The metal probe in this set (.6) was used to puncture superficial skin blisters or eruptions and to probe suspected pus filled wounds. The Mayo scissors (.7) was (and still is) part of all major and minor suturing sets. It is also used in general theatres.Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Pocket dressing case containing surgical tools. Case [185.1] is made of cream household chamois, with two end flaps and small overlapping front piece to indicate the front of the case. Middle of the case has a strip of chamois divided into nine sections to hold the instruments. Tools contained in the case are: straight Spencer Wells artery forceps x2 [185.2,185.3], Allis box jointed tissue forceps x2 [185.4,185.5], straight probe [185.6], curved Mayo scissors [185.7], straight dissecting forceps [185.8], catheter (female) [185.9], straight McPhail needle holder [185.10]. Artery forceps 185.2 are stamped with '19' on both inner arms. Tissue forceps 185.4 are stamped with "2" on inner arm. Tissue forceps 185.5 are stamped with "8" on inner arm. Mayo scissors 185.7 are marked with '"1". Dissecting forceps 185.8 are marked with "1".surgery

Issued to Essendon supporters at the Round 20 game, Essendon v Collingwood, at the MCG on 13 Aug., 2010, which recognised the significant contribution that seatbelts have made to saving lives over 40 years. Essendon's David Hille was the spokesman for the event. Plastic banner rolled tightly on to a handle at each end so that it opens like a roller blind and rolls shut when released. Banner is black with Essendon bomber logo on left and "Goal!" in large red letters. Reverse has "Belt up" in large red letters over a stylised red seat belt with white TAC logo at bottom. Handles are grey plastic. Package also contains two grey plastic suction caps so that unrolled banner can be stuck to a window. Banner and suction caps are still in original clear cellophane envelope; envelope has been torn. essendon football club; transport accident commission (tac); david hille; seatbelts

letter from David T. Andrew, Member of Bendigo Stock Exchange Ltd., re contract note for the sale of 2,000 Gillies Food Industries Limited Ordinary Shares. Letter does not state to whom the sale was conclude; but notes a balance of 8,000 shares still listed for sale at 95 cents.

bibliography, index, notes, ill, p.152non-fictionTen years after the end of World War I, the Sydney Sun reported that an unknown ANZAC still lay in a Sydney psychiatric hospital. David Hastings follows this one unknown ANZAC, George McQuay, from rural New Zealand through Gallipoli and the Western Front, through desertions and hospitals, and finally home to New Zealandworld war 1914-1918 - biography, mcquay george

Copy of a newspaper article titled Work begins on showpiece. A new playground and recreation area will be built at the Chum Reserve. It is still seeking support from the Bendigo community and more funds. Funding is discussed. A highlight of the finished area will have a mosaic of tiles created by the children of Bendigo Violet Street Primary School and Comet Hill Primary School. These would be permanently laid into the paths. July 14th written at the top of the page. Page has a sketch of the tree house and a photo of David Boyce and Pamela Power at Chum Reserve.bendigo, history, long gully history group, the long gully history group - work begins on showpiece, chum reserve, north western province mlc ron best, long gully community house, shared action project, city of greater bendigo, government's office of housing, rotary club of bendigo sandhurst, paul kirkpatrick, international rotary foundation, children's opportunity grants, bendigo violet street primary school, comet hill primary school, carol rasmussen, david boyce, pamela power

At the time of issue, anaesthesia was a practice still in its infancy. Proficiency in anaesthesia was determined by successful demonstration of a small number of administrations. It was also built into the existing medical qualifications and not a specialty in its own right. Dr Montefiore David Silberberg completed his training at the Melbourne and Children's Hospitals and went to London where he was clinical assistant to Sir James Mackenzie and was associated with Sir Thomas Lewis who did ground-breaking work on digitalis and electrocardiography. When he returned to Melbourne, he brought with him the first electrocardiograph used in medical practice in Australia. He started working in Collins Street and at the Melbourne Hospital as a specialist in heart problems. During World War I, he served in Egypt in 14 Australian General Hospital 1914-16. In 1919 he was appointed physician to outpatients at the Alfred Hospital while also working at the Children's Hospital and at Repatriation General Hospital. He was appointed inpatient physician at the Alfred Hospital in 1925 and, at about the same time, a University of Melbourne Stewart Lecturer in Medicine. He mentored many young cardiologists during his lifetime, providing instruction at the hospitals where he worked and holding regular extra-curricula meetings at his home.Handwritten certificate from the University of Melbourne acknowledging the proficiency of Montefiore David Silberberg in the administration of anaesthesia. The certificate has been adhered to a piece of cardboard which was the backing board when it was previously framed.Contents of handwritten certificate: This is to certify that / Montefiore David Silberberg / during the year 1906 / attended [scribbled over] has personally / conducted six cases of / anaesthetic + / proficiency in administring anaesthetics / 22.12.06 Es Embley MD / Hon Anaesthetist / Melb Hosp Handwritten in pencil at bottom of certificate: 9 + 6 3/4 / 6 - 4 3/4 Handwritten in pencil on reverse: K. BROWN / Dr. Kaye / 9 + 6 3/4 / 6 - 4 3/4 / 1/4 [indecipherable] / Dr Kaye [underlined] / 124 Anderson St / South Yarrasilberberg, cardiology, electrocardiograph, world war i, wwi, egypt, alfred hospital, children's hospital, repatriation general hospital, proficiency, anaesthesia

An invaluable introduction to the study of one of the most searing and still-controversial episodes in the U.S. historyvietnamese conflict , 1961-1975 - conflict

Farquhar McCrae (1807-50) was born at Westbrook near Edinburgh, into a distinguished Scottish family. He was educated at the University of Edinburgh and graduated MD in 1827. After a sojourn in Paris he joined the staff of the general hospital at Chatham. Here he suffered an injury during a dissection, which impaired his health for the rest of his life. He was appointed curator of the museum at Chatham, and put together a notable collection of pathological specimens. In 1838 he sought to resign on the grounds of ill health, and was then offered a posting with the 6th (Inniskilling) Dragoons. But with his health still poor, he decided to emigrate to a kinder climate, and arrived in Melbourne aboard the barque Midlothian. McCrae set up practice in Bourke Street with his brother-in-law, David Thomas. Both were pioneers in the use of anæsthetics. McCrae was the first to introduce chloroform, Thomas ether. Sometime after 1841 McCrae moved to Sydney, where he was one of the first medical practitioners appointed to the staff of the Sydney Infirmary and Dispensary. He died in Sydney at the age of 43 years. The sword is a dress sword of the 6th Dragoons. Made by Henry Wilkinson of Pall Mall, it is 38 inches (96.5cm) long and has an elaborately engraved and highly polished steel blade. Being a ceremonial weapon, the blade is quite blunt, and the gilt guard bears the crown and monogram of Queen Victoria, which dates the sword to late 1837 or 1838. The grip is bound in snakeskin and the sword is carried in a leather scabbard with brass mounts. It remains as one of the important links to the pioneering days of Melbourne, and early medical practice in Australasia.Sword, ceremonial, steel with brass decoration and a steel handle, highly decorated, in a scabbard of patterned black leather covered metal, brass tipped, 100 cm long. It belonged to Farquhar McCrae.

Cooper/Newton Butchers Shop & Family. Framed Picture collage. Photograph compiled by Fay wife of Hartley Newton. The photo shows family member who carried on the butchering trade over many years. David Newton took over the business in Nov. 1997 and in 24.04.2013 was still running the only butcher shop in Stawell. Framed photographic collage of Cooper Brothers Butcher Shop and Newton's Butcher shop in Stawell. The collage has small and large photos of people and buildings plus a drawing of the Partick St butcher shop. stawell business shops

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Donated by Mrs Lockwood, Bonnie, formerly HamiltonBlack & white reproduction, unframed. Group of five in front of store owned by D.G. Hamilton. Store later was O. Gilpin, later Foy and Gibson, later still a hardware store owned by the late Fred Cooper, later demolished & at present the State Bank."D.G. Hamilton Store cnr Main & High Streets. Later O. Gilpin, later Foy & Gibson, Later Fred Cooper, then demolished for State Bank"d g hamilton, david hamilton, hamilton store

The flagon of port was released for the commemorative cricket match Australia versus England to celebrate the "origin of the Ashes" at Rupertswood in Sunbury on the 18 January 1995. A cricket match took place at Rupertswood in 1882, a ball was burnt and the ashes placed in an urn (according to local legend). The flagon is number 56 of a limited edition of 2000.These flagons were produced for the re-enactment of the original social cricket match held at Rupertswood in 1882. The commemorative cricket match was held in January 1995 with Allan Border captain for Australia and David Gower captain for England A cream and green glazed flagon with sloping sides. The lower half of the flagon is cream with a red, green and yellow insignia to commemorate the "origin of the ashes" cricket match and a brief history of the game. The upper half and neck is green. There is a red seal over the cork although it has a crack across top is unbroken and the port is still in the flagon.(insignia) ORIGIN OF THE ASHES / SUNBURY AUSTRALIA /origin of the ashes committee, rupertswood, border, allan, gower, david, cricket, wines, bottles, george evans collection, flagons

Discusses the varied contributions of the Boyd family members. Robin Boyd is discussed on p 71. Robin ais still living when this was written and it mentions Expo 70. POL was a monthly magazine, first published by Gareth Powell Publishing in Australia in the late 1960s.pp 68-71walsh st library

Has a strong association with the people who were involved in the early formation of the BTPS and the 1972 Annual General Meeting.Newspaper clipping from The Courier of Ballarat of Monday 25/9/1972 with two photos. Article quotes BTPS President saying support for the BTPS was still small. This followed the Annual General Meeting of the Society the previous Saturday. Other items were the trams had been transferred from the old SEC depot, Incorporation was being sought, track laying and maintenance work underway. Two photos 1084i1: - Photo shows Lindsay Bounds, Clyde Croft and David Wisher spreading gravel along No. 2 road. 1084i2: - Photo shows group of Board members at meeting: Mr. G. Netherway, Mr. M. Calnin, Mr. C.W.Jessup, Mr. R.Gilbert and Mr. H.Cain (President) See Reg Item 3824 for a print of the actual photograph. Second copy added 28/10/2005.On top edge of cutting in black ink "25/9/72"trams, tramways, btps, construction, museum establishment, agm

Yields information about the appearance and the use of ESCo tram 12 in Victoria St and has a strong association with those photographed on the steps of the tram.Digital Copy of a photograph purchased by David Critchley from E-bay, of ESCo No. 12 in Victoria St Ballarat, c1925, possibly at the King St loop. Tram has the destination of Orphanage, a Viceroy Tea advertisement, a Coliseum roof advert and an "Pay as You Leave" sign. Note the positioning of the tram number on the route footsteps. The tram still has track brakes and the footstep boards are yet to be cut back or shortened. Tram has four men in suits standing on the running board with the driver or motorman in the doorway of the tram as well. Image not to be formally published without owners permission or knowledge.On the rear of the print is a stamp of "Alpha Print Box Hill" with the number "88"trams, tramways, esco, victoria st, orphanage, motormen, tram 12

Newspaper clipping from "The Weekly Review" titled "Off the Rails", noting it is nearly 60 years since Geelong trams stopped running and their passing is still mourned. Written by Kevin Norbury, features photographs of Moorabool St Geelong, Paddy and Maria McMahon, David Angus, Joan Peachy and Jim Fidge providing memories of the trams, a souvenir bell presented to the Mayor Fidge at the time of closure and details of the closure and what happened to the trams. geelong, closure

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. In the mid 1870s wealthy solicitor David Abbot bought a large block on the corner of Bamfield Street and Beach Road and built an imposing family home with a stately tower. It featured rare Hawthorn Blacks – hand-made bricks of brown-red with streaks of charcoal black. For many years the home was the most prominent in the district. In 1922 ‘Coggeshall’ was subdivided, and the house was sold to the Sandringham Club, a gentleman’s club that had formed in 1913 and required more space for its growing membership. Members enjoyed lawn tennis courts, a bowling green and a cricket green, as well as a large billiard room. The Sandringham Club still owns ‘Coggeshall’.Annette Meikle, Sandringham Club 1977, ink and watercolour, 25.7 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, sandringham, sandringham club, gentleman’s club, coggeshall, david abbot, historic house

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict two of the Seasons. Signor Rizzi was a renowned painter of flowers. He is credited with painting these parts of the murals. Examples of his floral paintings can still be seen at Villa Alba in Walmer Street.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

The land along the eastern side of the Union Road shops between Montrose Street and the railway line was originally owned by the Zeplin family. It was subdivided in 1914 and offered for sale as individual sites. Building did not occur until after WW1 and after the creek across Union Road had been barrelled. The garage was built at 145 Union Road in 1925. It has had continuous use as a garage since then. Originally there were petrol bowsers on the footpath. The façade of the building is remarkably the same as it was in 1925 when David Denholm was the first proprietor. He remained until c1950 and was followed by Benchley Motors P/L, then Spenden Motors P/L. John and Val Warren-Smith purchased it in c1980. In 2019 their family, including Philip and Glenn Warren-Smith and 2 of Philip's sons, still operate it as J&V Warren-Smith Auto Service.The Union Road shopping strip was assessed for heritage protection by Lovell Chen in June 2011 (Surrey Hills and Canterbury Hill Estate Heritage Study: Union Road Commercial Precinct Citation). Within this report two buildings were mentioned as, unusually, still performing their original role. These were Dartnell’s Pharmacy at 376-378 Canterbury Road (contributory) and the motor garage at 145 Union Road (contributory). This is one of a number of 3 images taken in 1991 which document the interior and function of the building.A colour photo of a man in green overalls inside the workshop of a garage. There are two cars up on hoists and three towards the back of the workshop.philip warren-smith, val warren-smith, john warren-smith, j&v warren-smith auto service, benchley motors p/l, spenden motors p/l, garages, union road, businesses, glenn warren-smith, cars

The land along the eastern side of the Union Road shops between Montrose Street and the railway line was originally owned by the Zeplin family. It was subdivided in 1914 and offered for sale as individual sites. Building did not occur until after WW1 and after the creek across Union Road had been barrelled. The garage was built at 145 Union Road in 1925. It has had continuous use as a garage since then. Originally there were petrol bowsers on the footpath. The façade of the building is remarkably the same as it was in 1925 when David Denholm was the first proprietor. He remained until c1950 and was followed by Benchley Motors P/L, then Spenden Motors P/L. John and Val Warren-Smith purchased it in c1980. In 2019 their family, including Philip and Glenn Warren-Smith and 2 of Philip's sons, still operate it as J&V Warren-Smith Auto Service.The Union Road shopping strip was assessed for heritage protection by Lovell Chen in June 2011 (Surrey Hills and Canterbury Hill Estate Heritage Study: Union Road Commercial Precinct Citation). Within this report two buildings were mentioned as, unusually, still performing their original role. These were Dartnell’s Pharmacy at 376-378 Canterbury Road (contributory) and the motor garage at 145 Union Road (contributory). This is one of a number of 3 images taken in 1991 which document the interior and function of the building.A colour photo of a man in green overalls working on a car with its bonnet up.john warren-smith, val warren-smith, philip warren-smith, glenn warren-smith, j&v warren-smith auto, union road, businesses, garages, cars, mechanics

The land along the eastern side of the Union Road shops between Montrose Street and the railway line was originally owned by the Zeplin family. It was subdivided in 1914 and offered for sale as individual sites. Building did not occur until after WW1 and after the creek across Union Road had been barrelled. The photo was taken in the office of the garage which was built at 145 Union Road in 1925. It has had continuous use as a garage since then. Originally there were petrol bowsers on the footpath. The façade of the building is remarkably the same as it was in 1925 when David Denholm was the first proprietor. He remained until c1950 and was followed by Benchley Motors P/L, then Spenden Motors P/L. John and Val Warren-Smith purchased it in c1980. In 2019 their family, including Philip and Glenn Warren-Smith and 2 of Philip's sons, still operate it as J&V Warren-Smith Auto Service. The man on the phone is Walter Kurt (Wally) Hoersch. Warmly regarded and often mistakenly thought to be Philip's father, he was not a member of the family. Wally had an interesting background, not known to many. He was born in the German Templer colony of Sarona in Palestine. It had been established in Ottoman Palestine in 1871 and is now a suburb of Tel Aviv. In July 1941, 188 people from Sarona were deported to Australia on the Queen Elizabeth. Wally's family were amongst them. They were interned in Tatura in Central Victoria until 1947. Wally lived in Mont Albert North and later Templestowe; he died on 21/7/2002.The Union Road shopping strip was assessed for heritage protection by Lovell Chen in June 2011 (Surrey Hills and Canterbury Hill Estate Heritage Study: Union Road Commercial Precinct Citation). Within this report two buildings were mentioned as, unusually, still performing their original role. These were Dartnell’s Pharmacy at 376-378 Canterbury Road (contributory) and the motor garage at 145 Union Road (contributory). This is one of a number of 3 images taken in 1991 which document the interior and function of the building.A colour photo of a man sitting behind a desk in an office on the phone. There is another man standing behind him to his right.john warren-smith, val warren-smith, philip warren-smith, glenn warren-smith, walter hoersch, wally hoersch, j&v warren-smith auto, union road, businesses, garages, benchley motors p/l, spenden motors p/l,

Framed still life featuring a bowl of apples, a saucepan and a lamp. Gift of Dr David Alexander, 2013art, artist, jarvis, lantern, sue jarvis, artwork

Articles include Life Governorship bestowed upon Alice McClelland for her 41 years of service, David Palmer Music Library given to library with terms of agreement signed by Hugh Jeffries and Neil Westh (David Palmer Trust) and Captain Semmens and Dr Orr (BLV), sound system installed in and outside storage shed added to Hall, still operating at a deficit and with no reply from Free Library Service Board of Victoria on assistance, and decision to close of Ballarat branch of Braille Library and make it an Auxiliary for the Aged Blind with next year to be the final one.32 pages of text with drawingsbraille library of victoria, corporation records

The Bendigo Caledonian Society is a social club for Scottish descendants still active today.Event program for the Bendigo Caledonian Society. Half fold design printed in gold, white, pink and light and dark blue ink on cream card. Embossed with scalloped edge on cover. Musical program listed inside. Front cover: Bendigo Caledonian Society / Welcome / to / His Excellency the State Governor / and / Lady Gibson-Carmichael / Town Hall / December 8th, 1908 / D. Andrew / Chief / A.C. Forbes / Secretary bendigo town hall, bendigo caledonian society, sir thomas gibson carmichael, lady gibson carmichael, governor of victoria 1908, bolton brothers printers, making a nation exhibition, councillor david andrew, city of greater bendigo events, city of greater bendigo community groups

Organisations such as 'Friendly Societies' were set up to protect and care for their members and communities at a time when there was no welfare state or National Health Service. The aim was and still is, to provide help to members and communities when they need it. The friendly societies are non-profit mutual organisations owned by their members. All income is passed back to the members in the form of services and benefits. The Oddfellows are also fundraisers for local and national charities; lodges raise money for local causes, and the society as a whole raise significant amounts for charities. Invitation for Manchester Unity Independent Order of Oddfellows Banquet. Half fold printed in purple ink on cream card. Scalloped edging. Menu listed in centrefold. Toast listed on back cover.Front cover: Bendigo District M.U.I.O.O.F. / A.M.C 1910 / Banquet / in honor of the / Officers and Deputies / town Hall, Bendigo / Wednesday, 15th March, / 8 o'clock p.m. / HIS WORSHIP THE MAYOR OF THE CITY, / COUNCILLOR D. ANDREW, WILL PRESIDE making a nation exhibition, bendigo town hall, councillor david andrew, mayor andrew, city of greater bendigo events, city of greater bendigo community groups