The hotel in the photograph is the original single storey Royal Hotel with its corner entrance. It stood on the south -east corner of Evans and Brook Streets in Sunbury. The original building was damaged by fire in 1936 and a two storey red brick building replaced it on the original site with the hotel entrance facing onto Brook Street. The hotel is in close proximity to the railway station so it was able to offer accommodation to travellers visiting the Asylum.The Royal Hotel is one of two surviving hotels built in Evans Street. Originally there were four hotels built between Station and Brook Streets along Evans Street.A non-digital black and white photograph of a white single story hotel building showing the original corner entrance and three men standing beside it in the street. There are two other entrances on each side and three windows down one side. The iron clad roof has three chimneys.royal hotel, sunbury, hotels, brook street, evans street

Contextual information relating to St.Mary's Church is entered on P0877. This image was used for a newspaper article An enlarged non-digital black and white photograph with a cream border of a blue stone church with white rendered columns around the windows and door and a pitched slate roof. Two men are standing beside the porch and the vestry is visible at the rear of the main building. A bare deciduous tree is on the LHS of the image

In 1930 Miss Anne Cook opened Anne’s Pantry, a home-made cakeshop at 165 Union Road, but later moved to 135 Union Road. The business of the same name is currently (2018) located at 139 Union Road. Miss Cook used to catch the first train up from Auburn and usually worked into the evening. Eventually the long hours took their toll and she had to sell. Miss E Porteous, her assistant, pictured in this photo, remained for many years with later owners. She recalled: “On the first day we opened at 10 a.m., the people surged in and within half an hour there wasn’t a cake left.” A black and white photograph of a shop interior. There are a number of large jars full of biscuits sitting on the counter. Large tins and boxes are on the shelf to the left hand side. A wicker chair is beside the counter, and part of a table and chair is on the far left hand side. A lady with glasses is standing behind the counter.Original: Top LH corner: Just in case / you forget / Anne's Pantry / 1947 Top Middle: PS/ How could we forget / love Mumunion road, businesses, surrey hills, cake shop, pastry shop, shopkeepers, 1930, 1947, anne's pantry, e. porteous (miss), anne cook (miss)

Given to John Rickard by a Luffman family member. Sandi Pullman provided digitised copy. Appears in Vol 1 of History Of The Wallaby Club by Alfred Hart (1944)C. B. Luffmann standing with R. G Hyndman, H. H. Chapman, F. G. Duffy, J. Mather, J. V. McEacharn, L. Henry, H. B. Higgins and G. A. Syme outside the Grand Hotel, Yarra Glen. Members of the Wallaby Club (a walking club.)charles bogue luffmann, wallaby club, walking club, principal, yarra glen

Murray Comrie Collection. Monochrome photograph, image depicting two men standing at a fence, one with shotgun. Hare carcasses are hung all along the fenceline. Accompanying note indicates the subjects may be Jack Davies and G.White. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, sport, recreation, shooting, hare shooters club, clubs, animals, hares

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

Black and white photo - early electric tram. The tram has open both ends, centre enclosed. Driver and conductor are standing in front of tram. No passengers visible. Stamped in indelible ink on back: "Photo, A. Doney, Bendigo". Written in pencil "P.6, Bat L, 5/col".A. Doney, Bendigobasil miller, bendigo tramways

Black and white photograph of W5 727 in the reserved track section at Mathews Avenue, Niddrie, Essendon Airport line, possibly for an Australian Railway Exploration Association Tour to Tasmania. Possibly during the 1970's. Has the destination of "Tasmania via Essendon Airport" with the crew standing along side.trams, tramways, charters, special trams, tours, essendon airport, tram 727

Negative of a photograph of No. 532, Northcote terminus, Xmas 1939. The grip has the destination of Northcote. There are another two sets waiting to run around at the terminus. In the background is Stan Ge? or Be? Hairdresser, C. E? Boot Repairer. There is a Bundy clock on a pole opposite the tram, and a person in uniform standing alongside.trams, tramways, cable trams, high st, northcote, bundy clock, tram 532

Sepia photo. California Gully Mechanics Institute Committee, 1890. Front row: 2 men sitting on floor. Second row 5 men sitting on chairs. Back row: 5 men standing. All men dressed in suits. Markings/Inscriptions: A. G. Levy, Photographer, Eaglehawk.A G Levyeducation, mechanics institute, a g levy, california gully mechanics institute committee, eaglehawk

BHS CollectionBlack and white photo. Three men standing dressed in tramways uniform. The man in centre dressed in dark uniform, two men on side dressed in short grey dust coats, worn over dark trousers. Man on left holding roll of paper. Part of Basil Miller Collection.Unknownperson, individual, basil miller

Part of photograph album donated by Mrs Faull. Taken during St Paul's Sunday School picnic at Lake Wendouree, Ballarat.Sepia photograph of a man wearing suit and hat standing with arms by his sides, next to a woman wearing long sleeved, knee length outfit and hat, with arms clasped in front, and young girl wearing short dress and hat in front of the man, posed in front of a large expanse of water.faull collection, st paul's sunday school, sunday school picnics, lake wendouree

Standing L-R: Mrs Nankervis, Mrs Marjorie Smith Motschall, Mrs Joy Ness, Mr Alan Gardner, Mrs Marion Yeoman, Mr Irvine Green (stooping), Mrs Lucy Robertson, Mrs Marie Ebeli, child, Mrs McLellan, Mr Garnet Burges; Seated L-R: Mrs Clair Renouf, Mrs Eileen Gibbons, Mrs Kath Stephenson, Mrs Irvine Green, Mrs Jean Nowlan. The commemorative plaque explains the functions of the various items used in the Victorian 150th Anniversary Monument and Time capsule.Colour photograph1987, activities, eltham community centre, time capsule

This statue of Hebe standing tall in Sturt Street is a religious reference to the youth. She holds aloft the cup of youth while the flask or jug of knowledge hangs in her fallen arm. Both Hebe and Ruth as iconic figures face each other across their garden beds forming a part of the sculptural vista of Sturt St. Hebe, Greek Goddess of Youth and the biblical figure Ruth, were the gift of wealthy local benefactor John Permewan, who owned carrier firm Permewan & Wright. He commissioned Charles Summers to sculpt both of the women figures. The artwork is of aesthetic and historical significance to the people of Ballarat.Marble sculptural depiction of the Greek goddess Hebe Presented to The City Council of Ballaarat by John Permewan J.P. 1899/ Unveiled 3 April 1889. / This wealthy gentleman of the firm of carriers Permewan & Wright, was also an investor.hebe

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens garments. Several of these patterns could be knitted for use by the Armed Forces, including a balaclava and a splint cover for a Bohler Walking Iron (a type of splint used where the foot must not touch the ground or bear any weight, eg. in cases of ulceration). The back cover illustration depicts a man wearing a knitted cardigan, posed with an Australian Army slouch hat and standing in front of an encampment.Knitting Book (front cover) - Patons and Baldwins' Specialty Knitting Book no. 122, WWII. Knitting Book (back cover) - Patons and Baldwins' Specialty Knitting Book no. 122, WWII.No. 122 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Bookworld war ii handicrafts - history knitting, patons and baldwins (australia) ltd, world war ii, handicrafts - history, knitting

Front Row L to R: Kevin Davis, Graham Allen, Graeme Barrowman (Dec), George Hood, Barry Shadlow, Tom Carron (Instructors), Michael Standing (ACT), Eric Rennie, Don Guy. Middle Row L to R: David Elliot, Ray Nolan, Paul O'Toole, Dale Trevaskis, Pat O'Bryan, Derek Pearson, Keith Simon (ACT), Ken Dean, Roy Limb, Bryn Kendall, Mark Hamer, Robert Boyd. Top Row L to R: Wal Drinkwater, Barry Hall, Gerard Van Hees, Stephen Nangle.Colour photograph of Ambulance Recruit Course, Mayfield Training Centre trainees,ambulance recruit course, mayfield training centre, instructors, act

Ivy May Child is standing 3rd from the right. The other people are unidentified as yet. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph of a group of two men and seven women posed in front of a pavilion like structure.On reverse: Ivy M Childivy child, ivy may child

Set of 7 photos of trams returning to the depot or in the depot at the time of a 48-hour strike by the SEC. Taken by A T Miles 27/11/1969. 1 - Tram 43 at depot junction returning to the depot 2 - Tram 34 at depot junction 3 - Tram 34 running into the depot with tram 21 alongside and two crew standing by the gate. 4 - Tram 17 crossing Wendouree Parade 5 - The depot gates are closed. 6 - All the trams are in - including 18 as the Santa tram, 35 and 21. 7 - All the doors are closed.Yields information about trams returning to the depot at the time of a 48 hour strike by the SEC in 1969.Photograph - black and white print with notes on rear - set of 7A T Miles stamp and location and date notes.tramways, trams, strike, sec depot, tram 43, industrial issues

Photograph of Electric Supply Co. of Vic (ESCo) Ballarat tram 18 in Wendouree Parade with the Gardens Kiosk in the background. Tram has a roof advertisement for Monosylk hosiery. There is a safety zone sign and two gentlemen standing alongside. The safety zone and line markings are unusual in Ballarat where passengers alighted or boarded on the lake side of the roadway. A related item could be 5904 which shows ESCo tram 9 offloading passengers on the "wrong side" for Ballarat at this location and a sign in position. Possibly a special event or a trial. Photo possibly mid 1920sYields information about the use of a safety zone sign in Ballarat and tram 18Laminated laser print photograph black and whitesafety zone, wendouree parade, ballarat, tram 18, esco, events, monosvlk

Concongella Resident’s Reunion with children Adults Seated L-R : Mr J. Holden Mrs E. Cooper, Mr H. Taylor, Miss Urquhart, Unknown, Mr J. Court, Mr G. Holden, Mrs Mills, (behind children) unknown Mrs G. Holden, Male standing extreme right J. Mulveny Other people in the background include : M. Pianta, J. Evans. J. Pickering, Miss Davies, Arch Simpson, O. Simpson G. Simpson, D. Rathgeber, Bess Simpson, P. Ronchi Photo of a large group of adults and children at a reunion in Concongella.A. OLIVER is on the backconcongella, reunion

Photograph of Legatee George Woodward and a wooden spoon in the lounge at Legacy House. He appears to be singing and seems to be before a comradeship luncheon. Ron Barassi is standing in the background. Was with other photos of the event that show Ron Barassi with Legatee David Ford so it might have been 2003 when David Ford was president or 2004 as it was stored with other photos labelled as being 2004. Ron Barassi was a Legacy boy after his father, Ronald Barassi Snr died at Tobruk in 1941. He helped promote Legacy many times through the years.A record of a celebrity having a close relationship with Legacy.Colour photo x 2 of George Woodward and the wooden spoon in the lounge at Legacy House for a functionHandwritten note with a group of photos in the plastic sleeve, 'Ron Barassi 2004 awaiting new photo folder'.ron barassi, legatee function, george woodward

Photo of Legatee Lucky Luscombe and the Minister for Veterans Affair, The Hon Con Sciacca MP and Ted Gregory the CEO of AAV. Mr Sciacca was the Minister for Veterans' Affairs from 25.3.1994 to 11.3.1996. This could be during 1995 which was the 50th anniversary of the end of World War 2. Articles in Trove mention there was a promotion called 'Australia Remembers' during 1995 which helped increase awareness of history and commemorate the end of the war. AAV was Australia's largest publicly listed digital media services group. The men appear to be standing in front of a visual display.A record that Legacy was involved in the Australia Remembers activities in 1995 which were supported by the Department for Veterans Affairs.Colour photo of Legatee Luscombe and two others.Typed label on the reverse says ' From Left to right: Legacy of Laughter. Legatee Brian 'Lucky' Luscombe, Minister for Veterans Affair, The Hon Con Sciacca MP, AAV CEO, Ted Gregory.events, brian lucky luscombe, luscombe

The photos show President Geoffrey Swan presenting a plaque to Bradley Marks, in recognition of the fundraising efforts of Year 6 boys at Brighton Grammar Junior School. For many years the boys from Brighton Grammar Junior School raised money from the sale of Legacy badges and the President would present them with a plaque of appreciation. Between 1991and 1995 the boys have raised in excess of $16,000. The label mentions that they are standing in front of a tree planted in honour of a late Legatee Tom Bell. In other years the presentation is made in the same spot. (see items at A record of Brighton Grammar School fundraising for Legacy.Colour photo x 2 of boys at Brighton Grammar with President Geoffrey Swan and a white paper label.Label is typed and describes Legatee Swan presenting a plaque to Year 6 boys how had raised money for Legacy. fundraising, brighton grammar

Photo of Geelong electric tram No. 11 - crossbench tram, taken in the same location as Reg Item 4316, following conversion from a trailer in Corio Terrace, now Brougham St. Has the driver and conductor standing at either end of the tram wearing their uniforms. Has the destination of "Newtown", 4345.1 - Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 7/8/2013. See Destination Eaglehawk for background details. Wal Jack has dated the photo as 1916. Yields information about Geelong tram No. 11Black and white photograph with notes on the rear. Copy 1 and 2 - On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." 4345.1 - Wal Jack stamp with the number T176 written in on the bottom right hand corner. Third copy has extensive notes on rear and Ken Magor stamp - see image i3trams, tramways, geelong, depot, brougham st, cross bench tram, tram 11, uniforms

The vanity set was owned by a local woman who lived in the Harbour Master's house at Warrnambool after it was decommissioned. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House, a business in Timor St (and later Liebig St) from 1876. The vanity set is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) three-piece vanity set that includes a hand mirror, hair brush and comb. All pieces feature a beautiful ornate moulded rose/flower design on the back, handles and edge of the comb. The hair brush no longer has bristles and is purely ornamental. The comb teeth and hair brush insert are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, brush, comb, pewter, celluloid, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush

Photograph show the MMTB / MTO Co cable tram set No. 1 inbound in Nicholson St Fitzroy with the Carlton Gardens in the background - Destination of Spencer St. Has a small number of passengers and the conductor standing on the trailer. Two copies held. The livery is non-standard for the time. Official MMTB Photograph - used in a Annual Report. .1 - Photo taken in the same location but looking from the rear of the cable tram set. Has the Exhibition buildings in the background. Two copies held. See Reg Item 897 for a newspaper clipping of the 2nd photo.Yields information about cable tram set No. 1, which was presented to the Science Museum when the cable tram system closed.Photographs, Black and White, set of two.In ink on the rear: KSK print numbers SA909 On rear of .1 "MMTB" and "H202"trams, tramways, mmtb, cable trams, mto co, nicholson st, tram 1

The photograph, captured around 1900, depicts a large group of minors located in Beechworth. Importantly, this photograph can provide information into the clothing and fashion of minors during this period of history. These men wear loose fitting shirts which are mostly a pale white colour, several wear vests and/or jackets and loose fitting trousers with boots. The majority of men wear wide brimmed hats to protect their skin and eyes from the sunlight. One man has a wooden pipe in his mouth and a few have ties/neckerchief's tied around their necks. The outfits of these miners has the potential to provide insight into their social status, these men are all dressed equally which provides the notion that they are of equal societal standing. The outfits of these miners dating to the 1900s is not dissimilar to photographs of those captured in the 1880s. The location of this photograph is not easy to interpret, but the photograph is recorded to have been taken in the Beechworth region. Displayed in this image is some wild shrubbery and grass where the men are standing/sitting and behind the group is a tin wall or even tin building. At the end of 1899, companies were continuing to search for gold in Beechworth and the surrounds but these attempts were not overly successful. In the early 1900's Quartz mining was occurring but this was done by individuals or smaller parties. It is unclear if these men are mining for gold or for quartz.The search for gold is ingrained into the history of Victoria and therefore, the study of images like this one which portrays some of the miners who worked behind-the-scenes for these discoveries has the potential to reveal important information regarding society, fashion etc. The date when the photograph was taken is vague but it allows us to form a timeline of mining activities in the North East. This image is of important historical significance for its ability to convey information about society at the time, regarding fashion (which can potentially reveal social status) and mining in Beechworth in 1900. Black and white rectangular photograph printed on matte photographic paper mounted on board.Reverse: BMM 8032/ Group(?) Beechworth Mines about 1900/ 80quartz, north east gold, sluicing, gold sluicing, hydraulic sluicing, mining, gold mining, north-east victoria, beechworth, burke museum, 1900, group, miners, hats, vests, ties, wild shrubs, tin, quartz mining

Charles Wheeler biography link http://www.portrait.gov.au/people/charles-wheeler-1881 Painted by a prominent artist. Refer to Sir Ronald East's history of the Greenwood family pp. 336-371, noteably page 343 that mentions about Henrietta Carr, only daughter on George F. Carr, who married AV Greenwood in 1896. Also reference to The Wattle Club pp. 356-7. Thus giving the connection of the Greenwood and Carr families, the subjects of Charles Wheeler's painting.Painting in glass-fronted frame.Typewritten notation behind the frame - "Greenwood oral family history says that this unsigned painting was done by Charles Wheeler as a demonstration for Rose Greenwood, (A.V. Greenwood's sister). They shared a studio at the Wattle Club Hall at Box Hill circa 1890s. The subject matter was said to be Grandfather Carr's orchard in Wantirna Road (Ringwood - Still standing in 2003). Source: Mary Greenwood, youngest Granddaughter of A.V. Greenwood."