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Melbourne Legacy
Programme - Document, programme, Comradeship Committee Christmas Carols
A programme of songs used in a Comradeship Christmas gathering. Contains lyrics of songs including ‘O Come all ye faithful’, ‘Hark the herald angels sing’, ‘Silent night', 'White Christmas' and 'Jingle Bells'. It ends with 'Every good wish to one and all for Christmas and the Coming Year'.Comradeship Committee meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. This carol booklet shows that Legatees enjoyed singing together at their Comradeship meetings and in particular singing carols at Christmas time. White card with printed navy type of songs for a Comradeship Christmas party. comradeship, function, christmas, songs -
Frankston RSL Sub Branch
Statuette, Heritage Fine Arts Pty Ltd, Vietnam, Circa 2000
A small statuette of a Vietnam era soldier in typical Australian Army jungle warfare kit. The setting represents a forward scout crossing a watercourse and silently signalling to those following 'enemy ahead' by giving the 'thumb down' hand signal. The cast pewter alloy statuette is mounted on a base of polished stone, the base being 8cm by 8cm by 5cm high. The overall height of the statuette is 15 cm.the base has the label "VIETNAM" Heritage Fine Arts, Limited to 2500 on one side of base, numbered 0143. -
Expression Australia
Book, Register of Deaf 1907
This is a register of Deaf people with 262 names listed. The register is dated 1907 and the purpose of the register is not known. Details include names and addresses, age, employment, age lost hearing and from what cause, where born, where educated and in what method oral, combined or silent, religion, whether married or single, and how many children. Significant as a record of deaf people in Victoria in 1907.Black Cover, 23.5cmHx18.5cmW -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Heidelberg Artists Trail signs are through this area including local artist Walter Withers, 2 Sep 2017
The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one located in Wingrove Park Eltham pays tribute to Walter Withers and his painting "The Silent Guns" Transcription of sign: Walter Withers – The Silent Gums, 1909 Walter Withers painted this tranquil pastoral scene in the vicinity this park. Here he has captured the dairy cattle belonging to local Eltham farmer, Mr. Tom Orr, feeding and resting in the shade of the tall Manna gums. Wither’s daughter, Nan recalled how her father, for inspiration, often visited the property of their neighbour, Mr. Tom Orr, and in his later years, Withers painted many landscapes depicting Mr Orr’s sheep and dairy cattle. Heritage Excursion by EDHS Members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, walter withers, heidelberg artists' trail, wingrove park trail, the silent gums -
Flagstaff Hill Maritime Museum and Village
Functional object - Food Safe, 1890 to 1925
The first commercially available, Australian-made domestic refrigerator to operate without ice was produced by Edward Hallstrom in 1923. It used kerosene as a power source and was promoted as ideal for outback stations where ice was not available. According to Museum Victoria, Hallstrom introduced the 'Silent Night' which ran on electricity or gas in 1935. However, Hailstorm's great-grandson, stated that the Silent Night refrigerator was introduced in 1928. Although Australians were among the pioneers of refrigeration in the 1850s, the technology wasn't adapted for domestic use until many decades later. The first domestic electric refrigerator was sold in America in 1913. It had an air-cooled refrigeration unit mounted on top of an ice box. The Frigidaire and Kelvinator brands date from 1918 when the first self-contained fridges were sold. Before this food safes were used as well to keep food away from flies and to keep items cool.A significant item used from the late Victorian era until around 1940 when people were beginning to be able to afford domestic refrigerators. After the second world war, most households had replaced their food storage cupboards or safes with refrigerators. The subject item gives a snapshot of domestic life from this time.Wooden kitchen safe with 3 metal perforated panels & 2 shelves inside. Was painted light Green but has been restoredflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, refrigeration, refrigerator, food storage, food safes, edward hallstrom -
Flagstaff Hill Maritime Museum and Village
Functional object - Food Safe, 1920s
The first commercially available, Australian-made domestic refrigerator to operate without ice was produced by Edward Hallstrom in 1923. It used kerosene as a power source and was promoted as ideal for outback stations where ice was not available. According to Museum Victoria, Hallstrom introduced the 'Silent Night' which ran on electricity or gas in 1935. However, Hailstorm's great-grandson, stated that the Silent Night refrigerator was introduced in 1928. Although Australians were among the pioneers of refrigeration in the 1850s, the technology wasn't adapted for domestic use until many decades later. The first domestic electric refrigerator was sold in America in 1913. It had an air-cooled refrigeration unit mounted on top of an ice box. The Frigidaire and Kelvinator brands date from 1918 when the first self-contained fridges were sold. Before this food safes were used as well to keep food away from flies and to keep items cool.A significant item used from the late Victorian era until around 1940 when people were beginning to be able to afford domestic refrigerators. After the second world war, most households had replaced their food storage cupboards or safes with refrigerators. The subject item gives a snapshot of domestic life from this time.Wooden kitchen food safe, 2 door with wire mesh at sides. Raised back panel has shaped edges and includes a shelf above bench area that has turned legs. The safe has 4 plain legs.Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, food safe, kitchen safe, kitchen furniture, food storage -
Melbourne Athenaeum Archives
Theatre Program, Cass & Clothier (Printers), Chang (film) : A Drama of the Wilderness screened at the Athenaeum Theatre in 1928, 28/01/1928
The last silent film to be shown at the Athenaeum Theatre presented by E J Carroll. The theatre was managed by Frank Talbot Pty Ltd during his long lease of the theatre following his major renovations when Henry White the architect built an intimate theatre inside the old Athenaeum Hall. In addition to musical accompaniment for the film, the orchestra, and sometimes singers entertained audiences before the films commenced and during interval. Filmed on location in the jungles of Siam (Thailand). Programs, printed for early films at the Athenaeum Theatre provided the full program for the audience in the centre pages and gave background information about the story and the actors. Chang was the last silent film to be shown at the Athenaeum Theatre before the Jazz Singer changed cinema going for ever with the introduction of both vocal and musical sound. No longer was the cinema orchestra required to provide atmosphere thus changing the cinema experience forever.Paper program of 20 pages presenting the Paramount Picture "Chang". The program Includes articles about the film, advertisements, movie stills, movie review, cast and illustrations. athenaeum theatre, program, programme, silent film, chang, frank talbot pty ltd, e j carroll, paramount pictures, athenaeum operatic orchestra, mr bobbie pearce -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: BOXING
Black and white photograph, boxing, 22/3/91, Strath village, photograph of Tony Torcasio and Sam Greco posing to look like they're about to fight for an Advertiser photograph. Bendigo Advertiser description: 22/3/91 LISA WHERE: Strath Village WHY: Visit to Strath Village WHO & WHAT: R. Tony Torcasio Victoria Sales Musashi Kick Boxer Sam Greco Karate. Fitness & Nutrition Consultant Content H 416844 Silent Bronwyn March. W. 412665, Natural foods and vitamins.Lisarecreations, sports, boxing -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Vol. 10, No. 1, 2005
Vol. 10, No. 1, Mar-Apr 2005 CONTENTS Comment 2 Clive Dickson 'Plein-air Painting in Europe 1780-1850' 3 Premier Pottery, Preston 1929-1956 7 Tom Dell'Anno at the Eltham Library Gallery 13 CD Reviews 14 Eltham Jazz and Blues Heritage Festival 16 Silent Voices 18 The Warrandyte Pottery Expo 19 Book reviews 21 Poetry 24 Artin' About 28 Wining & dining 30 Listings 32"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 32 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, art streams magazine, tom dell'anno, clive dickson, plein-air painting, david dee, reg hawkins, walter dee, alan james, margaret kerr, eltham library, community gallery, eltham town jazz and blues heritage festival, joe malatji, sutueal bekele althe, warrandyte pottery expo, robyn rowland, peter brocklehurst, margaret orr, brian mooney, jeanie james -
City of Greater Bendigo - Civic Collection
Ephemera - Advertising pamphlet, Tivoli Theatre Bendigo, 1912
The Tivoli Theatre was an open air theatre located behind the ANA building on View Street in Bendigo which began operating in 1910. This pamphlet features portraits of popular silent film actors of the day such as Paul Capellani noted French star and Miss Florence Turner American actress alongside tobacco slogans such as 'For Aroma, Sweetness and Flavour.' The 'Seasons Greetings' message from the Tivoli Theatre is limited to the front page which features illustrations of a fairy, Father Christmas and various Australian characters.Fold out, double sided, two colour printed brochure promoting Perfection Tobacco and the Tivoli Theatre Bendigo. Features photographs of a variety of actors and characters endorsing the tobacco.Xmas 1912 / With the Compliments of the Season / From Tivoli Theatre, Bendigomaking a nation exhibition, city of greater bendigo commerce, city of greater bendigo leisure -
Glenelg Shire Council Cultural Collection
Mixed media - Video - Mount Gambier and District, n.d
Bought from Filmart Australiana, Adelaide.Casterton. Covered well and interestingly over eight to nine months of well photographed material from 1936 (silent) Parade in honour of late King, Australia day carnival, Casterton gift won by swimmers;G. Spoof fight outside pub. Portland - from 1927, with various tints, about eight months (slient) Pan over Bay; Henty monument and homes; Church; School; Holidays via train; Admella lifeboat 1859 guesthouse Bridgewater lakes; Cattle raising. Government opens Harbour 1960 about three minuits (sound)Front: Back- Description supplied by David Donaldson of Filmart Australiana -
Federation University Historical Collection
Booklet, J. A. Hoskin & Son, Ballarat School of Mines Students' Magazine, 1964
Ballarat School of Mines Students' Magazine, 1964. Editorial - Education or Indocrination, The Principal's Page, "The Happiest Days of your Life", From Mr. Arblaster, Ceremony to Stand On, The Creative Personality, Are we Overworked?, Folksinging by the Miners, S.M.B. Silent Movies Inc, Students' Representative Committee (S.R.C.), Presidential Report, Red Roar or the Commie Threat, Conventional Wisdom, The Malaysian Student in Australia, Conferring of Diplomas 1964, Prizes Presented, Sports, The Past and the Future, The possibility of Fusion Power, School Council, Members of staff, Full Time Diploma Students 1964Yellow soft cover with black inscriptions and black images on front cover, 96 pages including advertisements.ballarat school of mines students' magazine 1964, staff, sports, kelvin whitford, armand krastins, c. w. valentine, ray windmill, jennifer boyd, malcolm park, mg. b. mck. henry, jutta bacsak, noel brady, gloria medlyn, ken felstead, jan butterworth, wayne collins, diane berry, lora richter, mr arblaster, eric fromm, john costa, stephen drew, judi woodward, michael moissinac, e. r. mcgrath, geoff. pepperell, marilyn barclay, gary roberts, jon mcdonald, ratnam nachiappan, jeni milbourne, dalia berzins, bernard livingston, ken ogden, g. n. hart, k. g. whitford, e. j. barker, h. j. trudinger, margaret leong, yew har ong, william cheng, ellen leong, joan wright, poh teck shen, kristine goodier, kok fong ho, kenneth laurence blee, jillian margaret norton, francis john pomeroy, graeme reginald williams, robert christopher blayney, alan joseph horne, anthony chai shing yeung, matthew john zeegars, peter william dalton, donald francis holmes, francis yung hei kwong, william lawrence moore, david sydney perry, vincent william quinn, graeme arthur waller, alan desmond bellingham, george ikstrums, george lauchlan nevet leishman, barry john lonsdale, malcolm john peel, harold matthew everett, bruce hugh flavel, chin kee hung, barry james patterson, willem roodenburg, raymond john benn, lloyd john menz, ian boyd beaumont, victor raymond wilson, norman kenneth hullick, philip clive lockyer, peter grantley prest, robert michael norton, chermsak tanskul, kenneth james mciver, neil albert bromley, robert james chapman, norman lindsay nash, joe hart, john thorne, greg. hunter, wayne johnson, robert e. grubb, tan joo lim, l. t. negri, p. h. malins, ruth russell, colin jellet, ken delany, roger lonsdale, bobby ong gim sen, ooi kok hai -
Bendigo Historical Society Inc.
Programme - Lydia chancellor collection: Royal Princess eighty first birthday souvenir programme
The Royal Princess Theatre, 73 View St., Bendigo, was designed by William Charles Vahland and opened on 31/8/1874. It had a capacity of 2000 and was lit by gas until 1898 when electricity became available. The original proprietors were John Croley (1827-1899) and William (Billy) Heffernan (1840-1899). It was Bendigo's first permanent picture house in 1910, with it's first showing being the silent film "The Desert Song". It closed in 1930 before reopening in 1936 after being rebuilt in the Art Deco style. The theatre was finally closed in May 1963 and was demolished.Eight pages souvenir programme. 1874-1955 Royal Princess, Bendigo. Eighty first birthday souvenir programme 31st August 1955. Manager: Don Vincent, price: sixpence, proceeds: cinematograph trade benevolent fund. There is a one-page history of the theatre by Don Vincent. The programme includes stage performances and the screening of "seven brides for seven brothers".royal princess theatre, souvenir programme, eighty first birthady, 1874-1955 -
Vision Australia
Booklet - Text, The Australian tactile art prize exhibition, 1999
An annual tactile art exhibition held by the Royal Blind Society of New South Wales encouraged artists to create artworks that were meant to be touched by admirers. In 1999, more than 230 artists submitted entries, with then 66 finalists showcasing their work at Customs House. This program provides information on each of the 66 works selected for exhibition, as well as an information and advertising leaflets from Robert Mac G Design, who created the three prizes for the winning artists. Most works were available for purchase, as indicated on the 'Opening bid for silent auction' sheet, with all proceeds going towards providing services to the 15,000 clients of RBS.1 v. unpaged with list of opening bid prices and three leaftletsroyal blind society of new south wales, fundraising -
Bendigo Historical Society Inc.
Book - THE SILENT CITIES
A,B. Blue hard covered book titled ' The Silent Cities. An Illustrated Guide to the War Cemeteries and Memorials to the missing in France and Flanders 1914 - 1918.' Compiled by Sidney C. Hurst, P.A.S.I. With a preface by Major-General Sir Fabian Warem K.C.V.O., K.B.E., C.B., C.M.G. Vice-Chairman of The Imperial War Graves Commission.' Methuen & Co. LTD. 36 Essex Street W.C. London, 1929. 407 pgs. First published 1929. (ill.) C. Also included is a newspaper article titled 'Memorial to our War Dead.' dated 25-6-38. D.dust cover of the book, incomplete missing back page.Sidney C. Hurstbooks, military, world war 1, book, books, war, wars, world war 1, cemeteries, memorials, france, flanders, soldiers, history -
Vision Australia
Machine - Object, Matrix Braille writer, circa 1968
Black box containing a Matrix Braille writing machine, with a 24mm-wide paper spool attached to the feeding mechanism. Corner of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black Bakelite keys with rubber pads beneath make this a "silent" machine; wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind -
Federation University Art Collection
La Perruque, 2018
Laresa KOSLOFF Laresa Kosloff makes performative videos, Super-8 films, hand-drawn animations, sculpture, installations and live performance works, all linked by an interest in the body and its agency within the everyday. Recurrent themes include humour and tension between received cultural values, individual agency and free will. La Perruque won the 2018 Guirguis New Art Prize. ‘Laresa is a worthy winner having been dedicated to her practice over many years and creating a work that is intelligently structured and steeped in satire, epitomising what we all either know or experience at work or in office life. By her clever collaging of characters, editing and story adaptation, Laresa has created an impressive fictional and insightful work that by way of its very construction cleverly illustrates and articulates aspects of Australian culture,’ (Shelley Hinton, Curator Federation University’s Post Office Gallery)A USB and a portable hard drive in a black archival box with a signed certificate. Her short film La Perruque is made entirely out of commercial stock footage, generic material produced for corporate advertising, which is strangely artificial, simplistic and loaded with images of success and productivity. Kosloff uses this footage to tell the tale of an office worker who is secretly trying to write a novel during work hours. The silent footage has been dubbed using voice actors and assembled into a story that subverts commercial representations of office life. The title refers to a French term that translates into 'wearing the wig', used to describe a situation of secretly working on personal projects during work time.guirguis new art prize, video -
Eltham District Historical Society Inc
Photograph, Heidelberg Artists Trail sign, "Landscape with Sheep" Walter Withers, Wingrove Park, Eltham, c.May 2001
The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one acknowledges "Landscape with Sheep" by Walter Withers. The text on the board states: Walter Withers depicts in this work a number of sheep on Mr. Tom Orr’s property. Our view is from the rise above this park, from the Lower Plenty side of the nearby Diamond Creek, looking northwards towards the main Eltham township. The area that is now Wingrove Park, would have been to the right, in the valley below the sheep. The mood of this work is warm and vibrant, with the use of strong blues and pinks, and this stands in marked contrast to the softer, cooler greens used by Walter Withers in his work ‘The Silent Gums’.Roll of 35mm colour negative film, 7 stripsAgfa HDC 200 plus-2eltham, heidelberg artists' trail, wingrove park trail, landscape with sheep, walter withers -
Glenelg Shire Council Cultural Collection
Instrument - Flutina, n.d
This instrument belonged to Captain James Fawthrop's stepsonConnection to Captain James Fawthrophe flutina is an early French precursor of the diatonic button accordion. The earliest version of the instrument dates from about 1831. It was constructed by "Pichenot le Jeune" and was probably one of the first accordions capable of playing a melody. It has one or two rows of treble buttons, which can play the tonic of the scale as "drawing" the bellows. Usually there is no bass keyboard. The right hand operates an air valve (silent except for the rush of air). In the front of the keyboard is a rocker switch, which is also called "bascule d'harmonie". This switch is to be activated with the thumb in order to open up a pallet (a pad that covers a tone hole at the other end of the key buttons) for a simple tonic/dominant effect of accompaniment: tonic while drawing and dominant while pressing.captain james fawthrop, musical instrument, accordion, flutina -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Landscape with sheep by Walter Withers part of the Heidelberg Artist Trail, 2 Sep 2017
The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one acknowledges "Landscape with Sheep" by Walter Withers. The text on the board states: Walter Withers depicts in this work a number of sheep on Mr. Tom Orr’s property. Our view is from the rise above this park, from the Lower Plenty side of the nearby Diamond Creek, looking northwards towards the main Eltham township. The area that is now Wingrove Park, would have been to the right, in the valley below the sheep. The mood of this work is warm and vibrant, with the use of strong blues and pinks, and this stands in marked contrast to the softer, cooler greens used by Walter Withers in his work ‘The Silent Gums’. Heritage Excursion by EDHS members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, eltham, heidelberg artists' trail, walter withers, landscape with sheep, wingrove park trail -
Wodonga & District Historical Society Inc
Album - Ringer's River by Des Martin - Plate 1 - Sean O'Day, Horse Breaker at "Gooloora" discusses his future
On a summer's day in 1891 Sean O'Day, Horse Breaker on James MacLough's "Gooloora" Station, is driving the Scots pastoralist in to the railhead at Overton after his annual inspection of that property. Silent and mature for his age, Sean was born in a dray while it was crossing the river during a flood, and has remained at home in it. Because he is always moving by dawn he is known in the borderland as Daylight O'Day. When MacLough asks him what he will be doing on the morrow O'Day replies that he will be manager. Questioned, he suggests that MacLough realises the background to his joke in that the station hands will, that night, celebrate the passing of the Boss's inspection. As they will have hangovers tomorrow all the work will naturally fall to himself, a teetotaller. MacLough nods assent, but, instead of leaving on the train, books a room for the night and a livery gig for the morrow, and drives himself to Gooloora early next morning. D.J. Martin as O'Day, H.S. Diffey as MacLough.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 1des martin, many a mile, ringer's river, northeast victoria stories -
Victorian Aboriginal Corporation for Languages
CD, Judy Holt et al, Wambaya : Northern Territory : Warumungu Tennant Creek, 2005
1. Father 2. There's a Land 3. Amazing Grace 4. Where Will You Spend Your Eternity? 5. Silent Night 6. Three Wisemen 7. Are You Washed in the Blood of the Lamb? 8. God is So Good 9. I'm Not Alone 109. Come Oh Lord 11. He is Lord 12. Father You Live in Heaven So High 13. At the Cross Road 14. He Took My Place 15. Jesus Died on the Cross 16.It's the Lily of the Valley 17. We are Gathered Here Together 18. We are One in a Bond of Love 19. Upon my Heart I have a Burden 20. Story: Hunting for Goanna and Bush Tucker 21. Skin Group for Wambaya People (as per law and culture) 22. A Story: Bush Tucker Collection and Preparation (according to traditional customs)CDnorthern territory, warumungu, tennant creek -
Moorabbin Air Museum
Film (Item) - (SP) Various 8mm and 16mm films See more detail in Context Will need to go to SharePoint to access "Video films 16mm and 35mm various", Video films 16mm and 35mm various
Helicopter based airline proposition. Water landing Taxying & take off capability. B & W Sound Demo landing & Take off land, snow & water. Weights & performance. Army variant takes 34 troops. Colour silent Jetstar sales video. Specs. Performance. First flight. Corporate & military uses. Colour sound Turbojet history technology. Whittle. Nene Vampire Meteor B&W sound Before 1st flight.Publicity film. New technologies. Cockpit features. Specs, performance. Colour sound Activity at Bankstown and Wagga 1943 Various WW2 aircraft. Inc medivac. On ground & in flight. B&W part sound. Has film break Shots of medivac A/c (Ref MAM 1006) John Gould bird extracts Forces and Moments on an aircraft. B&W sound Aircraft control modes - Pitch, directional, lateral B&W sound Publicity film C130 Hercules. Loading freight persons. In flight. Colour sound Boomerang info. In flight B&W -
Mission to Seafarers Victoria
Print - Engraving, In the anxious hours of waiting, 1916-1917
For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Petrus Spronk, 'Memory of Place' - Petrus Spronk. 2000, 2005
Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent -
Eltham District Historical Society Inc
Negative - Photograph, Unveiling of War Memorial Obelisk, corner of Main Road and Bridge Street, Eltham, 3 Aug. 1919
The unveiling of the Eltham Obelisk War Memorial was performed by the Rev. Padre Charles Tregear, assisted by Church of England vicar, Mr Safsford on August 3, 1919. Reproduced page 99 of "Pioneers & Painters." "Beneath a lonely pine tree on the hill crest out from Eltham, where the Greensborough Road junctions with the main Melbourne Road, Eltham has erected an everlasting tribute to the memory of the fallen heroes of the district. It is an obelisk of Harcourt granite in the rough, bearing an appropriate inscription and 27 names—an unpretentious monument by the wayside, which will stand for all time silently expressing the appreciation of the living for the sacrifice of the dead. The obelisk stands 14 feet high. ... Representatives of every house in the town, and many people from the surrounding district, gathered around the obelisk for the opening ceremony. The spring-like sunshine of the afternoon attracted everybody out of doors. There must have been 700 people present when the Lieutenant-Governor, Sir William Irvine, removed the draping of flags and revealed the names on the obelisk, the base of which was surrounded by wreaths and branches of wattle bloom, placed there by parents whose sorrow at the loss of sons was blunted, for the day at least, by feelings of pride. .." Age, Monday 4 August 1919, page 8 This was the memorial's orginal location. It has been relocated numerous times.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, main road, bridge street, eltham war memorial, obelisk, obelisk corner -
Eltham District Historical Society Inc
Negative - Photograph, Unveiling of War Memorial Obelisk, corner of Main Road and Bridge Street, Eltham, 3 Aug. 1919
The unveiling of the Eltham Obelisk War Memorial was performed by the Rev. Padre Charles Tregear, assisted by Church of England vicar, Mr Safsford on August 3, 1919. Reproduced page 99 of "Pioneers & Painters." "Beneath a lonely pine tree on the hill crest out from Eltham, where the Greensborough Road junctions with the main Melbourne Road, Eltham has erected an everlasting tribute to the memory of the fallen heroes of the district. It is an obelisk of Harcourt granite in the rough, bearing an appropriate inscription and 27 names—an unpretentious monument by the wayside, which will stand for all time silently expressing the appreciation of the living for the sacrifice of the dead. The obelisk stands 14 feet high. ... Representatives of every house in the town, and many people from the surrounding district, gathered around the obelisk for the opening ceremony. The spring-like sunshine of the afternoon attracted everybody out of doors. There must have been 700 people present when the Lieutenant-Governor, Sir William Irvine, removed the draping of flags and revealed the names on the obelisk, the base of which was surrounded by wreaths and branches of wattle bloom, placed there by parents whose sorrow at the loss of sons was blunted, for the day at least, by feelings of pride. .." Age, Monday 4 August 1919, page 8 This was the memorial's orginal location. It has been relocated numerous times.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 9 x 12.5cmsepp, shire of eltham pioneers photograph collection, eltham, main road, eltham war memorial, bridge street, obelisk, obelisk corner -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalshire of nillumbik, moor-rul viewing platform, kangaroo ground, memorial park -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: The Kulin Nation, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalshire of nillumbik, interpretative signage, interpetation panel, indigenous history, moor-rul viewing platform, kangaroo ground -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: Singing, Dancing, Ceremony, Celebrations, 10 August 2016
The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalwar memorials, shire of nillumbik, indigenous history, kangaroo ground, moor-rul viewing platform, interpretative signage, interpretation panel, display panel