Showing 1872 items
matching queen street
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Beechworth Honey Archive
Photograph
Beryl Robinson was the winner of Australian Honey Queen, 1965. The dress she is wearing is home-made.Black and white photograph of Beryl Robinson. Photograph by Dawn Studios, 59a Murphy St, Wangaratta.photograph, robinson, queen, bee, beechworth honey -
Beechworth Honey Archive
Newspaper Article
This is the article accompanying the photograph (BHA 0039a) of Beryl Robinson as the Australian Honey Queen. She won with a home-made dress, and her prize was £25, a Queen Bee, and one years' profits from the hive headed by that bee.A newspaper article and accompanying photo. Newspaper is Wangaratta's "The Chronicle" Series 1, Volume 2, No. 432 from 1965 newspaper, photograph, robinson, honey, queen, beechworth honey -
Beechworth Honey Archive
Publication, e-book, Practical queen rearing (Pellett, F. C.), Hamilton, 1918
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Beechworth Honey Archive
Publication, Queen bee: biology, rearing and breeding (Woodward, D.), Balclutha, 2009
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Beechworth Honey Archive
Publication, Introduction and early performance of Queen bees: some factors affecting success. (Rhodes, J. & Somerville, D.). Canberra, 2003
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Beechworth Honey Archive
Publication, Improving Queen bee production. (Anderson, Denis). Canberra, 2004
16 pages -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting oil, Victorian Summer Landscape
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Rectangular wooden frame - oil painting on wooden board - scene depicting blue river, trees, shrubbery and unsealed road in the foreground and a yellow hill in the backgroundTag attached - reads "Victorian Summer Landscape by Frau Rippert in Camp 3. Donors: Glockemann Family."landscape -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting - Oil, Three Trees
Painting by Charlotte Rippert, a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Framed oil painting - Three gum trees in foreground (trunks) - fence and meandering fields in the centre and a blue low-rise hill in the backgroundPainting - "C. R. Australia..." (cut off by frame)landscape -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Black Forest Scene
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Green slopes in the foreground and snowy mountain tops in the back ground - river running through a valley, 3 prominent clumps of trees and two human figuresFront: 'C.R. 1941' Back: 'Black Forest Scene by Frau Charlotte Rippert. - Donor: Elfrieda (Kaltenbach) - Faig. April 2002' -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting - Oil, Black Forest
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.oil painting on boardBack: 'Black Forest Scene by Frau Charlotte Rippert, DONOR: Elfrieda Kaltenbach FAIG, APRIL 2002 -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting, Oil, Deutscher Wald
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.green and yellow forest with a natural path coming from the left side and 6 prominent trees along itBack: (in pencil) 'Deutscher Wald. gemalt in Tatura (Australia) Charlotte Rippert.', a sticker for the Tatura and District Historical Society Museum, another sticker that reads - 'Gerd Aberle, 40 London Street, Bentleigh Vic 3204. Artist Charlotte Rippert Camp 3 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Poppies
Frau C Rippert was a Lutheran Missionary worker in Cairo, Egypt when the British Army was in north Africa and she was arrested and transferred to Palestine and later sent on the Queen Elizabeth to Australia where she was internedOil painting of poppies in a brown vase beside a blue cylindrical bowl with lid. On a green cloth which is draped over a fawn coloured table. Brown frame with pale strip.painting - oil, rippert fc, vollmer h, poppies, camp 3, tatura, ww2 camps, illustrations, oil -
Tatura Irrigation & Wartime Camps Museum
Photograph, Mooroopna Hospital Queen Competition
Two copies, both number 10137, kept together, depicting the Mooroopna and District Hospital Queen Competition c1950. Gillian Gaylard Queen, died a year later of cancer.tatura, mooroopna, gillian gaylard, costume, children, female -
Tatura Irrigation & Wartime Camps Museum
Photograph, Carla Hreglich, 1947
Carla Hreglich interned with her Italian parents and brother Giuliana in Singapore, transported to Camp 3 on the "Queen Mary" 1940. Both children released to attend Catholic schools. Carla & her friend Marissa Georgio attended Brigidine Convent in Echuca. Carla School Captain, musician, post war interpreter for Italian Opera Company.Black and white photograph of two girls with sheep dog, tree lined fence behind.Carla, Hreglich & friend Joan Hands at Moira Station, NSW. 1947italian families, singapore group, camp 3, brigidine convent echuca, carla hreglich, giuliana hreglich, marissa georgio -
Tatura Irrigation & Wartime Camps Museum
CD, James Lally, Recollections of Tatura - Lally
Collection of photographs taken by Dr Desmond Lally and recorded onto CD by James Lally (son). Collection includes coronation procession 1953, Queen's visit 1954, floods 1956, old Tatura golf club 1964, Hill Top 1967.CD in a clear plastic rectangle cover. Black text on a silver disc. Contents of CD written on a piece of Verbatim Paper.local history -
Tatura Irrigation & Wartime Camps Museum
Folio Wartimes Camps, Singapore Group, c.2000
Historic and personal memorabilia and recollections of those internees from their life in Singapore, their transportation on the "Queen Mary", and their time in Camp 3 Internment Camp, Tatura.Irreplaceable material and personal experiences of a group of internees from Singapore during World War 2. A number of these families were Jewish who had fled to Singapore from Germany and Austria.Black two ring folder containing printed matter and photos held in plastic sleeves. -
Tatura Irrigation & Wartime Camps Museum
Photograph - Framed Photograph, Arthur J. Underwood, Kyabram, Queen Elizabeth Visit 1954, 1954
The Royal visit of 1954 by the Queen and Prince Phillip.Framed photograph of Queen Elizabeth and Prince Phillip taken by A. J. Underwood at the Tatura Railway Station on 5 March 1954 during the extensive Royal tour of Australia.Framed surround signed Arthur J. Underwood, Kyabram.queen elizabeth visit 1954 -
Tatura Irrigation & Wartime Camps Museum
Clock, pre 1954
Presented to Arthur Knee by Tatura Royal Tour Committee in appreciation of services rendered as secretary on the occasion of the visit to Tatura of H.M. Queen Elizabeth 11 5 March 1954.Mantle clock c 1950's Polished wood casing, silver face and hands. Wind up. Not working. Chiming and striking type.Presented to Arthur Knee by Tatura Royal Tour Committee in appreciation of services rendered as secretary on the occasion of the visit to Tatura of H.M. Queen Elizabeth 11 5 March 1954.arthur knee, mantel clocks, tatura royal tour committee -
Tatura Irrigation & Wartime Camps Museum
Exercise Book, Recipe Book, 1937
Book belonged to Mrs R. S. Thompson Moss Bank Tatura. Created from 1937 onwards.School exercise book. Contains cooking recipes. Front cover depicts King George V1 and Queen Elizabeth with the words "Coronation" exercise book.Coronation exercise bookrecipe book, mrs r s thompson -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting - Watercolour, Cairo Courtyard
Painted and used at Internment camp 3.Watercolour painting of "Cairo Courtyard" on wooden board, wide brown wooden frameC. Rippert. On back: "Numurkah Butter Factory, Victoria, Australia. 54 lbs nett. Produced in the district of Numurkah. "Pure Creamery Butter". G. Glockemann - Hornsby. On a sticker "Gemalde" Von Frau Rippert Ruckseite Des Bildes Von Historischem Interesse. Frau Charlotte Rippert, the artist, was a German Lutheran Missionary in Egypt in the 1930's. Interned by British in Cairo and transported to Australia on the Queen Elizabeth, arriving in Sydney, 31 August 1941.c. rippert, internment camp 3, internment camp artists, glockmann family, charlotte rippert -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil, Frau Charlotte Rippert, Bowl of Flowers/ Carnations, 1940's
Painting by Charlotte Rippert, a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting of bunch of carnations. Dark red, red, pink and white. Lime green backgroundLaminate Label - reads "Bowl of Flowers, Artist: Charlotte Rippert, Donor Elfrieda Faig nee Kaltenbach."charlotte rippert, german lutheran missionaries, internment camp 3 artists, internment camp artists -
Tatura Irrigation & Wartime Camps Museum
Photograph, Queen of Roses Pagent
Queen of Roses Pagent at St. Mary's Convent. -
Tatura Irrigation & Wartime Camps Museum
Document, Fortuna siblings
Mafalda Fortuna's recollections of her families arrest in Palestine, transportation on the "Queen Elizabeth", and internment in Camp 3. Four pages.|Photo of Fortuna siblings seated on stone entrance to mess/school hut in Compound a, Camp 3. -
Victorian Aboriginal Corporation for Languages
Book, Don Bell, mu:nu:?ur ?Mununja? the butterfly : the first storybook in traditional Aboriginal language from south-eastern Australia, 1999
As told to nu:nu:wul Elder Don Bell, with bi-lingual text and commentary. Provides explanation of the aboriginal alphabet, story of Queen Nellie Hamilton and and language list of words used by Queen Nelly and her daughter.Illustrations, b&w photographs, word listsngunnawal, canberra, yass, queen nelly hamilton -
Port Fairy Historical Society Museum and Archives
Photograph, J Davis photographer, Queens Jubilee Celebration 1887, 1887
School children celebrating Queen Victoria’s Jubilee Celebration 1887 at Yambuck two children in front dressed in army uniformSepia Photograph of Weatherboard building with children posed in front celebrating Queen Victoria’s Jubilee Celebration 1887"Queens Jubilee Celebration 21.6.1887 Yambuck"events, civil, celebration, queens jubilee, yambuk, queen victoria, school children, school -
Wangaratta RSL Sub Branch
Framed poster
Queen Elizabeth, Queen Mother celebrating her 100th birthday 4/8/2000Brown timber frame with green mount containing cloth poster of the Queen MotherHer Majesty Queen Elizabeth The Queen Mother In celebration of her 100th Birthday 4th August 2000queen elizabeth, queen mother -
Brighton Historical Society
Clothing - Dress, Evening dress, circa 1860s
A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole -
Brighton Historical Society
Clothing - Bodice, circa 1865
A bodice belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle. st ninians, george ward cole, bodice, late 1800s, brighton, margaret morrison ward cole -
Brighton Historical Society
Clothing - Muff, Late 1800s
A hand muff belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn dark blue silk velvet muff, circa late 1800s. This cylindrical muff features a central lightly padded area for the hands with the sides extending un-padded a further five centimeters. A six centimeter black grosgrain and satin ribbon decorates the front. Attached from the wearers right at the edge of the padded area and falling diagonally to the left edge of the padded area, where it finishes in a decorative bow.st ninians, george ward cole, muff, late 1800s, brighton, margaret morrison ward cole -
Brighton Historical Society
Headwear - Hat, Headdress, Late 1800s
A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole