Chatham School, located in Weybridge Street Surrey Hills, was opened on 1 August 1927 following pressure from local residents as nearby schools (Balwyn, Mont Albert & Surrey Hills) were all over-crowded. This followed a surge in development following WW1. Land in surrounding streets was sub-divided. This included part of John Butler Maling (Jnr)'s small farm bounded by Banool Road, Wharton Road, Weybridge Street and Whitehorse Road. An area surrounding his home, 'The Willows' was retained and not sold until after he died in 1931. leased by Mr John Butler Maling in 1861. Three acres of his land were purchased by the Education Department. Some of the early students have referred to Chatham’s land as Mr Maling’s bull paddock. Some of the original yellow box trees remain on the property. The most significant of these is now called the Friendship Tree. On 1 August 1927 212 students were enrolled; Ralph Rae was one of these. The school was official opened on 15th February 1928. The school number is 4314. A black and white photograph of a group of 39 Grade 1 students from Chatham State School.1927, schools, chatham state school, clothing and dress, primary schools, john butler maling (jnr), ralph rae (mr)

Chatham School, located in Weybridge Street Surrey Hills, was opened on 1 August 1927 following pressure from local residents as nearby schools (Balwyn, Mont Albert & Surrey Hills) were all over-crowded. This followed a surge in development following WW1. Land in surrounding streets was sub-divided. This included part of John Butler Maling (Jnr)'s small farm bounded by Banool Road, Wharton Road, Weybridge Street and Whitehorse Road. An area surrounding his home, 'The Willows' was retained and not sold until after he died in 1931. leased by Mr John Butler Maling in 1861. Three acres of his land were purchased by the Education Department. Some of the early students have referred to Chatham’s land as Mr Maling’s bull paddock. Some of the original yellow box trees remain on the property. The most significant of these is now called the Friendship Tree. On 1 August 1927 212 students were enrolled; Ralph Rae was one of these. The school was official opened on 15th February 1928. The school number is 4314. A black and white photograph of a group of 51 Grade 5 students from Chatham State School.schools, chatham state school, clothing and dress, primary schools, john butler maling (jnr), ralph rae (mr)

Chatham School, located in Weybridge Street Surrey Hills, was opened on 1 August 1927 following pressure from local residents as nearby schools (Balwyn, Mont Albert & Surrey Hills) were all over-crowded. This followed a surge in development following WW1. Land in surrounding streets was sub-divided. This included part of John Butler Maling (Jnr)'s small farm bounded by Banool Road, Wharton Road, Weybridge Street and Whitehorse Road. An area surrounding his home, 'The Willows' was retained and not sold until after he died in 1931. leased by Mr John Butler Maling in 1861. Three acres of his land were purchased by the Education Department. Some of the early students have referred to Chatham’s land as Mr Maling’s bull paddock. Some of the original yellow box trees remain on the property. The most significant of these is now called the Friendship Tree. On 1 August 1927 212 students were enrolled; Ralph Rae was one of these. The school was official opened on 15th February 1928. The school number is 4314. Front row centre is Jocelyn Cerini who married Ken Hall, another Chatham student. A black and white photograph of a group of Grade 2 female students from Chatham State School. They are dressed in white.schools, chatham state school, clothing and dress, primary schools, john butler maling (jnr), ralph rae (mr), jocelyn cerini (miss), jocelyn hall (mrs)

John was the eldest son of Dr Jack (Frederick John) and Mrs Doris Bennett (nee Willmott). His paternal grandfather, John Henry Bennett, was also a doctor who practiced in St Arnaud and Hawthorn. John was born in Melbourne on 23 October 1924 and attended Scotch College for his early education. The family moved to England shortly before WW2 and he completed his schooling at Mill Hill in Uxbridge (and at St Bees School in Cumberland to which Mill Hill was evacuated). He entered St Bartholomew's Hospital Medical College in 1946. He married Christina Hudson in Cambridge in 1946 and they followed the rest of the family back to Australia in 1948. John was Resident Medical Officer at the Repatriation Hospital in Heidelberg from 1948-1953. He was an Honorary Clinical Assistant at the Royal Melbourne Hospital from 1950-1965 and became a member of the Royal Australasian College of Physicians in 1953. He joined Drs W Langley Carrington, William (Bill) Vorath and Norman Rose at the Surrey Hills Medical Centre in 1953. He lived in Camberwell and had 2 sons and 1 daughter; one son also qualified as a doctor, working in Hobart. His brother Robert, a radiologist, lived in Mont Albert and one of his 4 daughters, Dr Penny Bennett, also worked at Surrey Hills Medical Centre at a later period. Ref: Article in Chiron - Medical Genes: The Bennett Family written by Dr WRC (Robert) Bennett, 1989. The donor was a niece of John Bennett.The Surrey Hills Medical Centre was one of the first, if not the first, general practice to include specialists as partners soon after WW2. Black and white formal head and shoulders photo of Dr John Willmott Bennett who was a general practitioner in the 1950s and 1960s at the Surrey Hills Medical Centre. doctors, surrey hills medical centre, dr john willmott bennett

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.A pair of black wool twill women's jodhpurs from late 1800s to early 1900s. The jodhpurs feature a flat flap-front that buttons on either hip with four buttons on either side. The cut of the leg is full tapering through shaped panels to a slim fit over the calf. At the centre front of the leg at the shin, the pant leg is laced closed and finished with brown binding. From the back, the pant hangs loose and full over the bottom, tapering to a slim fit over the calf. Note: These jodhpurs are not a matching piece of the riding habit T0002.1. However, it appears that the same person wore them together as an outfit.barone, riding habit, seaview, jodhpurs, brighton

This coat belonged to Brighton resident Audrey Winifred Pickett (nee Heriot; 1915-2011). The coat is made from the pelts of rakali, also known as the Australian water rat, a native rodent species similar to an otter. Growing up to 35 centimetres in length, rakali typically live in burrows near water, feeding on fish, insects, yabbies and waterbirds. Throughout the early twentieth century, they were widely considered to be a nuisance and were hunted for their soft and waterproof fur. Demand for rakali pelts increased during the 1930s Depression years, when a ban was placed on the import of overseas furs; rakali fur became a popular substitute for the fur of the American muskrat. The species was placed under a protection order in 1938, although periodic culls were allowed until 1957 due to their perceived destruction of irrigation banks and fishing nets. Audrey recalled that the coat was made for her by furrier F. J. Ellemor after a large cull of rakali. The coat was displayed in the window of Ellemor's Block Place store. F. J. Ellemor Pty Ltd was established in 1908 by furrier Francis John Ellemor (1867-1944) and continued into the late twentieth century under the management of his son Wilfred (1801-1972). Francis and his wife Edith lived in Rothesay Avenue, Brighton from the late 1930s.Three-quarter length brown fur coat made of Australian water-rat (rakali) pelts. Wide raised collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNEfur coat, rakali, australian water rat, melbourne fashion, audrey winifred heriot, audrey winifred pickett, audrey winifred north, francis john ellemor, f. j. ellemor, furrier

This dress belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.White cotton high-waisted maxi dress printed with black spots and trimmed with red rickrack. Elbow length sleeves. Fastens with centre back zip.Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE1970s fashion, maxi dress, bernice overend, overend family, chevy chase, brighton, melbourne designers, jillian of melbourne

This pant suit belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with Darren, Jenny and their three children. Stell-Ricks was the label of Melbourne fashion designer Stella Dare.Pant suit comprising tunic (.1) and flared pants (.2) made from cream, yellow and gold lurex woven in a floral pattern. Tunic has a pair of non-functional pocket flaps at breast and two finctional pockets at front hip area. Tunic fastens with a centre back zip. Tunic lined with shell pink poyester satin; pants unlined.Label woven white on black acetate centre back tunic: Stell-Ricks / OF MELBOURNE / SUITS TOPCOATSpant suit, 1970s fashion, chevy chase, overend family, bernice overend, melbourne designers, stell-ricks, stella dare

This outfit belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.Three-piece woman's outfit comprising double-breasted cape, cropped sleeveless top and skirt; cream wool woven with silver lurex. Top is decorated with a centre front fabric bow and is decoarated with fake pearls. All items lined with cream polyester. .1 - cape .2 - top .3 - skirtLabel printed black on white acetate, centre back cape, top and skirt: DESIGNED AND HANDWOVEN / BY / Robert Maltuswoman's suit, chevy chase, overend family, 1960s fashion, robert maltus, bernice overend, melbourne designers

These sashes were awarded to Frank Pevitt a successful runner in the late 1940's and early 1950's. The year 1954 was when Frank finally came into his own. In March he came second in the mile and two miles in Bendigo and then, a week later, won the Lilydale Gift and the Eighty five pound prize. In April he won the two-mile Grampian Stakes at Stawell. In a large field of 81 starters, he won by five yards. Following this, he came a creditable third in the Bendigo Guineas. To cap off the year, at the end of December he won the Port Fairy Mile from John Barmby, 'effortlessly' according to the Argus newspaper. In 1955 Frank won the mile at the Orford Sports Club meeting and then decided to retire from running More information on Frank's career as a runner can be found in 'Icons of Port Fairy' a book published by the Port Fairy Historical Society which contains information on objects and people 'Iconic' in our area.These sashes are representative of local resident Frank Pevitt's athletics career and the part that sport played in the early 20th century2 sashes royal blue, a. Port Fairy mile, metal badge with metal badge of wreath & athlete, metallic fringe. b. Orford - textile fringea. PF Athletic Club/PF mile, 1954/presented by Hanley Bros/ Proprietors PF Gazette/won by F.D.Pevitt b. Orford Sports Carnival/Orford Mile/15-1-55/won by F.D.Pevittlocal history, trophies & awards, sports, athletics, frank pevitt, orford, port fairy

This model was part of a panorama of 11 pieces designed from an almanac in the 1892 Port Fairy Gazette. The Panorama was used in a Historical Display in the historical society rooms in Bank Street but displays the more modern use when the building became the property of the Port Fairy Historical SocietyThis Panorama was part of an eleven piece Panorama of the Streetscape of Port Fairy in 1982. Made by a local resident.Small handmade model of a shop front from the 1892 almanac.In glass display box. Filled with furniture and display cases as it was in the early 1970`sBuilt 1889 Purchased Port Fairy Historical Society as their headquarters Members Welcome Now open Windows "Port Fairy Historical Society" This is model of 24 Bank Street First Museum 1977-1992panorama, model, almanac, historical society, bank street, mewkill

David Staig Jnr established this business in 1927 on the corner of Canterbury Road and Revers Street. He lived at 355 Canterbury Road, one of a series of shops (with living accommodation) owned and built in c1885 by Thomas C Hyde. G Staig (farmer) was the first in the family to occupy this, followed by James Staig (carpenter), then David Staig Snr (blacksmith) and David Staig Jnr. Bill Steiner was the chief mechanic at The Principal Garage; his apprentice Frank Senior eventually bought the business from David Staig and it became Senior's Garage. In 2020 there is a Shell service station and a Coles Express on the site. The Staig family were long-time residents of the area and this photo documents part of their business history. Dave Staig, who established this business, was an early aviator who designed and built his own plane.Black and white photo of a classic 1920's era garage build in brick and render and with 2 petrol bowsers on the curbside, either side of the central garage entrance. Advertising on the facade indicates Shell and Plume motor oils. There are 3 cars positioned in such a way that suggests this may have been a publicity photo. Advertising on the facade indicates that cars could be garaged at the facility and that the proprietor was D. Staig. It also indicates that the business was an agent for The Whippet car, the Willys-Knight car and the Overland car.principal garage, senior's garage, senior's motors pty ltd, garages, redvers street, canterbury road, david staig jnr, bill steiner, frank senior

Turner Collection.Part of a collection of clothing donated by Monica Smith (nee Turner). Monica was related to the Hartnell family who were early residents of Kilmore and business owners.Brown silk damask, full length skirt, long sleeves, wide collar/hood. Fragile silk, some lateral tears and shattering, staining.kilmore, turner, smith

Used by lightkeeping families. The twenty shards of crockery represent tableware from the nineteenth and early twentieth centuries. The pieces were recovered from a rubbish dump in the grounds used by previous lightstation residents. They include blue and white transfer-printed tableware in the ubiquitous ‘Willow’ pattern as well as floral designs with distinctively British flowers, both of which remained in constant production by all the major Staffordshire companies and were hugely popular with the Australian market. Other pieces in the collection include part of a plate with a distinctive red and yellow border, a small Chinoiserie jug probably dating from the late nineteenth or early twentieth century, and fragments of heavier, more utilitarian white ceramic ware. A few of the shards are printed with trademarks or other insignia, and closer examination of these marks as well as the patterns should be able to yield information on their date and manufacturer. Most if not all the fragments are from affordable, everyday wares that were common in lower income homes. Numerous ceramic fragments are also held in the Cape Otway Lightstation collection.Domestic crockery fragments x 20. Some have been burnt.

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Doug and Noel Grant’s Grandfather, Don Grant, was officer in charge of Truganina Explosives Reserve from 1910-1930. On his retirement, his son, William (known as Bill) took over the position until 1956. Along with their two older brothers and younger sister, Doug and Noel Grant grew up, first in the assistant manager’s weatherboard cottage and then in the brick house which was set aside for the officer in charge, until they married and moved into their own homes in their early 1920s. On returning from the second world war, Noel Grant worked as a magazine assistant of explosives on the site from 1946, When the site had closed down in 1962 he worked as an inspector of explosives at the Explosives Branch in Melbourne until he retired in 1985. During that time Noel was asked to move back on site, meaning that three generations of Grants have lived on the site during the twentieth century. Doug Grant worked for ICI/Nobel in head office in 1940 and their older brother Alan worked at the Nobel Explosive Company in Deer Park from 1937. After returning from the Second World War, Alan bought a transport business that had once had the licence to cart explosives in and around the state. They discuss their memories of the living at Truganina Explosives Reserve and the workings of the Reserve, including the names of men who worked there, ships which carried the explosives and life in and around Altona. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay, altona, galvanised iron fence, picket fence, golf course, altona school, margaret grant, bill grant, explosives magazine, lighters, joe hyde, alex grant, pines scout camp, maribynong river, 1896, inspector of explosives, pier, point wilson, werribee sewerage farm, george grant, lighterman, huia, argonaut, pirie, alma doepel, merton street altona, horse, jessie grant, jean grant, sandal, kilmartin, lewis, currie, todd, robinson, balwyn

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Owen and Clive Hyde are the sons of Joe and Joyce Hyde. Joe was the last Officer in charge of the Truganina Explosives Reserve. The family moved to the reserve on 11 December 1952 and continued to live there after the Reserve closed in 1962. Owen lived at the house until his early twenties. He discusses growing up at the Reserve. The voice of Joyce Hyde can also be heard during the interview. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay, draught horses, explosives reserve pier, myxomatosis, pine trees, queen street altona, edwardian garden, government superintendent houses, mcdonald, commonwealth bank, dr john lewin, altona, summer of the seventeenth doll, leslie george hyde, joe hyde, george grant, clive hyde, williamstown technical, mrs cronin, angus and robertson, pier fire, dutch migrants, communist party, laboratory, brass nails

Robert Lidgett was a prominent resident of Bacchus Marsh in the early part of the 20th century.71 pagesfictionliterature, poetry

Clothes wringer used in the James Young owned house known as the Stone Villa, Bennett Street, Bacchus Marsh. Wringers, also called mangles were used to squeeze water from washed clothes.James Young was a prominent early resident of Bacchus Marsh from the 1850s until the 1870s. This object which was recovered from his house in Bennett Street is indicative of laundry equipment that many moderately affluent households would have owned in the 1860s.Clothes wringer or clothes mangle. Wood and metal components. Clothes Ace Wringer; Warranted 3 years for family use; Superior to Iron Clampsjames young, laundry equipment

Thomas Manly was a well-known resident of Bacchus Marsh. Born at Rowsley in 1863, Mr. Manly was a grandson in a family who had been in the service of the Greene family at "Greystones" from the time of its arrival in Victoria. The woolsheds at "Greystones" were built by deceased's grandfather, who also conducted a jeweller's shop at Rowsley. Like his forebears, Mr. Thomas Manly entered the service at "Greystones" and later worked for Messrs. Chomley and Boyd at "Glenmore." After his marriage to Miss Mary Johnston, whose mother arrived as an infant in Bacchus Marsh as early as 1839, Mr. Manly took up residence in the Main Street, Bacchus Marsh, where he has lived ever since. Deceased was a great walker, and mostly walked to his work, both at Rowsley and for the past 27 years to the Darley brickworks. Never a prominent man in public affairs, he was essentially a home-lover, and adopted horticulture as his hobby, gaining many prizes for both flowers and lucerne. Text for this description taken from the obituary for Thomas Manly in the Bacchus Marsh Express, 26 June, 1937, page 3, column 2.A framed painting based on a 1930 photograph of Tom Manly.'Heirloom' inscribed at the bottom right hand corner of the paintingthomas manly 1863-1937, bacchus marsh and district biographies

BUSINESS TRADE AND DIRECTORY MAP NORTH of High Street RALIEGHS Road - Early settlers Oliver Reierson ( Norwegian) Raliegh SHEBLER Court Auguste EMIL Court Jongebloed Family residence “Hemlich” ALEXANDRA Street Coronation King, Queen Alexandra - 1903 O’NEILS Road Farmer OLDERSHAW Road CORR Grove Early landowner, Teacher at the Common School – Denominational Churches, 1850’s Wesleyan (Methodist) BRYAN Court 1850’s resident renamed from earliest town site - Flat HURLEY Street Early settler and farmers - CHESNEY Road was named Minns, due to duplication altered to Chesney (Minns) SOUTH of High ALKEMADE Drive. Family name ARNOLD Court Family BARRIES Road Charles Ernest Barrie “Darlingsford” 1911 Residence KILPATRICKS Road became Barries Road west of Station Road BLACKWOOD Drive Alexander, Early settler CALLANAN Drive Surveyor early LUBY Court John Luby - Crown Grant Land title KERWIN Street Michael - Crown Grant land title (deleted due to Freeway)Pamphlet of Melton Businesses and map of the townlocal identities, misc., council

In the early l 970's , when our population was increasing rapidly and resident ministers were needed at both Melton and Bacchus Marsh, and after discussion between both denominations over many months a decision was reached , that in both areas they would unite and be known as Methodist - Presbyterian joint parishes. In 1972 Ministers were appointed, and Melton's minister occupied one of the Bacchus Marsh Manses during the building of Melton's church residence in Y uille Street. Services were held at Scots Presbyterian Church Melton. Youth Club and church meetings were held in the Methodist Church at Brooklyn Road, Melton South. At a joint Parish Committee Meeting held in May 1975 at Melton South - a major item of business was finance, to meet the repayments on the recently built Church Manse and the minister's Stipend. The meeting closed without any solution to this problem being made. As the men restacked the chairs Maisie and I viewed the building with the possibility of opening an Opp Shop on the premises. We then made the suggestion to the other members and during the forthcoming weeks investigations concerning the feasibility of this idea were made, volunteers recruited and the shop opened in July 1975. The first contribution to the Church funds of $1,600 was made in 1976 and was followed by regular contributions to the church budget each year. In 1981 a 30'x 20' steel garage costing $2,000 was erected adjacent to the original Methodist Church to provide more space. Meanwhile an Opp Shop was opened in Melton Markets and operated from 1981 to 1985. Further accommodation was needed at Yuille Street and the Atco Hall was installed at the rear of the Bluestone Church (known as Melton Uniting Church - 1977). A large proportion of finance for this project was contributed by the Opp Shop $16,000. Simultaneously finance was being built up to provide further facilities at Brooklyn Rd, resulting in the commencement of a concrete block masonry and steel extension, with facilities & fittings, being commenced during 1986 & completed in 1989. The approximate total cost of this structure was $60,000. Over the 16 years, members and friends of our church have contributed many many hours to staff the shop and many other supportive works. As an acknowledgement of their efforts, our Minister prepared Certificates for Service and Dedication which were presented to 75 supporters at a special Church Service in June 1991. The assistance that has been given to the community of Melton & District has been extensive and much appreciated by many families. In addition many appeals for goods and clothing have been received and packages sent to many outside supportive agencies. Three volunteers having a tea break in the staffroom of the Op Shoplocal identities, churches

Customs duties were a means of raising revenue between the 1850’s and Federation. They were first introduced by NSW in November 1854 after it was separated from the colony of Victoria three years earlier. J P Hanify was appointed as sub-collector at Belvoir, the official name present day Wodonga at that time. Wodonga Customs House was built near the end of Union Bridge over the Murray River in 1859 Tariffs or customs duties greatly angered residents and it was little wonder the customs officer of the day was always an unpopular man. Tariffs had to be paid on articles such as tobacco, many food items and new clothing that were carried across the Border. The range of items was extended over time, leading to some farmers even swimming their livestock across the river to avoid duties at the Customs house. The levying of duties ended with Federation in 1901. Francis Cobham depicted in this photograph, took up the position of Customs officer in 1867 and remained there until his retirement in 1890. The building was originally a 2 roomed custom house in 1856 but was extended to provide living quarters for the Cobham family while a nearby cottage became the Customs house. The building was moved to a position south of the lagoon in the mid 1980’s and is now a restaurant.This image represents an important stage in the development of colonial relationships and rivalries in Australia.Black and white photograph of Customs officer Francis Cobham in Wodonga c 1860customs house wodonga, albury wodonga border, colonial rivalry victoria /nsw, tariffs

An A4 sized spiral bound booklet of 17 pages including text and photographs.non-fictionin July 1925 seven of Wodonga's leading residents met with the aim of forming a bowling club. This booklet outlines the formative months - possibly the most important stage in the club's history. Since its formation the Wodonga Bowling Club has provided for citizens of all ages with an important sporting, recreation and social facility. Some of the instigators of its development are recognised in this account. wodonga bowling club, sport and leisure wodonga

These types of metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The three railway signalling lamps have local significance as a set donated by a resident of Wodonga who worked for the Victorian Railways, as well as national significance as examples of the communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Set of three painted black metal and glass railway signal lamps used for various purposes during train journeys. The largest signal lamp has circular blue and red glass filters and a turning mechanism on the top under the handle. "A y" on a small copper plate on one side of the largest signal lamp - Lamp 1.railway lamps, signalling lamp, train signal lamps

Metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Exterior casing of a black painted metal railway signal lamp with circular blue and red glass filters and a turning mechanism on the top under a circular handle. Small copper plate with the letters "A y" stamped on it, on one side of the lamp. "A y"railway lamps, signalling lamp, train signal lamps

Metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Black painted metal signal lamp with a circular metal cover over a clear glass disk at the front and an elongated oval shaped handle at the back. The circular metal cover has a vertical slit in it. There is an inscription on the top of the lamp with the date 1917 and the company name "Eli Griffiths & Sons, Birmingham"."ELI GRIFFITHS & SONS / 1917 / BIRMINGHAM"railway lamps, signalling lamp, train signal lamps, railway equipment

These types of metal and glass railway signal lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Black painted metal signal lamp with a clear glass lens secured at the front and one thin elongated oval shaped handle showing at the back. The metal appears to be tin plated iron under the black paint layer. There is an oval plate with an embossed inscription on the proper left side of the lamp that is partly covered by the door at the front which holds the clear glass lens. The inscription includes the date 1901."...NARIPPINGILLE STOVE / CO LTD 1901 / PATENT...S & / ...NUFACTURERS / RMINGHAM" on an oval shaped plate on the proper left side, which is partly covered by the door with the clear glass lens.railways wodonga, victorian railways

Commercial tin openers first appeared in the mid 19th century and this model dates from the early 20th century. An improved version when a second serrated wheel was added came into operation about the mid 1920s. Tins (now cans) of food with sealed tops became popular in the 20th century and all households needed a tin opener. Today the can opener is still used but increasingly the can lids have an inbuilt clip that is pulled out to open the can.This tin opener has been retained as an early model of a tin opener from the past. It was used locally in Wodonga and donated by a Wodonga resident. It is also in relatively good condition.This is a cast iron tin opener with a cutting blade attached to a piece of metal with a screw. The metal handle curves out from the metal piece holding the blade. The opener is a little rusty in parts. The name ‘Guard ’ is on both sides of the handle in raised metal letters. "GUARD" in raised letters on both sides of the handle.household items, cast iron appliances, can openers

The slush lamp is thought to have been used for examining and oiling train engines.The slush lamp has local significance as it was donated by a resident of Wodonga. It also has historic significance as an example of an object made by upcycling in the c. late 19th century and early 20th century.The slush lamp consistis of a rectangular grey metal body with soldered edges with a flat handle at one end, a fibrous textile wick protruding from a long spout at the other end, and a cork inserted in the opening on the top surface to secure the fuel used. Slush lamps are defined as "improvised lights made from a container of fat and a wick", originating in the mid-19th century. slush lamp, slush lamps, improvised lamps