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The Beechworth Burke Museum
Animal specimen - Powerful Owl, Trustees of the Australian Museum, 1860- 1880
The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th centuryThis Powerful Owl has medium brown to dark grey-brown above, with white barring, and off-white front. The glass eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: no markings taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl -
The Beechworth Burke Museum
Animal specimen - Powerful Owl, Trustees of the Australian Museum, 1086- 1880
The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Powerful Owl has medium brown to dark grey-brown on its wings and back, lighter patterning on its chest lightening with white barring, and off-white front. The eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow/browning feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: wooden with no markings.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl -
The Beechworth Burke Museum
Animal specimen - Long-Eared Owl, Trustees of the Australian Museum, 1860- 1880
The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl -
The Beechworth Burke Museum
Animal specimen - Snowy Owl, Trustees of the Australian Museum, 1860- 1880
The Snowy owl is a large and powerful bird. It is one of the largest species of owl, and in North America, it is on average the heaviest owl species. The adult male is virtually pure white, but females and young birds have some dark spots; the young are heavily barred, and dark spotting may even predominate. Thick plumage, heavily feathered taloned feet, and coloration render the Snowy owl well-adapted for life north of the Arctic Circle. This Snowy Owl example is slightly discoloured and in real life the Snowy Owl displays much more brilliant white feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snowy Owl adult male is virtually pure white with brown spot markings and a pale brownish wash. It has thick plumage and heavily feathered taloned feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: [torn] snowy owl / See catalogue, page 54 / Metal tag: 4054 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, snowy owl, arctic circle -
The Beechworth Burke Museum
Animal specimen - Common Buzzard, Trustees of the Australian Museum, 1860- 1880
The Common buzzard, a medium-sized raptor, is found across Europe and Asia, and in Africa in the winter months. It is the UK’s commonest bird of prey, found in nearly every county. Due to their large size and their brown color, they are often confused with other species, especially the Red kite and the Golden eagle. They may look the same from a distance, but the Common buzzard has a very distinctive call, like a cat’s mew, and a distinctive flying shape. When soaring and gliding, the tail is fanned and its wings are often held in a shallow 'V'. The colour of individuals varies from dark brown to much lighter, though they all have a finely barred tail and dark wingtips. This species occurs across Europe and Russia, and parts of Northern Africa and Asia in the cooler winter months. It lives in a range of habitats, especially woodland, moorland, pasture, scrub, arable land, marsh bog, villages, and sometimes towns and cities. This particular specimen has been mounted in a correct stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Common Buzzard is brown in colour with lighter markings on the chest. It has a white patch of feathers on the back of its head and it has darker wingtips and yellow feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: 30 / Buzzard / Catalogue page 52. / Metal tag: 4043 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, bird of prey -
The Beechworth Burke Museum
Animal specimen - Little Pied Cormorant, Trustees of the Australian Museum, 1860-1880
The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird -
The Beechworth Burke Museum
Animal specimen - Purple Swamphen, Trustees of the Australian Museum, 1860-1880
The Purple Swamphen can be readily located across eastern and northern Australia. They reside in areas with water including ponds, lakes, storm water drains, wetlands, swamps and marshes. These birds can often seen in urban locations including parks or along roadsides after a period of rainfall. Due to their adaptability, these birds often change environments. Purple Swamphens are omnivores and eat a wide variety of plants and animals. They live in large family groups and lay an average of five eggs which are the shared responsibility of both parents and occasionally the responsibility of young from a previous brood who may also assist caring for the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy specimen is of a Purple Swamphen which is styalised standing on a wooden platform and has a paper identification tag tied to its upper left leg. The Purple Swamphen has dark colouring on its back and head with a purple-blue coloured neck, breast and belly. The bill is oversized and is orange/red which is the same colour as the frontal shield on the bird's face. The eyes are made from a red and black glass and the legs of this specimen are orange. The legs are elongated and the toes also long and unwebbed. 17e. / Purple Gallinule / Catalogue Page 35 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swamphen, moorhen, purple bird, hen, purple swamphen, water bird -
The Beechworth Burke Museum
Animal specimen - Little Black Cormorant, Trustees of the Australian Museum, 1860-1880
The Little Black Cormorant is mainly found in freshwater wetlands in Australia and Tasmania. It nests colonially and can sometimes be seen among Heron or Ibis colonies. This specimen has dark webbed feet which enable the bird to catch its prey underwater by diving and using the feet for propulsion. Interestingly, this species have nictitating membranes which cover the eyes underwater protecting them. The feathers of this species are not waterproof despite being commonly located in wetlands and therefore, can often be seen perched with wings outstretched in an effort to dry them after hunting for food in the water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Little Black Cormorant is a slim and small specimen of entirely black colouring with some lighter specks on the back. The bill is grey and is slender and hooked at the tip. The bird has been stylized with glass eyes and is placed on a wooden mount designed to look like a perch. The neck is long and the bird is looking over its right wing. It has dark webbed feet and is standing on the platform with a paper identification tag tied the right leg. 12a. /Little Pied Cormorant / See Catalogue Page 42 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tasmania, australia, birds of australia, cormorant, little black cormorant, wetlands -
The Beechworth Burke Museum
Animal specimen - Yellow Billed Spoonbill, Trustees of the Australian Museum, 1860-1880
The Yellow-billed Spoonbill is a waterbird which can be commonly seen wading through shallow waters. This particular variety of Spoonbill is found across Australia, mostly in the northern and well-watered inland areas. It resides in freshwater wetlands, dams, lagoons and swamps. The species feeds on mainly aquatic insects and larvae. The bill has vibration detectors called papillae inside the spoon which enables the bird to feel the vibrations of its prey in murky water. These birds nest in the colonies of other birds like the Ibises and Royal Spoonbills. They live in high forks of trees over water or in reed beds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Yellow-billed Spoonbill specimen is a large taxidermy of mainly white colouring. The bill is a large and unique spoon shape and is yellow. The long gangly legs and the skin on the face are also yellow. The eyes are made from a black and yellow glass and the bird is stylized standing on a square wooden platform. A paper identification tag is tied to the bird's upper left leg.6c. / [illegible] / Spoonbill / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, spoonbill, yellow-billed spoonbill, yellow billed spoonbill, waterbird -
Greensborough Historical Society
Book, Ark House et al, The Silver Poplar /by Edmond Smith, 2009_
Edmond Smith's personal story of his time at the 'country' place of Sutherland Homes in Greensborough. Edmond arrived at the Home in 1948, aged 6.272p., illus. 2 copiesedmond smith, sutherland homes -
Warrnambool and District Historical Society Inc.
Booklet, Rhythmns of the Western District, 2003
This is a booklet of four poems about the Warrnambool area written and produced by Iris Fisher. The poems deal with aspects of Warrnambool, Allansford, Port Fairy and Koroit. Iris Fisher wrote the poems when she was living in Allansford. She lived for 18 years in Warrnambool and seven in Allansford and is the author of four other books of verse that tell of her life and thoughts in the Western District of Victoria. This book is of interest as it has been written by Iris Fisher who lived in the Warrnambool area for 25 years. The poems contain many references to the history of the four places – Warrnambool, Port Fairy, Koroit and Allansford. This is a small soft cover booklet of 26 pages. It has a mauve-coloured cover with an image of Childers Cove before the Sentinel rock was washed away. The cover printing is a dark red colour. The booklet contains four printed poems and black and white photographs of scenes and people of the Allansford/Warrnambool area. Mostly the illustrations are of an historic nature. The poems are dedicated to ‘Life in the Warrnambool Area’. The booklet is bound with staples.Front Cover: ‘Rhythmns (sic) of the Western District by Iris Fisher’ Inside front cover: ‘10/7/03 To Graeme and Barbara Best Wishes Iris’ allansford, port fairy, koroit, warrnambool, iris fisher -
Warrnambool and District Historical Society Inc.
Book, Speaking Personally - W Murdoch, 1946
This is a collection of essays written by Walter Logie Forbes Murdoch (1874-1970). He had a distinguished academic and literary career and is regarded as one of Australia’s greatest essayists. He was a household name to two generations of Australians through his radio broadcasts and syndicated literary columns in several Australian newspapers. Murdoch came to Warrnambool in 1901 as the proprietor of a private school. He left Warrnambool to take up a position at Melbourne University as an English lecturer. He went on to become the foundation Professor of English at the University of Western Australia and was later its Chancellor. Murdoch University in Western Australia is named after him and he was knighted in 1964. He published over 40 books. This book is of interest as an example of the literary works of Walter Murdoch, a distinguished literary figure in Australian history and a person who has his place also in Warrnambool’s history. He came to Warrnambool in 1901, going into partnership with James Scott, the proprietor of Warrnambool College. They bought out Stanley’s Warrnambool Grammar School and when Scott retired Murdoch became the sole proprietor and Headmaster of the school. While he in Warrnambool Murdoch continued to write and published in Warrnambool the school text book, ‘The Struggle For Freedom’. He left Warrnambool in 1904. This is a hard cover book of 186 pages. It has a blue cover which is slightly faded at the top of the spine. It has a dust cover in beige tonings with the title of the book and the author’s name on the spine and the same details on the front cover (beige printing on a maroon background). The front cover has a thin maroon line as an edging and the back dust cover features an advertisement for another Walter Murdoch publication. The book has a Preface, 31 chapters of short essays and an Index. The dust cover is frayed at the edges and discoloured on the spine. walter murdoch, history of warrnambool, warrnambool college, (early 20th century) -
Warrnambool and District Historical Society Inc.
Book, Saturday Mornings, 1931
This book contains a collection of essays written by Walter Murdoch. Most of them were originally published in the Melbourne Argus newspaper. Walter Logie Forbes Murdoch (1874-1970) had a distinguished academic and literary career. In addition he was a household name to two generations of Australians through his radio broadcasts and syndicated columns in several Australian newspapers. In 1901 Murdoch came to Warrnambool as the proprietor of a private school. In 1904 he became a lecturer in English at Melbourne University and later the foundation Professor of English at the University of Western Australia. He was later its Chancellor. Murdoch University in Western Australia is named after him and he was knighted in 1964. He published over 40 books. This book is of interest as it was written by Walter Murdoch who was not only an important figure in Australia literature but also he played a part in Warrnambool’s history. He came to Warrnambool in 1901, going into partnership with James Scott, the proprietor of Warrnambool College. They bought out Stanley’s Warrnambool Grammar School and when Scott retired Murdoch became the sole proprietor and Headmaster of Warrnambool College. Whilst in Warrnambool Murdoch wrote the school history text book, ‘The Struggle for Freedom’. He left Warrnambool in 1904. The original owner of the book, Mary Minkwitz, may have had some connection with Warrnambool as a member of the Minkwitz family lived in Warrnambool in the 1950s. This is a hard cover book of 240 pages. It has a dark green cover with the name of the book and the author printed in gold lettering on the spine. It has a Preface, 35 short essays by Walter Murdoch and an Index. The spine lettering is faded and the cover has some slight rubbing. It is bound with glue and reinforced inside the cover with tape. ‘This book belongs to Mary D. Minkwitz’.walter murdoch, australian literature, history of warrnambool, warrnambool college (early 20th century) -
Warrnambool and District Historical Society Inc.
Book, Selections from Walter Murdoch, 1945
This is a book of essays selected by the author, Walter Murdoch, as the ones he most enjoyed writing. Walter Logie Forbes Murdoch (1874-1970) had a distinguished literary and academic career and is regarded as Australia’s best essayist. He was a household name to two generations of Australians through his radio broadcasts and syndicated literary columns in several Australian newspapers. He lived in Warrnambool from 1901 to 1904 as the Headmaster of a private school. He became a lecturer in English at the University of Melbourne and went on to be the foundation Professor of English at the University of Western Australia and later its Chancellor. Murdoch University in Western Australia is named after him and he was knighted in 1964. He published over 40 books. This book is of interest as it was written by Walter Murdoch who was not only important in Australia literature but also has a place in Warrnambool’s history. He came to Warrnambool in 1901, going into partnership with James Scott , the proprietor of a private school, Warrnambool College. They bought out Stanley’s Warrnambool Grammar School and when Scott retired, Murdoch became the sole proprietor and headmaster of Warrnambool College. While he was in Warrnambool Murdoch wrote the highly successful Australia history school text book, ‘The Struggle For Freedom’. He left Warrnambool in 1904. This is a soft cover book of 220 pages. It has a blue cover with a buff-coloured band around the front cover edge with a map of Australia outlined in black at the bottom edge. The book has a preface, 33 essays by Walter Murdoch and an index. The back page is partly torn away and the pages and cover are slightly faded and rubbed. australian literature, walter murdoch, warrnambool college (early 20th century), warrnambool history -
Warrnambool and District Historical Society Inc.
Book, The Victorian Era It's strengths & weaknesses, 1938
This book has been written by Walter Murdoch and it is the publication of two lectures given by Murdoch in 1937 (the John Murtagh Macrossan Memorial Lectures). John Murtagh Macrossan (1833-1891) was a Queensland politician who for some time held the seat of Townsville in the Queensland Parliament. He was born in Ireland and came to Australia in 1853, spending some time in the mining regions of Queensland. With Samuel Griffith he attended the first National Convention on Federation in 1891. Walter Murdoch (1874-1970) had a distinguished academic career and became Australia’s best-known essayist. He was a household name to two generations of Australians through his radio broadcasts and syndicated literary columns in several Australian newspapers. In 1901 Walter Murdoch came to Warrnambool and went into partnership with James Scott as proprietors of a private school, Warrnambool College. They bought out Stanley’s Warrnambool Grammar School and when Scott retired Murdoch became the sole proprietor and Head Master of Warrnambool College. While in Warrnambool in 1903 Murdoch wrote a school history book called ‘The Struggle for Freedom’, a book which sold 10,000 copies in its first year. Murdoch later became an English lecturer at Melbourne University and then the foundation Professor of English at the University of Western Australia. Murdoch University in Western Australia is named after him. He published over 40 books and he was knighted in 1964. This book is of interest as it was written by Walter Murdoch. He not only has a national reputation as an academic and writer but also he spent some time in Warrnambool and played his part in our history. This is a soft cover book of 66 pages. The cover was originally blue but is much faded, especially on the spine. The print on the cover and spine is dark blue and there is an ornamental edging on the front cover. The back of the cover has an advertisement for other Walter Murdoch books. The pages of the book are stained and the binding on the spine has broken away. walter murdoch, john murtagh macrossan, history of warrnambool, warrnambool college (early 20th century) -
Emerald Museum & Nobelius Heritage Park
Recipe Book, The Pace that Fills Ideal Winter Recipes Supplement to Australian Home Journal July 1, 1936, 1/7/1936
This booklet is a recipe book for winter recipes.Booklet of Ideal Winter Recipes. It belonged to Mrs. George A'Vardaustralian home journal -
Emerald Museum & Nobelius Heritage Park
Book, Local History, A Handbook for Enthusiasts by Hibbins, Fahey and Askew, 1985
This book was designed for amateurs to research and write history, particularly local history, It mainly uses Victorian examples, as described in 1985.Soft cover book 149 pages. The cover is beige coloured with a cover illustration of Yarra Street, Geelong 1872.First published in 1985 by George Allen and Unwin Australia Pty Ltdlocal history, hibbens, fahey and askew -
Warrnambool and District Historical Society Inc.
Book, Leslie Francis Watters, Elizabeth Rafferty in Sydney's The Rock's, and her Bostock Legacy, 2014
Family history of Elizabeth RaffertyThis is a small book of 64 pages with a buff-coloured plasticised cover with printed material and a photograph of Elizabeth Rafferty. The pages contain printed material, maps, photographs and illustrations and an index.non-fictionFamily history of Elizabeth Rafferty bostock family, elizabeth rafferty, warrnambool, rachel rafferty, robert bostock -
Warrnambool and District Historical Society Inc.
Booklet, Hodder & Stoughton (Australia) Pty Ltd, Australian Coast Line, 1987
This book details the places and towns along the south coast of Australia. It contains potted histories and information for tourists. Some of the information regarding places to stay and recreational facilities etc will date over the years and the book will be of less use.This book is of minor interest as a summary of the places along the coastline of Victoria and as a useful resource book in our library.This s a soft-cover book of 128 pages. It has a blue cover with a colour photograph and red and white printing on the front cover and a colour photograph of the author and black printing on the back cover. The pages contain printed material, black and white photographs and maps and sketches. coastline of victoria, history of warrnambool -
Anglesea and District Historical Society
Radio, AWA (Amalgamated Wireless (Australasia) Ltd), AWA Radiolette 500MY, 1946-47
Australian bakelite valve tube radio. Type: Broadcast receiver or past WW2 Tuner. Valves 4:6A8G 6G8g 6V6GT 6x5GT. Principle: Super Heterodyne ZF/IF 455 KHz 1AF stage. Tuned circuits: 6AM Wavebands: Broadcast only (MW) Power: 200-230; 230-260 Volt AC. Loudspeaker: Electro Magnetic Dynamic LS Front Dial: AWA Radiolette / Radio stations for each stateradio, radiolette -
Geelong Cycling Club
Book, Pedals Politics and People, 1977
Autobiography of the life history of Sir Hubert Opperman, a politician and world renowned cyclist in the mid 1900s. As a professional cyclist Opperman broke or established 101 state, Australian and world records in an incredible 24 hours of non stop cycling at the old Sydney velodrome. In Europe his wins in the Paris-Brest-Paris road race, the classic 24 hour Bol D'Or and setting a new Lands End John O'Groats record. He twice participated in the Tour de France.This book is an excellent reference for the world of cycling and politics in Australia.Signed autobiography title 'Pedals, Politics and People by Hubert Opperman, Hard backed copy and paper cover. The title is on a blue background and the remainder depicts photographs of spectators, with two main photographs superimposed over the spectators. One of the photographs is of Menzies and Opperman and the other is of Opperman riding a track cycle. "To the Millikan family/With best wishes/from/Hubert Opperman 'Oppy'"hubert opperman; tour de france; paris-brest-paris road race; pedals politics and people; dunlop grand prix; millikan family; -
Wheen Bee Foundation
Publication, Annand, N. & Somerville, D, Pests and diseases of honey bees (Annand, N. & Somerville, D.), Sydney, 2008
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Wheen Bee Foundation
Publication, Benecke, F. S. & Clemson, A. A, Showing honey and beeswax (Benecke, F. S. & Clemson, A. A.), Sydney, 1970
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Wheen Bee Foundation
Publication, Benecke, F. S. & Clemson, A. A, Showing honey and beeswax (Benecke, F. S. & Clemson, A. A.), Sydney, 1970
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Wheen Bee Foundation
Publication, Benecke, F. S, Beekeeping: the economics of mechanization (Benecke, F. S.), Sydney, 1969
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Wheen Bee Foundation
Publication, Cutts, N. A, Four important bee diseases (Cutts, N. A.), Sydney, 1968
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Wheen Bee Foundation
Publication, Benecke, F. S, Design and maintenance of beehives (Benecke, F. S.), Sydney, 1968
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Victorian Apiarists Association
Publication, Australasian Queen Rearing Second Edition (W S Pender) (G James - Revised 2nd edition), 1926
Old Brown Book, non original spineSlight tear on bottom right corner cover -
Victorian Apiarists Association
Publication, Australian Made Honey Extractors and Pumps (Pender Bros Pty Ltd), January, 1950
Tan Coloured Instruction Catalogue -
Surrey Hills Historical Society Collection
Book, The Marking of Objects
This book suggests guidelines for marking objects discussing the most commonly encountered situations19p; ill.; H 21cm; comb bindingmuseum labels - handbooks, manuals etc, museum registration methods - handbooks, manuals etc.