Showing 825 items
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Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 26 Davis St., Burwood, 2003
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 26 Davis St., Burwood for sale in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for in 2003 $373,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favoured coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 26 Davis St., Burwood. Depicted is a two-story brick house situated back from a front lawn with a large tree, and a driveway on the right, leading to a garage26 Davis St., Burwood Picken © 2003 Fletcherswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 5 Fellows St., Mitcham, 2002
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 5 Fellows St., Mitcham. This property has be listed as having sold for $370,500 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 5 Fellows St., Mitcham depicting a black and white line drawing of a weatherboard Californian bungalow with gable roof, set back from a picket fence and front garden. With a path in the center leading to the front door.5 Fellows St., Mitcham Picken © 2002 Fletcherswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham -
Ballarat Heritage Services
Digital photograph, Lava Street Warrnambool - Fletcher Jones Ball, c2010-2017
Digital Image of the Fletcher Jones Ball.fletcher jones, factory, ball, water tower -
University of Melbourne, School of Chemistry
Fletcher Burner
Fletcher Burner, longer than 122a -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 6 Donald Rd., Burwood, 2003
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 6 Donald St., Burwood in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for in 2003 $560,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.6 Donald St., Burwood Margaret Picken © 2003 Fletchers whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden -
Warrnambool RSL Sub Branch
Army Uniform, jacket, Fletcher Jones & Staff, 1998
This uniform was worn by Bernie Farley, present secretary of Warrnambool RSL (2019). The uniform was made by Fletcher Jones & Staff, Warrnambool in 1998.Jacket with four pockets each with metal button fasteners. Four front metal button fasteners. One inside pocket . Regimental badges on lapels, Badge over right pocket. Epaulets with metal buttons, a crown and Australia. All metal buttons engraved with army insignia. Front metal button fasteners secured with safety pinsTag inside (left) FLETCHER JONES VICTORIA 1998 Arrow signifying govt. NAME. SERVICE NUMBER. 70% Wool, 30% Polyester, DRY CLEAN ONLY (A) Warm Iron ZC804B AR0003army uniform, military uniform, warrnambool ex service -
University of Melbourne, School of Chemistry
Fletcher Burner
Number of parts: 0.5. Fletcher Burner, for furnace -
Warrnambool and District Historical Society Inc.
Textile, Fletcher Jones, late 20th century
These are samples of the material used at the Fletcher Jones Factory in Warrnambool to make garments for men (suits, trousers, shorts) and women (suits, slacks, skirts, shorts). Fletcher Jones Clothing Factory was a key industry in Warrnambool from 1948 to its closure in 2005. The business was founded by David Fletcher Jones (1897-1977), a clothing manufacturer and retailer who worked as a hawker in the Western District following service with the A.I.F. in World War One. In 1924 Fletcher Jones opened three shops in Liebig Street selling men’s wear, hosiery and linen and operating a small tailoring business. He moved his shop to another location in Liebig Street and began to concentrate on men’s trousers production. In 1946 he opened a shop in Collins Street in Melbourne and eventually had stores and factories all over Australia. In Warrnambool he opened his factory at Pleasant Hill in Flaxman Street in 1948 and became a major Warrnambool employer, with over 1000 employees at one time. He transformed his business into a co-operative, with the name, ‘Fletcher Jones and Staff’ registered in 1947. The business diversified into other ranges of clothing for men and women but failed to compete with cheaper overseas clothing imports and the factory and shops were closed in the early 21st century. These pieces of material are of some interest as examples of the materials used in one of the most important businesses in Warrnambool and one that was of national significance for many decades. The Fletcher Jones label was well-known throughout Australia and Fletcher Jones himself was a prominent person in Warrnambool’s history, not only for his business interests but also for his philanthropy, his advocacy of business co-operatives and his support for many Warrnambool institutions. The Fletcher Jones Factory Gardens are still today a feature of Warrnambool and a tourist attraction. These two packets contain samples of materials used at the Fletcher Jones factory in Warrnambool. One packet (VC000690.1) contains four pieces of woollen material, one grey striped, one grey weave, one navy and one green, red and white tartan. The other packet (VC000690.2) contains two pieces of woollen grey and navy material and five small woollen samples of dark grey, light grey, navy, beige and blue and grey check material. warrnambool, industry -
Flagstaff Hill Maritime Museum and Village
Book, A History of Architecture
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A History of Architecture On the Comarative Method for the Student, Craftsman and Amateur Author: Professor Banister Fletcher, and Banister F Fletcher, Architect Publisher: BT Batsford Date: 1905Label on spine cover with typed text PAT 720 FLE Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, a history of architecture, banister fletcher -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 10 Donald Rd., Burwood, 2001
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 10 Donald Rd., Burwood in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.10 Donald Rd., Burwood Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden -
Whitehorse Historical Society Inc.
Document, 33 Gardenia Street, Blackburn, 2007
Fletchers' advertisement for auction of 33 Gardenia Street, Blackburn.Fletchers' advertisement for auction of 33 Gardenia Street, Blackburn.Fletchers' advertisement for auction of 33 Gardenia Street, Blackburn.gardenia street, blackburn no 33 -
University of Melbourne, School of Chemistry
Boiling Burner
Fletcher Standard Boiling Burner. Gall Cat No 285. -
Warrnambool and District Historical Society Inc.
Artefact, Wood-Necktie shaper, Mid 20th century
David Fletcher Jones was born in Bendigo in 1895. He served in World War 1 and returned in 1917 and with a war repatriation loan bought a hawkers wagon and commenced working a circuit around the Western District. In 1924 he bought a business in Warrnambool and after an initial shaky start he started to build his business. He was well regarded and involved in the town and the 1960-70’s saw the Fletcher Jones brand and factory expand to become one of the largest employers in the town. Ownership was based on a co-operative model with employees owning shares in the company. As well as manufacturing he had a number of retail stores across Australia. This item is likely to be a prop from one such store. A minor item which is linked to an important part of Warrnambool’s past.Piece of wood shaped like a necktie with advertising slogan and small diagram in black text.Fletcher Jones says “Gentlemen prefer Blends” You will never wear a colour that hurts your eyes_ When you accept the help of “The Man’s Shop”sir fletcher jones, david fletcher jones, fletcher jones warrnambool -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 3 Donald Rd., Burwood, 2003
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 3 Donald Rd., Burwood in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for in 2001 $490,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 3 Donald Rd., Burwood. A one story weatherboard bungalow, set back from a front lawn in foreground. There is a small tree in the center of the lawn, and a driveway on the right.3 Donald Rd., Burwood Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 7 Alfred Rd., Burwood, circa 1990's
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 7 Alfred Rd, Burwood in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having had unit 10 sell for $404,000 in 2000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 9 Tainton St., Burwood. A single story brick bungalow, with roofed porch wrapping around the font left corner of the house. A Picket and brick fence borders the front yard, and opens to a brick driveway on the left. Shrubbery growing in front of house and along the fence.7 Alfred Rd., Burwood Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, 202 Holland Rd., Burwood E, 1994
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 202 Holland Rd, Burwood East in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 202 Holland Rd., Burwood East. A one story brick house, with a driveway leading to gated carport on the left. In the foreground is a low brick fence, and front lawn filled with hedges, and a large palm tree.202 Holland Rd., Burwood E. Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood east, palm tree -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 23 Mock St., Forest Hill, 2001
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 23 Mock St., Forest Hill. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 23 Mock St., Forest Hill, of a brick single story house set back from a front lawn with driveway leading to a garage on the left.23 Mock St., Forest Hill Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill -
Warrnambool and District Historical Society Inc.
Bottle, John Fletcher
The making of cordials and aerated waters was an important industry in Warrnambool from the time of the first settlement up to the 1980s. John Fletcher succeeded John Davis in Koroit Street in 1885 and manufactured aerated waters, soda, lithia, tonic waters, lemonade, ginger ale, hop beer, hop bitters, sarsparilla and cordials. He sold to Ralph Reeves in 1930 and the business continued until the 1908s under the name of Reeves. Warrnambool cordial bottles are of considerable significance as examples of an important local industry now gone. The Fletcher business was a well-known business in Warrnambool for 45 years.This is a small size plain glass bottle manufactured for liquids sold commercially.On side of bottle ‘John Fletcher Warrnambool’ ‘Trade Mark’ with incision of symbol showing a crown with a Maltese Cross and three fleurs-de-lys. Near the base of the bottle is the wording ‘This bottle is the property of John Fletcher Warrnambool & cannot be legally used by others’. On base: ‘M 942, M, A.G.M.’wa, warrnambool,fletcher bottle, fletchers cordials warrnambool, fletcher's aerated water, marble bottle, -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Fletcher Jones Ball, 2011
Colour photograph of the Ball on top of the Fletcher Jones building in Warrnambool.fletcher jones, warrnambool, factory, heritage, silver ball -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Fletcher Jones Cross, 2011
Colour photograph of an illuminated cross at the Fletcher Jones factory, Warrnambool.fletcher jones, warrnambool, factory, heritage, silver ball, illuminated cross -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 9 Panorama Dve., Forest Hill, 2001
A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 9 Panorama Dve., Forest Hill. This property is listed as having sold for $525,000 in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 9 Panorama Dve., Forest Hill, of a two story rendered house set back from a high wrought iron and render fence, with driveway on the right leading to a connected garage.9 Panorama Dve., Forest Hill Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Official Occasions Men's Trousers, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8341.1 - A pair of dark green trousers made from a wool blend fabric. 8341.2 - Green sample fabric with labels stapled on. One staple that was used to attach the label has gone through several layers of fabric preventing it from being unfolded. 8341.3 - Green sample fabric with white thread attached where it has previously been sewn. 8341.4 - Green sample fabric. 8341.5 - Green sample fabric.8341.1 - On label - FLETCHER JONES 8341.2 - on labels- Wool PE. 80:20 FAILLE WEAVEolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, fletcher jones, wendy powitt -
Christ Church Anglican Parish of Warrnambool
Memorial Window: John FLETCHER, St. George, 1932 - 33
This stained glass lancet window was presented to Christ Church by John Fletcher's immediate relatives as a memento to his Life and influence. He was born in approx. 1856. He died on 24th January 1931, aged 75 years.Stained glass, lancet window, west wall, north nave, left window in group of five lights, depicting St. George slaying the dragon.St George To the Glory of God/ in loving memory of/John Fletcher/ who departed into rest/on the 24th January 1931/ This window was erected by his/ immediate relatives as a loving/ memento to his Life and Influence -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Uniform Complete
Army Service Dress Jacket & trousers, no rank. Made by Fletcher Jonesuniform, 1994, army -
Ballarat Heritage Services
Digital photograph, Fletcher Jones cross being relocated to a church, c2010-2017
Digital Image of the Fletcher Jones cross being relocated to a Warrnambool church.fletcher jones, cross, church, warrnambool -
Ballarat Heritage Services
Digital photograph, Former Fletcher Jones factory at night with ball, c2010-2017
Digital Image of the former Fletcher Jones Factory, with ball water tower.fletcher jones, warrnambool, night, factory, water tower -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Image from “A History of Architecture” by Banister Fletcherslide, robin boyd -
Warrnambool and District Historical Society Inc.
Cloth, Anderson Tartan Warrnambool & District Pipes & Drums, late 20th century -1974
This is a sample of the material used for the kilts of the members of the Warrnambool and District Pipes and Drums. It was provided by Fletcher Jones and Staff Factory in Warrnambool. Warrnambool and District Pipes and Drums was originally founded as the Warrnambool Pipe Band in 1906 with the objective of popularizing Scottish music. Later this objective was altered to include the fostering of bagpipe music. The band’s tartan was firstly the Gordon tartan then the Cameron of Erracht tartan and today it is the Anderson tartan. Since its formation the group has won many State Titles and has performed well also at national competitions including winning the Grade 2 Australian Championship in 1992. This material is of interest as a sample of the material used for the kilts of the members of the Warrnambool and District Pipes and Drums, an important and long-established band in Warrnambool.This is a sample piece of tartan cloth of the Anderson Clan. The material was provided by the Fletcher Jones and Staff Factory in Warrnambool and used to make the kilts for the members of the Warrnambool and District Pipes and Drums. The pattern is in squares of blue, red, black, yellow, green and white. The sample has frayed edges.warrnambool and district pipes and drums, history of warrnambool, fletcher jones, tartan -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Official Occasions Shorts, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8340.1 - A pair of men's green shorts made from a wool blend fabric. 8340.2 - Green sample fabric with labels attached. 8340.3 - Green sample fabric.8340.1 - on label - FLETCHER JONES 8340.2 - on label - Wool PE. 80:20 PLAIN WEAVE SULZER LOOMolympics, 1992 barcelona olympics, olympic uniforms, wool, fletcher jones, wendy powitt, shorts -
Flagstaff Hill Maritime Museum and Village
Book - Birthday Book, Raphael Tuck & Sons et al, The Dickens Birthday Book, 1901-1910
Birthday books are used to record the names and birth dates of friends and relatives. This one has a quote from Charles Dickens for each day of the year .The Dickins Birthday book was chosen a a gift to Clara Skirrow, given on January 19th 1911 by Mr and Mrs B Watson. The artist, Pilford Fletcher Watson (1892-1907) was a well established and prominent artist. He was born in London and lived in Sydney, a foundation member of the Australian Academy of Arts in 1887. His works included local scenery, architecture and the interiors of historic buildings. Many of his works were bequeathed to the State Library of New South Wales. The firm Raphael Tuck & Sons Ltd,, was a printer and publisher that operated in London from 1866 to circa 1960s. Its logo is the artist's easel, palette and brush. In 1960 the firm amalgamated with others to become the British Printing Corporation c. 1960. The fly page states that Ralph Tuck & Sons, Ltd. were publishers to Their Majesties, the King and Queen, and Their Royal Highnesses, the Prince and Princess of Wales. This would mean that this book was published in the period when King Edward VII and Queen Alexandra, and Prince George and his wife Princess Mary were able to use these titles, that is, from 1901 to 1910. This early 20th-century Birthday Book is significant for containing quotes by the famous writer Charles Dickins. It is also significant for being illustrated by renowned artist Pilford Fletcher Watson. Ownership of a rare and beautifully presented book like this indicates the value placed on keeping in touch with friends and family in the early 1900s. Charles Dickins Birthday books were published by the same firm, with a similar layout.Book, The Dickens Birthday Book; with 6 illustrations in Colour by P. Fletcher-Watson Publisher: Raphael Tuck & Sons Ltd Printed in England 1901-1910 Artist: P. Fletcher-Watson This padded red leather hardcover book has embossed gold text on front cover and spine. . The six colour illustrations throughout the book were by artist P. Fletcher-Watson; one is a portrait of Dickins. Each date of the year has a quotes from Charles Dickens' works and blank lines below. The drawing on the fly page depicts a stone building with side pillars and a logo in the centre of the horizontal beam. It has a gift inscription for Clara Skirrow on January 19th, 1911. There are several handwritten entries with names and years.Handwritten in black ink: "From Mr & Mrs B. Watson / To Clara Skirrow / With Best wishes / January 19th 1911" Illustration on fly page: Logo [artist's palette, brush and easel] Handwritten entries of names and datesflagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dickins birthday book, birthday book, p. fletcher-watson, raphael tuck & sons ltd, 1901-1910, charles dickins, dickins quotes, illustrated, 19-01-1911, mr & mrs b. watson, clara skirrow, red cover, british printing corporation, king and queen and trh prince and princess, king edward vii and queen alexandra, antique book, rare book