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Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens Statue, Sir William "Braveheart" Wallace, 1889-2011
... statues ...The unveiling of the William Wallace Statue in 1889; biography of William Wallace; biography of sculptor, Percival Ball.The Unveiling of the William Wallace Statue demonstrates the importance and loyalty to Scottish heritage of Ballarat people in the nineteenth century. 01Small coloured photograph of the Wallace Statue. Ref: The National Trust for Scotland. Newspaper Articles: 02 Ballarat Courier 12/9/1997, "Celebration of Battle's Anniversary". 03 Chambers Encyclopedia, Vol.X., 1892, "Wallace, Sir William", 04 The Ballarat Courier, 24/5/1889, 05 The Ballarat Star,24/5/1889, 06 Ballarat Star, 25/5/1889, 07 The Ballarat Star, 25/5/1889, "The Statue of Sir William Wallace" "Unveiling Ceremony" 08 "William Wallace", Wikipedia, 2011, 09 Percival Ball, Sculptor, Wikipedia, 2011. 010 Ball, Percival, Australian Dictionary of Biography,2006-2011.Ballarat Courier newspaper article, 12/9/1997 in blue biro, top left corner. Chambers Encyclopedia, Vol X, in black biro. Research by R. D. Mosman, April, 1997, FBBG logo. Courier Newspaper article, 24/5/1889 in black biro, research by R.D.Mosman, April, 1997. Photocopies taken by the Clark Centre 19/2/2002. Transcription of articles by John Garner. william wallace, percival ball, unveiling of wiliam wallace statue, statues in the ballarat botanical gardens, statue of a scottish hero, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues, wallace -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a wooden carved statue in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a wooden carved statue in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
City of Ballarat
Artwork, other - Public Artwork, Charles F. Summers, Susannah, Circa 1885
Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers -
Melbourne Legacy
Card, Widow and Children statue dedication 29 September 1998
Two notecards published by Legacy to commemorate the installation and dedication of the 'Widow and Children' statue on Tuesday 29th September 1998 in the Legacy Garden of Appreciation. The 'Widow and Children' statue was sculpted by Louis Laumen, a Melbourne artist. The sculpture symbolises the work of Legacy caring for the widows and children of veterans.A record of the 'Widow and Children' statue being dedicated in 1998.A commemorative card and a blank note card both with an image of the Widow and Children statue and the date of dedication.statue, garden, memorial garden, widow and children statue -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Flora Farnese by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
Waverley RSL Sub Branch
Bronze statue "Billy"
Statue of infantry man in Australian Uniform 1915Bronze statue of "Billy" depicting an Australian Soldier in full WWI AIF uniform with 303 Rifle in "at ease" positionRising Sun emblem on base -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Options for Long Term Placement of statues, Stoddart Collection to be Moved Indoors_Courier, Thursday 11th July 2002, page 4
Proposal to relocate the Stoddart collection of Statues indoors after vandalism. "Stoddart Collection to be Moved Indoors"_Courier, Thursday 11th July 2002, page 4.Impact of vandalism on the statues over the yearsHalf page article with photo of Statue, Leda in the BBG, taken 1884.The Courier, Ballarat, Thursday, July 11, 2002. Author: Andrew Eales, City Council Reporterstoddart collection, vandalism, statues in the ballarat botanical gardens, statue of leda., john garner collection, garner, dr, ballarat botanical gardens, ballarat, gardens, courier -
Great Stupa of Universal Compassion
Sculpture - Sitting statue of Shakyamuni Buddha
... Statues ...Shakyamuni Buddha is a name given to the historical Buddha. It is depicted here seating in meditation on a lotus throne. His legs are crossed in the lotus position. His right hand is holding an alms bowl, signifying care and compassion for all beings. His left hand touches the ground in a gesture (bhumisparsha mudra) calling the earth to witness his determination to achieve enlightenment, despite the temptations of the evil goddess Mara.Brass Buddha statue, with head and face painted in a traditional Tibetan way.buddhist art, tibetan buddhism, holy objects, statues -
City of Ballarat
Sculpture - Public Artwork, George Allen, Mother Earth by George Allen, 1952
Mother Earth was created by modernist era sculptor George Allen. It is located in the western median strip at the intersection of Sturt and Raglan Streets. Made from Hawksbury stone on a granite base, the sculptor has created a female figure as the centrepiece, with two reliefs figures at the front and rear depicting a miner and a farmer. The work was created in commemoration of Mr Frank Pinkerton, an esteemed local lawyer in Ballarat. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949. The statue is a significant work of one of Victoria's leading sculptors of the mid twentieth century, and controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculpture.Mother Earth was classified as regionally significant by the National Trust in 2003. The statement of significance below ha been provided by the National Trust, Victoria: The Pinkerton Statue by George Allen is of a simplified female figure which symbolises 'Earth', with smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is carved in Hawkesbury Freestone and mounted on a granite plinth. It is located in a prominent position in central Ballarat. The statue in commemoration of Mr. Frank Pinkerton, an esteemed local lawyer, erected in Ballarat in 1952 is significant for aesthetic and social reasons at a Regional level. The statue is a significant example of the work of one of Victoria's leading sculptors of the mid twentieth century, and the controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculptures. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949 against a large group of his peers. Following this. Allen was again successful in another major competition to design the National War Memorial for the Forecourt of the Shrine of Remembrance in Melbourne in 1951. Allen chose to work in a 'symbolic' manner using simplified forms with little detail, and relying on the strength of composition, 'boldness of statement' and the consideration of material for impact. Because of its lack of realism the Pinkerton Statue engendered much controversy, particularly within the popular press at the time, although it was generally appreciated in artistic circles. Allen had travelled extensively in Europe in the late 1930's, but his work mainly reflected influences from early modem sculptors in the United Kingdom such as Frank Dobson and Eric Gill. The Pinkerton Statue was the first example of modem sculpture to be erected in Ballarat and is an excellent example Allen's own work and the changing artistic culture of the period. Allen himself said that it reflected the "spirit of the time". A large Hawkesbury Freestone statue of a female figure and smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is mounted on a granite plinth.CENTRAL FIGURE EARTH EMERGING FROM RELIEF FIGURES REPRESENTING THE INDUSTRIES OF MINING AND AGRICULTURE.pinkerton, mother earth -
Bendigo Historical Society Inc.
Photograph - THE LANSELL MEMORIAL STATUE, 1909
... Statues ...Black and White Photo of The Lansell Memorial Statue, Unveiled at Bendigo by his Excellency the Governor Sir Thomas Gibson Carmichael 9th December 1909, The Chairman of the Memorial Committee Mr James Hedley's speech, Photograph of Statuephotograph, memorial statue, lansell memorial statue, statues -
Ballarat Heritage Services
Photograph - Photograph - Colour, L.J. Gervasoni, King George V Statue, Sturt Street Gardens, Ballarat, 2011, 29/12/2011
... statues ...King George the Fifth at the time of his coronation. Colour photograph of the King George V statue in Sturt Street, Ballarat.king george v, royalty, statues, sturt steet gardents, ballarat -
City of Ballarat
Artwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty -
Melbourne Legacy
Photograph, The Man with the Donkey Statue
Two photos of the statue at the Shrine of a man and a donkey. It was erected in commemoration of the valour and compassion of the Australian solider by the Red Cross Society. These photos were taken at the same time as views of the Legacy Garden and the plaques at the base of trees at the Shrine of Remembrance. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of a statue at the Shrine.Colour photo x 2 of the 'Man with the Donkey' statue at the Shrine of Remembrance.Printed on reverse ' -
City of Ballarat
Artwork, other - Public Artwork, Sir Walter Scott by by Stanley Hammond, c1962
A bronze statue of Sir Walter Scott, a Scottish writer, novelist, poet, historian, and biographer who lived from 5 August 1771 – 21 September 1832. The Sir Walter Scott Monument was unveiled by the Mayor Cr A. Masson in March 1962 at the Civic Hall, BallaratThe artwork is of aesthetic and historic significance to the people of BallaratBronze statue of Sir Walter Scott in seated position on sandstone and concrete plinth.sir walter scott, ballarat, stanley hammond -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Coloured photo of marble statue, Flight From Pompeii, c 1990's
To provide an image of the central marble statue in the Gardens' Statuary Pavilion, '"Flight From Pompeii".Clear image of significant central item in the Statuary Pavilion and Sculptor recorded as Giovanni Maria Benzoni. 1809-1873.Photographed marble statue. Clearly delineated in copy of photograph Heading on Photograph: Giovanni Benzoni, Italian, 1809-1873. Flight From Pompeii, 1873Possibly photocopied on paper already used. Background lettering Art Institute, Chicagojohn garner collection, garner, dr, flight from pompeii, photo, ballarat botanical gardens, ballarat, gardens, benzoni, statuary pavilion, benefactor -
Melbourne Legacy
Photograph - Photo, Anzac commemoration for students 1992, 1992
A Legacy ceremony at the Shrine of Remembrance, during one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The photo shows school students and veterans around the statue of "The Man with the Donkey". From an article in The Answer in May 1992, the caption reads 'Norm Stewart (right) of Yarra Valley relates the moving story of Simpson and his Donkey.A record of a ceremony at the Shrine and a Legatee speaking to the school children.Black and white photo of school children at the "The Man with the Donkey" statue.anzac commemoration for students, wreath laying ceremony -
Melbourne Legacy
Photograph, Widow and Children statue dedication 29 September 1998, 09/1998
Photos of gathering at the Legacy Garden of Appreciation for the installation and dedication of the 'Widow and Children' statue on Tuesday 29th September 1998. The 'Widow and Children' statue was sculpted by Louis Laumen, a Melbourne artist. The photos show Legatees, including President Tom Butcher, making speeches, a crowd seated for the ceremony and some of the crowd singing. Also a girl laying flowers at the plaque which reads: "Legacy Garden of Appreciation. A living tribute to the generous support of Victorians for the work of Legacy. The sculpture symbolises the work of Legacy caring for the widows and children of veterans. The Flanders Poppies which bloom around November have their origin on the World War I battlefields of Belgium and France."A record of the 'Widow and Children' statue being dedicated in 1998.Colour photo x 8 of the dedication of the Widow and Children statue in the Legacy Garden of Appreciation.widow and children statue, statue, garden -
City of Ballarat
Artwork, other - Public Artwork, Perseus by J. Cranari, Circa 1880s
This depiction of Perseus in marble, was Presented by James Chapman in 1885 to the National Gallery of Victoria. It was de-accessioned and transferred to Ballarat in 1943 where it joined other Victorian-era statues acquired in the 1880s and later. It was located outside the first Ballarat Library in Camp Street and moved to an indoor location at the Ballarat Botanical Gardens in 2013 due to ongoing vandalism.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, standing naked male with small wings on helmet.Perseusperseus -
Great Stupa of Universal Compassion
Sculpture - Amitayus (Buddha of limitless life)
... Statues ...Amitayus, also called Amitabha, is the Buddha of Infinite Light, associated with longevity. He is holding in his hands a vessel containing the nectar of immortality. Amitayus is considered one of the Five Dhyani Buddhas in Mahayana Buddhism. Amitayus Buddha statue, wearing jewelled ornaments of a peaceful heavenly god according to the classical Indian system of divine aesthetics. tibetan buddhism, holy objects, buddhist art, statues -
City of Ballarat
Artwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
City of Ballarat
Artwork, other - Public Artwork, Peter Lalor by Thomas Nelson McLean, 1883
The Peter Lalor statue by Thomas Nelson McLean is said to be a striking likeness of Lalor who is remembered as the leader of the Eureka Rebellion. The artist has depicted Lalor’s missing arm which he lost in the Rebellion efforts on of 3rd December 1854 and 4 bronze relief panels depict major events in Lalor`s life including his involvement at Eureka and in Parliament, where he served as the Speaker of the House. The cast bronze statue stands at a grand scale of 3 meters high and is mounted on a pedestal of polished Aberdeen granite. The statue was gifted to the citizens of Ballarat by James Oddie, who founded a number of Ballarat institutions and was the first chairman of the municipality. It was unveiled by then Premier of Victoria Duncan Gillies on 26 January 1883 to a cheering crowd reported to be in the thousands. The commission cost £2,200. The sculpture was unveiled by then Premier of Victoria Duncan Gillies on 26 January 1983 to a cheering crowd reported to be in the thousands, such was the popularity of Lalor and the appreciation of Eureka rebellion efforts. The statue is of historic and aesthetic significance to the people of BallaratThe cast bronze statue of Peter Lalor stands 3 meters high and is mounted on a pedestal of polished Aberdeen graniteNames of rebellion dead. Artist signature on bronze base.peter lalor, eureka rebellion, eureka, ballarat -
City of Ballarat Libraries
Postcard - Photograph, The Statuary Pavilion, Ballarat Botanic Gardens circa 1890s
... statues ...Children look at a statue near the Statuary Pavilion at the Botanic Gardens.statuary pavilion, botanic gardens, statues -
Ballarat Heritage Services
Photograph - Photograph - Colour, St Brigid Statue by DaPrato Statuary Co, 2016, 19/12/2016
The St Brigid statue was presented to the church by Fr Kerin in 1915. "CROSSLEY. (From Our Correspondent). At the Crossley hall, on Thursday evening last, a meeting was held for the purpose of forming a Catholic Debating Society. There was a splendid attendance, Rev Fathers Kerin and Phelan being present, both of whom explained the advan tages to be gained by such a society. After the matter had been dis cussed, it was unanimously de cided to form a Crossley Debating Society, the election of officers re sulting as follows-President, Rev Father Phelan ; secretary, Mr S. Shanley ; assistant secretary, Mr P. Farley ; vice-presidents, Messrs L. Dwyer and P. Wall; treasurer, Mr D. Lane ; auditors, Messrs F. Shanley and M. Foley ; press correspondent, Mr P. Crowe. A com mittee of 12 was elected, and a sub committee was appointed to draft rules governing the society. It was decided to hold meetings fortnightly, Friday evenings being the choice for meetings. Immediately before 11 o'clock Mass at St. Brigid's R.C. Church, Crossley, on Sunday last, the Rev Father Kerin blesssed und unveiled a beautiful life-size statue of St. Brigid. The rev gentleman, in a lengthy discourse, dwelt on the life of piety led by the saint. He expressed a wish that in passing by the statue it would be a reminder to them that their church and school were dedicated to this saint. {Port Fair Gazette, 19 April 1915.}Colour photograph of a papier mache statue of St Brigid, photographed at St Brigid's Crossley.st brigid statue, st brigid's crossley, d'aprato statue co., st brigid -
City of Ballarat Libraries
Postcard - Card Box Photographs, Botanical Gardens, Ballarat circa 1900
... Statues ...The statues pictured are the William Wallace and Baccante. ballarat botanic gardens, garden, public, statues -
City of Ballarat
Public Artwork, Eternal Flame by Peter Blizzard, 1995
Eternal Flame was created by Ballarat sculptor Peter Blizzard as a marker of the end of WWII in the Pacific. Engraved into the bluestone shaped tile across the base of the statue is details about conflict areas where Australian Troops were active. The metal structure mimics a moving flame with it's polished golden hue, a feature included in many war memorials around the world. Peter Blizzard also designed the Prisoner of War Memorial in the South Gardens, Ballarat Botanic Gardens. The metal structure mimics the moving flame of polished golden hue that is present in war memorials around the world. Eternal flame is aesthetically and historically significant to the people of BallaratMetal construction on bluestone tile baseConflict areas for Australian Troops are engraved into bluestone shaped tile across the base of the statue. eternal flame, world war ii, conflict, peter blizzard, australian sculpture -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Sculptor, Responsible for the Reconstruction and Renovation of BBG Statues, INTERVIEW WITH MS JUDE SCHAHINGER, 5 December, 2006
FBBG Oral History Project. Important contributors to the Ballarat Botanic Gardens. Ms Jude Schahinger was responsible for the reconstruction and renovation statues within the Gardens.Statues are a significant part of the BBG heritage and Ms Jude Schahinger was important in preserving that heritage.6 pages of verbatim interview edited by John Garner, in bold, font 14. Page 7 Half of the page gives the history of the damage and repair of the Stoddart Statues.At the bottom of each page, "20061205 Schahinger Jude-INTERVIEW, fbbg oral history project, reconstruction and renovation of bbg statues. sculptor. restorer, vandalism of statues, interview by john garner. ms jude schahinger, condition of statues, methods of restoration of statues., doctor john garner, oral history, historical account of stoddart statues., john garner collection, garner, dr, schahinger, sculptor, restoration, ballarat, gardens, ballarat botanical gardens -
City of Ballarat
Artwork, other - Public Artwork, Andor Mészáros, Shakespeare by Andor Mészáros, 1960
The well known sculpture of English playwright William Shakespeare takes an elaborate bow before the Civic Hall, a performance and community center for Ballarat. The unique abstract and elongated mannerist style used in this cast bronze sculpture hints at the art deco style of the Hall behind. The sculptor, Andor Mészáros, was from Budapest but created much of his work in Melbourne. He also created works for Canterbury Cathedral in the UK and several carved stone sculptures for Sydney Hospital. The artwork was commissioned in 1959 through a widely publicised competition and installed in 1960. In addition to making sculptures, Mészáros was also renown as a creator of medallions. In 1951 he received 'the highest award' at the International Medallion Exhibition, Madrid and in 1964 he won the 'purchase prize' at the International Medallion Competition, Arezzo, Italy. From 1970 Mészáros worked with his younger son Michael, also a sculptor. In 2002, the City of Ballarat granted permission for Michael Mészáros to make a cast of the Ballarat Shakespeare artwork to create replica installed in Budapest. The Budapest installation commemorates Shakespeare's connection to the City and the achievements of Andor Mészáros. The artwork was unveiled by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected.The artwork is of aesthetic significance to the people of BallaratLarge bronze statue of William Shakespeare mounted on a stone plinthWilliam Shakespeare 1564-1616. Erected by benefactions from Harry Pearson Stevens who settled here 1855 and other Citizens unveiled by Arthur W. Nicholson J.P. Mayor.17.11.1960shakespeare, andor mészáros, civic hall, ballarat -
Melbourne Legacy
Document, Lest YOU forget. Legacy cares for Australia's biggest family, 1990
This is an example of Melbourne Legacy promotional material. It was used in newspaper advertising and also printed on milk cartons. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality. The newspaper advertising varied slightly, from 'Buy a badge on Friday 7th September' to 'Legacy Says Thank You' when it was published on 14 September. It was in a folder with marketing material from the 1990s also see item 01250. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. Examples of the use of a promotional image for Legacy Week in 1990, featuring the statue of Simpson and his donkey.legacy promotion, badge appeal, legacy week -
Federation University Historical Collection
Photograph - Colour, Jackie Howe Statue, 07/1998
The Jackie Howe Statue honours his achievement in hand shearing 321 sheep in 7 hours and 40 minutes at `Alice Downs ` station near Blackall. Jackie Howe was born at Canning Downs station, on the Darling Downs, in 1861. He is known as the greatest shearer who ever lived. In 1892, an Australia wide competition was held to see who was the greatest shearer in the land. Two gold medals were offered as prizes and Jackie was determined to claim both. On 10th October 1892, at Alice Downs station outside Blackall, Jackie set the record for hand shearing 321 sheep in just seven hours and forty minutes. Later he went on to set the machine shearing record of 237 sheep. (http://monumentaustralia.org.au/themes/people/industry/display/90567-jackie-howe-/photo/2)Colour Photograph of Philip and Elizabeth Chatham with the Jackie How Statue.jackie howe, shearing, sheep, chatham-holmes family collection