Lithographs of various types pertaining to Suez Canal, shipwrecks and marine art of the 1800s. Also included in this collection are lithographs connected with cable laying done during this particular period. These woodcut lithographs appeared in "The Illustrated London News"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithographs, woodcut lithographs, illustrated london news, 19th century lithographic art

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed edition (3 of 5) If you can assist with information on this artist or artwork, please use the comment link below.art, artwork, woodcut, printmaking

Taking the Bar, 1876 woodcut of original entrance, with paddle steamer 'Lady of the Lake' and pilot boat grinding through rough conditions, can see Roadknight's Jetty, they lived at Merrangbaur, is aboriginal for home of lyrebirds.Colour photograph of a painting of a ship being towed over the natural entrance to the Gippsland Lakes. Red Bluff in background, Roadknight Jetty glimpsed through the natural vegetation. Lakes Entrance VictoriaTaking the Bar from Roadknights Jettyjetties, public works

Hard covered book with leather spine and corners. Image of a piston in gold on the front. 231 pages with 29 woodcuts and 72 plates of engineering drawings. Bookplate in front cover - No 126 in the Ballarat School of Mines Library, presented by the London Honorary Correspondent in 1876.ballarat school of mines library, engineering, link-morton, expansion gear, library book no. 126

Kormoran Crew 1942. Graytown POW Woodcutting Camp. Back: J. Klas; J. Fend; Paschke; W. Dollatowski; O. Bindemann; F. Schmidt; W. Kraft. Front: Beyer; Heinz Homann; W. Galuschka; E. Dressbach; Georg Rosenkranz. Black and white photograph of some of the crew from the Kormoran with trees in the background.graytown pow camp, woodcutting crew, kormoran crew, j klas, j fend, paschke, w dollatowski, o bindemann, f schmidt, w kraft, beyer, heinz homann, w galuschka, e dressbach, georg rosenkranz

David Rose (1936–2006) David Rose worked in New South Wales and produced etchings, lithographs, screenprints, and woodcuts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and matted silkscreen printed in colour, from four stencils Lower left: 53/120 Radical Lower right: David Rose 1971art, artwork, printmaking, david rose, silkscreen, print council of australia

Late Victorian travels, skirmishes and adventures in Africa. Colonial edition not for sale in Great Britain.Brown cardboard covered book with printed red paper overlay. Poor condition. Spine missing, splitting of volume. Paper detached from front cover. Front cover partially detached, back cover detached. 38 Full Plate illustrations. Other woodcut illustrations. 4 maps. 635pp. Indexed.P.2 Mechanics Institute Kilmore stamp, '79'.kilmore mechanics institute library.

Tony GRIFFIN Born Melbourne Ballarat-based painter and printmaker Tony Griffin has over forty-years’ experience in the visual arts. He completed a Diploma of Fine Art in 1980 and has recently completed a PhD (Visual Arts) at Federation University. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, woodcut, linocut, printmaking, tony griffin

INVITATION TO APEX BALL ('A NIGHT IN VENICE'). , Bendigo Town Hall, July 3rd, 1934. Front has gondola/canal illustration ('woodcut') and centre (not folded) has prices and publicity. Proceeds to St Aidan's Orphanage; St Luke's Toddlers' Home; Bendigo Baby Health Centre. Printer: Cambridge Press. a. - c. 3 copies of same document.organization, club/society, apex

This booklet of poems has been compiled by Thomas Terrington. Born in 1897 Tom Terrington worked at dairying, fencing, carpentering and woodcutting before taking over the Framlingham store when he was in his forties. He was a scholarly person with a wide knowledge of English literature. He was a well-known local poet and a member of the Australian Poetry Lovers’ Society. He wrote extensively on local history and his unpublished ‘History of Framlingham’ is in the State Library. Framlingham is a small settlement 25 kilometres north east of Warrnambool. This booklet is of interest as it contains some of the poems written by Tom Terrington, an important resident of Framlingham in the 20th century. This is a soft cover book of 24 pages. The cover is green with black decorative borders and black binding. The pages have black printing on green paper. The last few pages are missing. The cover is faded and a little torn. There are ornamental scrolls and patterns in black throughout the pages. tom terrington, history of framlingham

This book was translated from the French of M. Jules Labarte.Charcoal hard covered book with over 200 beautiful black and white woodcut illustrations. Illustrations include: Ivory chair at Ravenna - Abbey of Lorsch Martha and Mary advancing to the savior (Chichester Cathedral sculpture) The Navicella mosaic by Giotto Crown of Charlemagne (Imperial Treasury Vienna) Sword of Charlemagne (Imperial Treasury Vienna) Shrine of the Migi (Cologne Cathedral) Cup of Lapis Lazuli Iron Crown of the Lombards (Monza Cathedral) Irish Harp Bayeux TapestryLibrary cards, dates stamps, etcballarat technical art school library, library cards and date stamps, book plate, art, middle ages, renaissance

Lionel LINDSAY (17 October 1874- 22 May 1961) Born Creswick, Victoria Wood engraving, signed in block lower right. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodblock print.art, artwork, lionel lindsay, lindsay, woodblock, woodcut, goat, animal, available

c.l; japanese charactersprint, printmaker, printmaking, woodblock, woodcut, japanese, japan, birds, flying, geese

Tate ADAMS (1922-8 April 2018 ) Born Hollywood, County Wicklow, Ireland Arrived Australia 1952 England 1956-58 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paper linocut, printed in colour inks, from three blocks. art, artwork, tate adams, printmaking, available, woodblock, woodcut, sailing, boats, ballarat teachers' college collection

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.