Roadway and crossing which was the site of the Glenorchy Weir. Part of water supply scheme which was completed in 1882 and used until approximately 1900.water river

Advertisement for J & D Weir (Chemists) of Plenty Road Bundoora. Copied from a Diamond Valley Football League football record from 1968.Digital copy of advertisement from booklet.diamond valley football league, j and d weir (chemists), plenty road bundoora

Louisa Vine nee Weir with her brother Richard Vine who was killed in France 1918 WW1 seated in Studio portrait with fern fronds.stawell portrait

Compiled by Gus Weir of the Wellington Tramway Museum, former Wellington tram driver. See Gus Weir Obituary - Wellington Tramway Museum 2019 file. Comprises photos taken during COTMA conferences and tours in Australia. Ballarat photos have details on the rear as do many others. Museums include Sydney, Victor Harbor, Bylands, Haddon, Bendigo, Ballarat, Rockhampton, Portland, Launceston, Perth, Portland and Hawthorn Melbourne. Ballarat photos are dated 11/2000.Yields photographic records of most Australian tramway museums. Album, black leather covered heavy card cover, with 46 double side paper sheets bound into album with two plastic sleeves per side to hold photographs. Some sheets at the front have been removed. Also has a paper envelope to hold negatives at the rear. Titled "Tramway Museums Australia" on the front spine.cotma, tram museums, btm, ballarat, gus weir, stm, tmsv, bendigo, portland, launceston, perth, mtpa, mtm, victor harbor

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Studio portrait of George Weir in cabinet card format. The photographer was G. F. Jenkinson of Areas Photo Company of Argyle Street, Broken Hill. An inscription on the rear of the photo identifies the date when the photo was taken: 9 June 1888. This was three years before his marriage to Edith Betteridge."9-6-88 / George Weir"george weir, broken hill, north broken hill mine

A black and white photograph of Route 23, Northwest of the 1st Australian Tasj Force (1ATF) base as Nui Dat, The ATF Commander Brig. Stewart Weir talks to Engineers working at bridge site. The bridge foundations had been damaged, by water, during a heavy rain storm.photograph, brig stewart weir, 1st atf base, 1st field sqn engineers, gibbons collection catalogue, national route 23, nui dat, engineers

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the 1st Australian Task force Commander (Aug 1969 - Jun 1970). Brigadier Stewart Weir MC (centre of the group) inspects a new bridge built by Australian Engineers from the 1st Australian Task Force Base, Nui Dat, South Vietnam.photograph, brig stewart weir, engineers, 1st atf base, nui dat, gibbons collection catalogue, denis gibbons, photographer, vietnam war

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Annotated copy of original photograph in cabinet card format of George Weir and his wife Edith Mary Weir (nee Betteridge), photographed in Melbourne in transit to Tasmania in November 1891 following their wedding in the same year."Edith Mary Betteridge m George Weir 18 Nov 1891 on way to sail on ketch to Strachan Tas. Photographer: Yeomen Bourke St. Melbourne."edith mary weir (nee betteridge), george weir

A black and white photograph of Brig Stewart Weir MC, 1st Australian Task Force Commander (1969-1970) talks to Engineers at a second bridge on Vietnam's National Route 23 which had suffered massive water damage to its foundations. The bridge had initially ben built by 1st Field Squadron Engineersphotograph, brig stewart weir, 1st field sqn engineers, national route 23, gibbons collection catalogue, military cross, engineers

Lake Bolac. The concrete weir and water-level adjusted overflow into the man-made channel into Salt Creek on the south side of the lake, circa 1949. The Moreton family is playing in the shallow trickle of water. Malin's windmill and pump can be seen on the bank in the background.lake bolac, salt creek, overflow, moreton, malin, windmill

Photocopies of Hume Weir photographs 1928-29One of three black and white photographs, photocopied onto a single sheet of A4 paper. This one is of a walkway on a suspension bridge.Written on paper next to photo: "Along the 600' suspension bridge 300' above creek"hume weir, suspension bridge, bridges

Photocopies of Hume Weir photographs 1928-29One of three black and white photographs, photocopied onto a single sheet of A4 paper. This one is of construction work on a cliff face, with train lines, tunnel and cable.Written on paper next to photo: "Detail of open cut for [illeg.]. Train lines for taking rock to crusher tunnel & stay ropes of suspension bridge showing"hume weir, suspension bridge, bridges, tunnels, construction

Photocopies of Hume Weir photographs 1928-29One of three black and white photographs, photocopied onto a single sheet of A4 paper. This one is of a lighthouse.Written on paper next to photo: "Lighthouse 1928"hume weir, lighthouse

Donated by Mrs A Terrill, member of Rutherglen Historical SocietyBlack and white reproduction of unmounted photograph of Hume Weir dam wallOn back of photo: "Construction of Hume Weir"hume weir, dam construction

Compiled by Gus Weir of the Wellington Tramway Museum, former Wellington tram driver. Comprises some 33 double-sided album sheets for photographs of Melbourne A1 & A2 class trams. Scanned into 3 parts as pdf files. Many photos taken in the City area, Kew Junction, Port Junction, Port Melbourne, Hawthorn Bridge, Mont Albert, Docklands Photos by Gus himself during Melbourne visits. Part 1 - cover - A1 231, 232, 233, 236, 237, 238, 239, 240, 243, 246 Part 2 - A1 246, 248, 255, 256, 257, 258, A2 259. 260, 261, 262, 263, 264, 268, 269, 275, 278, 280, 282, 283, 284, 286 and 287 Part 3 - A2 288, 291, 292, 293, 294, 295, 296, 298, & 300 Yields detailed information about Melbourne trams from 1991 to 2012Set of 33 album sheets generally with four photos within a bound album, with many blanks to allow for further photos. Each photo has a label on the rear, with details of the photograph's location, photographer, and date. An insert label on each page gives the tram number, location, and date.tramways, tramcars, albums, melbourne, yarra trams, m>tram, kew, docklands, cbd, kew junction, port melbourne, port junction, a1 class, a2 class

Compiled by Gus Weir of the Wellington Tramway Museum, former Wellington tram driver. Comprises some 43 double-sided album sheets for photographs of Melbourne D1 & D2 class trams. Scanned into 4 parts as pdf files. Many photos taken at Domain Interchange, Swanston Walk, Bourke St, St Kilda Road, Port Junction, Elizbeth St, docklands, Swanston Walk, St Vincents Plaza, Toorak, and La Trobe St. Photos by Gus himself during Melbourne visits. Part 1 - Introduction - D1 3501, 3502, 3503, 3504, 3505, 3506, 3508, 3510, 3511, 3512, 3513 Part 2 - D1 3513, 3514, 3515, 3516, 3517, 3519, 3521, 3522, 3523, 3524, 3525, 2526, 3529, 3530 Part 3 - D1 3531, 3534, 3536, 3537, 3538, D2 5001, 5002, 5003, 5103, 5004, 5005, 5006, 5007, 5008, 5016, 5010 Part 4 - D2 5010, 5011, 5013, 5014, 5015, 5016, 5017, 5018, 5019, 5020, 5021Yields detailed information about Melbourne trams from 2002 to 2012Set of 43 album sheets generally with four photos within a bound album, heavy brown card covers, plastic cover with a Negative pocket, and some blanks to allow for further photos. Each photo has a label on the rear, with details of the photograph's location, photographer, and date. An insert label on each page gives the tram number, location, and date.tramways, tramcars, albums, melbourne, yarra trams, m>tram, domain junction, swanston st, bourke st, elizabeth st, d1 class, d2 class

Compiled by Gus Weir of the Wellington Tramway Museum, former Wellington tram driver. Comprises some 44 double-sided album sheets for photographs of Melbourne B class trams. Scanned into 4 parts as pdf files. Many photos taken at Domain Interchange, Swanston Walk, Bourke St, St Kilda Road, Elizbeth St, docklands, St Vincents Plaza, and La Trobe St. Photos by Gus himself during Melbourne visits. Part 1 - Introduction - B1 - 2001, 2002, B2 2003, 2005, 2009, 2010, 2027, 2010, 2012, 2014, 2106, 2026, 2027, 2032 & 2034. Part 2 - B2 2036, 2037, 2040, 2041, 2042, 2045, 2047, 2048, 2049, 2051, 2052, 2055, 2060, 2063, 2067, 2119, 2068, 2069, 2077 & 2078 Part 3 - B2 2078, 2085, 2087, 2093, 2094, 2047, 2049, 2100, 2101, 2103, 2089, 2114, 2104, 2105, 2106, 2108, 2109 & 2111. Part 4 - B2 2112, 2115, 2117, 2120, 2123, 2125. 2126, 2131 & 2132.Yields detailed information about Melbourne trams from 1990 to 2011Set of 44 album sheets most with four photos within a PerforMore spring clip album, heavy card covers, plastic cover with a Negative pocket, and some blanks to allow for further photos. Each photo has a label on the rear, with details of the photograph's location, photographer, and date. An insert label on each page gives the tram number, location, and date.tramways, tramcars, albums, melbourne, mmtb, the met, ptc, yarra trams, swanston trams, m>tram, domain junction, swanston st, bourke st, elizabeth st, b class, b1 class

Compiled by Gus Weir of the Wellington Tramway Museum, former Wellington tram driver. Comprises some 42 double-sided album sheets for photographs of Melbourne - W class, City Circle, Restaurant & Heritage trams. - Scanned into 4 parts as pdf files. Many photos taken in the City area, Some photos by M Hawkins. Part 1 - cover - logos - MMTB, The Met, PTC, Swanston Trams, M>Tram, Yarra Trams, PTC, 11W, cable dummy, V214, W2 262. 380., 384, 431, 442, 504, 510 and X2 676. Part 2 -W2 512, W5 729, 721, 727, 728, 731, 753, 758, 760, 777, 780, 808, 823, 824, 842, SW5 856, 842, 853, 854 SW6 866, 862, SW5 728, SW6 871, 888, 890, 891, 899. 900, 896,905, 907, 909, 910, 919, 909 and VR 53, Part 3 - W6 884, W7 1002, 1000, 1020,W6 991, 998, 982, 982, 975, 983, 974, 975, 962, 972, SW6 957, 961, 957, SW5 728, SW6 954, 951, 951, Restaurant trams 935, 939. 938, 939, and 937 Psrt 4 - W7 1020, 1000, 1002, 1015, 1021, 1024, 1026, 1034, 1031, 1036, 1039, Yields detailed information about Melbourne trams from 1967 to 2012Set of 42 album sheets generally with four photos within a bound album, with many blanks to allow for further photos. Each photo has a label on the rear, with details of the photograph's location, photographer, and date. An insert label on each page gives the tram number, location, and date.tramways, tramcars, albums, melbourne, yarra trams, logos, w2 class, w5 class, sw5 class, sw6 class, w6 class, w7 class, restaurant tram, city circle, mmtb, the met, ptc, m>trams, swanston trams, x2 class.

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Edith Mary Weir (nee Betteridge) and her children, photographed by a photographer from the Sykes Studio in Broken Hill, c.1914. The children are (L-R) John Rigby Weir, Cecil Rigby Weir, Horace Rigby Weir, George Rigby Weir, and Edith jnr (Edie) Rigby Weir.Sykes Studio / Broken Hilljohn rigby weir, cecil rigby weir, horace rigby weir, george rigby weir, edith jnr (edie) rigby weir, edith mary weir (nee betteridge), weir collection, sykes studio -- broken hill

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of the two Weir parents and their children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of George and Edith Weir and their five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: Cecil Rigby Weir (1904-1983), Edith Mary Weir (nee Betteridge) (1867-1948), Edith Rigby Weir (1899-1981), John Rigby Weir (1910-1971), George Weir (1866-1937), Horace Rigby Weir (1907-1988), and George Rigby Weir (1901-1927). [John Rigby Weir was the father of the donor]weir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of Edith Mary Weir and her children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of Edith Mary Weir and her five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: John Rigby Weir (1910-1971), Edith Mary Weir (nee Betteridge), Cecil Rigby Weir (1904-1983), Horace Rigby Weir (1907-1988), George Rigby Weir (1901-1927), and Edith Rigby Weir (1899-1981). [John Rigby Weir was the donor's father].Stykes Studio / Broken Hillweir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill

The photo shows a small weir on the Stoney Creek which used to supply water to a number of early businesses in Halls Gap. The weir's former level can be seen on the large rocks behind but once a town water supply was installed, the wall of the weir was breached. Record 247 was taken at the same time and includes an image of a description of how to get to the weir.Photograph of a woman approaching standingh on a rock near a small weir. There are large boulders behind it which show the former level of the weir.scenery, stoney creek

Metal, china and glass ashtrays and other small pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. The pictures on the souvenirs ranged across natural beauty spots (beaches, waterfalls, rivers), civic buildings and monuments (town halls, war memorials), and indicators of local progress (commercial centres and occasionally even industrial sites).This ashtray is representative of a range of souvenirs used in the 20th century to depict Wodonga, Victoria and also on a State and National level throughout Australia.A metal circular ashtray including a coloured enamel image of the Hume Weir in the cenre."Above the central image "HUME WEIR" Beneath the central image "WODONGA"souvenir, hume weir, wodonga, ashtray

The photo shows a small weir on the Stoney Creek which used to supply water to a number of early businesses in Halls Gap, such as the general store and Grampians House. Each business ran a pipe from the weir to their premises and three outlets can still be seen embedded in the wall. Record 248 was taken at the same time.Photograph of a woman approaching a small weir with three large boulders behind it. The original level of the weir can be seen on the boulders. The additional image is a description of how to get to the weir.scenery, stoney creek

Black and white photograph of the Hume Weir under construction.On back of photo: "Hume Weir" and an oval rubber stamp "V. Peterson | Photographer | Hume Reservoir"hume dam, hume weir, hume reservoir, lake hume, dam construction

Black and white photograph of the Hume Weir under construction.On back of photo: "Hume Weir" and an oval rubber stamp "V. Peterson | Photographer | Hume Reservoir"hume dam, hume weir, hume reservoir, lake hume, dam construction

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection