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8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985.Colour photograph showing massed band, Army and Navy, at Puckapunyal. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985Three colour photographs of Prince Charles mounting the saluting dais. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985.Four colour photographs showing the guidon parties leading the march past. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The Light horse Heritage Troop of the 8th/13th Victorian Mounted Rifles provided mounted escort to the Royal couple, HRH Prince Charles and HRH Princess Diana.In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985.Coloured photograph showing mounted escort with Royal Car passing the Tank Museum on way to Parade Ground at Puckapunyal. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The Light horse Heritage Troop of the 8th/13th Victorian Mounted Rifles provided mounted escort to the Royal couple, HRH Prince Charles and HRH Princess Diana.In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985.Colour photograph of crowd in viewing stand awaiting arrival of the Royal Car and mounted escort which can be seen on edge of parade ground. -
8th/13th Victorian Mounted Rifles Regimental Collection
photograph
The Light horse Heritage Troop of the 8th/13th Victorian Mounted Rifles provided mounted escort to the Royal couple, HRH Prince Charles and HRH Princess Diana. In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Part of collection of photographs of a rare event on the Australian military calendar, the opening of Hopkins Barracks Puckapunyal by HRH Prince Charles, Colonel-in-Chief of the Royal Australian Armoured Corps (RAAC) on 31 October 1985.Colour photograph showing Prince Charles and Princess Diana alighting from the Royal Car at the saluting dais. -
Bendigo TAFE
Invitation, 1921
An invitation sent to J. R. V. Anderson by the Mayor of Bendigo, Cr. J. E. Holland, in 1921 to attend a luncheon to celebrate the opening of the Soldier's Memorial Hall at the Bendigo Town Hall on Tuesday,15th November, 1921 at 1 pm. This Soldiers' Memorial Hall still stands today in Pall Mall, Bendigo. It is now called the Bendigo RSL Memorial Military Museum.Celebrates the opening of the Soldier's Memorial Hall in Bendigo, as well as indicating the importance of J. R. V. Anderson in the Bendigo community at that time. This significance has been assessed in-house.Personal invitation to Mr. J. R. V. Anderson from the Mayor of Bendigo (Cr. J. E. Holland) to attend a luncheon to celebrate the official opening of the Soldiers' Memorial Hall, Bendigo on the 15th November 1921. Rectangular card in blue print, with the person's name handwritten in black ink.Inscribed on card bearing City of Bendigo emblem is the following: "On the occasion of the Opening of the Soldiers' Memorial Hall / by / His Excellency, The Governor of Victoria, The Earl of Stradbroke, / K.C.M.G., C.B,, C.V.O., C.B.E., A.D.C. to His Majesty the King, / The Mayor of Bendigo, (Cr. J. E. Holland,) / requests the pleasure of / Mr. J. R. V. Anderson's / company at Luncheon at the Town Hall, Bendigo, on Tuesday, / the 15th November, 1921, at 1 p.m. / R.S.V.P. TO TOWN CLERK BEFORE INST." (Last line crossed out in black ink).anderson, j. r. v., bendigo school of mines and industries, soldier's memorial hall, bendigo, 1921 -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills Methodist Church in 1918, 1918
The original Methodist (Wesleyan) Church was built on the corner of Alexandra Crescent and Windsor Lane in 1888. It was enlarged in 1892. In 1908 this building was removed to Valonia Avenue by horse-drawn dray. The brick church was built in 1915 after which the earlier building became the Sunday School. In 1977 the Methodist Church joined with others to become the Uniting Church. In more recent times, the brick church has been painted but architectural details visible in this photo can still be discerned.Black and white photo of a brick and rendered building taken from diagonally opposite across Canterbury Road looking to the north-west. The church sits behind a woven-wire fence with an opening at the front and at the side to a portico off Valonia Street. On the RHS is the church hall and on the LHS a small part of the adjacent house can be seen.surrey hills methodist (wesleyan) church, surrey hills uniting church -
Surrey Hills Historical Society Collection
Photograph, Wedding Day of Amelia Amy Jacobs and James Dodgshun from Surrey Hills, 1916
Amelia Allan (Amy) Jacobs on her marriage to James Dodgshun in 1916; photographed at the home of her grandfather, "Terreglea" in Boundary (Warrigal) Road, Surrey Hills. Amelia attended Ormiston Girls' School in Mont Albert soon after its opening in 1900. Her mother was Eleanor Mills, youngest daughter of Robert Shortbridge Mills and Ann Lovelady. She died soon after the birth of Amy. Her father was Henry Atwood Jacobs. Following Eleanor's death Henry married Amy Lilian Scales. The donor Winifred Yarnold (nee Jacobs) was their youngest daughter and Amy's half-sister.Lady dressed as bride wearing a white dress and possibly a lace jacket with a fluffy collar and matching hat, carrying a large bouquet of flowers. The man is wearing a dark suit and carrying a top hat.wedding dresses, house names, surrey hills, warrigal road, clothing and dress, hats, terreglea, the tower house, weddings, wedding parties, ormiston girls school, schools, mont albert, miss amelia allan jacobs, miss amy jacobs, mr james dodgshun -
Surrey Hills Historical Society Collection
Photograph, Opening of Surrey Hills Presbyterian Church Sunday School in 1929
People are identified L to R: Mr P. Sinclair, Rev. J.K. Robertson, Mr Thomas Hogg, Miss SneddonBlack and white image with three men and one lady. One is a clergyman, another man is holding a trowel. They are standing outside a partly constructed building, with a window frame in the background.clergy, sunday schools, construction materials, clothing and dress, building structure and establishment, trowels, mr p sinclair, rev j k robertson, mr thomas hogg, miss - sneddon, churches, st stephens presbyterian church -
Surrey Hills Historical Society Collection
Book, Signatures of children attending schools: August 1934, 1934
The book of signatures was retrieved from a time capsule behind the Box Hill Town Hall's foundation stone by the Mayor of Box Hill, Cr. R. G. Friday during a 'Back to Box Hill' held on April 13th and 14th, 1985. Celebrations were held to commemorate the 50th anniversary of the official opening of the Box Hill Town Hall on April 15th, 1935. Pupils at the following schools in 1934 signed up: Box Hill Girl's Technical School, Box Hill Primary School, Salvation Army Boys' Home, Box Hill Grammar School, Ormiston, Horton Girls' Grammar School, Convent Notre Dame de Sion, St Francis Xavier, Mont Albert Central School, Box Hill South Primary 4138, Burwood Primary School 461 and Box Hill High School.This book contains a list of signatures of school children attending schools in the Box Hill district in 1934.school children, school rolls, box hill, 1934, school registers, time capsule, box hill town hall, back to box hill, (cr) (mr) r g friday, box hill district schools, box hill girl's technical school, box hill primary school, salvation army boys' home, box hill grammar school, ormiston, horton girls' grammar school, convent notre dame de sion, st francis xavier, mont albert central school, box hill south primary 4138, burwood primary 461, box hill high school -
Federation University Art Collection
Ceramic, Robin Welch, Stoneware Bowl by Robin Welch, c1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic, Ian Sprague, [Ceramic Panel] by Ian Sprague, c1977
Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, c1980, 1980
Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Stoneware bowl with single flange. White glaze with copper tint. Dry black glaze underneath and airbrushed lustre banding. Robin Welch stamped on base.ceramics, robin welch, jan feder memorial ceramics collection, jan feder, gippsland campus, stadbroke pottery, mungeribar pottery -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. Stoneware bowl on a tall foot. Calcium matt glaze, underglaze colour with underglaze metallic lustre. ceramic, jan feder memorial ceramics collection, robin welch, gippsland campus, mungeribar pottery, stadbroke pottery -
Federation University Art Collection
Ceramic, Raku Fired Bowl with White Crackle Glaze by Robin Welch, 1980
Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Raku Fired stoneware bowl with White Crackle Glaze by Robin Welch Robin Welch stamped on baserobin welch, ceramics, jan feder memorial ceramics collection, gippsland campus -
Federation University Art Collection
Ceramic, Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 1981-1982, 1981-1982
Articles in annual report include: the official opening of the educational camp at Romsey, introduction of a Hartley 3909 Mini Computer, increasing move away from residential services with 74% of school children supported in learn at their local school, hydrotherapy unit (spa) and Versa Brailler purchased for school, 2 week ski camp offered at RVIB ski lodge at Mt Baw Baw, employment continuing in packaging and assembly, plant nursery, maintenance of St Kilda Road and Raleigh Street sites, kiosks at RMIT, Melbourne University and the Institute, trial scheme launched with Alfred for work experience in various roles, introduction of 4 track tapes in library and reduction of Clarke & Smith tapettes, and development of 16mm film 'The Mediators' for use by Public Relations department.1 volume of printed materialroyal victorian institute for the blind, corporation records -
Federation University Art Collection
Painting, Domenico Micich, 'Girl on Swing' by Milivoj Micich, 1971
Domenico Milivoj MICICH (1949- ) Born Zadar, Croatia Arrived Australia 1960 Domenico Micich studied at the Ballarat School of Mines Art School from 1968 to 1971. Described as a portrait artist, Micich taught art for many years in Ballarat. This is one of a number of paintings from Ballarat School of Mines Students produced for the opening of the new Mount Helen campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An oil painting of a small girl on a swing in an outdoor setting. art, artwork, domenico micich, milvoj micich, swing, playground, oil on canvas, alumni, available -
Federation University Art Collection
Painting, 'Gymnasts' by Milivoj Micich, 1971
This work is one of a number of artworks by Ballarat School of Mines Students produced for the opening of the new Mount Helen Campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Oil and acrylic painting showing a scene in a gymnasium. art, artwork, domenico micich, milivoj micich, micich, gym, gymnasium, oil and acrylic on canvas, available, alumni, sport -
Vision Australia
Administrative record - Text, The Association for the Blind, Blind Members' Council annual reports and annual general meeting minutes 21/8/1981 to 19/9/1997, 1981-1997
These meetings were held at the Kooyong office and the minutes include Present, Chair, Apologies, Minutes, Matter arising from minutes, Correspondence, Life governors, Election of members, Nominations, Reports from Regional Blind Members groups. Some highlights are: 30/6/1990 under the capable leadership of Mrs Elsie Germon the schools programme has been re-convened. Regular visits are being made to primary schools. Speakers are accompanied by sighted guides. 9/8/1991 Executive Director, Mr John Cook reported merger of the Braille & Talking Book Library with AFB. First radio appeal for 3RPH raising over $30,000, opening of the new Baringa Day Centre at Shepparton. 30/6/1996 the annual report highlighted the Centenary of AFB it was noted that self-help has always been the major emphasis underpinning the work of the Blind Member's Council. The Tilly Aston Fund raised over $1/2 million for the new National Information Centre. The peer support work and monitoring of services, ensures that we give back something to AFB, for the support we receive. BMC representatives made 70 visits across the State. The Council registered the Tilly Aston Rhododendron as a lasting way of acknowledging the work of our founder. 19/9/1997 The Chairman welcomed those present to the second combined meeting of the AFB and the Tilly Aston Customer Council. The Council welcomed the change in Articles and Memorandum of the Association and the formation of the Tilly Aston Customer Council which allowed all customer of the Association automatic membership and input to the monitoring of services. Minute book of Blind Members Council annual reports and general meetingsassociation for the blind, blind members council -
Vision Australia
Administrative record - Text, 92nd Annual Report Royal Blind Society of N.S.W. (1972)
Articles in the annual report include: the opening of the new building at Burwood (Enfield) and the facilities it provides, including a bowling green, swimming pool and rooms for specialist areas such as orientation and mobility and music braille; the need for the new building, publication of a booklet 'The Pre-School Child who is blind', the development of rehabilitation services for those who are unable to visit the new site and the introduction of Mark IV talking book machines.1 volume of text and imagesroyal blind society of new south wales, corporation records -
Vision Australia
Administrative record - Text, Newsletter and Annual Report 1985 Lady Nell "Seeing Eye" Dog School & Rehabilitation Centre for the Blind, 1985
President's overview of the year including: the beginnings of the school at Wonga Park, Arthur McKay being the first person to receive a dog, the scarcity of funds after training the first dog and the joy of receiving the first substantial donation from the Sunshine Foundation Trust, opposition from some quarters, Kim Gration and Dennis Gration involvement with the school, the work of Pat Mallaney in Tasmania, support and assistance from vet Dr Rowan Blogg, opening the activity centre in 1962, seeing eye dog trainer Judy Oakenfell, the sale of Wonga Park and transfer to Malvern, threats to dismiss Harold Gration working due to involvement with the school, overview of growth of Queensland branch, working with Jeff Mowat who developed the Mowatt sensor, training of people around Australia and from New Zealand, return of 'Stacey' from Singapore due to not being accepted on public transport, restaurants, etc, diverse age range of people trained, less people volunteering, loss of 3 auxiliaries due to lack of members, and opening of shop and welfare centre in Cairns.1 volume with text and illustrationsannual reports, lady nell seeing eye dog school, phyllis gration -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 1956-1957, 1957
... Fair' held at Ormond Hall, opening of a Community Mart at 382...' held at Ormond Hall, opening of a Community Mart at 382 Chapel ...Events that occurred during the year : two day 'Olympic Fair' held at Ormond Hall, opening of a Community Mart at 382 Chapel St in conjunction with School for the Deaf, Alfred and Prince Henry hospitals, Penny Serenade program conducted by John Best on 3KZ and Janet Irving a Penny Serenade Ball has increased funds, six concerts held at Melbourne Town Hall, resignation of Country Concert Party director John Broadway and succeeded by Alban Whitehead, two stalls operated at Royal Agricultural Show, Easter Scout Camp at Gilwell Park, visit to Olympic Village, matinee performance by Dame Margot Fonteyn, opening of St Paul's School for Blind has decreased enrolments and two ex-pupils (Joan Ryan and Hugh Jeffrey) are on staff there, Keith Smith, Joan Ryan and Margaret Russell completed their university courses, and plans for Box Hill site have had to be re-drawn given decreased numbers due to opening of St Paul's - resulting in a delay to the start of building.1 volume of text and illustrationsannual reports, royal victorian institute for the blind -
Vision Australia
Plaque (item) - Object, Plaque marking the opening of the Lady Nell Seeing Eye Dog School 1960
The Lady Nell Seeing Eye Dog School was founded at Wonga Park in April 1960. This plaque commemorates the official opening by Hon. T.W. Mitchell and reads: This plaque marks the opening of the Lady Nell Seeing Eye Dog School by the Hon. T.W. Mitchell M.L.A. on the 10th April 1960. Later that year, a property at 16 Thanet Street Malvern was purchased, and the school relocated to that site.This plaque marks the opening of the Lady Nell Seeing Eye Dog School by the Hon. T.W. Mitchell M.L.A. on the 10th April 1960nameplates, lady nell seeing eye dog school -
Lilydale RSL Sub Branch
Book, Citadel Press, OFFICIAL OPENING OF THE ROYAL AUSTRALIAN NAVY SEAMANSHIP SCHOOL, 1989
bOOK -
University of Melbourne, Burnley Campus Archives
Pamphlet - Symposium, Melbourne School of Land and Environment, Symposia on Contemporary Issues in Urban Landscapes, April 2013
horticulture, 150th celebrations, burnley gardens -
University of Melbourne, Burnley Campus Archives
Programme, Melbourne School of Land and Environment et al, Re-Opening of the Luffmann Ponds, 14.05.2010
Refurbishment of the Luffmann Ponds joint venture between the Friends of Burnley Gardens and The University of Melbourneluffmann ponds, refurbishment, ceremony, friends of burnley gardens, melbourne school of land and environment, alex cherney, barry jones, john fordham, plaque -
University of Melbourne, Burnley Campus Archives
Card - Invitation, The University of Melbourne et al, Re-Opening of the Luffmann Ponds, 01.05.2010-14.05.2010
luffmann ponds, refurbishment, rick roush, nigel stork, alex chernov, barry jones -
Falls Creek Historical Society
Photograph - Australian Olympic Team 1964
Ross Milne grew up on his family's tobacco property in Myrtleford, Victoria and started skiing at Falls Creek when he was 13. He went on to win the North-Eastern District Ski Association (NEDSA) Junior Championships for three years in a row. In 1961 Ross was a member of the Australian team which competed against New Zealand in the Inter-Dominion Championships. In 1963, he won the Downhill and Alpine Combined title at the Australian Championships, while placing second in the Grand Slalom event. Ross Milne was selected in the Australian team that participated in the 1964 Olympic Winter Games at Innsbruck, Austria. A few days before the opening of the Games, on 25 January 1964, he tragically lost his life when he crashed into a tree during a training run for the Men's Downhill. He was only 19 years of age. This item is significant because it shows the Olympic Team at Falls Creek and features Ross Milne who died tragically in a training run in Innsbruck, Austria shortly after this photo was taken.A mounted black and white photograph of the Australian Olympic team standing in front of the Falls Creek Ski School sign as well as an article "Ski Champion at 18" from Australian Women's Weekly Wed 9 Oct 1963. The image was taken while the team selected to represent Australia at the 1964 Winter Olympics at Innsbruck, Australia were in training. Left to right: Christine Smith, Simon Brown, Sigi Haberzettl (Coach), Judy Forras, John Wagner (Manager), Peter Wenzel, Peter Brockhoff, Ross Milne.australian winter olympians, winter olympics 1964, ross milne