This photograph depicts the third battle of Ypres (Battle of Passchendaele). Depicted is a trench battlefield that has been turned to mud. Two army tank vehicles have been buried in the mud of the trenches. A single soldier stands in the background surveying the battlefield.After mid-1917, and following mutinies in the over-strained French Army, the British Forces had to assume an even greater role in the war on the Western Front. For Field Marshal Sir Douglas Haig, the British commander-in-chief, this provided an opportunity to launch an offensive that he had long wanted. Attacking from Ypres in Belgium, he planned to drive the Germans from the surrounding dominant ridges and even hoped to reach the Belgian coast. Following on the success at Messines in June, he unleashed his great attack on 31 July 1917. Fighting went on, often in appalling weather and despite crippling losses, until November. Finally, with the army stuck in muddy fields churned up by the artillery fire, the bloody offensive came to an untidy close. Many would afterwards call this offensive, actually a series of battles, after the name of the village that had become the last objective – 'Passchendaele'. In the Battle off Passchendaele, the 1st, 2nd and 3rd Australian Divisions captured Broodseinde Ridge on 4 October 1917. It was a vital victory. But, then it began to rain. Five days later the 2nd Australian Division suffered heavily in a further attack in the mud. Finally, on 12 October, another attack, involving the 3rd Division assisted by the 4th, was made against the village of Passchendaele atop the main ridge. In the face of heavy fire, the men fought in the mire while struggling to keep up with their artillery barrages. Ground was taken but it could not be held. In wretched conditions, with casualties mounting at an appalling rate, the Australians had to fall back. The troops were finally exhausted and could do no more; by 15 November they handed over to the Canadians.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6523/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)/military album, burke museum, beechworth, military vehicle, trenches, trench warfare, wwi, world war one, world war 1, ypres, belgium

Khaki hardcover book with dust jacket. Dust jacket has picture of a beach and sky with a gun barrel on the sand, pointing out to sea. Back cover has three smaller photos of battlefield debris.On second page "Donated by Bgo "Y" Men's Club"books, military battles

Hard back 200 pages with colour paintings and sketches, black and white photographs.raaf pilot experiences flying out of operational bases of europe and the pacific.

Postcard photos of locations in Northern France relating to Battlefields in WW1.1. B & W photo of aerial view town of Hazebrouck at time of WW1. 2. B & W photo of ruins of Cathedral in Ypres from WW1 called "Fire of the Belfrey". 3. B & W photo of the gate of Saint Oven Church in Rouen Church.1. Headed "Hazebrouck - Vue Generale" - on back is filled in Letter to "Louie". 2. Titled Campagne De 1914-15 - Ruines D' Ypres - Fire of Belfrey. 3. Titled "Rouen - Grille De I'Eglise Saint-Oven (Gate of St Oven Church).passchendaele barracks trust, postcards, france, ww1

Photos of soldiers and Bombardment scenes from battlefields in Flanders in WW1.1. Picture of a street in France after a bombardment during WW1. B & W photo. 2. B & W photo of ambulances picking up wounded soldiers in a desolute bombed out village in France in WW1. 3. Soldiers standing in front of a bombed building in Poperinghe, Flanders, Belgium in WW1. 4. B & W studio photo of 5 British Soldiers from WW1 in uniform.1. In French and English says "Rue De Framboisiers after the Bombardment". 2. Says "R.A.M.C. picking up wounded in a captured village.passchendaele barracks trust, postcards, ww1

Postcard, WW1, Sepia image of a battlefield. Two intact buildings, one on each side of a dirt road. Destroyed buildings in the background amongst trees. A group of six people outside the front building. Location unknown.postcard, postcard, ww1, france, battlefield

The Nestor was 14,501 tons vessel and traveled at 14 knots.Sepia photograph mounted onto a car which featured glued material flags. The ship is filled with soldiers sailing to the battlefields of World War One. Thousands of people stand on the Melbourne dock waving them off.Nestor Troopship sailed Oct 2nd 1916.world war one, troop ship, nestor, soldiers, mmm, vessel

Temporary cross erected in memory of fallen soldiers in the cemeteries in battlefields in WW1Pte. Henry Conway was a resident of the Christmas Hills district, north of Montmorency, on enlistment; after the war, the cross was returned to his parents in Christmas HillsWooden CrossStamped on metal strips: 7213 Pte. H. CONWAY 21ST AUSTRALIAN (unfinished label) 28TH APRIL 1918

The card was produced by the Australian Comforts Fund for Christmas and New Year 1918 - 19. The first illustration is of the Capture of Villers-Bretonneaux on 8th August 1918. This is a copy of painting by War Artist Capt. Will Longstaff. The second illustration details the capture of Hamel on 4th July 1918. A. Pearse was the War Artist who produced this scene. Part of the Robert H. Baron, No. 3596, and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Colour illustrated folded card featuring battlefield scenes and written descriptions. The first illustration features actions from Villers-Bretonneaux. Inside the second illustration features action from Hamal. Text on the card is in blue ink.Handwritten at the bottom of the back page in blue ink: 'Bob'.robert h. baron, cooper collection, australian comfort fund, ww1, villers-bretonneux, hamel

ARVs were allocated on basis 1 to each squadron of an armoured regiment for battlefield recovery.Black and white photograph of Centurion Armoured Recovery Vehicle ( ARV ) of 8/13 Victorian Mounted Rifles on exercise at Puckapunyal, 1970." L.A.D. c/c Sgt. Faul, Dvr Cpl Ziebell" Two other crewmen not namedmilitary, tank, recovery, vmr, puckapunyal

cameras were not common during the first world war. as such post cards of portraits and the damage of the battlefield were common.Collection of black and white post cards and photographs. 20 post cards are of the township of Villers Brettoneux after the German shelling. 2 are of Australian Soldiers. One of the photos is written on, otherwise the post cards are unmarked and in good condition." Stanley and I taken in London August 1916.ww1, souvineer, post card, wark vc club

Framed and glass fronted photograph. Three panel photograph 1. Aerial shot of battlefield-tanks and soldiers pictured 2. Checking captured weapons. Soldier in kneeling position holding rifle. 3. Troops returning with NVA prisoners. Four pictured.CORAL BALMORAL COLLECTIONtanks, prisoners, photograph, battle of coral-balmoral

Genuine War Letters written by an Australian to his people from the Battlefields of France. Letters dated from 15.2.1916 to 11.11.1918.Genuine War Letters - Biographical Studies. Soft lightweight cardboard cover, black print on light grey background. 288 cut, plain, beige pages. No illustrations.book, letters, genuine

Photos from "Frederick James Baxter MC & Bar". Refer Cat No. 4219 for details.Series of small black and white photos stuck to cards relating to WW1 France Battlefield. 1. Picture of 3 ANZAC soldiers in field with 9.2 and 5.9 German shell casing. 2A. Picture of two ANZAC Soldiers in field with 9.2 shell casings and equipment. 2B. Picture of soldier on a road with ruins on either side in France. 3A. Picture of a Hall of Mirrors Versailles. 3B. Picture of unidentified ruins of a building with bomb damage. 4A. Image of bombed out battlefield with 9.2 Suzi Equip destroyed. 4B. Image of Hall of Mirrors Versailles. 4C. Image of bombed out village in France.Words unclear. 1P 9.2 and S9. 2A 9.2 Misc Ballen B. Aillea. 3A Versailles 4A. 9.2 Suzi Ballere 4B. Hall of Mirrors, Versailles.photographs, frederick james baxter, ww1, france

Bugles used to give a Military Signal announcing scheduled or unscheduled events on a military installation, on a battlefield or a ship. Allowed clear communication in confusion of battle or between ships.Copper metal bugle with brass mouth piece. Emblem attached to top approx 4.5 cm in diameter in the form of Laurel leaves on the outside, a crown on the top and a shield with a swan and two open books on the front. Two small chain pieces on the handle and on the mouthpiece.Emblem inscribed with " Western Australia University Regiment" crown at top inscribed but unreadable.bugle, instrument, western australia

The foundry was located on Doveton Street South on the Phoenix Foundry site. Wiles was the inventor of the Wiles Cooker used for feeding soldiers in the battlefield during the First World War.j.f. wiles, doveton street south, foundry, manufacturing, wiles cooker, building, ballarat, phoenix foundry

The Bayonet was recovered from the Battlefields of the Village of Pozieres in 2017. The Certificate confirms that 10 Bricks used in the construction of the Pozieres memorial Park were purchased by Lilydale RSLFramed bayonet, Rising Sun Badge, Two Photographs and Certificate.

Gallipoli 1915 Maps and Naval plan of Operations World War One ANZACRare examples that explain both ANZAC and Naval Operations during World War One Gallipoli & Dardanelles Passage .!. Black and White Photocopy of Gallipoli 1915 ANZAC Battlefield - detailed positions of troops and Cemeteries. 2.The Allied Failure to Force The Dardanelles Passage 18 March 1915 - detailed line of Attack Naval Organisation, Mine layout, Plan of Attack (and copy).. 3. Map of Turkey and surrounding area written in Turkish and German Languages. C0olor version main roads and distances. (and copy).. 4. Map of ANZAC Trench Diagram. World War One.Color. (and copy). 5.Panorama of Chunuk Blair from 3 miles south of Nibrunesi Point, 3 November 1915 and Anzac from 1 mile N. E. of Ari Burnu, 21 November 1915. Black & White 6. Color Map of ANZAC positions with topographical Details, notes. 1. Artwork and copyright by Srewart Cownie, Gallipoli 1915 ANZAC Battlefield with Landings and later evacuation marked. 2. Details of Naval actions taken in the Dardanelles Passage 18 March 1918. 3. Local area Map or Turkey. Shows roads network and townships. 4. ANZAC Trench Diagram, copyright Whitcombe & Tombs Limited , Wellington N.Z. 1919 5. Panorama of two coast views of ANZAC area. Australian War Memorial, 6. Map of ANZAC positions of World War One, Gallipoli 1915. Published by H.E.C. Roberinson, George Street, Sydney N.S.W.18 April 1916maps operational of anzac and naval opations during 1915 etc, dardanelles naval opations

Journal issued by Commonwealth General Staff covering various aspects of Military Activities. Used as a training source by Military Servicemen.Brown A.4 size book with 201 pages issued May 1911 whose contents cover various aspects of Military Battlefield Donations. Cover has Commonwealth Emblem, Title, Volume No. and map covering Asian, African and Australian Zones. Military Journal in Red, large metal staples.Headed "The Commonwealth Military Journal Vol 1, May 1911. "Edited by General Staff (Training Branch), Commonwealth Military Forces Melbourne".passchendaele barracks trust, book, military training, ww1

Keith Payne VC/ NO ONE LEFT/ BEHIND. A Memoir of Korea, Vietnam and Life Beyond the Battlefield. Foreword by Mark Donaldson VC Author - Keith Payne VC with Tony Park.Hard cover book with dust cover. Hardcover - cardboard, black colour buckram, white print on spine. Dust cover - paper, gold, white, black, pink print on front, spine, back and front and back flaps. Front and back illustrated with collection of three portrait photographs, two front, one back. 432 pages - paper- cut, plain, off white, illustrated colour, black and white photographs. End papers - crimson colour.books, history, autobiography

A three section collage. Section 1 - Coloured Photograph of soldier squatting in the jungle reading a book. There are quotes above and below the photograph. Section 2 - Three Coloured Photograph of Battlefields during the offensive. Section 3 - 3 RAR Charlie Company Patch with Inscription "Combat soldiers outside the wire"Quotes " The Poor Bloody Infantry" " All battles and all wars are won in the end by the infantryman"photograph, patch, 3 rar, coral balmoral, charlie company

""Collier's Photographic history/ of the European War" including Sketches and drawings made on the battlefields/ PHOTOGRAPHS OF THE OFFICIAL PHOTOGRAPHERS, ACCOMPANYING EACH ARMY/ COLLECTED AND ARRANGED BY FRANCIS J. REYNOLDS AND C. N. TAYLOR".Hard cover book. Cover - cardboard with light grey colour and dark blue fabric spine tape. Black print on front cover and illustrated black and white photograph of a cannon battle scene. 144 pages - cut, plain, glossy white paper. Pictoorial book - illustrated black and white photographs, sketches and drawings.books, pictorial, ww1

Sand was collected from the Tobruk battlefield with a small portion poured onto the coffin of ex-veterans of the siege. Part of the collection of "William Anthony Theodore DSM", PM 2981. Refer Cat No. 7926P for service details.Solid glass carafe bottle. Clear glass with stopper, topped with a glass round ball, 5 cm in diameter. Contents of glass, fine white sand from Tobruk.william anthony theodore dsm, rats of tobruk, sand

One of a series of official war photographs of World War I. The caption on back of card reads "Into this battlefield grave two dead British soldiers have been reverently placed, while the Padre reads the solemn words of the Burial Service".Colour photograph, black and white text on versoDaily Mail Battle Pictures. Official war photographs, Series III No. 23.world war 1

A chunk of white Chalk Rock Mounted on a dark stained timber plaque Under the chalk is a dark coloured brass plateThis chalk is from the trench system at the Australian position, "Battle of Fromelles" 19 July 1916 Brass plate on back of item states " Collected and Presented by President Peter Fraser After His Tour Of World War One Battlefields - 2003"chalk, ww1, fromelles, trench system, france

Biography of Leonard Keysor. This is the personal story of one of Australia's 9 VC recipients at Gallipoli & the story of his family. Compiled by his great neice, Kiera Quinn Lockyer.Soft cardboard cover, black print on front, spine & back. Mottled beige background with two black & white photos on front. Larger photo is a painting of a soldier in uniform on the battlefield, smaller photo is a half portrait of a soldier in uniform. 302 pages, cut plain paper, illustrated with black & white photos of people, certificates, medals, ships & buildings.Front flyleaf signed in black ink: “Keira Quinn Lockyer”books-military, photography-photographs, keysor, vc