train had left Mitchammitcham, box hill, ringwood, victorian railways, railway stations, trains, railway signals

This article reports on the fire that destroyed the original timber Greensborough Hotel. The original hotel was built in 1860 at the corner of Grimshaw and Church Streets by Frederick Ellis. According to this article the original building was replaced in the late 1890s.2 page newspaper clipping. Downloaded from Trove.greensborough hotel, grimshaw street greensborough, church street greensborough

Stawell Shire Hall built 1866, photo taken around c 1890s. The Shire Hall has a decorative gate and fence in front of the building. This photo is an enlargement of the post card in album 14, p26. Black & white enlarge photograph of the Stawell Shire Hall c 1890's. This photo is taken from the original post card in Album 14 page 26. The post card has an EMPIRE symbol on the back with a lion and kangaroo between them is a camera on a stand. The photo shows the Stawell Shire Hall with a decorative fence in front of the building and hedge behind the fence.Post Card with EMPIRE symbol on the back.stawell

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). The area represented in this detail plan has undergone significant change during the 20th century. The widening of High Street in the 1930s and 1950s involved the shops on the south side of High Street being demolished and later rebuilt to fit the widened street. Another significant loss was the mansion ‘Drayton’ fronting Wellington Street, owned at this stage by Susannah Fenton. Her family name would later to be given to Fenton Way, which was to be built over the grounds of the house following its demolition. The plan of the garden is particularly interesting, containing a batten dome fronting Wellington Street, an ornamental pond, a fountain and a brick and glass conservatory. The notes by the plumbing contractor on this plan are particularly detailed. Pink borders delineate the ownership of the varying parcels of land. Some of the better known owners listed include the real estate agent Cr. Henry de Castres Kellett (bt) and John Padbury, the funeral director. This particular plan provides a clear view of the configuration of the Kew Junction in 1903 and the commercial buildings that surrounded it.melbourne and metropolitan board of works, detail plans, maps - borough of kew, mmbw 1580, cartography

Also known as the King George V memorial building this branch of the Mission to Seamen opened in 1937 as a replacement for the old Mission in Port Melbourne. The Foundation stone was laid by the Victorian State Governor and a photograph of the event is also held in the MTSV collection. The Art Deco style building was commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. NB PMHPS Kindly allowed MTSV heritage to take scans of the Kelly series notes in their collection for reference in 2019.One of the few full colour images of this building originally classified by the National Trust and now demolished. An example of architect Harry Norris' work 1937. All that remains are a ceramic plaque, a brick and several items of chapel artefacts. Alison Kelly, a photographer, was part of the group supporting the Port Melbourne Seamen's Mission in the 1980s and 1990s. She took a series of photographs of the building now held by the Port Melbourne Historical and Preservation Society.Full colour Postcard featuring colour image of a large red brick building in a 1930s era Architecture. There is a green wrought iron gate ajar in the foreground with the word SEAMAN spelled out. MISSIONS TO SEAMEN can also be seen spelled ut in white across and down the central clock tower of the building and this is surmounted with a white flagpole.On verso: Printed: "Heritage Series / POST CARD " at right angles in small print from lwr edge to upper: "PHOTOGRAPHY BY ALISON KELLY PORT HERITAGE SERIES NO 6". At Lwr left crnr printed:" Missions to Seamen Building, Port Melbourne/ Designed in the Modern style by architect Harry Norris,/ this 1937 National Trust classified structure was until 1972 / an entertainment and spiritual centre for seamen, with / important roles during the war [WW2] and immigration periods"king george v, memorial chapel, harry a. norris, brick, art deco, alfred m. nicholas, beach street, mission to seamen, alison kelly, 1937, arts centre, seamen mission, mission to seafarers, port melbourne