This rope was part of a German Parachute cord from the Second World War. German paratroopers, or Fallschirmjager, were often at the forefront of German military actions. Australian soldiers faced a Fallschirmjager assault during the invasion of Crete in 1941.German paratrooopers, or Fallschirmjager, were an elite unit within the German military. Australian forces faced the Fallschirmjager during the airborne invasion of Crete in 1941. This object has the capacity to tell the story of that engagement.A length of frayed rope taken from a Second World War German Parachute. Coiled, with black and red threads running through the structure.german, paratrooper, parachute, fallschirmjager, crete, 1941

Postcard, WW1, B&W image of the back of a 15 inch German gun captured by Australians near Cappy.Tangled machinery with an Officer standing at right and a soldier sitting on top of ruined section at top left. Defoliated trees in background. Copy A26postcard, postcard, german 15" gun, cappy, australians, france, ww1

Grand Arch is a five-metre by five-metre steel sculpture by Inge King placed as the centrepiece of Alfred Deakin Place, part of a redevelopment in conjunction with the State Government, City of Ballarat, University of Ballarat and Art Gallery of Ballarat. Grand Arch is representative of King's sophisticated style of abstraction that reflected animal and plant forms through to planets and the cosmos. King was a German-born Australian sculptor who created many significant public commissions including the well-loved Forward Surge (1974) at the Arts Centre, Melbourne. She was at the forefront of the development of non-figurative sculpture in Australia and held more than 26 solo exhibitions and participated in more than 60 group exhibitions in Australia, New Zealand, London and New York over almost 70 years as a practicing artist. The artwork is of artistic significance to the people of BallaratLarge steel sculpture painted matt blackgrand arch, inge king, australian modernism

These contact lenses represent some of the earliest lenses used in Australia. They were made in Germany and distributed in Australia. Very few optometrists were involved with contact lenses in the 1930's.These lenses are rare as few glass contact lenses have survived intact from the 1930's.Pair of glass scleral contact lenses in D-shaped plastic hinged case. Case for right lens includes rubber suction lens handler.Right case:25/8 R -2, Left case:5/8 L -3. Case cover impressed:Carl Zeiss Jena/ Made in Germanyoptometry, contact lenses, scleral lenses, carl zeiss

Bruno Simon, German,Italian, Jewish refugee interned Australian WW2 8th Employment Co. AMFPhotographed copy of Bruno Simon and one of his sculptures entitled "The Young Girl".photography, sculptures, bruno simon, internment camp sculptors

Australian contribution to air fighting against Germany and Italy with Australia being a small force against the larger, stronger air forces. The smaller Australian Airmen were merged into the Royal Air Force.Historical record of the AIR effort 1939-1943Australia in the War of 1939-1945 - Air War Against Germany and Italy 1939-1943 Illustrations, Maps, Diagrams and Graphs, MapsAustralian War Memorialgermany, italy, the battle of britain, syria, western desert, fighter squadrons in 1941, bomber command 1941, radar bombing, air war, tunisia, pathfinder raids, invasion of sicily, night fighters

cameras were not common during the first world war. as such post cards of portraits and the damage of the battlefield were common.Collection of black and white post cards and photographs. 20 post cards are of the township of Villers Brettoneux after the German shelling. 2 are of Australian Soldiers. One of the photos is written on, otherwise the post cards are unmarked and in good condition." Stanley and I taken in London August 1916.ww1, souvineer, post card, wark vc club

Jean Watson born 1906 was the only child of Christopher and Carrie Watson (nee Shillinglaw). She died at age 14 in 1920 as a result of an accident, cause as yet unknown. POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, 1910, jean watson (1906-1920), postcard

Post Card printed on back with photographer's details: W. Mason & Co., 144 Bridge Road, Richmond. W. Mason & Co. operated from this adress from 1903-c.1932 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1903-1932, 1915, mary ann shillinglaw (1880-1963), w. mason & co. photographer 144 bridge rd melbourne

this item belongs to the Polish family; it was home made in the displaced persons camp in Paderbonn, Germany; the family arrived in Australia in 1950 and settled down in Melbourneone of a few items of this kind which has survived to present dayssteel, sharp perforations, rustedgrater, migration, displaced person camp

Wilhelm Martin Koska (1873-1937) was born in Germany and came to Australia in 1898. In 1908 he married Lily Maud Lever but she died in 1919 leaving very young children and Wilhelm remarried Mary Frances Wirth in 1923.W. Koska Invoice: Cream paper with black and red ink. Hole in the centre. Charing Cross ('Busy Bee' Next Lyric.) Bendigo, 22nd October 1930. Mr S.A. Bush. Dr. to W. Koska, Ladies and Gents' Tailor, Good Fit, Style and Workmanship Guaranteed. Terms Cash. 1930 Oct 6, So (sic) one suit to order £9/10/-.Includes receipt no. 141, pink paper black print. Bendigo 29th October 1930. Received with thanks from Mr. S. A,. Bush. W. Koska per W. Koska. Orange Stamp Duty 2 pence dated 29/10/30 and initials W.K. Box 625business, retail, general, w. koska. s.a. bush

This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany , and came to Australia to take up a post as director of physical education at Melbourne University. Metal pelvimeter. Consists of a device with two arms, which curve into rounded points at their ends. A semi-circular measuring gauge is attached to the end of the pelvimeter.obstetrics

This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany , and came to Australia to take up a post as director of physical education at Melbourne University. Metal catheter with internal wire. Catheter is in a vague 's' shape, with a thinner and thicker section. A loop at one end it attached to a wire which can be slid in and out of the device. There are two small round attachments at the thinner end of the device which function as grips. obstetrics

Correspondence re the registration (Registration of Historic Buildings) of organ at St. Kilian's . A letter dated 29/1/1982 from Ministry for Planning, Victoria to the Secretary Bendigo Historical Society (request for any information held regarding importance); b copy of application from the Organ Historical Trust of Australia to ''Add a Building to the Register of Historic Buildings''. Details of the organ are within the application - builder: August Randebrock, Paderborn, Germany , 1871; statement of significance re the organ - 'It is the only large example of a large (sic) 19th C German organ in Australia, such instruments are rare even in Germany. It is of international importance''.Ministry for Planning Victoria. 500 Collins Street Melbourne.church, history, st. kilian's catholic church, bendi, august randerbrock, paderborn, germany. 19th c german organ.

The Shire of Eltham War Memorial, a tower of remembrance to those who laid down their lives in serving their country during the Great War was opened in 1926. It is situated within the Shire of Eltham Memorial Park which was established in honour of all those who enlisted in the Great War to end all wars Processed by Studios Ltd POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, shire of eltham memorial park, shire of eltham war memorial, war memorial tower

This dress was worn by Nancy Kirsner (nee Rosenhain, b. 1906) and her older sister Mona (b. 1903) as children in England. Nancy Bertha Rosenhain was born in Worchestershire to German-Australian metallurgist Walter Rosenhain and Australian Louisa Rosenhain (nee Monash). Louisa was the sister of Sir John Monash; the couple met through a synagogue in Melbourne before settling in England. Nancy travelled to Melbourne in 1929 and was married to Marcus Kirsner on 24 July 1932. Nancy and Marcus lived together at 3 Baroona Court in Brighton.White cotton piqué dress. Square neck. Skirt gathered at waist. Broderie anglais trim around neck and sleeves. Hand-embroidered cornelli work on sleeves, bodice, and skirt. Small frill on skirt. Three self-covered buttons at back.children's clothing, 1900s, nancy bertha rosenhain, mona henrietta rosenhain, jewish diaspora

Post card inscribed "Wishing you many happy returns of your Birthday from Flo" Florence May Shillinglaw Possibly sent to sister Carrie Watson for her birthday in February 1917 (see also 05699) View looking south on Main Road towards Pitt Street and Watson's Eltham Hotel on left See also EDHS_00136 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1907, eltham hotel, florence may bunker (nee shillinglaw) (1886-1969), main road, pitt street, watsons hotel

This tool could also be used as a destructive instrument. This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany , and came to Australia to take up a post as director of physical education at Melbourne University. Stainless steel dilator with three blades. There is a ratchet at the top of the handles to control the expansion of the arms of the dilator. One arm of the dilator is engraved with the text 'HATRICK'. The second arm of the dilator is engraved with the text 'LONDON'."HATRICK'/'LONDON'destructive instruments, obstetrics

Born August 7, 1842 on the Merri Creek, Coburg Died August 13, 1914 at his home, 'Wattle Brae', Eltham aged 74 years. 'Wattle Brae' is the name Phillip Shillingaw gave to their cottage in Eltham. In his Will, Phillip stated that any of his unmarried daughters could continue to live in Wattle Brae rent free. Both Annie and Elizabeth remained unmarried and continued to live at Wattle Brae until the Shire of Eltham purchased the property in 1963. POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1908, mary ann shillinglaw (1880-1963), phillip shillinglaw (1842-1914), shillinglaw cottage, wattle brae

Inge KING (26 November 1915 – 23 April 2016) Born Berlin, Germany Arrived Australia 1951 Inge King trained as a wood carver and studied at the Berlin Academy (1937-1939), Royal Academy London (1940), and the Glascow School of Art (1941-1843) . She moved to London in 1847 and began carving organic abstract forms in wood and stone. In 1949-50 she went on a study tour to the United States of America where she was inspired to work in metal . Inge King arrived in Australia in 1951 and she completed several large scale public works. Between 1861 and 1875 Inge King lectured at the Institute of Early Childhood Development, Kew. From 1976 to 1987 she lectured in Sculpture at Royal Melbourne Institute of Technology. She was a founding member of the Ceminal Centre Five group, and she actively lobbied architects, governments and State galleries to include modernist sculptures in their plans and displays. In 1991 Inge King joined the first National Trust of Australia (Victoria) Public Art Committee, advising on public art at risk and worthy of Trust classification. The Australian Women's Art Register describes Inge King as having been at the forefront of developing a non figurative vocabulary in Australian Sculpture. Welded bronzed steel sculpture painted black and red. This sculpture by Inge King was purchased in 1967 with funds raised by staff and students of Ballarat Teachers' College, a predecessor institution of Federation University Australia. During this era a collection was made which resulted in an annual purchase or commission of an artwork of note. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Signed 'I. King' on the lower steel plate. art, artwork, inge king, king, sculpture, ballarat teachers' college collection, welded metal, metal sculpture

Ernest Samuel Shillinglaw married Anna Lucy Barlow in 1924. They resided in Eltham in 1924. By 1925 they were farming in Dalmore, Victoria. Their first child, a son, Leslie Ernest was born in Dalmore, Vic. in 1925. By 1927 they were living at 33 Miles Street, Ivanhoe where their second child, a daughter, Melva Lucy was born in 1927. By 1936 the family was living at Myer's Creek, Healeville close to Mary Ann Shillinglaw who was resident at The Ferns, Healeville. In 1937 they moved to Badger Creek, Healesville where they remained at least till 1954. POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1937, healesville, leslie ernest shillinglaw, melva lucy richards (nee shillinglaw), melva lucy shillinglaw

French and Australian troops at the graveside of 'The Red Baron' Manfred Von Richthofen, Picardie, France, April, 1918. There was dispute over troops of which nation shot down the German fighter ace, though Australian ground troops had the strongest claim. He crashed near the front line and was buried by Australian troops with full Military Honours. The cross is made from a propeller.Their is an inscription at the bottom that states "Barron Von Richthofen's grave (the champion German airman)red baron, grave, barron von richthofen, aif, france, 1918, ww1, world war 1, picardie, a.i.f

This German prayer book is representative of the devotional items used by German-speaking Lutheran or Catholic communities, especially those that settled in Victoria's Wimmera region. It would have been used for private prayer, reflection, and possibly church services. The elegant design and portability suggest it may have been given as a confirmation or communion gift, and such books were often treasured family possessions. These items played a significant role in maintaining religious and cultural identity among German-Australian settlers in communities like Natimuk during the late 19th and early 20th centuries. Belonged to Heinrich Wilhelm KLOWSS's mother Augusta Louie GLADIGAU. Book of Common Prayer.A small, leather-bound German-language prayer book, rectangular in shape with a dark, possibly black or deep brown cover. The front is adorned with a gold-embossed Christian cross centred within a double-lined decorative border, also in gold. The book is compact and was likely intended for personal use, suitable for carrying to church or for daily devotional reading. The spine appears to be slightly worn, suggesting long-term use and handling. Leather bound prayer book, inscribed, in German. Gold cross on front. 1891Gerang-Buch, Mrs G KLOWSS, Natimuk Lake - written inside the front cover.natimuk, natimuk lake, german prayer book, gladigau, klowss, mt arapiles, lutheran, bible, germany, migration

Picture depicts a group of German internees apprehended in Australia and interned at No 14 camp, Loveday SA. Back row: (left to right) K Barthel, Dr Julius Namors, Theophile Verellen, Friedrich Hermann, Kurt Butschek, Werner, Leopold Brandtner. Front row: N Basener, Rudolf Oertel, Ebe, Pufe and J Hermann. Copied from AWM accession number 030191/19.Black and white copy of photograph depicting 7 men standing and 5 men sitting. Two men (not included in photograph) back right. A sign with 19 is being held by the middle man sitting down. Backdrop is a hut. Photograph on corfu.loveday sa, camp 14, k barthel, dr julius namors, theophile verellen, friedrich hermann, kurt butschek, werner, leopold brandtner, n basener, rudolf oertel, ebe, pufe, j harmann, awm, 030191/19