Plume from hat of Corporal Farrier Mervyn "Banjo" HARRIS VX22764 born 4/3/1914. He enlisted in the CMF 8th Light Horse in February 1937 then the AIF on 7th January 1941 and posted to 143 P.O.W Camp Murchison. He attained the rank of Sergeant prior to discharge on 1/5/1944 ..Discharge Certificate donated to Wangaratta High School together with a display box containing black and white images and blacksmith tools..refer Victorian Collections.0334/0396Plume comprising of 2 separate emu feathers gathered at base with glue and / or tape binding.emu, feather, plume

A coloured photograph in a black frame of a helicoper and crew in flight. Handwritten information of the back identifying RAN HF Emu Swuadron. On front of the helicopter is the ingignia of the RAn Emu Squadron with the words "Get The Bloody Job Done"There are the signatures of the four crewmen on the photographphotograph, cerberus collection, emu, ran

The interpretation centre at Tower Hill was designed by Robin Boyd. A number of colour photographs showing the Interpretation Centre at Tower Hill, and an number of emus.tower hill, volcano, robin boyd, emu

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

This type of hat was worn by Australian Light Horse in World War OneSlouch hat with ACMF hat badge, cloth puggaree and emu plumes. .hat, emu, plumes, ww1, world war one

Circular sew-on cloth badge. Teal background with gold embroidered emu and the words: HEALESVILLE SANCTUARY VICTORIA AUSTRALIA around the outer edge. Red stitched border; grey backing. emu, embroidered patch

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

emu, parrot and peacock feathers, silk thread, cottonbasket, woven, indigenous, lisa waup, peacock, emu, feather, handcraft

Painting depicting three reclining aborigines and four bother figures with emu and swan. Signed (L.r) 'Eric Stewart 1964'.eric stewart, painting, aborigine, bother figure, emu, swan

Made in 2016 for the Australian Sheep and Wool Show. It was entered into the needle felting section and won. Emu and Kangaroo made from Ultra fine Merino from a sheep called Ninja with a micron count between 14-15 from Casalana fine wool.Woolen Coat of Arms on round metal frame. Kangaroo and Emu made of Ultra fine Merino and real Emu feathers. Coat of Arms felted together by hand. Winning sash, judges scorecard, wool sample and Certificate Included.

Object, A Programme from the Gold Rush Days,Traditional songs; local ballads, songs to sing and a dance tune or two, presented by members of The Emu Creek Bush Band (…Plus a ring-in!).Songs include; A Thousand Miles Away, The Miner, Road to Gundagai, Write Me A Letter From Home; and Dollie Gray, Waltzing Matilda,Click Go The Shears, The Drover's Dream, Take Me Back To Bendigo, Bendigo Ballard, Sutton Grange, Rose of Allandale- Waltz, Rakes of Mallow and Finnegans Wake - reel, The Irish Lilt - jig. Words of some songs are inside as well as some music. Players; Olive Dobbyn-Piano; Phyllis Swann-Violin; Jo Johnson-Violin.The sketches are mostly from S.T.Gill 1852-53.Concert on the Diggings( engraving from Illustrated Sydney News).The Emu Creek Bush Bandprogram, music, concert

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition..1 An adult emu with chick is depicted standing in grass under the suns rays .2 As above but with green and pink shadingPencil signature Irena Sibleybookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, emu

emu feathers, white sulphur crested cockatoo feathers, cotton, possum jaw.basket, feathers, indigenous, lisa waup, cockatoo, emu, possom, woven

emu feathers, parrot feathers and peacock feathers, seed, cottonbasket, feathers, seeds, indigenous, lisa waup, woven, emu, peacock, parrot, handcraft

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Emu Vol 4 - 1904-5 A Quarterly Magazine to popularise the Study and Protection of Native birds Editors A J Campbell and H Kendall Publisher: Walker May & Co Date: 1905 Label on spine with typed text RA 598.2050 EMU Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library shipwrecked-coast, flagstaff-hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool library, warrnambool mechanics’ institute, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the emu vol 4, a j campbell, h kendall

Digital images of emus on Tower Hill near Koroit, Victoriakoroit, moyne shire, volcano, maar, game reserve, tower hill, tower hill, emu, wildlife, native, bird, flightless

Digital images of emus on Tower Hill near Koroit, Victoriakoroit, moyne shire, volcano, maar, game reserve, tower hill, tower hill, emu, wildlife, native, bird, flightless

Digital images of emus on Tower Hill near Koroit, Victoriakoroit, moyne shire, volcano, maar, game reserve, tower hill, tower hill, emu, wildlife, native, bird, flightless

This is the emblem of EMU (Experimental Miltary Unit) who were officially known as Royal Australian Navy Helicopter Flight Vietnam (RANHFV). The unit was formed in 1967 and integrated into the US ARmy 135th Assauly Helicopter Company until 1971. The February 1969 RANHFV Report of Proceedings contained the first reference to the unique unofficial badges worn by the men of the 135th AHC. It stated: "In an endeavour to boost the morale and unity of the Company, the Commanding Officer offered $25 and a 3-day pass to Vungtau for the designer of a new Company Crest and NAMAE Hughes’ entry won the competition. It is a very impressive combination of an anchor and US Army wings in a laurel wreath with USA-RAN inscribed in a scroll above the motto; GET THE B... JOB DONE written below". A further reference was made to the badge in the 16 May 1969 Royal Australian Navy "Navy News", which ran a story on the emergence of this unique badge that has become synonymous with the unit and remains so to this day. Source: https://seapower.navy.gov.au/ran-helicopter-flight-vietnam-history A blue cloth badge with white wings above a gold anchor with the number 135 is in the middle of the wings in white with red and white stripes underneath. On the anchor in red is the word EMU. Above the wings in red is USA RAN. At the bottom of the badge in white letters are the words Get The Bloody Job DoneGet The Bloody Job Donecloth badge, cerberus collection, 135th, emu, navy, helicopters, us army, assault helicopters

Clothing. Pure cotton fawn/cream coloured, short sleeved T-shirt. Round crew neckline. The blue, yellow and black screen printed logo of the Emu Creek Bush Band is featured in a shield shape on the centre front of the T-shirt. Short sleeves. The T-shirt was worn by Peter Ellis, OAM, founder and leader of the celebrated Emu Creek Bush Band - circa 1990's.The Celebrated Emu Creek Bush Band (logo) Cotton tag with size XL. Another cotton tag at back neckline L8 L BAKER 054 417555 (possibly screen printer).costume, male, t-shirt

Johann Carl Pohl (1824-1/6/1906) came to Bendigo in the 1850's. He was originally a butcher in White Hills but then planted about 12 acres of vines at Emu Creek. He was a very successful winemaker, winning prizes throughout Australia and overseas for his red wines. This certificate is from the 1873 Vienna World's Fair, again for his wine. He also won prizes at the Vienna Fair in 1875.Copy of a certificate of merit issued to Carl Pohl Emu Creek Strathfieldsaye Victoria by The Internationale Jury Weltausstellung 1873 in Wien.document, certificate, pohl

Copy of black and white line image of Aborigines, settlers, emus, trees, canoe, and coroboree. (from 'The Aborigines of Australia' by R. Brough Smithaboriginal, aborigine, bark canoe, canoe, emu, coroborree, tommy barns, g.h. poole

The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1Sky blue windcheater with the logo "The Celebrated Emu Creek Bush Band" printed centre front. The Band's symbol of the head of an emu is in a circle enclosed by the Band's name in blue and yellow lettering. Clothing label identifies the manufacturer - "L. Baker,". Includes Phone number. Reverse of label gives care instructions and "Made in Australia".colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection.

The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1White polo shirt with the logo "The Celebrated Emu Creek Bush Band" printed centre front in blue and yellow. In the centre of the logo is d drawing of the head of an emu with one eye open and one eye closed. Clothing label identifies the manufacturer - Centavic Clothing, For Embroidery and Screen Printing. Includes Phone and Fax numbers. Size XXL.colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection

Black and white photograph. Emu Creek Bush Band. In memory of the pioneers of Emu Creek sign. People dancing on right. Emu Creek hall.entertainment, music, emu creek bush band

Black and white photograph. Emu Creek Bush Band. In memory of the pioneers of Emu Creek sign. People dancing on right. Emu Creek hall.entertainment, music, emu creek bush band

Colour photograph. Emu Creek Bush Band. Outside Emu Creek Hall. In memory of the pioneers of Emu Creek. Blue Heeler dog laying in front.entertainment, music, emu creek bush band

Colour photograph. Emu Creek Bush Band. Outside Emu Creek Hall. In memory of the pioneers of Emu Creek. Blue Heeler dog laying in front.entertainment, music, emu creek bush band