Copy of an article from the Bendigo Advertiser 12/5/1906. A miner, Henry Roberts was killed by the fall of a large piece of sandstone which fell with no warning. The shift boss, James H Evely, had passed under the stone a minute before it fell and saw no signs of danger.bendigo, history, long gully history group, the long gully history group - mining fatality at hercules and energetic mine, bendigo advertiser 12/5/1906, henry roberts, samuel knight, wm nankervis, joseph roberts, dr cowen, w abraham, james h evely, clarence united mine, united devonshire mine, miners' association, eaglehawk branch of the a.n.a., robert roberts

Gifted to John / jack Yeoman who was a guard at Camp 13Camp 13Ashtray carved from sandstone, ( cream with dark pink stripes ), slightly triangle in shape, undulating surface. Heart shaped ashtray carved with a cigarette holder in one edge. Monkey is cream in colour, carved with holes to hold spare cigarettes. Monkey attaches with a spike on it's bottom to the ashtray corner. Ricordo Pirgionero = record of my imprisonment / memory of a prisoner is carved on the top and the bottom of the ashtray

HistoricA sandstone plinth with tablet commemorating the Eureka Stockade Rebellion of December 3, 1854 including the names of diggers and soldiers whom fought and fell in battle, surrounded by a bluestone border. Set on a larger platform surrounded by four cannons and bluestone edge. Set in parkland with entry gateway at Eureka Street, Ballarat.Eureka Stockade Sunday Morning December 3rd 1854. This tablet was created by the Eureka Improvement Committee 1923. To honour the memory of the Heroic Pioneers who fought and fell, on this Sacred spot, in the cause of liberty. And the Soldiers who fell at Duty's call. Diggers: W. Emmerman, J. Diamond, T. O'Neill, J. Donaghey, W. Clifton, E. Quin, W. Quinlan, J. Hafele, J. Crowe, T. Moore, J. Brown, Lieut. Ross, J. Robertson, Fenton, E. McGlyn, J. Haynes, P. Gittins, T. Mullins, S. Green, R. Julien, E. Thonen, J. Hassle. Soldiers: Capt. H.C. Wise, Ptes. W. Webb, M. Roney, J. Wall, F. Boyle, J. Hall.eureka

Photo mounted on board, Town Hall Bendigo, two storey sandstone building, clock tower on LH side. Image taken from Bull Street. On bottom of card in gold ' With the compliments of the Season' On rear in handwriting, 'Town Hall Sandhurst Xmas 188 ( illegible ) G.H.B. Embossed on the bottom is 'With The Compliments of the Season'bendigo, buildings, town hall, sandhurst, town hall, bendigo

Plan of Monument Hill mine drawn in black ink on buff coloured tracing paper. Plan shows diagram of stope and describes rock profile; 1" F.W. quartz, lava, slate H.W. quartz and slate with threads of quartz. Hard sandstone on side of stope. Signed LCS (?) 8/4/38business, mining, monument hill consolidated company

From Victorian Heritage: The single storey mansion house with enclosed glass verandah, Burswood was built in 1853 on a site overlooking the Portland Bay for English born pioneer colonist Edward Henty. John Barrow of Adelaide was the architect for this exceptional Australian regency style residence which he designed as a central block of fine axed basalt ashlar and slate roof (now replaced) with flanking brick wings forming an enclosed rear courtyard. Burswood is the most important early mansion house in western Victoria, being an exceptional Australian regency design by distinguished colonial architect James Barrow. Edward Henty, a member of one of Australia's most remarkable colonial families and the founder of Portland, established the first permanent settlement in Victoria on 19th November 1834, and Burswood is testimony to his success as an early colonist. Henty lived in his mansion for 17 years in a semi-regal state. Burswood has been little altered since completion in 1853. A glasshouse conservatory to the side of the present enclosed verandah was demolished prior to 1895 and the slate roof replaced with iron. Johnstone, O’Shannessy & Co was a leading photographic studio located in Melbourne, Victoria, Australia. It was active from 1865 to 1905. Henry James Johnstone was also an artist and studied at Louis Buvelot's school and with Thomas Clark.Painting of a sandstone coloured building. A grand house with a driveway and well-kept gardens to the front. There is a horse and cart with a man standing to the side of it. There is a female figure exiting the building and another female and a man further along the driveway with a dog. The building has a glass conservatory attached to the side. The sky is blue with several fluffy clouds.Bottom right: Johnstone O'Shannessy & Co Melbourne (in white paint)homestead, henty, historic buildings, colonial, burswood house

The Duncan family have occupied 'Glencoe' since 1888 when John Duncan purchased it from M. O'Brien. In 1972 Glencoe was the site for the Sunbury Pop Festival.A coloured photograph of the front facade of a sandstone building. A double hung 8 pane sash window is on the LHS of the wall and a doorway with a 2 panelled and glass door is in the foreground. The woodwork is painted cream. A tea trolley is near the door. The verandah roof is lined with fibro cement. At the extreme end of the porch there is a doorway. Farm implements are hanging on the wall.sandstone buildings, duncan, george, glencoe homestead, sunbury pop festival, george evans collection

An old bridge on the Heatherlie Quarry rail line at Back Creek, this line was used to transport sandstone from the quarry to Stawell.Photo shows an old bridge with 3 adults at the end, one male standing and 2 adults sitting. The bridge consists of large wooden beams,cross beams and supports .water can be seen at the bottom of the depression. Bush surrounds the bridge.structures, bridges

Stone grinding/sharpening tool with 'bump' which could be used as a handle. Evidence of wear due to sharpening on both sides of the stone. The rock is calcite cemented quartz sandstone; it is sedimentary quartzite with a granular appearance. It has a soft matrix, and is pale, indicating its calcite nature, as well as dissolved pits. Its origin is from dry land soils and dunes. aboriginal, stone, tool, archaeology, stone tools, sandstone, quartzite, calcite

Found in Bendigo One Tree Hill early 2020 near a sandstone mine cutting outcrop near the large water tank.One complete rusted horseshoe and one broken rusted axe head.horseshoe, axe head, fossicking finds, one tree hill bendigo

Bendigo Advertiser ''The way we were'' from 2000. Police residence: the former police barracks in Rosalind Park. Next to the goldfields warden's camp was the obvious place to house the police troopers. First there were tents, then a timber dwellings which, in 1859, gave way to a sandstone building. A group of residents actively restored it and the building has survived to the present day. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Sepia image mounted on board: image shows Bendigo Creek, sandstone walls on creek. Creek is not yet paved with bluestone pitchers. On RH side Hustlers Royal Reserve Mine, chimney and poppet head visible. Poppet head has lattice girder legs. Post Office clock behind showing 25 to 4. Image is pre-1910, when mine structure was removed.bendigo, mining, hustlers royal reserve/bendigo creek, bendigo, sandhurst, bendigo creek, mining, huslters royal reserve, post office, poppet head, chimney

The Hepburn Springs Progress Association invited Edna Walling the the Hepburn Springs Reserve, and sandstone paths and bridges resulted. In 1934 there was a proposal to spend 2,000 to 3,000 poinds at the Hepburn Springs Reserve, with a govenrment loan suggested. Colour photograph of the stone bridge at Locarno Spring in the Hepburn Springs Reserve.hepburn springs, locarno, mineral water, hepburn springs reserve, locarno spring, edna walling

The Hepburn Springs Progress Association invited Edna Walling the the Hepburn Springs Reserve, and sandstone paths and bridges resulted. In 1934 there was a proposal to spend 2,000 to 3,000 poinds at the Hepburn Springs Reserve, with a govenrment loan suggested. Colour photograph of the stone bridge at Locarno Spring in the Hepburn Springs Reserve, with the new 'placed' rocks in the surrounds c2000hepburn springs, locarno, mineral water, hepburn springs reserve, locarno spring, edna walling

The Hepburn Springs Progress Association invited Edna Walling the the Hepburn Springs Reserve, and sandstone paths and bridges resulted. In 1934 there was a proposal to spend 2,000 to 3,000 pounds at the Hepburn Springs Reserve, with a govenrment loan suggested. Colour photograph of the stone bridge at Locarno Spring in the Hepburn Springs Reserve, with the new 'placed' rocks in the surrounds c2000hepburn springs, mineral water, hepburn springs reserve, edna walling

The Holy Trinity Anglican Church in this location was first opened in 1877. An earlier nearby prefabricated Church building known as the 'Iron Church' had served as the Anglican place of worship in Bacchus Marsh from around 1855 until 1877. The 1877 sandstone Church with a slate roof was intended as a permanent structure for Anglican worship in Bacchus Marsh and still stands in 2024 and continues to function as an Anglican Church. The building was designed by Frederick Wyatt and is described as early English Gothic in style. It was opened on 5 June 1877 by Bishop Moorhouse of Melbourne. The sandstone was acquired from Grant's quarry at Maddingley.Small sepia unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album, which contains photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll. The photograph depicts the recently constructed Anglican Holy Trinity Church in Gisborne Road, Bacchus Marsh. The view of the building is from Gisborne Road looking west. From this angle the rear and southern side of the building can be seen. A picket fence along the entrance to the Church grounds can be seen in the foreground.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE churches bacchus marsh, holy trinity anglican church bacchus marsh, holy trinity church of england bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photographs of a double storey, red brick building built - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building

Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. This building is now the Gribble Building on the Federation University Australia SMB Campus.Artwork by students of the Ballarat Technical Art School from the 1934 Ballarat School of Mines Students' Magazine .1) Stairs to the Ballarat Junior Technical School from Grant Street .2) Caricatures by Nornie Gude .3) work by Colin S. Hunt .4) A girl and a rooster by Gilda Gude .5) Self Portrait .6) Main entrance to the Ballarat Technical Art School by Lorna Bailey .7) Artwork from the magazineballarat technical art school, gribble building, gribble, stained glass, white flat, hopwood, bailey, gude, ballarat junior technical school, visual arts

Bendigo Advertiser "The way we were" from 1999. Residence: Letheby Road, Eaglehawk.. Built in 1905 at a cost of 850 pounds, this was the original home of Abraham Albion Steward, son of the owner of the Albion Brewery. The home has 3.7 metre ceilings, spacious rooms and a cellar below the kitchen floor. The sandstone faced building at the rear of N. 26 is not original, having been removed from n. 84 Sailors Gully Road and re-erected.newspaper, bendigo advertiser, the way we were

The photograph was taken from the rear of the Emu Bottom Homestead and its outbuildings in front of the home paddock. George Evans, one of the district's earliest European settlers built the original homestead from Silurian sandstone removed from the surrounding hillsides in the 1830s.A black and white landscape photograph with a cream border of a farm house and outbuildingsemu bottom homestead, homesteads, george evans, jackson creek, sunbury

The photograph was taken from the rear of the Emu Bottom Homestead and its outbuildings. George Evans, one of the earliest European settlers in Sunbury, built Emu Bottom homestead in the 1830s. The original building was made from Silurian sandstone cut from the surrounding hills. A black and white landscape photograph with a cream border of farm buildings.homesteads, emu bottom, george evans, settlers, jackson creek

Side view of a double-storey, sandstone builidng with lawn, most likely the original building designed by Edmund Blacket for the Sydney Industrial Blind Institution in Boomerang Street. The artist has signed and dated the right-hand corner and has written 'Deaf and Dumb'.Watercolour and goucache over pencil in gold frameM Jonesm jones, sydney industrial blind institution

Print of a painting inspired by the original drawing done by Adam Stephan c1890. A double story sandstone building with a bay window sits behind a metal fence. On the road, driver waits with his horse and buggy as a man and woman stand in the open door to the building. 1 art print in grey/gold frameartwork, sydney industrial blind institution

In 1927 a plaque was installed at this anticlinal fold. Since no plaque is evident in the photo the date would be pre1927. The plaque states "This fine exhibit was disclosed when Lyttleton Street East was constructed in 1874. Saddle reefs occur in similar folds of the sandstones and slates on lower geological horizons." An anticline at Castlemaine, Victoria. This natural feature was uncovered during Lyttleton Street roadworks in 1880. anticlinal fold, geology, castlemaine

In 1927 a plaque was installed at this anticlinal fold. Since no plaque is evident in the photo the date would be pre1927. The plaque states "This fine exhibit was disclosed when Lyttleton Street East was constructed in 1874. Saddle reefs occur in similar folds of the sandstones and slates on lower geological horizons."Colour photograph of an anticlinal fold in Lyttleton Street, Castlemaine, Victoriaanticlinal fold, geology, geological feature, castlemaine

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display, a large rock feature made from Australian sandstone and a native plant garden.Colour slide in a mount. Aerial view of Alice Springs, Northern Territory, AustraliaMade in Australia / 10 / DEC 66M4australia, slide, robin boyd