Showing 483 items
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Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Rodney Shire Council 1957
Loaned for digital copying. Rodney Shire Council 1957.|Back: Martin O'Brien; William McMaster Smith; Stan Youlden; Tom Hastie; William Calder; Oswald Young.|Middle: Stefan Asboth (assist. Engineer); Edna French (Assist. Secretary); May Padley (Typist); Aileen Woodman (Clerk); Pat Whyte (Clerk); John Hehir (Engineers' Clerk).|Front: William Martin (Secretary); Stuart Ross (President); Ruby Ross; Arthur Knee (Engineer).|Shire of Rodney|Tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Rodney Shire Council, 1978
Rodney Shire Council, 1978.|Back: Kevin Ryan; Andrew Crawford; Russle Wallace (Dep' Shire Engineer); Ian Parsons; Vince Page (Health Isp.); Bernie Fitzsimmons); Frank Pullar; John Purdey (Dep. Secretary); Stefan Asboth (Assist. Engineer).|Front: John Gray; Pat Whyte (Rate Collector); Ben Perry (Secretary); Stuart Mock (President); Arthur Knee (Engineer); Jennifer George (Stenographer); Jack Smith.|Shire of Rodney|Tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Rodney Shire Council 1982
Original photo loaned for digital copying. Rodney Shire Council 1982.|Back: Bernard Fitzsimmons; Andrew Crawford; Royden James (Dep. Secretary); Frank Pullar; Dennis Hunt (Dep. Shire Engineer); Edward Davis; Ted McCracken; Stuart Mock.|Front: Patricia Maher (Typiste); Jack Maher; Diane Walker (Typiste); John Purdey (Shire Secretary); Kevin Ryan (President); Arthur Knee (Shire Engineer); Norma Bear; John Gray.|Shire of Rodney|Tatura -
Victorian Aboriginal Corporation for Languages
Audio CD, Songs performed by Charlie Kirby and interview with Mrs Jackson Stuart, 1962
Charlie Kirby sings songs at Balranald. Life interview and stories with Mrs Jackson Stuart at Swan Hill.CD, recording notes (for tracks 00191a and 00191b)yitha yitha, yida yida, wemba wemba, wamba wamba, balranald, swan hill, charlie kirby, mrs jackson stuart -
Victorian Aboriginal Corporation for Languages
Book, Stuart Rintoul, The wailing : a national Black oral history, 1993
b&w photographsoral histories -
National Wool Museum
Booklet, Improving Shearing Efficiency
Booklet about improving shearing efficiency produced by the National Rural Industry Training Committee and the Australian Wool Corporation."Improving Shearing Efficiency"shearing, national rural industry training committee australian wool corporation, stuart, mr david - south australian college of advanced education -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Boy with a thorn - 'Lo Spinario', c. 1900
Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art -
Uniting Church Archives - Synod of Victoria
Photograph, Stuart Murray, 28/08/1985
... Street Malvern East melbourne Photograph Stuart Murray B & W ...John Stuart Macleod Murray (03/05/1933 - 18/03/2011) was a scientist who worked in forestry soil conservation before taking out a Bachelor of Theology with honours at the University of Melbourne and a Doctorate in Divinity at the University of Chicago. He was Moderator of the Uniting Church for the state of Victoria.B & W waist length photograph of Stuart Murray"Stuart Murray Moderator C&N 28/8/1985 page 10 Return to UCF Office 130 Little Collins Street Melbourne"moderator, stuart murray -
Uniting Church Archives - Synod of Victoria
Photograph, Dr. Stuart Murray and Bert Loxton, 1987
Reverend Dr. John Stuart Macleod Murray 03/05/1933 - 18/03/2011 was ordained in 1965 and served at Rainbow-Jeparit, Special Areas MInister, Weeroona Bendigo North, Presbytery Minister in Bourke and Eastern Murray, and Pilgrim Church Adelaide. He retired in 1998.Colour photograph of Rev. Dr. Stuart Murray unveiling a plaque at the new chapel at Bulleen Uniting Church on 17/05/1987. He is pictured with Bert Loxton, a tireless worker for the chapel project.Dr. Stuart Murray and Bert Loxton C&N 10/6/1987 page 38.murray, stuart, loxton, bert, bulleen uniting church -
Uniting Church Archives - Synod of Victoria
Souvenir teaspoon
G070.1 Souvenir teaspoon with the yellow disc with an image of a bi-plane and text in G070.2 a plastic presentation box.On front: "JOHN FLYNN MOLIAGUL CENTENARY 1880-1980" On reverse: "Stuart"john flynn -
Hume City Civic Collection
Photograph, Craiglee Homestead
... Hume City Civic Collection 40 Macedon Street Sunbury ...The property is Craiglee, which was one of the first vineyards established in Sunbury in 1865 by Stuart Johnson. It is sited on the east bank of Jackson Creek and fronts onto Macedon Street. Goonawarra is another early vineyard on the opposite side of Macedon Street.A black and white photograph of a Victorian single storey homestead with a return verandah. Five people are standing on the porch. There are hills across the skyline and the garden surrounds the house.craiglee, johnson james stuart, vineyards, ] -
City of Warrnambool Rowing Club
Trophy
Silver colored cup with two handles and a baker light base.City of Warrnambool Rowing Club D. A. McDougall Cup 1980-81. S. Carter, J. Crossbie, K. Johnson 1981-82. D. O'Keefe, J. Crossbie, Glenda Warwick, Carmel O'Keefe 1982-83. K. Owen, P. Gee, W. Addinsall 1983-84. Stuart Fowler 1984-85. Stuart Fowler 1986-87. Gary Wallace, Mathew Bell 1987-88. Andrew McNeil 1988-89. Andrew McNeil 1989-90. C. Stonhouse, N. Bell 1990-91. J. Stonhouse 1991-92. S. Burleigh, I. Peerson 1992-93. N. Barratt, C. Kelson 1993-94. K. Lynch, K. Malseed 1994-95. J. Burleigh 1995-96. J. Burleigh 1996-97. B. Wooster 1997-98. B. Wooster 1998-99. R. Church 1999-2000. Michelle McKenzie, Cristy Kelson warrnambool, rowing, warrnambool rowing club, city of warrnambool rowing club, d. mcdougall -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, Stuart Rintoul et al, ASHES OF VIETNAM (Australian Voices)
959.704'38, historical, isbn: 0 85561 167 7 -
Kew Historical Society Inc
Photograph - City of Kew Horse, Cart and Employee, c.1950
The City of Kew was a suburb in Melbourne from 1860 to 1994.One of four original black and white photographs by Stuart Tompkins Camberwell of a horse and cart and a council employee, Barry Avery, in Parkhill Road, Kew. In a number of photos the cart has K.C.C., in large letters on its side. It is presumed to be the city garbage cart No.3 which was stationed at the old Council Depot on the corner of High and Disraeli Streets."Location Cr Parkhill Rd & Hillcrest Av KEW / Driver Barry Avery"city of kew, garbage waste collection - kew (vic), barry avery, kew depot, stuart tompkins -
Kew Historical Society Inc
Photograph - City of Kew Horse, Cart and Employee, Stuart Tompkins, c.1950
The Kew City Council Depot was for a period situated on the corner of High Street and Disraeli Streets. The photo from the former City of Kew Municipal Collection was taken by a photographer from Stuart Tompkins Studio in Camberwell.One of four black and white photographs (perhaps reproductions) of a horse and cart and a council employee in Parkhill Road, Kew. In a number of photos the cart has K.C.C., in large letters on its side. It is presumed to be the city garbage cart No.3 which was stationed at the old Council Depot on the corner of High and Disraeli Streets. "Cr Parkhill Rd & Hillcrest Ave Kew / Driver : Barry Avery"city of kew, garbage waste collection - kew (vic), barry avery, kew depot, stuart tompkins -
Kew Historical Society Inc
Photograph - City of Kew Horse, Cart and Employee, Stuart Tompkins, c.1950
The Kew City Council Depot was for a period situated on the corner of High Street and Disraeli Streets. The photo from the former City of Kew Municipal Collection was taken by a photographer from Stuart Tompkins Studio in Camberwell. One of four original black and white photographs by Stuart Tompkins Camberwell of a horse and cart and a council employee, Barry Avery, in Parkhill Road, Kew. In a number of photos the cart has K.C.C., in large letters on its side. It is presumed to be the city garbage cart No.3 which was stationed at the old Council Depot on the corner of High and Disraeli Streets. "Cr Parkhill Rd & Hillcrast Ave Kew / Driver Barry Avery"city of kew, garbage waste collection - kew (vic), barry avery, kew depot, stuart tompkins -
Kew Historical Society Inc
Photograph - City of Kew Horse, Cart and Employee, Stuart Tompkins, c.1950
The Kew City Council Depot was for a period situated on the corner of High Street and Disraeli Streets. The photo from the former City of Kew Municipal Collection was taken by a photographer from Stuart Tompkins Studio in Camberwell. One of four original black and white photographs of a horse and cart and a council employee, Barry Avery, in Parkhill Road, Kew. In a number of photos the cart has K.C.C., in large letters on its side. It is presumed to be the city garbage cart No.3 which was stationed at the old Council Depot on the corner of High and Disraeli Streets. "Cr Parkhill Rd & Hillcrest Ave, Kew / Driver: Barry Avery"city of kew, garbage waste collection - kew (vic), stuart tompkins, barry avery -
Ambulance Victoria Museum
Photograph, Ambulance Officers Training Centre Course 185, Recruit August 1976, 1976
Michael Rienits, David MacPherson, Roy LeSueur, Wayne Heatherington, Paul Judd, Peter Rensome(?), Ian Hughs, Trevor Niklaus(?), Douglas Quilliam, Robert Bowman, Lindsay Shawcross, Stuart Ansett, 'Lorry' Hanson, Brett Torey, Wayne Ryan, James Stephenson, David Seymour, John Duffy, Dennis Sampler(?), Desmond Corrigan(?).Black and White photograph of ambulance officer recruitsambulance officers training centre, recruits -
Lilydale RSL Sub Branch
Print - Framed Print, Andrew Stuart Smith, Spitfire - Ace of Spades, 1995
Framed PrintLimited Edition 217/850 -
Surrey Hills Historical Society Collection
Photograph, Mrs Mona Webster
Born in 1900, Mona was the daughter of Florence Jane McDowall Stuart (1867-1936) and George Hudson Grant (1864-1910) who married in 1899. He was a surveyor and they lived in Albany Crescent, Surrey Hills. Her full name was Jessie Mona Stuart Grant and she had a sister Mollie. In 1924 she married Clarence William Willoughby Webster (1895-1980) - SERN 33286. Clarence was born in Thorpedale where his father was a teacher. He was living in View Street Mont Albert and was a law student when he enlisted on 3 October 1916. After discharge on 10 May 1919, Clarence returned to his studies. He joined a legal firm in the city which became Pearce & Webster (later Pearce Webster Dugdale). Mona and Clarence lived in Surrey Hills and Mont Albert in a number of homes for the remainder of their lives. A black and white portrait of an older lady wearing round wire-rimmed glasses.writers, authors, view street, surrey hills, mont albert, victoria crescent, mrs mona webster, mr clarence webster, jessie mona stuart grant (miss), jessie mona stuart webster (mrs) -
Kew Historical Society Inc
Photograph, C Stuart Tompkins ARPS, Construction of Stawell and Yarra Streets, 1956
... Photograph Photograph Construction of Stawell and Yarra Streets Small ...Yarra Street in the Studley Park section of Kew was subdivided in the 1940s and 1950sSmall black and white photograph looking north-west down Yarra Street, Kew from upper Stawell Street during street construction in 1956. Homes at 32 Stawell Street and 5 Yarra Street are partially visible on left.yarra street (kew) -
Kew Historical Society Inc
Programme - Theatre Programme, Florodora / by Leslie Stuart, 1952
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of Florodora in the Kew Recreation Hall by the Kew Light Opera Company. The 12-page programme includes profiles, a cast list and advertisements. An annotation on the acknowledgements page by Arthur Dear, the Hall Keeper, records that he was responsible for cleaning up the mess afterwardsarthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, kew light opera company, florodora - leslie stuart -
Kew Historical Society Inc
Programme - Theatre Programme, San Toy / by Sidney Jones, 1953
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Theatre programme for a production of San Toy in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes profiles, a cast list and advertisements. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew, theatre memorabilia, kew light opera company -
Kew Historical Society Inc
Programme - Theatre Programme, The Cingalee / by Lionel Monckton, 1953
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Cingalee in the Kew Recreation Hall by the Kew Light Opera Company. The 10-page programme includes profiles, a cast list and advertisements. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia, the cingalee, kew light opera company -
Kew Historical Society Inc
Programme - Theatre Programme, Our Miss Gibbs / by Lionel Monckton & Ivan Caryll, 1954
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of Our Miss Gibbs in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. 4 pp.arthur dear collection, kew light opera company, kew recreation hall, musicals, programmes, theatre, theatrical performances, performing arts, our miss gibbs -
Kew Historical Society Inc
Programme - Theatre Programme, A Country Girl / by Lionel Monckton, 1954
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of A Country Girl in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia, kew light opera company -
Kew Historical Society Inc
Programme - Theatre Programme, The Arcadians / by Mark Ambient & A.M. Thompson, 1955
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Theatre programme for a production of The Arcadians in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the arcadians, mark ambient, a.m. thompson, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia -
Kew Historical Society Inc
Programme - Theatre Programme, The Toreador / by Ivan Caryll & Lionel Monckton, 1955
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatrical programme for a production of The Toreador in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the toreador, ivan caryll, lionel monckton, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia -
Kew Historical Society Inc
Programme - Theatre Programme, The Maid of the Mountains / by Harold Fraser-Simson, 1956
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Maid of the Mountains in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the maid of the mountains, harold fraser-simson, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew, theatre memorabilia -
Kew Historical Society Inc
Programme - Theatre Programme, The Maid of the Mountains / by Harold Fraser-Simson, 1956
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Maid of the Mountains in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. arthur dear collection, kew light opera company, kew recreation hall, theatre - victoria, theatre - kew, the maid of the mountains, harold fraser-simson