Murray Views No. 13. Panorama over Stawell, looking South West. Spotlight on Pioneer's Memorial (29,5). Black Range in background, grassland on Big Hill at front of Photo. St Patrick's Church visible, Kinsella House. The larger photo 29.5a is a slightly closer view of same scene and shows the "new" school (corner Patrick & Holt Street) opened in 1934.Two similar views of Stawell. One Murray views looing south west (29.5) and the other a larger photo showing school building beside church (29.5a).Murray Views No.13. Panorama from Pioneer's Memorial, showing Black Range, Stawell, Vic. (on 29.5)stawell, panorama

Photograph of Shirley Black and friends c. 1944Black & white photograph of children with Santa, with greeting card addressed to Shirley Fraser and names of children"Dear Shirl - thought you might like photo. Love, Heather"shirley black

The Mining Manager of the Black Range Mining Company was William JacksonTwo foolscap typed pages .1) Black Range Mining Company NL Mining Superintendent's Report by T.A. Couper .2) Black Range Kohinoor Mining Company NL Mining Superintendent's Report by T.A. Couperblack range mining company, black range, kohinoor, william jackson, couper, blair's shaft, north kohinoor

Digital copy of one of 7 slides depicting photographs of police from 1858 to 1930s. This image is of black trackers 1858.Digital copy of black and white slide.police, victoria police

Foreword by Gavin Nash and Chrissie Smith, lecturers Graphic Design / Multimedia. Double page spread per student, names appear listed black on black on reverse cover, and throughout book.Promotional 60 pp + cover catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2009. Four colour process plus special colour (flourescent orange) throughout. Textured black card cover, single colour black deboss. Perfect/burst bound.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy

Black pure wool blazer worn by students of Burnley College 1967-1970. Blazer 1 - Edges bound in black braid. Woven badge of college on left breast pocket, also metal enamel Burnley College badge pinned on Left lapel. Made by Gayval - schoolwear of "The Doctor" flannel. Australian Wool Bureau gold medal winner - all pure wool - mothproofed. Blazer 2 - Different manufacturer , no braid. Woven badge of college on left breast pocket only. Blazer 1 - Black pure wool blazer with edges bound in black braid. Size S. Blazer 2 - Black pure wool blazer, no braid on edges. Size LBlazer 1 - Burnley College woven badge on left breast pocket. Burnley College Metal badge pinned on left lapel. Blazer 2 - Burnley College woven badge on left breast pocket identical to Blazer 1.blazer, burnley college uniform, student, burnley badge, badge, wool blazer

Black fabric (probably cotton) banner with gold tassell at bottomBlack, white and gold CTS logo stencilled on it. Also stencilled on is 'TECHNICAL / SCHOOL / COLLINGWOOD' collingwood technical school, banner, nmit.

A copy of an early wood engraving of the construction of the road over the Black Spur in Victoria.A copy of an early wood engraving of the construction of the road over the Black Spur in Victoria. The Black Spur is known to be one of Victoria's most scenic drives. The road winds through a majestic forest of trees and tree ferns from Healesville to Narbethong and is part of the Maroondah Highway.black spur, wood's point, narbethong, maroondah highway, victoria, wood engraving

A black curved plastic card holder to assist people holding their cards. It can be placed on either the table or fits into your hand. 1 black plastic playing card holderrecreation, games

Joshua Black was an Irish Stonemason who came to Portland. He helped to build many significant buildings including what is now the Royal Hotel and Julia Street Creative Space as well as the Scotts Presbyterian Church.Portrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label.portrait, portraits, male, man, victorian, portland, buildings, builder

To identify AFB staff a silver badge was struck.. A type written card name is located below the main part of the badge, which consists of the guiding light symbol with black 'wings' and a white light, against a silver background. The words 'Association for the Blind' sit around the symbol, in silver lettering, on a black background. Silver and black guiding light logo with silver name plate underneath, some with paperMr. John Wicking (typewritten) Mrs. Janet Wicking (typewritten)association for the blind, badges

G41 derailed at Crowes at "The Black Stump" on 7 July 1942, with Con Duggan, G. Newland and Frank Woosnan observing.. G41 over "The Black Stump" at Crowes, 7 July 1942.crowes; g41; derailment; con duggan; frank woosnan; g. newland; colac;

After the Eureka Stockade the government offered a reward for the leaders of the rebellion. Peter Lalor's name is incorrectly spelt 'Lawlor' in the poster, which suggests the correct pronunciation of Lalor.A Eureka Stockade reward poster as reproduced in Withers 'History of Ballarat'. The poster is black on white and relates to a 400 pound reward offered for Peter Lalor and Black after the Eureka Stockade. Peter Lalor is described as 5 feet 11 inches in height, age 35, dark hair, whiskers dark brown and shaved under the chin, no moustache, long face, rather good looking, and is a well made man. Black is described as over 6 feet tall, straight figure, slight build, bright red hair worn in a general rather long and brushed backwards, red and large whiskers, meeting under the chine, blue eyes, large thin nose, ruddy complexion, and rather small mouth.ballarat, eureka stockade, peter lalor, lalor, lawlor, black, william haines, haines, ballarat reform league, reward poster

Sub-titled "The untold story of how the Black Hats destroyed Coranderrk, this is an account of the history of Coranderrk and the resistance to its closure by Wurundjeri elder, William Barak.Paperback book, 366 pages, black and white photographs.Signed by the authorwilliam barak, coranderrk, wurundjeri, victoria history, mick woiwod

Front cover has a photograph of a bush fire. Back cover has a photograph of a burnt tree with some regrowth.non-fictionA book of photographs taken in and around the Marysville region during the Black Saturday bush fire. Also some photographs of the regrowth of the bush in the months after the fire. marysville, black saturday, bush fire

This draft plan, a line etching, is of the wooden clipper ship "Schomberg" . It can be assumed from the heading "Ship Building." and the phrase "Built by Messrs. A Hall & Co. of Aberdeen" that the drawing is an example of plans for building a ship, and that the Schomberg ship has chosen to demonstrate this. The plan may have possibly been in a book, as it is made from two well-joined pieces of paper. The original plans would have been drawn up, discussed, reviewed and drawn in more detail before the building of the ship in Aberdeen, Scotland, in 1855. Information on the draft Is as follows: “Principal dimensions: Length between the perpendiculars: 262 feet 6 inches Length of keel 245 feet Breadth extreme: 45 feet Breadth of frame: 42 feet Depth of hold: 29 feet 9 inches Burthen in tons, Builders Old Measurement: 2600 Tons” The publisher firm A & C Black, was founded by Adam and Charles Black in Edinburgh in 1807. Over the years the company has published editions of Encyclopedia Britannica and Whose Who, and reference books, guides and technical books. The printer G Aikman (1788-1865) or his son G Aikman (1830-1905), were both named George. George senior was an early-19th century Scottish printer and publisher. After his death his son became the sole proprietor of the firm until he sold it in 1876. The draft plan uses the vessel Schomberg as its example ship building plan for demonstration purposes. It is significant for its association with the Victorian Heritage Registered shipwreck, the Schomberg. It is an example of a shipo building plan. The Schomberg collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. The Schomberg collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The Schomberg collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history.Plan; line engraving; draft of the wooden clipper ship 'Schomberg', built in 1855. The drawing on cream paper is made from two well- joined pages. The drawing gives the principal dimensions and labels for the Body Plan, Middle Section, Sheer Plan and Half Breadth Plan. Inscriptions are on the drawing and its rough cardboard storage folder. Publisher: A & C Black. Edinburgh. Printer: G. Aikman sc. EdinborughOn drawing: "SHIP BUILDING" "Draught of the Wooden CLIPPER SHIP SCHOMBERG", Buiilt by Messrs A Halt & Co. of Aberdeen" "Vol XX" "Plate III" "Principal Dimensions""BODY PLAN" "MIDDLE SECTION" "SHEER PLAN" "HALF BREDTH PLAN" "Published by A & C Black, Edinburgh" "G Aikman sc. Edinr" On storage folder: "Receipt Number 381A: "Line engraving draught of wooden ship "Schomberg" "warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, schomberg, schomberg plan, vessel schomberg, ship building, g. aikman ship plan draftsman, a.& c. black publisher aberdoon, a. hall & co. maker aberdeen, peterborough, clipper ship, captain forbes, black ball line, ship's plan, ship's drawing, line drawing, vessel plan, draft plan, line engraving, vol xx plate iii, a & c black, ship building example drawing, g aikman, 19th century

In 1861 the Lake Tyers Mission Station was established by the Church of England missionary Reverend John Bulmer, to house some of the Gunaikurnai survivors of the conflict. The peninsula, which has a lake on each side, was known to its traditional owners as Bung Yarnda.A black and white photograph of an older, bearded Aboriginal man. He is sitting outdoors in front of a leafy bush. He is wearing a suit.Black Andy of Lake Tyers ORBOST 1/3/21 L.G.W. photo 741lake-tyers photograph

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja

The black nylon blind cricket ball was in use since 1974 until the end of the 2002/2003 season. It was hand woven around a wire frame, with lead for weight and bottle tops for sound placed inside.1 black nylon cricket ball with metal bellsrecreation, victorian blind cricket association

Front cover has a photograph taken on Black Saturday by Alex Coppel from the Sunday Herald Sun; smoke from Black Saturday fires turns day into night as CFA volunteers race towards a new firefront at Labertouche. There is also a banner across the top of the front cover that says 'All proceeds from this book go to the Salvation Army Victorian Bushfire Appeal. non-fictionStories of love, loss and courage from the Victorian bushfires on Black Saturdaybushfire, black saturday, victoria, kilmore east, wandong, strathewen, kinglake west, st andrews, steels creek, kinglake, flowerdale, marysville, gippsland, bendigo, beechworth, medgegonga

The family members standing behind the fruit and vegetable stall, which was located in the Camberwell Market are from L-R: Penny and John Black and their sons Dennis and Steve. The Black family were retail fruit vendors in the Camberwell Market throughout the 1950s and 1960s.A non-digital black and white scanned photograph of four people standing behind a fruit and vegetable stall in a market.dennis black, elpinike black, john black, steve black, camberwell market, fruit stalls

Black powder splitting guns were commonly used to split large logs into more manageable pieces before the advent of excavators and front-end loaders in bush logging operations. A typical splitting gun used in Victorian forests was a piece of high-grade steel about 1-1/2 to 2 inches in diameter and about 16 inches long, and slightly tapered at one end. They had a ¾ inch hole drilled about 9 inches deep into the centre of the shaft with a small pilot hole drilled from the outside to load the fuse. The tube was carefully loaded with an amount of black gunpowder using a funnel and spoon. Experience being the guide on how much powder to use, which depended on log size, species and difficulty of splitting the wood. The hole was stopped with a piece of wadded paper and the gun positioned at the end of a length of the log to be split. The splitting gun was then belted into the log with a large wooden maul or even the back of an axe to a depth of about 3 to 4 inches. There were often markings as a guide. This also had the effect of tamping the black powder inside the gun. Preferably the gun was backed up by another large log to absorb the shock and avoid it flying off in the bush somewhere. I have seen guns where a length of string and coloured flag could be attached to help find them. A length of fuse was then inserted in the small hole and lit. Kaboom !!!! Needless to say, the splitting gun was a dangerous implement.Commonly used to split pulpwood but now rareBlack Powder Splitting GunFive marking rings used to guide how far the gun was in the logforest harvesting

Alexander Black was a painter and decorator who operated a business in Timor St below Swintons. This ledger has entries which relate to work completed at the time including local names such as Coulsock, Landmann, McFarlane,Redford Allendale, McGennan & Co,Water Works Trust Wm Ardlie.This book lists a number of local names providing local social significance. Local handwritten ledgers such as these were commonly used by many businessesVery worn cardboard cover originally dark blue .with black binding. Rectangular in shape with lined pages. The front pages are filled with names and amounts.Dates range from 28/04/1900 to March 1922: Mr Alex Black Timor Street WarrnamboolLate Black & Eveleigh. White piece of paper has been pasted to front cover..Inside front cover warrnambool, painters and decorators, alex black, alexander black

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a man dressed in a suit, leaning back against a large canon on wheels. The man is Frank Wright and the place is Black Hill, Ballarat.Written on the back in pencil - FW, Taken on Black Hill by Lin Jenkins, Jan 1929 Printed on back - Kodak Printfrank wright, lin jenkins, black hill, ballarat, canon

Contents: Family tree; small school books from family member; copy of map and advertisement for Watsonia Electric Station Estate; receipts; cemetery information; article on James Black and descendants; copies of un-named photos taken on Bundoora farm.The Black family owned a large portion of land from Greensborough to Watsonia. This collection is partly from family members.20-page plastic binder, green cover. Contains documents relating to the Black family of Greensborough and Watsonia.Collected by Greensborough Historical Society. Folder commenced 2012black family, shirley fraser, james black, watsonia electric station estate

Image of gannets diving into the sea. The gannets are at the water's surface about to dive under. The sea is bright blue with several white waves. The sky above is a more grey/blue.15/20 'Diving Gannets' / Wendy Black '17female artists, female artist, gannets, portland wildlife

Contents: Handwritten list of burials of McLaughlin and Black families at St Katherine's St Helena; handwritten family tree by Shirley Fraser; letter re McLaughlins Lane; un-named family photos; television fan memorabilia from 1950s.History of the origins of this Greensborough family. Includes McLaughlin, Fraser, Black.20-page plastic binder, spiral bound, purple cover. Contains documents relating to the Black and Fraser family.Collected by Greensborough Historical Society. Folder commenced 2012.black family, shirley fraser, mclaughlin family, watsonia

Black and white photograph showing Ballarat from Black Hill. in pencil on verso "Black Hill Ballarat" and "taken alongside the walking path between Clissold St and Princes St looking south towards Mt Warrenheep, past St Alipius Church with Princes St in foreground DPC 2013 Yarrowee River Trail"black hill, ballarat east, clissold st, princes st, st alipius, east ballarat heritage project